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Not a question, but rather some praise. I seriously love "Young Justice". I think it's an absolutely brilliant show and I like how each episode gets better and better every time. Character development and interactions have been very enjoyable, the plots are engaging, I love all the voice talents chosen for each role, the animation is outstanding... All in all, it's amazing.
Right now, I'm waiting for "Insecurity" to air this Saturday and I'm positively anxious to watch "Performance" the Saturday that follows. I almost can't stand the wait, actually, but I'm being strong! (Fingers crossed for no more hiatuses from CN, too~ XP)
So I just wanted to say thanks to you, Brandon and everyone else involved for giving me a series to love and a good reason to enjoy weekends just a bit more. Cheers!
You're very welcome. Of course, we're on summer hiatus now, but you got 15 straight episodes first, and a lot of series go on hiatus for the summer, so I hope we're forgiven and that you'll be back with us in the fall.
Agendas was awesome. A few questions, though.
I'm assuming that Guardian is Jim Harper and that he's the younger brother of Red Arrow's biological dad (He did say Roy was his nephew, after all, and if it really is Jim, the shared surname would indicate a paternal relation). Is my assumption correct?
You said in response to an earlier question that Guardian was only 24 years old. If the above assumption is correct, was there a big age gap between Guardian and Roy's dad? Because I can't imagine a mere six year gap between uncle and nephew otherwise.
Does Roy know that he has an uncle?
On a happier note, congratulations to the cast of "Young Justice" for being nominated for "Best Vocal Cast in a Television Series" and "Best Male Vocal Performance in a Television Series in a Supporting Role" (Crispin Freeman- Roy Harper/Speedy/Red Arrow) at the BTVA awards. You guys certainly have my votes- though I figure that by the time you read this the voting process and the announcement of the awardees would be long over.
Well, by now, you probably know that in fact Guardian/Jim Harper was NOT in fact Red Arrow's uncle. Instead, BOTH were clones of the original Roy Harper, i.e. Speedy. Guardian was force-grown to be older, but he also was cloned SECOND, so he's actually younger.
Red Arrow did believe for all of Season One that Guardian was his father's much younger brother.
I've never heard of the BTVA Awards and had no idea we were nominated? Did we win?
Hi Greg.
Loved Agendas. It was interesting to see the JLA's voting process regarding
new membership.
I have some questions related to that:
With the remarks about the importance of the membership decisions and that the JLA doesn't want to encourage the creation of another Injustice League, does the JLA
have a maximum amount of members? If so, is part of the reasoning to keep League decisions from becoming too unwieldy?
Wonder Woman's suggestion of expelling Captain Marvel took me by surprise. Is a
unanimous decision required to expel a member?
You mentioned in a response to a past question that Zatanna was previously deemed an authorized guest. Does this status have to be voted on as well?
Finally, it was good to see a glimpse of the Atom. Is Ray Palmer well-known by the general public to be a renowned scientist? Does the League factor into their decision his scientific knowledge?
Thanks for another great episode!
1. Nope. Although as Superman stated, the option exists to vote no to all new members.
2. I don't think unwieldiness is a big concern. There's no rule that all Leaguers have to go on all missions.
3. Nope. Just a majority.
4. No.
5. By the GENERAL public... I kinda doubt it. But he's a leading physicist in his field. Many people would have heard of him.
6. Potentially. It'll certainly come in handy in Season Two. (WHOOPS!! SPOILER!!!)
Hey Greg,
I'm merely curious as to why the second season of 'Young Justice' consists of only 20 episodes? While it probably hasn't affected the story you want to tell, it just seems unusual that WB/CN didn't give you guys the typical 26 episode order. I just hope it doesn't reflect a lack of faith in the show from the corporate end.
I think it has more to do with economics than "faith" - but I'll admit that was a decision made above my pay-grade.
Hi Mr. Weisman! I love Young Justice. Absolutely fantastic show. The plot is so thick and intricate -- amazing for a literary junkie like myself!
I was wondering how far in advance you guys have the show planned? For example, when you and Mr. Vietti and Mr. Hopps and the other fabulous writers sat down to plot out Season 1, how much of Season 2 was clear for you guys? How much of a potential Season 3? No spoilers needed -- just a general question.
Thank you so much for your wonderful work and willingness to answer fan questions!
While developing Season One, we had a solid idea of what we had in mind for Season Two - including the time skip. And we had/have solid ideas for Season Three, including another time skip.
I'ed like to start off with a complaint, really guys? I understand you have questions about unaired episodes, but do you HAVE to word them like plot summeries? the probebly twist's of the FOUR episodes are now compromised. Sorry Greg, but i don't think ill be checking the unawnsered question section anymore, the next month of episodes have soured because of it. I'm sorry, but i just really enjoy that sense of surprise when you get deeply immense in a show and they hit you with that curve ball, it's no fun seeing it coming.
Okay, that was unnecessary and whinny,but hey-moving onto questions...
1. When megan retained her human eyes in her ''fake'' real martian form, was that an oversight on her part/attempt at remaining connectable, or do girl martians really look like that.
2.Could you please elaborate on Queen Bee's form of hypnosis?Sorry for vagueness, but the wiki entry is dry and i'm curious.
3.Can Teekle be killed? (that sounds like something that would be asked in the past..)
4. Is the whole ''Hello ,Megan!'' catchphrase going to continue now that it's origin has been revealed?(you must have been laughing every time someone said is was forced and tiring-considering that was almost the point..that was the intended reaction.mind=blown).
5. Dose doctor fate need sleep? and what dose he do when he's not survaying the world for magical threats and what not..
0. I understand and feel your pain, but it's now fair game to check the unanswered questions as the moderators are booting all spoilers out.
1. It was fake.
2. It's pheromone driven.
3. Sure. But not easily.
4. On occasion.
5. Nabu doesn't, but his host does. And when is he NOT on duty?
Could you give us a few details on what the process to create an episode is like? I have no idea what doing online and locked picture mean...thanks!
Sure.
1. We start/started by breaking down the entire season on index cards on a VERY large bulletin board.
2. Once the basic arc was approved, I wrote up premises for every episode in the season. Each premise is about a page long.
3. We brought in our freelance writers and broke down a handful of episodes at a time, with each writer in the meeting (myself included) taking one episode as their own, but with every writer in the meeting contributing ideas and notions to everyone's story.
4. The writer goes off with my written premise and the notes from the meeting and writes up an outline. This is a prose document, broken down by scene/sequence of about 8 to 10 pages in length. For me, as a story editor this is a VERY important step, as it nails down the story, making script writing much easier.
5. I do a rewrite on the writer's outline and submit it to WB, CN, DC, Brandon Vietti and the episode's director for notes.
6. The writer goes off with my revised outline and all the notes and writes a script.
7. I do a rewrite on the writer's script and submit it for notes to WB, CN, DC, BV, S&P, legal and the episode's director. Usually showed it to Kevin Hopps as well, who was great at catching my mistakes. The first season, Kevin was on staff, and it was part of his job. The second season, he just did it as a favor. Good guy.
8. I do another rewrite or polish based on all the notes.
9. We record the script, casting any new rolls, etc.
10. Simultaneously, the storyboards are begun...
11. While at the same time, design work for the episode begins: characters, backgrounds, props, effects. This is ALL black and white line-art at first.
12. The boards are roughed out and get notes from the director.
13. The boards are cleaned up and submitted to Brandon and myself.
14. Brandon and I give notes, and the boards are revised.
15. Meanwhile, designs are approved and then we go through the same process with color and background painting.
16. Boards are slugged for time to make sure the show isn't too long or too short.
17. X-Sheets (timing sheets) are created to give detailed information to the animators about how long each individual action will take and to give mouth movements to the characters.
