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c'mon Greg, can't you just change the answer and say one of these is right? can't you just give us some clues? can't you just forget about the kid and put off the Gathering for a few more centuries...?
Here's the clue: It's a noun.
(all of the above attempts were wrong.)
Thought I'd take a stab at providing another viewer's reaction to an episode for you. So here are my observations about/reaction to "High Noon" -
The concept of there not being any scent in Coldstone's world was not jarring - it just seemed to be additional explanation of the rules that I was willing to go along with. It was already established in my mind that this was an alternate world that didn't necessarily have to follow the same rules of nature that my reality does. But I also thought, well, if it can be "real" enough to have heather growing in distant fields, why couldn't it also be artificially scented? But I assumed it was a technological limitation, not the unwillingness of a gargoyle soul to allow herself to smell.
I appreciated the continuity and progression of demonstrating Hudson and Broadway practicing their reading skills openly in front of their family, and I was genuinely pleased to see them doing so well. That I have reactions like this to a cartoon still amazes me, I have to confess. But those subtle yet significant touches provided further evidence to me that this show had some good writers and editors behind it.
Also, there was a lot of nice characterization showing Elisa's relationship with the rest of the clan - the exchange with Broadway about doing the right thing and claiming not to be a hero (when she so obviously is) and with Lex when she offers encouragement and shows confidence in him when she says he'll figure out the programming to fix Coldstone. Also, the part when Demona tells Macbeth her only consolation of enduring the pain of transformation is that he gets to suffer as well is priceless. It's deftly comical and tragically in character simultaneously. So lots of good storytelling and pacing of plot revelation going on here.
I did think it was a bit patronizing of Goliath to tell Elisa she has a whole city to protect and equally patronizing for her to order a full report later. I just sort of winced a bit at that exchange and thought "What was that all about?" I also had an adverse reaction to what I thought was Macbeth's really low blow in the library with the book reference, "And I know how to read them." For someone who had established such a strong code of honor, even among his worst enemies centuries earlier, that seemed more hurtful than any physical blow and really beneath him. So I'll generously attribute such uncouth behavior to his being under a spell, I guess.
In any episode of the series, I trust the reliability of Bronx's nose above all (i.e. in this case, his detection of Demona behind the wall of the closet). Yes, there are some constants in the gargoyle universe.
When the clan questions how two foes like Demona and Macbeth could be in collaboration, Hudson observes -- incorrectly but plausibly that -- "Maybe misery loves company." Ed Asner delivers that line with great finesse, hinting at a lot of complexity behind a seemingly simple statement. For one who appears to be an old-fashioned traditionalist, Hudson understands a lot more than other characters (and even viewers) may give him credit for.
Elisa had a very sweet and sincere line about not being able to leave the clock tower without knowing whether the clan was safe. She's a very dedicated friend. I was surprised that Demona would reveal her dual personality and transform in front of Elisa. I just thought that would be a trump card Demona wouldn't give up so easily, I guess. But I certainly thought it was completely in character for the scantily clad Dominique to strut her stuff in front of her rival - a pure sign of over-compensation for what is really subconscious insecurity and even a bit of self-loathing.
A line of Elisa's that really did not fit, in my opinion, was, "No more monsters - good or bad." I never, never would have believed, after "Awakenings" at least, that Elisa would've ever used that word in relation to her gargoyle friends. But I loved her new-found resolve with Morgan's help. Heroism shines through and adrenalin provides the needed strength; it's the great climax in the episode - the fight scene itself is simply the end result and is secondary to that moment.
More good lines follow: "I'm here to save him." "You fight like a rookie." (Elisa deserved some kind of one-up on Demona) and Macbeth's rye observation to a now Othello-controlled Coldstone that, "It seems your allegiance has shifted slightly" - here proving the concept that, when it comes to drama and comedic effect, more often than not, less is more. Incidentally, the error with the three Desdemonas' hair coloring didn't keep me from thinking of the Weird Sisters connection - I'm trained quite the opposite - any time I see three of anything in the series I'd think Weird Sisters, regardless of coloring.
And then there are the additional interesting revelations at the end, implying more to come in future episodes. But for me, that was almost just obligatory informational stuff needed to move the story along, it wasn't where the true strength of the episode lay.
For what it's worth. ...
