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I'm curious about the philosophy behind recieving episode premise approval for a show from DC (and I'm assuming Marvel too for SSM?). I wonder which would describe it better:
1. You submit the episode premise as a checks and balances procedure working in good faith that the episode will be approved provided there aren't any legal or logistical oversights that would make the episode impossible to produce. What I think I'm asking is if they recognize your desire as producer to make the episode, and they would only veto a premise if there was some sort of hassle.
2. You submit the episode premise in the hope that DC likes it and sees value in the episode's production. This would imply that the episode could be approved or vetoed based on the creative "whims" of DC.
It's both or neither. The main concern for both companies (not including the legal ramifications, which separate LAWYER-TYPES deal with) is to make sure we are being true to the characters. Some DC and Marvel people focus on specifics. Some focus on the bigger picture. Some both.
But basically, they don't reject premises out of hand. Just the way we are dealing with their characters. And even that is fairly rare. Both Marvel on SpecSpidey and DC on YJ have been great partners in the process.
Hey again Greg,
When Superboy speaks for the first time in "Independence Day", a surprised Kid Flash responds by blurting out "He can talk?", was this a deliberate nod to Elisa's similar line in "Awakening Part Three" or just a coincidence?
Probably deliberate.
I mean wouldn't we all prefer to believe I'm deliberately shouting out to my old work, than to think that I'm just repeating myself, right?
First off, I just want to say how much I loved the Young Justice pilot. (I haven't been this excited about an animated show since JLU went off the air back in 2006!)
My question, though, is whether you find it frustrating to work on a series based on DC comics, because of their very long and complicated histories. I ask this as a big fan of the comics, and an even bigger fan of Bruce Timm's superb DC Animated Universe. Do you ever feel bogged down by over 70 years of comic history, not to mention countless adaptations? How much difficulty did you and the production team have in pulling out what elements you thought would work for the new series?
On a similar note, have you found it difficult to try to distinguish your work from other adaptations of the comic (most notably Mr. Timm's DCAU)?
Once again, I can't wait for the new series to air in January! Between your work on Gargoyles and the fantastic YJ pilot, you've set some pretty high expectations. :-)
Well, I DON'T mind at all. Some of the hardcore fans may mind what Brandon and I choose to do with all that history. We always attempt to be very respectful of it, but as you can imagine, over 75 years, continuity can become a bit... messy. And we have to do our best to make our series cohesive, coherent and contemporary, while still feeling classic and iconic. That's what we strive for.
It's easy to find inspiration for all kinds of things (story, character, etc.) in DC's rich history. But we ARE doing an adaptation, not simply a straight transposition of comics into moving pictures form.
Early on, we tried to distinguish our stuff from both the Justice League and Teen Titans animated series. But once we found our tone, I worry less about that. There will be overlaps, I'm sure, but now our characters are telling us where to take the series. So I feel safe that we've got our stuff.
YOUNG JUSTICE Episode #2 ("Fireworks") Credits
Well, this was a new twist. So called "gang credits" appeared on the last episode, mashing together credits from multiple episodes. That annoys me just as much as the non-legible variety.
So once again, I'm posting the credits here...
YOUNG JUSTICE
"Fireworks"
(a.k.a. "Independence Day, Part Two")
Producers
Brandon Vietti
Greg Weisman
_________________________________________________________________________
Written By
Greg Weisman
_________________________________________________________________________
Directed By
Sam Liu
_________________________________________________________________________
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme
Written And Performed By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_______________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Jesse McCartney as Robin
Danica McKellar as Miss Martian
Nolan North as Superboy, Superman
Khary Payton as Aqualad
Jason Spisak as Kid Flash
_________________________________________________________________________
Starring The Voices Of
Rene Auberjonois as Mark Desmond
George Eads as Flash
Miguel Ferrer as L-1
Crispin Freeman as Guardian
Bruce Greenwood as Batman
Phil Lamarr as Aquaman, Dubbilex
Mark Rolston as L-3
_________________________________________________________________________
Based On DC Comics Characters
Batman Created By
Bob Kane
Superman Created By
Jerry Siegel & Joe Shuster
Wonder Woman Created By
William Moulton Marston
Martian Manhunter Created By
Joseph Samachson
_________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Casey Sandin
Animation Coordinator
John Roback
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome Moore
Prop Design
Jay Hong
Alexander Kubalsky
BG Key Design
Enzo Baldi
Hakjoon Kang
Gong Peng
Jonard Soriano
________________________________________________________________________
Storyboard
Charles E. Drost, III
Jeff Johnson
Jae Kim
Storyboard Clean-up
Brendon Clogher
Chrissy Delk
Christina I. Manrique
Owen Sullivan
Olga Ulanova
Animation Timing Director
James Tim Walker
Animation Checking
Jan Browning
Annamarie Costa
Chuck Gefre
Chuck Martin
Justin Schultz
Timing
Jeff Hall
Gordon Kent
R. Michel Lyman
________________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Kim Bowen
Background Paint
Mike Inman
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
______________________________________________________________________
Main Title Animation
MOI Animation, Inc.