18. All these materials are shipped to Korea to either Moi or Lotto to be animated.
19. We occasionally call for "Wedge Tests" that allow us to preview important or tricky bits of animation in advance to make sure we're getting what we want.
20. The animation comes back rough from overseas. Our editor Jhoanne Reyes compiles it into what we call an A-Frame. It's a very ROUGH cut.
21. Brandon, Jho, David Wilcox and myself call retakes, i.e. we ask the overseas studio for animation corrections. We also call out visual effects for Matt Girardi.
22. Brandon, Jho and I edit the episode, LOCKING it to the exact time that the network requires.
23. We spot the locked episode with our composers, Dynamic Music Partners, pointing out where and what we are looking for in the music.
24. We do the same thing with Audio Circus, our sound effects experts.
25. We preview the music in advance of the sound mix to make sure it's on target.
26. Generally, by now most of the retakes have come back from Korea and Matt's done most of his effects work too.
27. We mix the show for sound. That is we sit in a room and painstakingly balance the sound effects with the foley with the music with the dialogue.
28. We "On-Line" the episode. This is our last final view of the finished product to make sure everything is as good as time, budget and our abilities will allow it to be.
There's obviously more to it than all of the above, but that should give you the basics.
(1)So obviously Bialya and Qurac along with the two asian countries in the episode with Red Arrow and Cheshire were all fake. Do you guys choose to create fake countries in order to not offend the real countries?
(2)I saw that you guys kept the cat mask concept on Cheshire from Teen Titans. Is there anything else that influenced you from the Teen Titans show? If yes you can just say yes, you don't have to go into detail about the influences if they cause spoilers.
(3)Is Young Justice going to be formatted like the Justice League t.v series episodes where like only a few members of the team get to go on missions? For example, in the justice league series Batman, Haw Girl and Wonder Woman would have an adventure and in the next episode It was Flash, Man Hunter and Green Lantern.
1. No. It has more to do with already existed in the DC Universe (pre-New 52, which didn't exist yet when we were working on our seasons).
2. I can't think of any other conscious influences, but I won't deny that it's all part of the soup.
3. The Team is big enough now - and has been, frankly, since the beginning - that it doesn't always make sense for everyone to go on every mission. That's why we have squads.
Hi Greg, big fan of the show. In "Alienated", we saw a museum of sorts within the Hall of Justice. Guardian's costume was in a display case, so I was wondering, is he retired as a superhero as of the beginning of season 2? Thanks!
JIM HARPER: "We get it, you're a clone! But you're not the only clone on this rooftop, and I know from personal experience how tough it was to come to grips with being a copy of someone else. That's why I gave up my identity as Guardian - so that I could figure out exactly who Jim Harper is supposed to be."
[From "Young Justice" episode 204, "Salvage." Originally aired May 19, 2012.]
I'm a big fan of continuity as I gather you are too based on your use of dates, your shows in general and an interview you did years ago critizing the X-Men for not evolving and moving forward. I think DC has some fantastic characters and concepts, which is one of the reasons I like Young Justice. However, I've found that without fail whenever I start reading their books and enjoying them, they erase characters and storylines I've become fond of from existence in a big reset or reboot in an effort to become ânew reader friendlyâ e.g Linda Danvers, Helena Bertinelli, Stephanie Brown, Cassandra Cain, Team Titans, Infinity Inc etc.
In the end, this practice alienated me as a reader and I no longer buy DC books because as a reader I find this extremely irritating. So first of all, I'm glad that your not doing that with Young Justice. The characters in show have already greatly progressed through season 1 and I'm very optimistic about the Season 2 based on the first episode.
I'm curious though as a comic book reader what do you make of DC comics and their practice of the "reset"?
Greg Weisman says:
"As you noted, I have NOT had the time to read the New 52, so I will not comment on that specifically. Whether or not it works creatively depends more than anything else on execution. Since I haven't seen the execution, I can't respond to how it works creatively. But I KNOW that commercially it's been a HUGE hit. I like to believe that it wouldn't have done quite so well, if it wasn't executed well too.
But generally, on the idea of reboots, I do have a handful of thoughts:
1. I don't want to be a hypocrite. When we started Spectacular Spider-Man and again on Young Justice, we were effectively doing a continuity reboot. I feel when adapting something to a new media, that's essential, but it doesn't change the fact that (a) we did it and (b) I was relieved to be able to do it. Relieved to be able to jettison elements that I felt didn't work or were redundant or confusing, etc. Our goal, particularly on Spider-Man, was to come up with something Classic, Cohesive, Coherent, Contemporary and Iconic. So how can I object if the comics themselves want to do this?
2. In the end, whether or not either SpecSpidey or YJ was/is successful depends on our execution of our ideas, additions and cullings. I like to think both shows are successful, but that's a judgement each individual viewer would have to make for him or herself.
3. I was working on staff at DC Comics during the publication of the original Crisis on Infinite Earths. In fact, during my very first editorial meeting, I raised the question as to why we weren't starting ALL our books over (with the numerical exceptions of Detective and Action Comics) with issue #1. I remember very clearly a collective groan rising up from the conference room table. (They had dealt with this question for months before my arrival.) On the one hand, they wanted Crisis to be a real sea-change, a true reboot (before we knew that term). On the other hand, if you truly reboot Batman, then Robin doesn't exist yet. No Robin, no other sidekicks either. So no Teen Titans. And at the time, the New Teen Titans was the company's best selling book.
4. So the end result was that some things got rebooted and some did not.
5. This was complicated by the fact that certain creators came late to the party, and certain characters got reboots too long AFTER Crisis.
6. And so, as a READER, I couldn't help feeling that - rather than simplifying the continuity - Crisis made it more complicated. This will happen in general, naturally, as time passes and more and more comics are produced by a variety of creators and editors, but Crisis seemed to exacerbate the problem for me personally.
7. In part this was because, I really liked the DC Multiverse. I agree that it was abused to the point of confusion. (And I think it was nuts that Earth TWO had the forties heroes and Earth ONE had the sixties heroes. Just the odd backwards numbering itself created additional unnecessary confusion.) But if limits had been placed on the number of parallel earth stories and crossovers, I think it could have been fine.
8. ESPECIALLY, if they had created a new Earth-THREE, starting over with heroes of the eighties, with Superman and Batman (being new to the hero thing but) remaining relatively constant. But with a new Green Lantern (for example) as different from Hal Jordan as Jordan was from Alan Scott.
9. But that didn't happen. And in fact, though I've read very few comics since 1996, my understanding is that reboots have hit over and over at both DC and Marvel. That negates reader trust in the worth and weight of the stories they're reading. It's more insidious than obvious. And you risk alienating old readers, even as you may or may not attract new ones. You'll always get a short term gain off of a reboot, because everyone wants to check it out. But long term...
10. And going back to my first point - which is that most everything depends on execution - I personally didn't love the execution of some of the post-Crisis rebooting. Some people may have loved it. And that's totally legit. But some of the rethinking on certain individual characters didn't work too well for me.
11. Though personally I think the Bates-Weisman-Broderick reboot on Captain Atom from his Charlton incarnation was brilliant. ;)
12. So, personally, my feeling on reboots in general is that you either do them or you don't. You've got to be thorough and ruthless about it, or don't bother, because otherwise - long term - you're creating more problems than you're solving.
13. And still and all, ultimately, it all depends on execution."
[Response recorded on February 15, 2012.]
where was Hal Jordan in happy new year I saw every memeber of the league except him are you using him little because of the Green lantern animate series?