It's worth a lot actually. Very strong character analysis. As I said, I think we pushed Elisa a bit to get our parallel story. Caught her exhausted and on a bad day. But I don't think you're wrong about any of the above. Thanks.
Have you ever seen any of the David Macaulay animated/live-action specials about building in the ancient and medieval worlds - particularly "Castle"? They aired on PBS some years ago - for the most part, quite a while before "Gargoyles" ever came out - but when I first saw "Awakening Part One", parts of the Castle Wyvern scenes (particularly the banquet) reminded me of scenes in the "Castle" special. That recently got me wondering if you'd ever seen them (the animated sequences did, in fact, have a similar "general" feel to the medieval Scotland scenes in "Gargoyles).
Nope. They don't even sound familiar.
hello¡ my question is:
In manhattan, ebribody have a moderns pistols, but elisa have a old pistol.why?
(I´m sorry, my english is not good because i´m spanish)
Um. Elisa has a modern pistol. So does Matt and most of the cops. Some of the crooks, however, are using the technology that Dracon stole from Xanatos in "Deadly Force".
This doesn't neccesarily have anything to do with gargoyles per se, but i was wondering if you had any advice for me on something: I'm a theater major, and looking into voice work, either for animated shows or commercials..is there anything in particular I should avoid/definetly do in looking for this sort of work? I am in the dark.
For starters, where do you live?
If the answer is anywhere but L.A. or maybe New York, then my second question is When are you moving?
It's not impossible to have a voice career elsewhere, but the odds are stacked against it.
Once you're here there are classes I can recommend. But you can't take them long distance.
its funny that Oberon says the children must live among mortals, but not interfere with them because that really isn't possible, you can't observe or live among any people without changing them, its a scientific law. there are many examples of this in the real world, and many other examples in the Gargoyles Universe... obviously Oberon has to expect some Fae/Mortal interaction, and hence interference... Xanatos/Puck, Renaud/Titania, Wierd Sisters/D and M, etc. etc.
I think Oberon would think you are nit-picking. Everyone understood the gist of what he had procalimed. Don't actively use your magic to alter the course of human events.
Hi, Why did they stop making new show?
Oh, that's a big long complex question that I've just answered so many times before. In fact I once wrote a borderline discertation on the subject that multiple people have posted on various websites. Ask around in the comment room for a link.
Was part of the purpose of the eggs' brief mention in "Awakening" (aside from the preparation for their re-introduction in "Avalon" later on, when you got around to it) an indication to the audience that the gargoyles were genuine living beings rather than statues brought to life by magic? The presence of gargoyle eggs, after all, does indeed indicate that the gargoyles weren't mere magical creations (I doubt that animated statues would be able to breed).
Yes, in a way, anyhow. It was part of the whole picture to that end. Goliath bled. He could be killed, etc.
in the London clan the feathered wings were the most common, and in the other clans the Goliath and Demona type wings were quite common, among the clans we've not see (Loch Ness, New Olympus, Xanadu, and Korea) are Lexington's wing type the most common? or are Desdemona's?
I'm not going to tie my hands by quantifying that at this time.
in response to my question about England getting rid of their gargoyles you said, "England did a worse job than most." do you mean cuz there are still gargoyles in England a thousand years later or was there another reason you said this?
on a related note, when Bodhe said that the English rid their lands of gargoyles long ago... how long ago? obviously there was at least a clan or two around during King Arthur's reign and i can't see him allowing massacres and such. oh, and since we know of the London clan i realize that the English HAVN'T rid their lands completly of gargoyles, but when were the bulk of them banished/killed/whatever?
What other reason did you have in mind?
As for Bodhe, he wasn't exactly an authority. The English thought that their country was gargoyle free by Macbeth's time. It wasn't. What gargs there were left had just gone into hiding by that time.
obviously Elisa told Matt about many of the World Tour adventures (i.e. Hunters Moon- Easter Island Statues) did she tell him about the New Olympians? did she tell any other humans? did Goliath and co. tell the trio and Hudson about the New Olympians?
My guess is that Elisa told Matt some of their adventures, but not everyone. She probably left out the New Olympians as (a) not her secret to reveal and (b) not the most fun adventure for her.
But I'm guessing that either Goliath or Angela eventually told Hudson and the Trio EVERYTHING.
does the Manhatten clan have internet access? if so, or if they use Elisa's computer or whatever, have they met and made any friends on the internet, you know, in chat rooms and stuff? obviously, Lex seems the most likely to have made friends, just curious...
