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Do you have a scheduled day for YOung Justice to come back on in January? If you do, when?
Uh... January 7th, 2011.
Back in 2005, during the run of Justice League Unlimited, DC Comics imposed an embargo on the creative team of the show â" the most infamous of which being the Bat-Embargo â" that disallowed the use of most prominent Batman-related characters. And later Aquaman's. Is there any possibility of that happening to Young Justice? If so, do you have any contingency plan for that? Or does Young Justice have precedence over other DC shows in regards of the use of its characters?
I don't know what "precedence" means in this context. At the moment, we don't seem to have any problems in this area. But, no, we have no "contingency plan".
Loved the pilot, I had EXTREMELY high hopes for Independence day and my expectations were defiantly exceed. Seeing Connor animated for the first time was beyond incredible.
Please do me the favor of confirming weather or not we will see any of the following justice league members out of costume assuming their civilian identies. clark? bruce? barry?
Patience...
Neither borrower nor a lender be: For loan loses both itself and friend, and borrowing dulls the edge og husbandry
-William Shakespere.
Being original is never too easy: as amateur writer myself, and as misunderstood loner, i spend often much of my time crafting my own stories and developing characters of my own, and as certain perfektionist, it is long process.
Of course, i dont think it is a bad thing to be influenced by others and perhaps occasionally paying certain hidden tributes to them, but as any at least somewhat intelligent knows, too much borrowing is bad thing too: it only makes final product to look and feel predictable, facile and empty.
Many writers these days seems to be struggling between two choices:
When maing something original, how to make it to feel on its own and as much unpredictable and enjoyable as possible...
Or, whenever taking upon him/herself to craft from something that,s already been done in some form at least, to make sure not to repeat too much on the past, but still maintaining certain loyalty to its history.
Although i can certainly see many influences which must,ve been crafting on makers minds when gargoyles was crafted, it still manages to maintain it,s own fresh sense and certainly stand on its own. You and your fellows managed to make intresting world which was filled with intresting characters, deep themes and surprising plot-twists, something what is only very rarely seen in tv these days.
Then, you were showrunner on Spectacular Spiderman and have done work in The Batman for example. In The Gargoyles, you were given freedom to make your own characters, places and objects to use, and to use them in almost anyway possible, as long as it would seem to fit in. But whenever working on Spiderman, some things that fans of the franchise had grown to love in the past had to be maintained: Peter Parker/Spider-Man has to be portrayed as outcast whom fights against both city,s evildoers as well his own problems in his personal adolescence, or in Batman,s case, Btsie has to be this dark and tormented warrior of justice, Alfred loyal(and cynically sharp) butler, and Joker to be sick psychopath. And yet, repeating too much on the past, and you get scratched.
Having worked on something original and taking upon something you had been fond of in the past, which one do you consider to be easier/pleasent to do and how often, as a writer, you struggle between all these choices?
Um... I honestly enjoy all of these things.
Gargoyles, of course, was my baby. Still is. Nothing in the world I'd rather work on.
But working on Spider-Man was a joy. It seemed to come easy. And I still miss it.
I'll admit Young Justice is harder, but I honestly believe that's because Brandon Vietti (my producing partner) is constantly challenging me to make both my work and his own (and every one else on the production) better and better - which, in case it isn't obvious, is a good thing... a REALLY good thing. I have a pretty high standard myself, of course, but I really should say that if you like the stories we're telling on YJ, then a ton of credit should go to Brandon. He has really raised the bar.
If Superboy is 16 weeks old but is equivalant to a sixteen year old does this mean he will age quicker then the others?
In Teen Titans there was a major issue that you never got to see Robins eyes. Will we in Young Justice?
Is there any discussion about Robin being the most expierenced yet youngest in the show?
1. No comment.
2. Yes, eventually.
3. I feel like I've been discussing that for over a year.
Hello, Mr. Weisman. Congratulations on Independence Day, it was all I had hoped for and more. I have a few questions about Earth-16 that I hoped you would be willing to answer.