JOHN STEWART: "I'll alert Hal. He and Guy are on Oa with the Green Lantern Corps."
[From "Young Justice" episode 201, "Happy New Year." Originally aired April 28, 2012.]
Hi Greg,
I finished watching "Happy New Year" today. At first I freaked out about the time jump. After I cooled down, I was smiling to myself thinking, 'This definitely sounds like Greg Weisman'. I LOVE the twists and turns you put into this show. It reminds me of Gargoyles, which I watched a few years back. I can't wait to see what the rest of season 2 brings. Fantastic work to you and your co-workers!
Is Batgirl voiced by Alyson Stoner?
Greg Weisman says:
"Alyson Stoner as Batgirl."
[Response recorded on June 4, 2012.]
Wow I can't believe how negative some people are being about the time skip. I absolutelt LOVE the new team! I can't wait to see how the old team members have changed in 5 years. Also, I love that Zatanna is on the League now!! Kudos for taking such a big risk. So now my question: Do you have a plan for how the comic will run once the season 1 storylines are done in it? Would you prefer to set it up to show what happened in the 5 year gap, or show stories between episodes like you are currently doing? I'm more excited than ever to watch Young Justice!
Greg Weisman says:
"All this has required some adjustments. The original plan was to finish all the stories set DURING Season One before rebranding the book. But TPTB at DC understandably decided that since the television show has already been rebranded, we shouldn't wait that long to rebrand the comic. And given that, I wanted to launch the rebranding with a BIG story that featured all - or nearly all - of the Team. So the Green Arrow, Black Canary, Artemis, Red Arrow story (set after episode 114), I originally had planned as a two-parter for issues 20-21 will have to wait. Given enough issues (keep buying those books people!), we'll get to everything eventually - including that Arrow-Family story. The new structure will use our timestamps to allow us to bounce back and forth (even within a single issue) from Season One to Season Two to the gap between seasons and BEYOND..."
[Response recorded on June 13, 2012.]
Hi, I was wondering about Guardian in Cadmus at the end of Auld Acquantince(sorry for the spelling). Is he a clone too? Thanks for replying, if this isn't a spoiler ;)
JIM HARPER: "We get it, you're a clone! But you're not the only clone on this rooftop, and I know from personal experience how tough it was to come to grips with being a copy of someone else."
[From "Young Justice" episode 204, "Salvage." Originally aired May 19, 2012.]
Who will voice as Wonder Girl? Is it someone as famous as Maggie Q who recently voiced as Wonder Woman? Can you give to WG fans a little hint like alphabet initials like I'm using right now?
Greg Weisman says:
"New voice actors, including Mae Whitman ('Arrested Development', 'Avatar, the Last Airbender') as Wonder Girl..."
[Response recorded on April 27, 2012.]
YOUNG JUSTICE/GREG WEISMAN UPDATE
We're going into hiatus for the time being, and since it's been a bit of a while since my last update...
SEASON ONE of YOUNG JUSTICE has all aired, but starting this Saturday and Sunday we'll be airing some reruns, including 119, "Misplaced" as part of Cartoon Network's DC Nation block. Check local listings or cable guides for times. If you jumped aboard with Invasion, and haven't seen these Season One episodes, you'll want to check them out. It's good stuff, I promise.
SEASON TWO of YOUNG JUSTICE: INVASION
*Episodes 201-207 have all aired. (How was "Depths" for a pre-hiatus cliffhanger? Not too shabby, huh?)
*Episodes 208-210 are in the can.
*Episode 211 has been edited and spotted for music and sound effects.
*Episode 212 is being edited.
*Episodes 213-218 are all overseas being animated.
*Episodes 219-220 are also overseas being animated, but we have a few more color models here in Burbank left to complete and approve.
YOUNG JUSTICE COMIC BOOK
*Issues 0-16 are all on the stands, available at comic book stores or online.
*Issue 17 is done. I've already received my comp copies, and if you want a sneak peak this weekend, stop by my signing at Denver Comic Con. (More on this below.)
*Issue 18 is being inked.
*Issue 19 is being pencilled.
*THEN, starting with Issue 20, the book changes titles to YOUNG JUSTICE: INVASION.
*Issues 20-25 are a big story: a six issue mini-series within the series. About 95% of the content is split between December 1st of Season One and five years later on December 1st, JUST before the start of Season Two.
*Issue 20 is scripted and ready for pencilling.
*Issue 21 is being scripted now.
*Issue 22-25 are all loosely plotted.
[All this has required some adjustments. The original plan was to finish all the stories set DURING Season One before rebranding the book. But TPTB at DC understandably decided that since the television show has already been rebranded, we shouldn't wait that long to rebrand the comic. And given that, I wanted to launch the rebranding with a BIG story that featured all - or nearly all - of the Team. So the Green Arrow, Black Canary, Artemis, Red Arrow story (set after episode 114), I originally had planned as a two-parter for issues 20-21 will have to wait. Given enough issues (keep buying those books people!), we'll get to everything eventually - including that Arrow-Family story. The new structure will use our timestamps to allow us to bounce back and forth (even within a single issue) from Season One to Season Two to the gap between seasons and BEYOND...]
Frankly, I think it's going to be VERY exciting. And given that the show is currently in reruns, there's just no better way for a hardcore YJ fan to get his or her new canon YJ fix. So if you don't have it already, go grab issue 16 (available now), which features THREE TALES in one book: mentor/protegee stuff that I think really shows a contrast between the styles of Green Arrow, Flash and Batman, not to mention Artemis, Kid Flash and Robin - while as always filling in a gap between episodes. All canon. All in continuity with the show. 16 ends with a cliffhanger, featuring Mammoth, Shimmer AND KOBRA! So that should lead your right into issue 17 (available very soon) which concludes that two-parter.
DENVER COMIC CON
I'm leaving (ridiculously early) Friday morning for Denver to attend the first annual Denver Comic Con. This thing has a TON of great, amazing guests. (Check it all out here: http://www.denvercomiccon.com/ .) I'm probably the least interesting guy there. But I am going to be quite busy moderating a bunch of panels Saturday and Sunday...
SATURDAY, JUNE 16
*11:30 MDT - Spectacular Spider-Man and Gargoyles Cartoon Development
*13:30 MDT - Cartoon Voices, w/Khary ("Kaldur'ahm") Payton, Mark Ryan, Tom Kane and Billy West
*16:00 MDT - Greg Weisman Spotlight
*17:00 MDT - Greg Weisman signing
*18:30 MDT - Adapting Licensed Properties to Comics & Animation w/Matt McLean, Karl Krumpholz and Terry Schayes
SUNDAY, JUNE 17
*10:00 MDT - Character Design and Drawing w/Greg Guler
*11:00 MDT - Creating for Disney and Cartoon Network w/Greg Guler, Steven Seagle and Chris Oatley
*13:00 MDT - Adapting Comics to Television and Vice Versa w/Steven Seagle
*14:00 MDT - Young Justice w/Khary ("Aqualad") Payton
ASK GREG
*Since the show has gone into hiatus - and since I'm over 1200 questions behind here - we will shortly be putting the ASK GREG asking question function on its own hiatus for a while. We may open it BRIEFLY every time a new issue of the comic comes out this summer and/or around San Diego ComicCon. But for the most part, we'll be closed to new questions and comments until the series comes back with new episodes. (And, no, I don't yet know when that will be. That's up to Cartoon Network.)
*I know I haven't answered much recently, but we've just been swamped with post-production and all the fast reworking of the comic book that we had to do. (Plus I've been freelancing a few scripts for some friends over at... well, better not say just yet.)
