A Station Eight Fan Web Site

Gargoyles

The Phoenix Gate

Ask Greg Archives

POSTINGS 2008-03 (Mar)

Archive Index


: « First : « 10 : Displaying #39 - #48 of 68 records. : 10 » : Last » :


Posts Per Page: 1 : 10 : 25 : 50 : All :


Bookmark Link

Greg Bishansky writes...

Just a few comments. I'm sure we'll discuss it in more detail soon.

Okay, first two episodes were pretty damn good.

- Loved Keith David as the unseen Big Man.
- Spidey's quips were funny, and as Pete he was very geeky and awkward, which was cool.
- I am really liking Gwen Stacy here, she's like a spunky version of Willow when she was in High School.
- On that note, you can tell that Greg is a Joss Whedon fan, but in a way, this had a bit of a Buffy feel, especially in the High School scenes.
- I liked Vulture a lot. The re-design was great. Loved hearing Freddy Kruger's voice come out of him.
- Electro was both an imposing an sympathetic villain. Crispin Freeman did a great job with that voice.
- Eddie Brock was great... I never thought I'd ever say that, but I like this Eddie. Giving him a connection to Peter is a brilliant move, which will make things all the more tragic when he becomes Venom.
- Cameos, cameos, cameos. Flint Marko and the Rhino as criminals before they become supervillains.
- Nice foreshadowing for the Lizard. I like how the villains are interconnected. Works better than random radiation accidents.
- And Gargoyles fan service. Goliath, Hudson and Broadway statues... Broadway shattered in the fight with Vulture.
- Norman Osborn is perfect in this series. He was a ruthless businessman. Unscrupulous, amoral and a bully. His one scene with Harry said all we needed to know about what kind of father he is, and how disappointed he is in his son. I love how Harry calls him "Sir."

I also loved how Vulture didn't even manage to faze him. He is being held hundreds of feet up in the air, and dropped, and he still insults him. Yes, this is the Norman Osborn I always read in comics. Much better than the 90s version who was reduced to being the Kingpin's whiny victim, and who wasn't a bad guy before he got powers.

Greg responds...

Glad you like it.

Response recorded on March 17, 2008

Bookmark Link

Mera writes...

Hi, Greg.

I’m compelled to tell you that I have never been interested in comics much less read them until Gargoyles and BUFFY/ANGEL (they are the only ones I read and I have every issue). I had a dream once about you and Joss Whedon collaborating in something but I woke up before I saw what it was. Therefore, please keep up the amazing work in bringing out the comics (or show if the stars align) and maybe, who knows, one day I can see both your names on something I’m reading/watching. My selfish fantasies have come true before.

Here’s the question. Even though I adore all the characters Gargoyles had brought to life for me, I, as everyone have a soft one for one or two particular characters. Depending on how you look at it. Will Owen (or Puck) ever get his own storyline or particular focus? Not asking about romance, unless there is one! Won’t say no about it. But he is a very interesting character and I hope for us to see more of him and his sharp witty one-liners.

Thanks.

Greg responds...

Given enough issues, the answer is yes, of course.

Response recorded on March 17, 2008

Bookmark Link

Algernon writes...

My Thoughts on The Spectacular Spider-Man

Wow, I am truly gobsmacked by these first two episodes. I'm particularly impressed by how many figures of Spidey-lore you have managed to squeeze in here. From big names like Norman Osborn and Gwen Stacy to the insanely obscure ones like Sally Avril and Stan Carter. Most comic-based shows don't intro this many familiar faces in a whole season, this show does it in the pilot. Pretty much every single character with a speaking role is lifted directly from the comic page. But on to the episodes themselves...

Survival of The Fittest

A whole lot going on in this ep, Vulture's vendetta against Osborn, Foswell and the Enforcers cracking down on Spidey plus a whole lot of pipe laying for future story lines. It really is a great running start for the series, hope you keep up the momentum.

Interactions
Another episode bursting at the seems, lots of different plot lines interweaving. Seriously I'm amazed these episodes are only 22 minutes long. Electro's never been a fave of mine but I like what you did with him here.

Random Thoughts

*Keith David's Big Man is the standout for me. I especially dig the unseen ominous voice angle, Kingpin, shmingpin I Say.

*It seems your going the Ultimate route with Eddie Brock's character development. Not my favorite incarnation of Brock but it'll be interesting seeing where you go with it.

*I'm pretty sure this is the first time Sandman's been animated since the eighties.

*Who does the voice of Norman Osborn? It kinda sounds like Kelsey Grammer

Great work so far, keep it up.

Greg responds...

Alan Rachins IS Norman Osborn.

Response recorded on March 17, 2008

Bookmark Link

MARCH 17

This day in Gargoyles' Universe History....

March 17th...

1058
In Strathbolgi, Canmore kills Luach. Bodhe also dies. Gruoch commits suicide.


Bookmark Link

The Spectacular Spider-Man #103

___________________________________________________________________________

The Spectacular Spider-Man
Ep: "NATURAL SELECTION"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
MATT WAYNE

Card #5
Directed By
DAVE BULLOCK
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring
DEE BRADLEY BAKER as CURT CONNORS / LIZARD
MAX BURKHOLDER as BILLY CONNORS
LACEY CHABERT as GWEN STACY
BEN DISKIN as EDDIE BROCK
CRISPIN FREEMAN as THUG # 1
ANDREW KISHINO as KENNY KONG

_______________________________________________________________________
Card #8
Also Starring
PHIL LAMARR as RAND ROBERTSON
JOSHUA LEBAR as FLASH THOMPSON
KATH SOUCIE as MARTHA CONNORS
DEBORAH STRANG as MAY PARKER
__________________________________________________________________________
Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION

___________________________________________________________________________
Card #11
Associate Producer
ERIC VESBIT

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
KI HYUN RYU
ADAM VANWYK
RICK MORALES
IRINEO MARAMBA JR.