1. As of Independence Day, roughly how long has the Justice League been operating?
2. If I were to assume that the seven (bronze?) statues at the Hall of Justice were the seven founding members of the Justice League, would I be in error?
3. A)Do the League members' numerical designators represent their order of induction (except for the founders, obviously)? If so, do they also represent the order in which these characters debuted as superheroes?
B)Numbers 02, 04, 06, 07, 08, and 16 were shown in the pilot. Superman is undoubtedly 01. Wonder Woman and Hal Jordan are likely 03 and 05, respectively. That leaves 09-15, for the Hawkfolk, the two Captains, the two Johns (Zatara and Stewart), and Black Canary. In all likelihood, the Thanagarians joined jointly, thus their numerical designators are probably sequential. Could you reveal any of these yet, or will we just have to wait and see?
4. I've always been curious about the DC Martian life cycle, which has, to the best of my knowlede, never really been set before. Then I read your answer to an earlier question where you said that there's a rough 3:1 ratio for Human to Martian years (biologically speaking). Was this something that you and the creative team for Young Justice developed, or was it previously established somewhere?
5. I realize I'm probably asking too much, but does Project Atom exist on Earth-16?
6. Is Mount Justice/the Secret Sanctuary located in Happy Harbor, Rhode Island on Earth-16?
7. Jim Harper (the Guardian/Golden Guardian) and Roy Harper (Speedy/Arsenal/Red Arrow) were related in the comics. Did this influence the decision to cast Crispin Freeman in both roles, or is he just that good?
8. Is Kaldur'ahm the only person to act as Aqualad (thus far), or was Garth previously Aqualad?
9. Is naming him Kaldur'ahm a nod to Cal Durham from the comics?
10. Why is it that no one is ever just whelmed?
Thank you for everything that you do and for making yourself available to answer all of our often repetetive questions. A lot of people (myself not the least of them) appreciate it.
1. The League was founded about seven years prior, but the public has only known about it for the last three or four.
2. No, you would not be in error.
3a. Order of induction for all but the seven founders.
3b. I think it's more fun to make you wait and see. More fun for me anyway. ;)
4. I think we may have developed that. But it wouldn't surprise me if someone pointed out some obscure issue of a comic book somewhere and said: "Here! This is where you stole this from!" I have a lot of semi-useful DC trivia floating around my brain.
5. No comment.
6. Yes.
7. No comment. (Though of course he is just that good.)
8. Have patience.
9. No comment.
10. Lots of whelming going on these days, I think. Although lurking on various sites, I see a lot of people misusing the word, i.e. using "whelmed" when they really do mean "overwhelmed" or "underwhelmed".
Hey, Greg.
Are you writing any of the episodes to Young Justice?
Yep...
101, 102, 111, 115, 119, 126.
I'm curious about the philosophy behind recieving episode premise approval for a show from DC (and I'm assuming Marvel too for SSM?). I wonder which would describe it better:
1. You submit the episode premise as a checks and balances procedure working in good faith that the episode will be approved provided there aren't any legal or logistical oversights that would make the episode impossible to produce. What I think I'm asking is if they recognize your desire as producer to make the episode, and they would only veto a premise if there was some sort of hassle.
2. You submit the episode premise in the hope that DC likes it and sees value in the episode's production. This would imply that the episode could be approved or vetoed based on the creative "whims" of DC.
It's both or neither. The main concern for both companies (not including the legal ramifications, which separate LAWYER-TYPES deal with) is to make sure we are being true to the characters. Some DC and Marvel people focus on specifics. Some focus on the bigger picture. Some both.
But basically, they don't reject premises out of hand. Just the way we are dealing with their characters. And even that is fairly rare. Both Marvel on SpecSpidey and DC on YJ have been great partners in the process.