Yes, they do. And Lex has surfed the net. But his experience with the Pack makes him a bit hesitant to make friends. He lurks more often than not. Maybe he's lurking now.
About Garbeasts. Are they the same species as Gargoyles, bred from and breeding normal gargoyles?
If not, any ideas on how they came to such similiarities (the general style of appearance and the stonestuff)?
They're both gargates. The way humans and chimps are both primates.
Something that I've occasionally wondered about the Captain of the Guard. In the series, he's only known by his title, and his real name is never mentioned. Was that deliberate, in light of his choosing to identify himself with the gargoyles (who at that time didn't have personal names) instead of with the humans?
Yeah, that would be great and thematic. But I don't think we thought that out. Maybe Michael did.
Hey Greg, it's been awhile since I posted.
My question is
1) Was it Avalon's magic that enabled Goliath and co. to talk to Zafiro, Kai etc. during the world tour?
2) If yes then would the residents of New Olympus speak some Mediterranean language?
No. Those other guys spoke English. (Not exclusively, but they were clearly fluent.)
How did Josh McGrath turn into Max Steel exsactly?
He activated the Max-Probes in his body and clothes.
Where was Demona during the Civil and Revolutionary war,and what did she do?PS Gargoyles is the best show ever!)
Someplace. Lots of things.
if Sevarius (or anyone) cloned a human and speeded up the maturation rate would skin and hair pigmentation be different as it is for the garg clones?
i'm not asking for numbers or anything, but in 1996 what order, in terms of population, are these clans, most gargs to least:
Don't know. They're all full clans.
I've noticed that aside from her laser cannon or bazooka, Demona's weapon of choice is a mace. Given your comments on a mace being the natural enemy of the gargoyles, was making Demona's weapon a mace (rather than a sword, crossbow or Morning Star) a conscious decision on your part in regard to this?
It was a conscious choice in "City of Stone" when she was smashing human "statues". When else does she use a mace?
How did Goliath come to get his name, and when did he get it? Thanks
During the Dark Ages. A human named him. That's all I want to say right now.
If the Ishimura clan was inspired by Tengu then why weren't there many beaked gargoyles?
I can't answer this. Assumes facts not in evidence.
And here is the required stab at one of the last G-2198 numbers.
517 - outdated
(It may not be right, but I can't find anyone who has suggested it before, so at least it's new.)
As for 74, could you give us a slight hint? Specifically, I'm wondering about that enigmatic 'and' just before it. If you were to expand that sentence to be more precise, would it read:
Each was strong in number and strong in 74.
Each was strong in number and each was 74.
Magnolia (of the Seattle Clan)
517 is wrong.
As for the hint you wanted, I'm sorta against giving extra hints. But I too am tired of this contest. So, the former.
Hello! Love your work, especially Gargoyles. That series was inspiration to me.
On to the question, this one Gargoyles 2198 related:
We have two unguessed numbers left. However, there are several answers that I could not find with a thurough investigation of the archive: 123, 126 and 323. What were the already given answers for these three?
Also, the Galvatron guessed 436 as Empire and 438 as Technology, and you neither confirmed those answers as correct nor called them wrong/previously answered. Later attempts at 436 and 438 all met with the wrong/previously answered response, so I want to confirm that these were the correct answers.
I'm sorry, I don't have that info available to me here in Burbank. Though I find it hard to believe it's not in the archive. I know someone (is it Vashkoda?) has a webpage dedicated to this. You might ask in the comment room.
I am fairly confident that we're down to these last two.
How long did the lost race live?
Not answering that now.
Hi there, Greg. I just want to say I think Roswell Conspiracies, Max Steel and Gargoyles rock this world... If you don't mind, please could you take some time to answer these questions?
1. In "The Partnership", what did Hanek [Vampire Leader] see as perfect in Joanna Wickham - Simon Fitzpatrick's old flame. And why didn't he choose Nema, or some-one connected to the Alliance?
2. Did Hanek ever have a romantic involvement with Valra, the over-ambitious red-head? [Before she turned renegade].
3. How old was Hanek suppposed to be?
By the way, I think the Gargoyles Forum/Questions section is really interesting and intellectual! Thank you, see ya!
I literally don't know ANYTHING about the version of Roswell Conspiracies that hit the air. I didn't work on it and have never seen it.