*Also, I'm more or less going straight from Denver to Ashland, Oregon to enjoy the Oregon Shakespeare Festival with my family. And I'm NOT bringing a computer. (And I don't own a smartphone.) So don't expect any new answers from me for another couple weeks. But I will get to your questions and comments eventually. I always do.
Whew. I think that covers everything!
YOUNG JUSTICE: INVASION: Episode #207: "Depths": Credits:
Producers
Brandon Vietti
Greg Weisman
Story By
Kevin Hopps
Teleplay By
Paul Giacoppo
Directed By
Tim Divar
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Tim Curry as G. Gordon Godfrey
Stephanie Lemelin as Artemis
Yuri Lowenthal as Lagoon Boy
Jesse McCartney as Nightwing
Danica McKellar as Miss Martian
Nolan North as Superboy
Khary Payton as Aqualad, Black Manta
Kevin Michael Richardson as Mal Duncan, Martian Manhunter, Thomas Kalmaku
Jason Spisak as Wally West
Kari Wahlgren as Carol Ferris
Based On DC Comics Characters
Nightwing Created By
Marv Wolfman and George Perez
Martian Manhunter Created By
Joseph Samachson and Joe Certa
Miss Martian Created By
Geoff Johns and Tony Daniel
G. Gordon Godfrey Created By
Jack Kirby
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Mark Wilson
Animation Coordinator
JJ Conway
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome K. Moore
BG Key Design
Enzo Baldi
Fedja Jovanovic
Prop Design
Eugene Mattos
_______________________________________________________________
Storyboard
Jake Castorena
Kevin Conroy
Vinton Heuck
Matt Peters
Owen Sullivan
Storyboard Clean-up
Jen Bennett
Naz Ghodrati-Azadi
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
James Tim Walker
Animation Checking
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Matthew Bordenave
Background Paint
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Card 12
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
_________________________________________________________________________
Animation Services
MOI Animation, Inc.
Animation Director
Sangyong Um
Background Director
Jung-Ho Park
Production Manager
Young -Soo Yoo (Director)
Min-Sung Park
Su-Mi Beck
Production Coordinator
Hyosun Ryu
Seongmi Park
__________________________________________________________________
Layout Artists
Do-seong Kong
Dong-jik Woo
Color Stylist
Jinmi Kim
Model Checker
Yang-suk Kim
Composition
Byoung-Ryul Kim (Director)
Hyo-Yoon Beck
Kyoung-Hee Kang
Sung-Ho Jo
Key Animation
Eun-Jung Kang
Eun-Hee Yang
Jong-Jin Park
Bong-Geun Kim
Seong-Joon Kwon
Soo-Jin Lee
Han-Young Lee
Young-Chae Kim
Yun-Ho Choo
Sang-Young Uhm
3D CGIGyu-Han Yoo (Director)
Gyu-Sung Oh
Final Checker
Nam-gyu Lee
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2012 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
David Barr - Dialogue Sound Mixer
Ryan Johnston - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
Winson Seto - Publicity
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE: INVASION: EPISODE: 207: "Depths": Premieres!
Artemis rejoins the Team! Plus appearances by Wally West! G. Gordon Godfrey! Carol Ferris! Tom Kalmaku! Martian Manhunter! Superman! And much, much more. One of the most dramatic episodes we've done to date! And all airing tomorrow (Saturday, June 9th) and repeating Sunday (June 10th) as part of Cartoon Network's DC NATION block! Check local listings and cable guides for times!
YOUNG JUSTICE: INVASION: Episode #206: "Bloodlines": Credits:
Producers
Brandon Vietti
Greg Weisman
Written By
Peter David
Directed By
Mel Zwyer
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Cameron Bowen as Robin
Nicole Dubuc as Iris West-Allen
George Eads as Barry Allen/Flash
Crispin Freeman as Red Arrow
Logan Grove as Beast Boy
Kelly Hu as Cheshire, Lian Nguyen-Harper
Stephanie Lemelin as Computer
Jason Marsden as Bart Allen/Impulse
Jesse McCartney as Nightwing
Geoff Pierson as Jay Garrick/Flash
Jason Spisak as Wally West/Kid Flash
James Arnold Taylor as Nathaniel Tryon/Neutron
Based On DC Comics Characters
Nightwing Created By
Marv Wolfman and George Perez
Beast Boy Created By
Arnold Drake
Cheshire Created By
Marv Wolfman and George Perez
Impulse Created By
Mark Waid and Mike Wieringo
Jay Garrick/The Flash Created By
Gardner Fox
_______________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Robby Huckell
Animation Coordinator
JJ Conway
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome K. Moore
BG Key Design
Fedja Jovanovic
Hakjoon Kang
Nollan Obena
Prop Design
Andy Chiang
Eugene Mattos
_______________________________________________________________
Storyboard
Kevin Altieri
Charles Drost III
Steve Gordon
Lauren Montgomery
Olga Ulanova
Storyboard Clean-up
Jen Bennett
Naz Ghodrati-Azadi
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
R. Michel Lyman
Animation Checking
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Matthew Bordenave
Background Paint
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
_________________________________________________________________________
Animation Services
MOI Animation, Inc.
Animation Director
Yangho Ji
Background Director
Jongnam Kim
Production Manager
Youngsoo Yoo (Director)
Minsung Park
Sumi Beck
Production Coordinator
Hyosun Ryu
Seongmi Park
__________________________________________________________________
Layout Artists
Joohyeon Lee
Taehoon Kim
Dosung Gong
Color Stylist
Jinmi Kim
Model Checker
Yangsook Kim
Composition
Byoungryul Kim (Director)
Hyoyoon Beck
Kyounghee Kang
Sungho Jo
Key Animation
Gyeongho Lee
Sungmin Nahm
Beomseok Lee
Chango Park
Jaemun Lee
Kyeongah Jang
Jeonghee Yang
Won Seo
Hyeon Kim
Jaebum Lee
Jinhae Lee
3D CGI
Guhan Yoo (Director)
Gyusung Oh
Final Checker
Namgyu Lee
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2012 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
David Barr - Dialogue Sound Mixer
Ryan Johnston - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
I'm a couple weeks behind here. (Hey, I've been busy!) So let's go for two in a row:
YOUNG JUSTICE: INVASION: Episode #205: "Beneath": Credits:
Writer And Director Sub-Main Titles At Front Of Show:
Producers
Brandon Vietti
Greg Weisman
Written By
Brandon Vietti
Directed By
Doug Murphy
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Irene Bedard as Shelly Longshadow
Robert Beltran as Maurice Bodaway
Diane Delano as Devastation
Michael Horse as Holling Longshadow
Eric Lopez as Blue Beetle, Scarab
Yuri Lowenthal as Icicle Jr.
Jesse McCartney as Nightwing
Danica McKellar as Miss Martian
Masasa Moyo as Bumblebee
Gregg Rainwater as Tye Longshadow
Marina Sirtis as Queen Bee
Alyson Stoner as Batgirl
Alan Tudyk as Psimon
Mae Whitman as Wonder Girl
Based On DC Comics Characters
Nightwing Created By
Marv Wolfman and George Perez
Miss Martian Created By
Geoff Johns and Tony Daniel
Psimon Created By
Marv Wolfman and George Perez
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Mark Wilson
Animation Coordinator
JJ Conway
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome K. Moore
BG Key Design
Enzo Baldi
Fedja Jovanovic
Prop Design
Eugene Mattos
_______________________________________________________________
Storyboard
Jay Baker
Johnny Castuciano
Todd Demong
Doug Murphy
Jeff Snow
Hank Tucker
Craig Wilson
Storyboard Clean-up
Jen Bennett
Naz Ghodrati-Azadi
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
R. Michel Lyman
James Tim Walker
Animation Checking
Charles Gefre
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Matthew Bordenave
Background Paint
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steve White
_________________________________________________________________________
Animation Services
Lotto Animation, Inc.