Hey again Greg,
When Superboy speaks for the first time in "Independence Day", a surprised Kid Flash responds by blurting out "He can talk?", was this a deliberate nod to Elisa's similar line in "Awakening Part Three" or just a coincidence?
Probably deliberate.
I mean wouldn't we all prefer to believe I'm deliberately shouting out to my old work, than to think that I'm just repeating myself, right?
First off, I just want to say how much I loved the Young Justice pilot. (I haven't been this excited about an animated show since JLU went off the air back in 2006!)
My question, though, is whether you find it frustrating to work on a series based on DC comics, because of their very long and complicated histories. I ask this as a big fan of the comics, and an even bigger fan of Bruce Timm's superb DC Animated Universe. Do you ever feel bogged down by over 70 years of comic history, not to mention countless adaptations? How much difficulty did you and the production team have in pulling out what elements you thought would work for the new series?
On a similar note, have you found it difficult to try to distinguish your work from other adaptations of the comic (most notably Mr. Timm's DCAU)?
Once again, I can't wait for the new series to air in January! Between your work on Gargoyles and the fantastic YJ pilot, you've set some pretty high expectations. :-)
Well, I DON'T mind at all. Some of the hardcore fans may mind what Brandon and I choose to do with all that history. We always attempt to be very respectful of it, but as you can imagine, over 75 years, continuity can become a bit... messy. And we have to do our best to make our series cohesive, coherent and contemporary, while still feeling classic and iconic. That's what we strive for.
It's easy to find inspiration for all kinds of things (story, character, etc.) in DC's rich history. But we ARE doing an adaptation, not simply a straight transposition of comics into moving pictures form.
Early on, we tried to distinguish our stuff from both the Justice League and Teen Titans animated series. But once we found our tone, I worry less about that. There will be overlaps, I'm sure, but now our characters are telling us where to take the series. So I feel safe that we've got our stuff.
YOUNG JUSTICE Episode #2 ("Fireworks") Credits
Well, this was a new twist. So called "gang credits" appeared on the last episode, mashing together credits from multiple episodes. That annoys me just as much as the non-legible variety.
So once again, I'm posting the credits here...
YOUNG JUSTICE
"Fireworks"
(a.k.a. "Independence Day, Part Two")
Producers
Brandon Vietti
Greg Weisman
_________________________________________________________________________
Written By
Greg Weisman
_________________________________________________________________________
Directed By
Sam Liu
_________________________________________________________________________
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme
Written And Performed By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_______________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Jesse McCartney as Robin
Danica McKellar as Miss Martian
Nolan North as Superboy, Superman
Khary Payton as Aqualad
Jason Spisak as Kid Flash
_________________________________________________________________________
Starring The Voices Of
Rene Auberjonois as Mark Desmond
George Eads as Flash
Miguel Ferrer as L-1
Crispin Freeman as Guardian
Bruce Greenwood as Batman
Phil Lamarr as Aquaman, Dubbilex
Mark Rolston as L-3
_________________________________________________________________________
Based On DC Comics Characters
Batman Created By
Bob Kane
Superman Created By
Jerry Siegel & Joe Shuster
Wonder Woman Created By
William Moulton Marston
Martian Manhunter Created By
Joseph Samachson
_________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Casey Sandin
Animation Coordinator
John Roback
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome Moore
Prop Design
Jay Hong
Alexander Kubalsky
BG Key Design
Enzo Baldi
Hakjoon Kang
Gong Peng
Jonard Soriano
________________________________________________________________________
Storyboard
Charles E. Drost, III
Jeff Johnson
Jae Kim
Storyboard Clean-up
Brendon Clogher
Chrissy Delk
Christina I. Manrique
Owen Sullivan
Olga Ulanova
Animation Timing Director
James Tim Walker
Animation Checking
Jan Browning
Annamarie Costa
Chuck Gefre
Chuck Martin
Justin Schultz
Timing
Jeff Hall
Gordon Kent
R. Michel Lyman
________________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Kim Bowen
Background Paint
Mike Inman
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
______________________________________________________________________
Main Title Animation
MOI Animation, Inc.