I wrote the original pilot. Which the people at Bohbot threw away (or so I'm told). I do know that they were contractually obligated not to use the NAMES I used.
a couple of weeks ago Jim R. asked about the picture of Brooklyn on the "Latest Responses" page, i recently pulled out my old gargoyle comics and found that that picture was taken from Issue 5 when Brooklyn and Lex were about to go "para-sailing", i guess he found that shirt wherever he found the skis and stuff. oh, and like i told Jim R. i think the thing on his shirt is *in Californian surfer accent* a "monster wave, dude!" hehehe...
I'm sorry this question has been asked before. I've been going through the archives for a while now (this'll be my first question) and I haven't come across any references to it, but you never know, right?
Anyway, I just saw a repeat of "Sentinel" last night, and it struck me as a very pilot-esque episode, like you'd set up in mind for a spin off (something like "Widget the World Watcher" meets "Transformers", only more grounded in reality). And yet, you seem to have no intention to spin it off. How come? Did you originally intend to, but decided against it as you felt it wasn't strong enough to carry a series, focusing instead on the other possible spin-offs? Or am I just making things up in my head?
Mostly in your head.
It was never intended to be a spin-off per se, but it was a plot thread I wanted to pick up again later. MUCH LATER. Like in 2198.
What is the most annoying question anyone has asked you here?
(This set up is just too obvious.)
You mean BESIDES this one?
When did Lexington and Brooklyn learn how to read? Was it before or after the thousand-year-sleep?
Lex before. Brooklyn immediately after. At least in my mind.
I just finished re-watching "Shadows of the Past" (wow, was that one well animated), and a few questions came to mind.
1) Was the rookery located outside the castle walls or within them? I had the impression from "Awakenings" that it was inside, but in "Shadows", Goliath looks forward into the distance and sees the illusion of the castle, and then looks to the right and sees the rookery (plus, if the rookery had been within the castle, I would think Xanatos might have taken it with him). I just wanted to be sure where it was.
2) When Elisa asks Goliath if there are caves nearby to take shelter from the storm, why don't they just go inside the rookery?
3) The group don't seem to go very far to reach the Archmage's cave, but I got the impression from "Long Way" that Hudson had been following the Archmage's tracks for a while, and it was apparently far enough away that the Captain chose to take a horse to get there in "Awakenings". Roughly how far (miles?) is the cave from where Castle Wyvern used to be?
4) You've said you didn't want to talk about the Monolith Dance, but there were several other structures in the cave, including the skull-like formation where the Archmage made his "last" stand, and the maw-like formation that Goliath entered after falling through the fissure. a) Were these structures shaped to represent any specific creatures (or a specific species)? b) If so, were these particular creatures/species important to those who built the structures in the cave?
5) Was the fissure Goliath fell through the same fissure that the Archmage fell into? Goliath had already passed the skull-like formation when he fell, and it didn't seem to be at the same spot the Archmage fell. Or is this a long fissure that runs through the entire cavern?
2. What was the rookery, was just a glorified cave. When the castle was excavated for transport. The cave was basically wiped out.
3. I don't know exactly. It's down the hill, next cliff on your right.
4. Not discussing that at this time.
5. Two separate things.
did the Xanatos goon squad die when the sub sank at the end? we never saw them after that...
how did Sevarius survive? escape pod?
Bruno lived. But I figure the others went down.
Sevarius had a pod or something.
I have seen that the gargoyles when the sun go down are lives, and a little stone skin fall from their skin, are they more small??
No, they're shedding a thin layer of dead epidermus. Each day they regenerate while in stone.
warrioress's question reminded me of one i've been meaning to ask, i read somewhere that because of his smaller profile Lex and other gargoyles with similar wings can actually glide faster... any truth to this? i guess they should get an advantage cuz they can't really use their hands when gliding...
Oh, one other statement on "Metamorphosis":
The course of events leading up to Derek being accidently injected with the mutagenic formula seemed awkward. Was it Xanatos' plan to have Derek mutated? In a way it seems it was Derek's fate to be transformed since he asked to go with Xanatos, even though Xanatos said "That won't be necessary." But Derek insisted and ended up going for the ride.