Supervising Animation Director
Heechul Kang
Background Directors
Yunhee Kim
EunHee No
Eunjung Choi
Animation Directors
Junsik Cho
Sinkwon Kim
Jeha Yu
Production Staff
Hyoungmin Doh
Miok Kwon
Eonho Lee
Jinhwa Heo (Jun-E)
__________________________________________________________________
Layout Artists
Myoungin Kang
Changnam Kim
Minsu Kim
Final Checker
Hosoon Shin
Color Stylist
Mihyun Ji
Model Checker
Junghee Kim
Composition
Sangbong Oh
Banseok Choi
Yuri Choi
Sunghun Lee
Daehee Rim
Key Animation
Junghwa Jung
Dongwook Kim
Seokwoo Kim
Taekwon Kim
Youngsoo Kim
Youngmi Lee
Jihyeon Nam
3D CGI
Seokki Um
Misook Choi
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2012 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Ryan Johnston - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE: INVASION: EPISODE: 206: "Bloodlines" Premieres!
Saturday morning, June 2nd (and repeating Sunday morning, June 3rd) is the Cartoon Network premiere of "Bloodlines", the sixth episode of Young Justice: Invasion. This is a fun episode, written by Peter David, introduces IMPULSE and marks the return of KID FLASH (Wally) & FLASH (Barry). JAY GARRICK even speaks! It's a four generation extravaFLASHza! Check local listings and/or cable guides for times.
MEANWHILE, issue #16 of our companion comic book has also hit the comic book shops (plus it's available for e-purchase online). This features three, three, THREE stories in one, all set during Season One. There's a Green Arrow/Artemis adventure. A Flash/Kid Flash mystery. And some Batman/Robin action too. (Pure coincidence and totally unplanned, but today I wore a Green Arrow t-shirt to work. Line Producer David Wilcox wore a Flash t-shirt. And producer Brandon Vietti wore a Batman t-shirt. Isn't that specific combo kinda amazing?)
Anyway, that's two heaping helpings of YJ in one week. Don't miss 'em!
YOUNG JUSTICE: INVASION: EPISODE 205: "Beneath" Premieres!
This Saturday morning, May 26th (my wedding anniversary, incidentally) is the premiere of another brand new Young Justice: Invasion episode, our fifth of the second season, "Beneath"!
New characters! Old characters speaking for the first time! Giant invisible flying monkey brains (watch for 'em)! And much more good stuff, all on Cartoon Network. Repeats on Sunday morning, May 27th. Check local listings and cable guides for times!
Will we ever see the origins of the Justice League or it's first mission explored in the future?
CATHERINE COBERT: "And finally, we have the four surviving host bodies used by a race of alien energy beings, known as the Appelaxians, who attempted to conquer the Earth. Of course, the attack also brought together Earth's mightiest heroes to form the Justice League."
[From "Young Justice" episode 203, "Alienated." Originally aired May 12, 2012.]
First of all, I'd like to say that the last two episodes "Coldhearted" and "Image" have been fantastic. They just blew me away. Please keep up the good work and pass my complements on to the writers & directors. as for questions
1) How have the ratings been since the six month hiatus? Enough to keep yj healthily on the air I hope.
2) Can we get any episode titles for season 2 yet?
3) Has the justice league or any of it's members encountered any of the New Gods yet (aside from the incident in âDisorderedâ?
I thought this had been asked but I searched the unanswered questions file and the archive to no avail. maybe I used the wrong wording. If that's the case, I'd like to apologize.
1. Ratings have been good since we came back this year as part of DC Nation. And even better since "Invasion" launched. I don't think there's any fear we won't finish our season.
2. Sure. Here's the first half-dozen:
201. "Happy New Year"
202. "Earthlings"
203. "Alienated"
204. "Salvage"
205. "Beneath"
206. "Bloodlines"
3. No.
YOUNG JUSTICE: INVASION: Episode #204: "Salvage": Credits:
Producers
Brandon Vietti
Greg Weisman
Written By
Greg Weisman
Directed By
Tim Divar
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Dee Bradley Baker as Wolf, Jeremiah
Nick Chinlund as Sportsmaster
Grey Delisle as Whisper A'Daire
Crispin Freeman as Red Arrow, Jim Harper
Kevin Grevioux as Partner
Kelly Hu as Cheshire
Stephanie Lemelin as Artemis Crock
Eric Lopez as Blue Beetle, Scarab
Yuri Lowenthal as La'gaan
Vanessa Marshall as Black Canary
Jesse McCartney as Nightwing
Nolan North as Superboy
Kevin Michael Richardson as Bruno Mannheim, Mal Duncan
Jason Spisak as Wally West
Michael Trucco as Adam Strange
Alan Tudyk as Green Arrow
Based On DC Comics Characters
Nightwing Created By
Marv Wolfman and George Perez
Cheshire Created By
Marv Wolfman and George Perez
Adam Strange Created By
Gardner Fox
Bruno Mannheim Created By
Jack Kirby
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Robby Huckell
Animation Coordinator
JJ Conway
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome K. Moore
BG Key Design
Fedja Jovanovic
Nollan Obena
Prop Design
Eugene Mattos
_______________________________________________________________
Storyboard
Tim Eldred
Matt Peters
Owen Sullivan
Storyboard Clean-up
Jen Bennett
Naz Ghodrati-Azadi
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
R. Michel Lyman
Animation CheckingJustin Schultz
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Matthew Bordenave
Background Paint
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
_________________________________________________________________________
Animation Services
MOI Animation, Inc.
Animation Director
Seung Man Heo
Background Director
SeungChan Kang
Lee Young Bae
Nam Sang Hyob
HanDae Gun
Kim A Reum
Lee Pa Rang
Kim Sang Un
Production Manager
Young-Soo Yoo (Director)
Min-Sung Park
Su-Mi Beck
Production Coordinator
Hyosun Ryu
Seongmi Park
__________________________________________________________________
Layout Artists
Kyung Chuk Sa
EungWhan Oh
Color Stylist
MeeHyun Ahn
Soo Jin Hwang
Ji Young Hwang
Moon Hee Na
Da Un Jeung
Mee Sun Lee
Mee Kyung Lee
Model Checkers
Kyung Suk Heo
MyungHee Park
Key Animation
Sang Min Kim
SeungReoul Ryu
Seok Ahn
Hun Kuk Park
Young Hoon Gill
Jong III Lee
Jae Gyu Cho
Chung Sik Lee
Kyung Duk Lee
Composition
DeukGyu Choi
Ji won Park
Jong Sub Jang
Han Geul Yu
3D CGI
Gyu-Han Yoo (Director)
Gyu-Sung Oh
Final Checker
Young Ra Cho
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2012 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Ryan Johnston - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
Doesn't Aqualad ever lose his cool?
AQUALAD: "You dare question me?! After all of you let Tula die!"
[From "Young Justice" episode 203, "Alienated." Originally aired May 12, 2012.]
Hey Greg, loved the Image! One question for you about it though. At the beginning of the episode Garfield had blue eyes but after the blood transfusion he had green eyes. I'm not going to directly ask you about it being explained in the future of Young Justice (Though I would love to know) of course I'll probably be met with "SPOILER REQUEST. NO COMMENT" But if it will be mentioned in the future will it be in the show or the tie in comics?
By now you know the answer.