_________________________________________________________________________
Editor
Jhoanne Reyes
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Christopher D. Lozinski
_________________________________________________________________________
Animation Services
MOI Animation, Inc.
Animation Director
Yang-Ho Ji
Background Director
Joo-Sun Cha
Production Manager
Young-Soo You (Chief)
OK-Ki Lee
Min-Sung Park
Pan-seob Kim
Production Coordinator
Gina Park
Hyun-Jung Kim
Hyosun Ryu
_________________________________________________________________________
Layout Artists
Ihu-Soo Kim
Color Stylists
Min-Lee Kim
Model Checkers
Ki-Deok Park
Composition
Byoung-Ryul Kim (Chief)
Hyo-Yoon Back
Kyoung-Hee Kang
Key Animation
Geon-Sik Lee
Seong-Deuk Son
Yoon-Jae Ko
Jae-Bum Lee
Kyung-Ho Choi
Jeong-Hee Yang
3D CGI
Gu-Han Yoo
Final Checker
Dong-Moon Chu
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Athena Wingate
Luisa Guzman
Production Support
Audrey Kim
Kira Tirimacco
Renee Toporzysek
Casting Administrator
Liz Carroll
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
Lori Blackstone
Bonnie Negrete
Joulene St. Catherine
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Jennifer A. Anderson - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
James Lafferty - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
Jackie Trinidad - Development Coordinator
Peter Girardi - Design Guru
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
1.Where does Superboy live?
2.Are we going to see Cadmus again?
3.If we see Zatanna in Young Justice will she be a teenager?
1. In the Cave.
2. You'll have to wait and see.
3. You'll have to wait and see.
Heya Greg! This isn't really a question. Rather a resounding "THANK YOU" for pretty much all of the work you've done over the years. Right now a few of my fandoms that are still on-going have come out with new installments that have, well, been disappointing me. I'm not going to name names because I don't want to put you in the position of having to bash a fellow professional's work and there's no guarantee you're familiar with the specific ones I'm speaking of anyway.
But to me it feels like the writer(s) have been failing, not because they're not talented, but rather because a) When they began their projects they failed to think far-forwardly to where they wanted their stories to go once the initial conflicts they set up have run their course. And B) Instead of letting plot-lines flow from characters that are complex and change over time, they fall back on comfortable clichés, simple black-and-white conflicts, and cookie-cutter romance. To put it simply, when given the opportunity they take the 'easy' dramatic choices.
Seeing this happen over and over has made me much more appreciative of the insane amount of world-building and planning that you must put into the things you undertake, and your skill as a storyteller to dig into the well of timeless archetypes and situations and do things that are new and exciting with them.
For me it's a relief to know that when Young Justice premieres as a series (I did see the pilot movie and loved it) I'll have something where I can sit down and be entertained, and trust that the people behind it are doing everything they can to ensure that it's the best it can possibly be. And even if at the end it hasn't matched my vision for what it could have been, I know it will definitely be just as good, and most likely a whole lot better. So, in conclusion: Thanks for being awesome! Please keep it up. :)
Thanks for the kind words. One strives for awesomeness... and settles for "Hey, we did our best."
Hi Greg, first of all congratulations for all the team behind young justice. I read a lot of reviews and the premier was a huge success , everyone woking in the show really deserve the prise they are reciving. I have a couple of questions , hope you have the time to answer them:
1) Why does Superman react the way he did when he met Conner?. He left him in care of the other members of the league , Shouldn't he be more responsiable of his son?
2) Are all the members of the Light famous DC villans?. If the Oranization created Superboy to take Supermans place in case he perish , wouldnt that help the league?