What if Derek didn't go along or had never made an attempt to take the shot for Xanatos when Sevarius was going to shoot the mutagenic formula at him initially? Xanatos would have been hit with it and he would have mutated. That must have been one hell of a risk he took, not knowing that Derek might not come to his rescue. Seeing how the whole time Xanatos and Sevarius were allied and the whole thing seemed like a setup for Derek. But it still gets me as to why the things happened the way they did? For the story's sake in suppose. I at least would have expected Xanatos to scold Sevarius for almost shooting at him. Or is there something that I am missing?
You're missing Xanatos' basic rule for operation. Contingency plans for everything. Owen said what he said to GET Derek interested. If Derek hadn't volunteered, Xanatos would have asked him to come.
If Derek hadn't been heading for Xanatos, Sevarius would not have shot at that point. Sevarius was aiming for Derek, not Xanatos.
But every aspect of the plan was backed by contingencies.
Some questions about "Metamorphosis" since I watched it yesterday:
1. What did Maggie do or was going to do before she got coaxed by Dr. Sevarius into becoming an experiment?
2. I noticed in this episode that once Derek was mutated and could fly, he looked almost exactly like Fang (which I guess is sort of a cross between a bobcat and a cougar maybe), but then in the later episodes which Derek was featured, his looks were completely different and he looked more like a panther and had black fur. Did you decide to make him look different later or was he essentially still mutating?
3. I also noticed that Fang's initial appearence with the quick shot of the cage they were in when Sevarius was showing Xanatos his work. Fang looked nothing like he does now, well, in a sense. Did you also change his look just for the better or was he still mutating?
1. I've answered this before. I think she came to NYC to be famous. Brought what seemed like a lot of money to her, but then wound up on the streets.
2. Answered this too. Did you even look in the Mutate ARCHIVE? The "in-show" answer is that the mutates were still mutating. The 'behind the scenes' answer is that Frank wasn't satisfied with the original design on the mutates. But we ran out of time. He kept tinkering with them however to get the final version you saw and "The Cage" and forward.
3. All four mutates, including Talon, Fang, Claw and Maggie the Cat went through revisions between "Metamorphosis" and "The Cage".
How fast can Coldstone fly? Presumably with that built-in rocket he can fly faster than a "live" Gargoyle....
For that matter, how fast can an average Gargoyle glide?
I'm not good with numbers, but yes, Coldstone can fly faster than an average garg.
since "Reawakening", "Legion", "High Noon", and "Possesions" all ended with Coldstone getting screwed in one way or another, would the unmade World Tour Coldstone/Himalayas episode have ended as sadly for poor Coldstone?
Bittersweet. As our Frankenstein stand-in he was a bit of a bittersweet character in design. But eventually he would have rejoined the Manhattan Clan with Coldfire and gotten a measure of peace.
Was the resemblance between Nought and Ghede of voodoo mythology intentional? I mean both of these guys have virtually the same costume top hat and all.
Most likely it was a conincidence.
Who were Raven's parents?
Who were Coyote's parents?
Who were Anasi's parents?
Who are your parents?
Have we seem Queen Mab's prison?
1)You saud that Queen Mab was insane but was she when she ruled over the third race?
2)Did Mab have a husband?
3) If so, was he king, or beneith Mab
4) Was Oberon's fathre Mab's husband?
1. Oh, yeah.
2. What only one?
3. Nothing's that simple.
4. See above.
Can Demona get pregnant by a human at anytime? That is, is she fertile as a human at the same times as she is fertile as a gargoyle, or is she fertile like a regular human? What's Demona's fertility cycle as human and garg? (Garg's are only fertile every ten garg years, right?)
Garg's are only fertile every TWENTY years.
Human females, or so I understand it, are generally VERY fertile one week a month. Potentially fertile the week to either side. And even possibly fertile at all times. At any rate, it's sure as hell safer to think that way.
Demona is a human when she's human. A garg when she's a garg. But she's extremely unlikely to get pregnant at any time. Cuz she's Demona.
ok, now a few questions about "The Reckoning"...
1. did Demona keep a "mosquito" in her belt buckle for each gargoyle or just Lexington?
2. did she and Thailog plan to get Elisa's DNA together or was everything about Delilah a secreat from Demona? what i mean is, did Demona plan on getting Elisa's DNA or not?
3. TGC episode "Genesis Undone" is not canon, and you've said that Thailog had not died in the fire, is that right? if so, would he have suffered any major lasting injuries from the fire? if he did survive, why did he let Demona go on running Nightstone Unlimited even though some of it belonged to him?