YOUNG JUSTICE: INVASION: EPISODE 204 "Salvage" Premieres on Cartoon Network on Saturday morning, May 19th, with a rerun on Sunday morning, May 20th. Check local listings and cable guides for times. And remember to check under "Young Justice: Invasion". NOT just "Young Justice".
Another DON'T MISS episode. Written by me and directed by Tim Divar, this one answers a bunch of questions you may have been asking about Season One characters - while simultaneously deepening the mysteries of Season Two.
Hello Mr. Greg Weisman,
This is my second attempt at posting #12; this will be part A of the posting. Honestly, I don't know what I did wrong to get my posting deleted. I looked it up just to be safe to see if it was approved and it wasn't there... I'll give you the first five questions, which were in regards to the highly anticipated Young Justice: Invasion. PLEASE understand that NONE of these questions are asking for sensitive information (ie. the overall plot, episode summaries, etc.). All these questions that I give you are asked in a careful manner so that there would be no risk of leaking any sensitive information whatsoever. If any of them do, just ignore that specific question. Besides, I'm guessing by the time you respond to this, Season One will be officially over, and we'll be waiting for months with anticipation for Season Two, so hopefully no harm should be done in this posting. So here we go, again!
1. By the time Season One of Young Justice is over, what is moral of the entire season that we will have learned? For Season Two, what is the moral we are expected to learn? There's always something important to learn; that's the fact of life.
2. If the theme of Season One is all about secrets and lies, then what is the theme that we should expect from Season Two? I'm guessing that while it's different from that of Season One, it's just as equally important.
3. From a list of adjectives, which are the best examples to describe the upcoming Season Two? (ie. heart-pounding? exciting?)
4. From a list of adjectives, which are the best examples to describe the positions of each of the members of The Team (where they stand) as they transition from the events of Season One to the events of the upcoming Season Two? (ie. depressing? heart-breaking?)
5. From a list of adjectives, which are the best examples to describe what the fansâ expectations for the upcoming Season Two should be? The nature of this question should not be confused with that of question #3; they are NOT the same. (ie. thrilled?)
Hope it all works out this time. Keep up the good work, and keep making Young Justice the best DC animated cartoon it can be! I have absolute confidence in your abilities and those of your co-workers! Believe it!
1a. I think the assumption within the question is overly simplistic. There are some basic themes to the series as a whole, and some obvious morals one could draw from events, but that's not the type of show we're writing here.
1b. There IS always something important to learn, but I'm going to let you take from the series what you take from it. I'm not going to dictate a moral. And OBVIOUSLY, if I did have a moral for Season Two, I sure wouldn't tell it to you now: SPOILER REQUEST. NO COMMENT.
2. It's still secrets and lies: that's the major theme for the SERIES, not just a single season. Other themes include (but are not limited to) "Growing Up" and "Coming of Age".
3. I'll let you pick your own.
4. CGYJ, you MUST see that this single question 4 is at least eight questions at once. And in any case, I'm not answering it. This forum is NOT designed for me to interpret your viewing experience. You can do that without me.
5. I get that it's a different question, I just don't get why GREG WEISMAN should be answering it. How can I dictate fan expectations?
So I saw recent promotional (obviously preliminary and non-canon, I have read your previous posts) artwork. I am impressed.
The rest of this season and next are going to be AWESOME, aren't they?
I like to think so.
Hi, firstly I wanted to say I really love the series and YJ has come back with two great episodes! Misplaced and Coldhearted were wonderful, and I loved how you developed the relationship between Zatanna and Zatarra, as well as getting a more indepth look into Wally. So excited for the rest of the season!
I have one question, I read somewhere that the story taking place in Young Justice would take place over a few days in-universe, is this true? I'm not really sure if this counts as requesting a spoiler (which probably sound stupid), but if so then I apologise.
If you've been watching the series, you KNOW that the first season took place over a single period of six months, between Independence Day and New Year's Eve.
And as I've already stated here and in the press, the second season ALSO takes place over a coherent six month period: between New Years Day and Independence Day. It's just that five years pass in between the two six month periods.
And I'm warning you now: our plans for Season Three - if we get one - involve another time skip between the last episode of Season Two and the first of Season Three. Though, I'm not going to state how long a time skip. (So don't ask.)
I'll be honest, this is a SPOILER REQUEST. But it's a very minor one, so I'll ask anyway and hope that you answer: Will we see The Light in Young Justice: Invasion?
Greg Weisman says:
"...Miguel Ferrer as Vandal Savage..."
[Response recorded May 14, 2012.]
Hey, just wondering but have you guys cast Blue Beetle for Young Justice or is he just gonna be a toy only character?
Greg Weisman says:
"...Eric Lopez as Blue Beetle..."
[Response recorded on April 30, 2012.]
As far as the series is going right now scale of 1 to 10 what do you think the odds of Conner recieving his Kryptonian name are?
(P.S-if you flag this as a spoiler i will leave several angry e-mails related to every website related to you i can find.)
SUPERMAN: "However long it takes to clear our names, Kon-El."
[From "Young Justice" episode 203, "Alienated." Originally aired May 12, 2012.]
Hi Greg,
Loving Young Justice up here in Canada!!! We are expecting our first son in April and I have all the episodes taped for when he is old enough to watch them.
My question is how often do you receive feedback from the Cartoon Network? When would you know whether to begin on season 3? Keep up the awesome work!
We receive feedback from Cartoon Network all the time, but 'feedback' and a 'pick-up' are two different things. In theory, they could pick the show up at any time, but I don't expect any definitive answer for weeks, if not months.
YOUNG JUSTICE: INVASION: Episode #203: "Alienated": Credits:
Producers
Brandon Vietti
Greg Weisman
Written By
Kevin Hopps
Directed By
Mel Zwyer
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Card 4
Starring The Voices Of
Tim Curry as G. Gordon Godfrey
Miguel Ferrer as Vandal Savage, Bibbo Bibbowski
Bruce Greenwood as Batman, Eduardo Dorado Sr.
Kevin Grevioux as Partner
Logan Grove as Beast Boy
Phil LaMarr as Aquaman
Stephanie Lemelin as Catherine Cobert
Eric Lopez as Blue Beetle
Yuri Lowenthal as Lagoon Boy
Jesse McCartney as Nightwing
Danica McKellar as Miss Martian
Masasa Moyo as Bumblebee
Nolan North as Superboy, Superman
Khary Payton as Aqualad, Black Manta
Maggie Q as Wonder Woman
Kevin Michael Richardson as Green Lantern, Martian Manhunter
Michael Trucco as Adam Strange
Michael T. Weiss as Captain Atom
Mae Whitman as Wonder Girl
Based On DC Comics Characters
Batman Created By
Bob Kane
Superman Created By
Jerry Siegel and Joe Shuster
Martian Manhunter Created By
Joseph Samachson and Joe Certa
Miss Martian Created By
Geoff Johns and Tony Daniel
G. Gordon Godfrey created by
Jack Kirby
Nightwing created by
Marv Wolfman and George Perez
Beast Boy created by
Arnold Drake
Mal Duncan created by
Bob Rozakis and Jose Delbo*
*Note, I've been informed by a reliable source that this is incorrect, but TPTB had us put this in.
Adam Strange created by
Gardner Fox
Bibbo Bibbowski Created By
Marv Wolfman and Jerry Ordway
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Mark Wilson
Animation Coordinator
JJ Conway
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome K. Moore
BG Key Design
Enzo Baldi
Fedja Jovanovic
Hakjoon Kang
Prop Design
Eugene Mattos
_______________________________________________________________
Storyboard
Kevin Altieri
Charles Drost, III
Steven Gordon
Storyboard Clean-up
Jen Bennett
Naz Ghodrati-Azadi
Animation Timing Director
James Tim Walker
Timing
Richard Collado
Jeff Hall
R. Michel Lyman
Animation Checking
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Matthew Bordenave
Background Paint
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Card 12
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
_________________________________________________________________________
Animation Services
Lotto Animation, Inc.