3) Is there any chance you could cast Keith David as Black Manta? I think he would be perfect for the role
thank again for your time Greg, and i really looking foward to the whole season
1. I'm going to leave the answer to this to the interpretation of the audience. I have definite opinions on the subject, but more will be revealed in the fullness of time.
2. In case he perish or turn from the Light. Interpret that as chillingly as you like.
3. No comment.
Hi Greg, I have two questions to ask regarding my favourite male voice actors.
1.Is Will Friedle going to reprise his role as the Blue Beetle (Jaime Reyes) from B:TBTB onto YJ and in future DC cartoons & movies or do I have to wait & see? I asked because I'm a HUGE Jaime Reyes fan & Will did do a very perfect job at voicing him, therefore he really deserves to voice him longer. Plus I really couldn't imagine someone else voicing Jaime.
2.Do you know if John DiMaggio is going to voice the Joker again? He did a great job at voicing him in B:URH & he would be a really good replacement for Mark Hamill since he said he's going to retire from the role soon. Plus Bruce Greenwood gets to voice Batman again.
Thanks and I hope you'll with those two guys again.
1. No comment.
2. No comment.
Hi Greg,
I was totally blown away by the first episode(s) of Young Justice. I knew the show was gonna be good, but... wow. The story was very well-crafted, and the quality of the animation was like nothing I've seen on American television. I can hardly wait until the show continues in January!
A few questions:
1. I'm a big Hawkman fan. I know he and Hawkwoman aren't main characters, but will we eventually learn which versions you're using?
2. I love the new Aqualad, and appreciate your efforts to diversify the cast. Can you comment on why you chose Aqualad in particular to re-imagine as a minority character, as opposed to, say, Artemis or Kid Flash?
3. Would you be willing/allowed to include any openly gay or lesbian characters on an all-ages show like this?
Thanks for your time, and for producing such a great show!
1. Eventually. Either in the series or in the comic.
2. Artemis is also a minority, she's half-Caucasian, half-Vietnamese.
3. I would, yes.
Wow, the number of questions since the premiere of Young Justice has really exploded upward. I tried to read through all of them to see if any made reference to my question, and I didn't find any, but apologies if I missed it and this has been asked before you get to my question.
One thing I've always found a little frustrating in DC comics is that the fictional cities of specific heroes (Gotham, Star City, Central City, Metropolis) are never definitively placed anywhere in the United States, even when they use actual cities as locations (using Washington DC as Justice League headquarters, for example). It's not like I expect there to be a giant, meticulously drawn map of the US with all the fictional cities marked, but it would be nice to know what region of the country they're in, but it's never really confirmed in the comics. But knowing how specific your planning can be when taking real world matters in account, I was wondering if you had decided where these major cities were in the country.
If so, would you tell us which states/regions of the country the cities of our main heroes (Robin, Kid Flash, Speedy, etc) are? As we probably won't know where Superboy or Miss Martian are staying until you decide to show us, would you touch on some of the other fictional cities and their locations if that information isn't something that will be revealed in the show (Bludhaven, Metropolis, Gateway City, Opal City, Fawcett...?)
Thanks!
I'll give you time zones, how about that?
(We actually do have a map, but it seems to change all the time, so I'm going to NOT get myself in trouble by nailing things down until I know they're nailed.)
Both Gotham and Metropolis are in the EDT/EST time zone. So is Happy Harbor - the location of Mount Justice - which is in Rhode Island.
Central City is in CDT/CST.
Star City is in PDT/PST.
I'm not going to confirm or deny whether the rest of the cities you mentioned appear in the series or not. But I will say, that of DC's fictional cities, the above are our big five (or four and a half, since Happy Harbor is more of a town than a city). Throw in some non-fictional locations, including Washington, D.C., Philadelphia, Boston, Seattle, Chicago, New Orleans, Miami Beach, New York and Yellowstone, and you've covered a lot of our ground domestically.
Internationally, we have both fictional (i.e. DC created) and real world locations too.