_________________________________________________________________________
Editor
Jhoanne Reyes
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Christopher D. Lozinski
_________________________________________________________________________
Animation Services
MOI Animation, Inc.
Animation Director
Yang-Ho Ji
Background Director
Joo-Sun Cha
Production Manager
Young-Soo You (Chief)
OK-Ki Lee
Min-Sung Park
Pan-seob Kim
Production Coordinator
Gina Park
Hyun-Jung Kim
Hyosun Ryu
_________________________________________________________________________
Layout Artists
Ihu-Soo Kim
Color Stylists
Min-Lee Kim
Model Checkers
Ki-Deok Park
Composition
Byoung-Ryul Kim (Chief)
Hyo-Yoon Back
Kyoung-Hee Kang
Key Animation
Geon-Sik Lee
Seong-Deuk Son
Yoon-Jae Ko
Jae-Bum Lee
Kyung-Ho Choi
Jeong-Hee Yang
3D CGI
Gu-Han Yoo
Final Checker
Dong-Moon Chu
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Athena Wingate
Luisa Guzman
Production Support
Audrey Kim
Kira Tirimacco
Renee Toporzysek
Casting Administrator
Liz Carroll
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
Lori Blackstone
Bonnie Negrete
Joulene St. Catherine
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Jennifer A. Anderson - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
James Lafferty - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
Jackie Trinidad - Development Coordinator
Peter Girardi - Design Guru
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
1.Where does Superboy live?
2.Are we going to see Cadmus again?
3.If we see Zatanna in Young Justice will she be a teenager?
1. In the Cave.
2. You'll have to wait and see.
3. You'll have to wait and see.
Heya Greg! This isn't really a question. Rather a resounding "THANK YOU" for pretty much all of the work you've done over the years. Right now a few of my fandoms that are still on-going have come out with new installments that have, well, been disappointing me. I'm not going to name names because I don't want to put you in the position of having to bash a fellow professional's work and there's no guarantee you're familiar with the specific ones I'm speaking of anyway.
But to me it feels like the writer(s) have been failing, not because they're not talented, but rather because a) When they began their projects they failed to think far-forwardly to where they wanted their stories to go once the initial conflicts they set up have run their course. And B) Instead of letting plot-lines flow from characters that are complex and change over time, they fall back on comfortable clichés, simple black-and-white conflicts, and cookie-cutter romance. To put it simply, when given the opportunity they take the 'easy' dramatic choices.
Seeing this happen over and over has made me much more appreciative of the insane amount of world-building and planning that you must put into the things you undertake, and your skill as a storyteller to dig into the well of timeless archetypes and situations and do things that are new and exciting with them.
For me it's a relief to know that when Young Justice premieres as a series (I did see the pilot movie and loved it) I'll have something where I can sit down and be entertained, and trust that the people behind it are doing everything they can to ensure that it's the best it can possibly be. And even if at the end it hasn't matched my vision for what it could have been, I know it will definitely be just as good, and most likely a whole lot better. So, in conclusion: Thanks for being awesome! Please keep it up. :)
Thanks for the kind words. One strives for awesomeness... and settles for "Hey, we did our best."
Hi Greg, first of all congratulations for all the team behind young justice. I read a lot of reviews and the premier was a huge success , everyone woking in the show really deserve the prise they are reciving. I have a couple of questions , hope you have the time to answer them:
1) Why does Superman react the way he did when he met Conner?. He left him in care of the other members of the league , Shouldn't he be more responsiable of his son?