Supervising Animation Directors
Heechul Kang
Background Director
Yunhee Kim
EunHee No
Eunjung Choi
Animation Directors
Junsik Cho
Sangjoon Lee
Myeonghwan Park
Production Staff
Hyoungmin Doh
Miok Kwon
Eonho Lee
Jinhwa Heo (Jun-E)
__________________________________________________________________
Layout Artists
Myoungin Kang
Changnam Kim
Minsu Kim
Final Checker
Hosoon Shin
Color Stylist
Mihyun Ji
Model Checkers
Junghee Kim
Mikyoung Kim
Composition
Sangbong Oh
Banseok Choi
Yuri Choi
Sunghun Lee
Daehee Rim
Key Animation
Yeoungsik Hwang
Seokjin Jang
EunHwa Jung
Howoon Jung
Dongwook Kim
Kwonil Kim
Taekwon Kim
Youngmi Lee
Kyounghwa Seo
3D CGI
Seokki Um
Misook Choi
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonian
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2012 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Ryan Johnston - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
Just a quick question based on recent findings.
Don't know if you can answer this, but recently Invasion toy box art was found which reveals Blue Beetle and Lagoon Boy are added to the team. Was there a reason these two weren't originally chosen but picked later by you and your team for The Team?
Thanks.
Yes.
To whom it may concern,
I'm absolutely loving the show so far and can't wait for the impending series 1 finale. I just had a few minor, nitpicky questions!
1) In Targets, when Cheshire impersonates the tea girl at the ceremony, was there a real server she mugged and replaced offscreen or something?
2) I guess similar to the first, in the most recent episode, "Coldhearted", why weren't there any doctors or police officers waiting in front of the Seattle hospital for Kid Flash like there were in Boston? Were they taken out offscreen by Vertigo's henchmen?
3) I know you've talked about plotting for the comics and the TV series, but without spoiling anything, if a character who has not yet appeared in the show was designed by Chris Jones in the comic book, does that mean they won't be appearing in the show period (as of now) or that they simply might have a different design? Because I saw an interview where he said he was given free reign on a few characters like Talia al Ghul and Ubu (and I think the previous artist said something similar about Psycho Pirate?).
Sorry for all the questions, and I hope you and the others keep up the great work!
1. Yes.
2. Well, Dr. Cross came outside - but it was cold, and he went back into the lobby. For the rest, I'll leave it to your imagination.
3. At least one of the characters first designed by Chris for the comic will be appearing in the show. Phil did his own version of it, but kept it consistent with Chris' take - keeping in mind that five years have passed. Phil and Chris are both fans of each other's work.
YOUNG JUSTICE: INVASION: Episode #202: "Earthlings": Credits:
Producers
Brandon Vietti
Greg Weisman
Written By
Nicole Dubuc
Directed By
Doug Murphy
_________________________________________________________________________
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Logan Grove as Beast Boy
Danica McKellar as Miss Martian
Nolan North as Superboy
Jacqueline Obradors as Alanna
Morgan Shepard as Sardath
Michael Trucco as Adam Strange
Based On DC Comics Characters
Miss Martian Created By
Geoff Johns and Tony Daniel
Beast Boy Created By
Arnold Drake
Adam Strange Created By
Gardner Fox
________________________________________________________________________
Production Manager
John Diaz
Assistant Production Manager
Casey Sandin
Animation Coordinator
JJ Conway
________________________________________________________________________
Lead Character Design
Phil Bourassa
Character Design
Dusty Abell
Jerome K. Moore
BG Key Design
Jay Hong
Cynthia Q. Ignacio
Fedja Jovanovic
Hakjoon Kang
Gary Montalbano
Nollan Obena
Prop Design
Dusty Abell
Eugene Mattos
_______________________________________________________________
Storyboard
Jay Baker
Todd Demong
Craig Wilson
Storyboard Clean-up
Jen Bennett
Naz Ghodrati-Azadi
Kathryn Marusik
Animation Timing Director
James Tim Walker
Timing Animation
Richard Collado
Jeff Hall
R. Michel Lyman
Checking
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters
Ink & Paint
Matthew Bordenave
Background Paint
David McBride
Craig Robertson
Effects Animation
Matthew Girardi
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez
Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick
Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch
Post Production Sound Services
Audio Circus, Inc.
Online Editor
Steven White
_________________________________________________________________________
Animation Services
MOI Animation, Inc.
Animation Director
Sangyong Um
Background Director
Jung-Ho Park
Production Manager
Young-Soo Yoo (Director)
Min-Sung Park
Su-Mi Beck
Production Coordinator
Hyosun Ryu
Seongmi Park
__________________________________________________________________
Layout Artist
Yeonghwan Lee
Color Stylist
Jinmi Kim
Composition
Byoung-Ryul Kim (Director)
Hyo-Yoon Beck
Kyoung-Hee Kang
Sung-Ho Jo
Model Checkers
Gidoeok Park
Key Animation
Eun-Jung Kang
Eun-Hee Yang
Jong-Jin Park
Bong-Geun Kim
Seong-Joon Kwon
Soo-Jin Lee
Han-Young Lee
Young-Chae Kim
Yun-Ho Choo
Sang-Young Uhm
3D CGI
Gyu-Han Yoo (Director)
Gyu-Sung Oh
Final Checker
Gyunho Hahn
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Luisa Guzman
Debbie Lindquist
Maral Simonia
Athena Wingate
Production Support
Vivian Hernandez
Audrey Kim
Tamara Miles
Kira Tirimacco
Renee Toporzysek
Janet Yi
Executive In Charge Of Music
Niki Sherrod
Business And Legal Affairs
John Michael Beach
Lori Blackstone
Sharmalee Lall
Bonnie Negrete
Joulene St. Catherine
Casting Administrator
Liz Carroll
_________________________________________________________________________
Production Supervision
Bobbie Page
Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
© 2012 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Curtis Koller - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Ryan Johnston - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
John Wells - Research
Aris Katsaris - Atlantean Translator
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
Hey Greg! Just here with a few questions
1) Are the YJ comics more of a way to explain the events during/in between the shows to the viewers. Things that may not have been mentioned or clear enough. OR would you say they serve as more of a way to get information and story lines out there in order to base future episodes off of them? maybe both? just curious.
2) Do you ever get annoyed by the questions, responses and posts that fans put out there? ex. heated (and occasionally baseless) fan pairing wars, "hating" on particular characters, ect.
3) this may seem silly to ask, but do you have a favorite character amongst the group? or one that you find the most interesting
4) It is always fun to guess at new characters and appearances on the show, but do you ever worry that too big of a group will take away from the development of each individual character?
1. Either, both, neither. Mostly, it's just another outlet for us to tell stories set in this universe with these characters.
2. You're new here, aren't you?
3. ASKED AND ANSWERED.
4. Of course, but we have to be true to the universe we're developing. Believe me, there were at least SEVEN more MAJOR characters that we wanted to add to Season Two that will NOT be appearing at all on the television series because there just wasn't any room for them. So they'll have to be saved for the comic book and/or a potential Season Three (if there is one).
Hey, Mr. Greg Weisman,
I made a mistake on my last posting. That last one was actually my sixth posting, not my fifth. The one Iâm doing now is my seventh posting.