Hey Greg. I was just wondering if you were a Blockbuster fan? Not of the rental store, but of the DC Comics villain. I ask this because the episodes you wrote featured him in it. For example, in the Batman episode Meltdown, which you wrote, I noticed Mark Desmond was the chief scientist working on trying to cure Ethan Bennett. Blockbuster also appeared on Batman: Brave and the Bold. He was in the teaser for Death Race to Oblivion, which you wrote. FInally, he appeared on Young Justice, great premier by the way, which you wrote and produced. I'm a bit of a Blockbuster fan to so I just wanted to know if you were? Thanks for taking the time to read this and keep up the good work.
I do like Blockbuster, although his appearance in B&TB, at least, originated with Producers Michael Jelenic and James Tucker, who came up with the entire story for that episode (including the Teaser).
I can't remember if, on The Batman, it was story editor Duane Capizzi or myself who decided to use Desmond. Could have been either of us.
But it was definitely my idea to include Desmond/Blockbuster in YJ.
Am I wrong to think that people are reading to much in to the covert ops premise of the show? From what the Flash said it seemed that it meant that they would be taking side missions, and missions that the justice league wouldnt have been able to do because theyre always being watched.
But are they going to be staying out of the public eye completely?
Or are they trying to not let villans find out that theyre a team?
Wait and see...
It's Just after 8pm PST on Monday, January 10th.
I just caught the east coast feed of tonight's Conan O'Brien show, which featured a big shout out to Young Justice. If you are a fan of Young Justice (or Conan) try to catch or record the west coast feed or the late night rerun of the episode. You'll be glad you did.
Flaming C Forever!!!!
Hey gang,
Happy (belated) New Year!
Still very busy on Young Justice. Got a new production report today, so I thought I'd give you all a little snapshot of where we are in production as of today (i.e. Monday, January 10, 2011). By tomorrow, this could all be different, but here's where we are now - or at any rate, here's where I am now with each episode.
101 - Aired.
102 - Aired as part of the movie pilot. Airs as an episode next Friday.
103 - Completed.
104 - Completed.
105 - Completed.
106 - We "On-Line" it today, after which it will be complete.
107 - We are working on the music, sound and visual After-FX this week.
108 - Being animated.
109 - Being animated.
110 - Being animated.
111 - Animation begun overseas, while we finish color models here.
112 - Animation begun overseas, while we finish color models here.
113 - Layouts being done overseas, while we finalize line-art models here.
114 - Layouts being done overseas, while we finalize line-art models here.
115 - Layouts being done overseas, while we finalize line-art models here.
116 - Layouts being done overseas, while we finalize line-art models here.
117 - Storyboard in revision.
118 - Storyboard in revision. (I'm giving notes on the last act of the board now.)
119 - Storyboard in revision.
120 - Storyboard in revision.
121 - Storyboard in revision.
122 - Storyboard in revision. (I'll be supervising a dialogue edit of the recording session this week.)
123 - In Storyboard.
124 - We're recording this episode tomorrow.
125 - Notes on the first draft script are due tomorrow.
126 - I'm in the process of writing the first draft script.
That's it. For now.
YOUNG JUSTICE Episode #1 ("Independence Day") Credits
Once again, to at least partially compensate for the way ALL networks shrink credits down to nothing, I'm posting the credits here after each airing...
YOUNG JUSTICE
"Independence Day"
(Part One)
_________________________________________________________________________
Producers
Brandon Vietti
Greg Weisman
_________________________________________________________________________
Written By
Greg Weisman
_________________________________________________________________________
Directed By
Jay Oliva
_________________________________________________________________________
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme Written And Performed By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_______________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Jesse McCartney as Robin
Nolan North as Superboy, Superman, Zatara
Khary Payton as Aqualad
Jason Spisak as Kid Flash
_________________________________________________________________________
Starring The Voices Of
Rene Auberjonois as Mark Desmond
George Eads as Flash
Crispin Freeman as Speedy, Guardian
Bruce Greenwood as Batman
Phil LaMarr as Aquaman, Dubbilex
Stephanie Lemelin as Computer
Yuri Lowenthal as Icicle Jr.