2) Are all the members of the Light famous DC villans?. If the Oranization created Superboy to take Supermans place in case he perish , wouldnt that help the league?
3) Is there any chance you could cast Keith David as Black Manta? I think he would be perfect for the role
thank again for your time Greg, and i really looking foward to the whole season
1. I'm going to leave the answer to this to the interpretation of the audience. I have definite opinions on the subject, but more will be revealed in the fullness of time.
2. In case he perish or turn from the Light. Interpret that as chillingly as you like.
3. No comment.
Hi Greg, I have two questions to ask regarding my favourite male voice actors.
1.Is Will Friedle going to reprise his role as the Blue Beetle (Jaime Reyes) from B:TBTB onto YJ and in future DC cartoons & movies or do I have to wait & see? I asked because I'm a HUGE Jaime Reyes fan & Will did do a very perfect job at voicing him, therefore he really deserves to voice him longer. Plus I really couldn't imagine someone else voicing Jaime.
2.Do you know if John DiMaggio is going to voice the Joker again? He did a great job at voicing him in B:URH & he would be a really good replacement for Mark Hamill since he said he's going to retire from the role soon. Plus Bruce Greenwood gets to voice Batman again.
Thanks and I hope you'll with those two guys again.
1. No comment.
2. No comment.
Hi Greg,
I was totally blown away by the first episode(s) of Young Justice. I knew the show was gonna be good, but... wow. The story was very well-crafted, and the quality of the animation was like nothing I've seen on American television. I can hardly wait until the show continues in January!
A few questions:
1. I'm a big Hawkman fan. I know he and Hawkwoman aren't main characters, but will we eventually learn which versions you're using?
2. I love the new Aqualad, and appreciate your efforts to diversify the cast. Can you comment on why you chose Aqualad in particular to re-imagine as a minority character, as opposed to, say, Artemis or Kid Flash?
3. Would you be willing/allowed to include any openly gay or lesbian characters on an all-ages show like this?
Thanks for your time, and for producing such a great show!
1. Eventually. Either in the series or in the comic.
2. Artemis is also a minority, she's half-Caucasian, half-Vietnamese.
3. I would, yes.
Wow, the number of questions since the premiere of Young Justice has really exploded upward. I tried to read through all of them to see if any made reference to my question, and I didn't find any, but apologies if I missed it and this has been asked before you get to my question.
One thing I've always found a little frustrating in DC comics is that the fictional cities of specific heroes (Gotham, Star City, Central City, Metropolis) are never definitively placed anywhere in the United States, even when they use actual cities as locations (using Washington DC as Justice League headquarters, for example). It's not like I expect there to be a giant, meticulously drawn map of the US with all the fictional cities marked, but it would be nice to know what region of the country they're in, but it's never really confirmed in the comics. But knowing how specific your planning can be when taking real world matters in account, I was wondering if you had decided where these major cities were in the country.
If so, would you tell us which states/regions of the country the cities of our main heroes (Robin, Kid Flash, Speedy, etc) are? As we probably won't know where Superboy or Miss Martian are staying until you decide to show us, would you touch on some of the other fictional cities and their locations if that information isn't something that will be revealed in the show (Bludhaven, Metropolis, Gateway City, Opal City, Fawcett...?)
Thanks!
I'll give you time zones, how about that?
(We actually do have a map, but it seems to change all the time, so I'm going to NOT get myself in trouble by nailing things down until I know they're nailed.)
Both Gotham and Metropolis are in the EDT/EST time zone. So is Happy Harbor - the location of Mount Justice - which is in Rhode Island.
Central City is in CDT/CST.
Star City is in PDT/PST.
I'm not going to confirm or deny whether the rest of the cities you mentioned appear in the series or not. But I will say, that of DC's fictional cities, the above are our big five (or four and a half, since Happy Harbor is more of a town than a city). Throw in some non-fictional locations, including Washington, D.C., Philadelphia, Boston, Seattle, Chicago, New Orleans, Miami Beach, New York and Yellowstone, and you've covered a lot of our ground domestically.
Internationally, we have both fictional (i.e. DC created) and real world locations too.
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