Iâve got a quick interesting question I need to ask you. Has a prequel movie (which would probably focus on the Justice League, with the sidekicks in a minor role) ever been considered by your team to help lead into the beginning of the events of Season One, or to help connect the plot elements of Seasons One and Two?
Thanks for taking the time to read this question. Hope to find out how you will respond. Oh, I almost forgot, on my fifth posting, the one I did last night with the list of names, Wizardâs first name was misspelled. I meant to say William, not Willaim.
No, it hasn't been discussed. I'd love to, of course, but I wouldn't hold my breath.
YOUNG JUSTICE: INVASION: EPISODE 202 "Earthlings" Premieres this Saturday morning on Cartoon Network with a repeat Sunday morning. Check local listings for times.
*Our first offworld adventure sends Zeta Squad (Miss Martian, Superboy, Beast Boy) to the planet Rann alongside Adam Strange.
*New friends are made. New foes encountered.
*Questions (some not all) about the five-year-gap, the missing 16 hours and the alien infiltration will be answered.
*Plus a green gorilla!
You don't want to miss it!
1. What was the gem in Misplaced called?
2. Where did Ultra Humanite get his scar across his mouth?
3. Do you know why Young Justice Invasion only has 20 episodes instead of 26?
1. Ambre Jeune Perdu.
2. It came with the body. (For more on this, see issue #19 of our companion comic book.)
3. That's how many Cartoon Network ordered.
Hey Greg!
I recently saw this line from an interview with Steven Bochco in the early 80's, talking about Hill Street Blues (which currently has its first two-and-a-half seasons on Hulu Plus, by the way):
"Maybe the biggest problem with Hill Street, in terms of popular success, is that it is a show that demands to be watched. And most people do not watch television. They simply are in its presence."
I love that quote. What an insightful way to encapsulate about what was essential and great about Hill Street Blues, without going into all the details of what made it so outstanding. Just leave at this: unlike nearly anything before it, in many ways it was a show that demanded to be watched. I think that characteristic also applies to Gargoyles as well, no doubt due to the major influence Hill Street Blues had on the show (as you've often mentioned).
Nowadays, that quality, of being a show that "demands to be watched," is characteristic of so many excellent shows that appear on HBO, Showtime or AMC (before hitting DVD boxsets and iTunes), places where popular success isn't the one and only yardstick. And again and again, we've seen how this kind of series can flourish in the atmosphere of creative freedom offered by these outlets.
Can viewers hope that someday soon, that kind of environment will produce an animated serial drama that has the same level of quality, complexity and acclaim as these channels' current headline series? If so, what might it take for that to happen?
Hey, Zach. Long time no see. I'd heard that quotation about Hill Street before, and couldn't agree more.
I appreciate you think Gargoyles falls in the same category. It's flattering and certainly what we strived for. I don't pretend that we were as good as Hill Street Blues, but no one can accuse us of not going for it.
As to your question, I like to think that W.I.T.C.H., Spectacular Spider-Man, Young Justice and Young Justice: Invasion also qualify. At least at Gargoyles' level. So I think it's already possible. But that's just my - apparently not so - humble opinion.
1. In Misplaced I noticed that Wotan's magic was red when it was orange in Revelation. Not to nitpick but was he harnessing the power of chaos instead of the magic he normally uses?
2. When Martian Manhunter uses telekinesis to enhance his strength is he the same level as some of the heavy hitters of the league or is he closer to Aquaman's strength level? I don't like to ask who is stronger then who I am just trying to find out what is Aquaman's combat prowess in the league is.
3. What were the Pentagram symbols in Misplaced based on?
1. Don't ask the color deficient guy.
2. Combat prowess and raw strength are two different things. Superman's the strongest of the Leaguers. Icon, Captain Marvel and Wonder Woman are up there. Aquaman and a telekinetically enhanced Martian Manhunter and a Quantum-energized Captain Atom are close. I'd put Red Tornado, Hawkman and Hawkwoman just behind them. Neither Flash nor Plastic Man nor Zatanna nor Atom have super-strength, but their powers can sometimes give them more oomph. At the "bottom" are folks like Batman, Green Arrow, Black Canary, Black Lightning, Rocket, though of course, they're all way stronger because of their training than the average human being. And of course, you have the Green Lanterns, who can use willpower and rings to mimic strength too - and maybe even top Superman when they're on their game. Same - in his own way - with Doctor Fate. I think that covers the whole League.
3. My Little Pony: Friendship is Magic.
Hey Greg! Can I ask the age of:
1. Wildcat?
2. Blue Devil?
As of the end of Season One:
Wildcat is 91.
Blue Devil is 25.
SIGNING ON FCBD
This Saturday, May 5th, 2012 is FREE COMIC BOOK DAY. (It's also the premiere of YOUNG JUSTICE: INVASION's second episode, "Earthlings", on Cartoon Network.) Victor Cook and I will be signing copies of issue #1 of MECHA-NATION (and whatever else gets stuck in front of us) at MELTDOWN COMICS from 12 noon to 2 pm.
Meltdown Comics
7522 Sunset Blvd.
Los Angeles, CA. 90046
http://www.meltcomics.com/blog/
So if you're in the neighborhood of Los Angeles, come on down. Check out the Mecha-Nation. We've completely finished the final issues of the mini-series, which will see print in time for ComicCon this summer in San Diego. (Mecha-Nation was created by Vic, developed by Vic, Greg Guler and myself, written by me, illustrated by Antonio Campo and published by Ape/Kizoic.) We're very excited to finally get this great project out to everyone. So stop by and take a peek. You can harass me about the time-skip (but please keep the language clean). Or you can just say hi. Plus, hey, Vic Cook!! The SpecSpidey partners together again!
Hope to see you there!
Mr. Weisman, you've explained your rationale about Zatanna, but why is Barbara Gordon so young? In the original comics, she was in her twenties while Dick was a teenager. She was old enough to work as a librarian, a job which usually requires a college degree, and she was living independently. If nothing else, the fact that she was eventually elected to Congress demonstrates that she was at least twenty-five, since that's the Constitutional requirement for members of the House of Representatives. Is there a reason why she's so young in Earth-16?
In the ORIGINAL COMICS, Dick was Robin for decades before Barbara Gordon came on the scene. DECADES. Putting her ahead of him, age-wise, never made much sense to me. They feel like contemporaries. (Even the original Bat-Girl, Betty Kane, was Robin's contemporary.) Brandon and the folks at DC agreed, so that's what we did. The age disparity is preserved a bit in her relationship to Tim in YJ:I. And that feels more natural to me.
As for her being a congresswoman when she gets older - nothing precludes that. If we ever get that far. (Maybe we'll do a time skip.) :)
Hello, Greg, I would first like to say you are doing a fantastic job on Young Justice, but I have a couple questions:
1) You have stated before that the Riddler is not in Arkham Asylum as he is not insane, is this your opinion on the character in general, or just the Earth-16 incarnation?
2) Why did you decide to start with such an enormous threat as The Light for the first season of YJ, where a single one if the leaders could easily be the big threat of the season on their own? This isn't a critque, just curiousity.
1. I can only speak for the Earth-16 version, but obviously the opinions that Brandon and I held about the characters walking in, influenced how we chose to depict them.
2. We have a story to tell.
could you tell me a little more about the young justice video game? (without spoilers)
Not really.
I CAN reassure folks that we're working with the makers of the game to assure it's in continuity. That it tells an important story from during the five-year gap, but that everything you need to know to enjoy the television series will be within the series itself. But if you ENJOY the world we're building, then I encourage you to pick up the game (when the time comes), as well as our companion comic book. Both media will help to fill out the world and tell more exciting stories with the great characters from the television series.
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