Kevin Michael Richardson as Martian Manhunter
Keith Szarabajka as Mr. Freeze
Alan Tudyk as Green Arrow
_________________________________________________________________________
Based On DC Comics Characters
Batman Created By
Bob Kane
Superman Created By
Jerry Siegel & Joe Shuster
Wonder Woman Created By
William Moulton Marston
Martian Manhunter Created By
Joseph Samachson
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Mark Wilson
Animation Coordinator
John Roback
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome Moore
Prop Design
Andy Chiang
Jay Hong
Alexander Kubalsky
BG Key Design
Enzo Baldi
Jay Hong
Hakjoon Kang
Art Lee
Gong Peng
Jonard Soriano
_______________________________________________________________
Storyboard
Jay Baker
Tim Divar
Phil Langone
Storyboard Clean-up
Brendon Clogher
Owen Sullivan
Olga Ulanova
Animation Timing Director
James Tim Walker
Animation Checking
Jan Browning
Annamarie Costa
Chuck Gefre
Chuck Martin
Justin Schultz
Timing
Richard Collado
Jeff Hall
Gordon Kent
R. Michel Lyman
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Kim Bowen
Background Paint
Mike Inman
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Main Title Animation
MOI Animation, Inc.
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Christopher D. Lozinski
_________________________________________________________________________
Animation Services
MOI Animation, Inc.
Animation Directors
Hyung-Ky Kim
Background Director
Jung-ho Park
Production Manager
Young-Soo You (Chief)
OK-Ki Lee
Min-Sung Park
Pan-seob Kim
Production Coordinator
Gina Park
Hyun-Jung Kim
Hyosun Ryu
_________________________________________________________________________
Layout Artists
Jin-Seok Choi
Color Stylists
Min-Lee Kim
Model Checkers
Yang-suk Kim
Composition
Byoung-Ryul Kim (Chief)
Hyo-Yoon Back
Kyoung-Hee Kang
Key Animation
Jeong-gil Lee
Jong-Jin Choi
Soo-Hyun Kang
Cheong-il Han
Hyung-Seok Jang
Young-il Park
Jae-Hyeong Kim
Hyun-ho Jeong
3D CGI
Gu-Han Yoo
Final Checker
Nam-gyu Lee
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Athena Wingate
Luisa Guzman
Production Support
Audrey Kim
Kira Tirimacco
Renee Toporzysek
Casting Administrator
Liz Carroll
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
Lori Blackstone
Bonnie Negrete
Joulene St. Catherine
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are of course a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Jennifer A. Anderson - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
James Lafferty - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
Jackie Trinidad - Development Coordinator
Peter Girardi - Design Guru
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
Considering that you created a new Aqualad, can we expect to see new villains also ?
Depends on how one defines "new".
This may be premature as the series is only just getting started, but has there been any consideration to creating some additional outlets down the line to showcase the rest of the Earth 16 universe you are building in the background behind Young Justice?
For example a comic miniseries, direct-to-DVD movies, or potential spin-offs focused on the Earth 16 Justice League (or Captain Atom or Wonder Woman, etc.)?
There's an on-going comic book series premiering this month, though still focused on the teens, it will give us the opportunity to see more of the rest of the cast, as well.
1) Will Aquagirl apear in Young Justice ? And if you can't answer that : Will any other characters from Atlantis apear in the show besides Aquaman amd the Two Aqualads ?
2)Who is your favourite sidekick from Young Justice ?
3)Who is your favourite DC Ice villain ?
1. Not saying.
1b. Not saying.
2. Don't have a single favorite.
3. Don't have a single favorite.
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