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KARROL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
SWINTON SCOTT
JUNG JA KIM WOLF

Animation Checker
MYOUNG SMITH
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN "BUENOS" DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

Animatic Technician
MIKE MANGAN

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
ELVIDA ABELLA

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
DONNELL EBARRETE
CHUCK SMITH

Digital Effects Supervisor
ULYSSES ARGETTA

Card #23

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #24
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #25
Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #26

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION


Bookmark Link

"Natural Selection" on "The Spectacular Spider-Man"

Hey gang,

Hope you tune in on Saturday Morning to see the first appearance of the LIZARD on "The Spectacular Spider-Man". This episode is INTENSE!!! Trust me!


Bookmark Link

Wesley Nichols writes...

You mentioned that other Gargoyles would join the Manhattan clan besides Katana, Nashville, Fu-Dog. Will we see these gargoyles soon? Also does the manhattan clan have enough Gargoyles for Atermis to have a mate by the time he reaches full adulthood?

Greg responds...

"Atermis"?

Response recorded on March 14, 2008

Bookmark Link

Jordan writes...

Hey Greg,

I caught the spider-man premire and I have to say it was one of the best saturday mornings I've had in years. Congrats to you and your crew.

In the time between Gargoyles and Spider-man, how would say the overall process of creating an animated show has changed, for better or worse?

Greg responds...

Mostly worse for me at least, because in those days I had the occasional ear of Michael Eisner. He was hard to sell, but if he said yes, we got to MAKE OUR SHOW with no more bologna attached. Nowadays getting a "yes" is nearly impossible as it's always a decision by committee. Heck it took them years to decide to make Spider-Man. I mean... Spider-Man?!! If any show is a no-brainer...

Response recorded on March 14, 2008

Bookmark Link

Chuck Logan writes...

Greg I have enjoyed reading the new gargoyles comics immensely. I have bought each issue along with the paperback edition. To find out when each issue is going to hit the stands I go to the SLG publishing website. You are a terrific storyteller, and I would love to see your take on the red tornado. The SLG website has a link posting their publishing schedule for certain comics. Does the DC website do the same? Will you let us know on AskGreg.com when these issues are supposed to hit the stand at our local comic book store? I get the same feeling from reading the comic book as I did from watching the show so many years ago. I will continue to buy anything having to do with the gargoyles universe in the hope that season two volume 2 is released and furthering the growth of the franchise. If buying other projects you work on will also help the gargoyles I will be right there showing my support.

Greg responds...

Didn't I just answer this?

Response recorded on March 13, 2008

Bookmark Link

chuck logan writes...

Saw the new Spider-Man series and I have some quick questions:
1. Why does Doc conners have a robot arm?
If he has a perfectly fuctioning macanical arm, that may work better then a real one, why is he in such a hurry to grow a new arm? With this macanical arm (unlike in the comics) his life and ability to function is not hindered like it would be without it. The machanical arm deflates his motivation and the urgency to experiment on himself. I understand his wanting a flesh and bone arm but with a wife and child and a perfecly good maybe better robo arm his motives come across purely selfish and even more unnessisary.

2. Why do all the characters have eyes like the children in those old marionette/claymation christmas specials? This is especilly distrubing on Peter Parker.
3. Why introduse eddie brock so eairly in the series and not marry jane? Both these characters came much later in spider-man's life.
Mary Jane The Amazing Spider-Man #42 November 1966 (full apperence) \
Eddie Brock Web of Spider-Man #18 (Sept. 1986 Venom)

4. There are a couple other things that bug me, those are the big ones. Aginst my better judgment I actully like the new look of Vulture and Electro. My only problem with Electro is he is basicly a mutent. I would like it better if he uesed the suite to as a means of power not a way of containing it. This way he can lead an outwordly norm life and look like any rondom guy on the street until it is time to strike. At the end of the episode electro shattered his helmet. I hope he dosen't get another one he lookes cooler without it.

The animation on Spider-man during the action sequeces is great.
Thank You, Thank, You Thank You for giving Peter Parker/Spider-Man web shooters.
Is it true Kingpin will not appear in this show?

Greg responds...

1. It's not a robot arm, it's a somewhat advanced prosthetic arm. It doesn't function as well as a real arm, and he has no sensation in it. You'll notice he doesn't even use it to shake Peter's hand. If you think it's the same thing as having a real arm... well, you're just wrong. (Sorry.)

2. We like the art style. I'm not going to apologize for something that I VERY MUCH LIKE. Doesn't mean you have to like it, of course. To each his or her own.

3. I know exactly when each character was introduced, but I'm trying to find core truths, core dynamics for ALL the characters we're introducing. There is a method to my madness, but you may need to have a little patience.

4. Electro isn't a mutant by any comic book definition of the term that I know. I guess he's a mutate of sorts. But basically he got his powers in an accident, which is always how he got his powers in the comic.

5. As for Kingpin, at the moment we do not have permission to use the character, which I think is a damn shame. But I have hopes that'll change someday.

Response recorded on March 13, 2008


: « First : « 10 : Displaying #39 - #48 of 68 records. : 10 » : Last » :