4. i'm guessing Fang went back to his cell, correct?
5. if Sevarius could so easily combine human and gargoyle DNA to make Delilah, why not mix and match different gargoyle DNA for a bit of diversity? or did he? i've noticed that the four main clones seem to have combinations of different gargs. for instance, Hudson's clone looks mostly like Hudson, but has Lex's coloring, and Brooklyn's clone looks mostly like Brooklyn, but has Broadway's coloring and fanned ears. was there mixing going on?
1. More than one for each.
3. He was laying low.
4. For a bit.
5. No. The coloring changes were a result of the forced aging. The same thing that caused Thailog's coloring to be different from Goliath's.
You mentioned that the London gargoyles (some of whom look like lions) were already in Britain during King Arthur's reign. In the Gargoyles Universe, does this explain the occasional presence of lions in Arthurian romances - i.e., the lions mentioned in Malory et al weren't really lions?
Potentially. Have to take every event on a case by case basis.
Why would Arthur go to Stonehenge to look for Merlin?
He's lookin' under every rock.
I know that you hate most of the time traveling in Star Trek so what did you think of that episode where Kirk goes back to WW2?
Hate is a strong and not necessarily accurate word.
As for the episode you're talking about, I'm not entirely sure which one you mean. There's an episode where Kirk goes to a world where Nazi Germany has been recreated. But it's not a time travel story.
And then there's the famous time travel episode with Joan Collins set during the depression.
I assume you mean the latter.
I basically think that's a great show. At least the time travel is presented fairly consistently within the episode. It's not the way I would do it. But it's consistent to its own rules. And time travel aside, it's a great dramatic premise. Well-performed by all involved. Great stuff.
Just curious, but have you ever read the the stories in the Gargoyles Saga?
No. I don't read fanfiction as a policy to protect myself from law suits should I ever get the series back on the air.
Doh! Wrong word in my last question: "conscience" is supposed to be "conscious" as in aware of one's surroundings. Sorry about that.
Came back to the rambles a bit later than I expected. Anyway....
First off, I felt the animation in this episode was some of the best in the series--fluid, characters had "solidness," and just overall very well done. My only real complaint is that sometimes the positions and movements of the characters seemed a bit too...BIG. Over-dramatic perhaps. The most obvious example is the very one you mentioned, Demona's "sex-pot poses." Those always throw me, because they just didn't really seem to fit the scene for me there. I suppose the idea put forward by several other fans--she was showing off against Elisa--is probable, but still.... On the other hand, I must admit that, yes, it is certainly...appealing to watch...the poses.
ANYWAY, still some pretty good animation. But while we're on the subject, Desdemona's skin-color seemed a bit lighter to me in this episode.
Yes, Michael Dorn does a great job contrasting the two personalities in his voice, doesn't he? Just the difference in between hearing him as Othello talking to Desdemona in cyberspace, and then as Coldstone/Iago calling Demona "Sister" is chilling. His voice work is one of the highlights of the episode IMHO.
I did not balk at the progress Hudson and Broadway made in their reading. For an animated television show, I thought this was a very nice show of development among the characters. Pity that even after reading it correctly when it really counted in THE SILVER FALCON, Broadway still has trouble reading the word "right." And perhaps, after a year of watching television, Hudson should have picked up the "hit the sack" phrase--he seemed to pick up "sitting ducks" a lot quicker than Broadway--but still, it was a fun touch.
I do kind of like the modesty Elisa displays in describing herself as no hero. I don't know why, but I do.
I didn't recognize Demona and Macbeth IMMEDIATELY. As soon as they were in the station and I managed to notice the beard on the "felon" I figured it was Macbeth. I didn't recognize Demona until she started talking (who couldn't recognize Marina Sirtis' voice as Demona?). What remained foremost on my mind was why these two were working together. I actually didn't wonder too much about the rest of the stuff--maybe it just didn't occur to me, or perhaps I figured all would be revealed in good time and just suspended my disbelief. I didn't think the two were capable of escaping the Weird Sisters, though. That is, unless the Sisters wanted them to.
As for Elisa...she REALLY should have gone to the doctor if she was out for that long. I admit, in light of this "enforced nap" I always had a problem swallowing Elisa's statement that she had only slept "a few hours in the last 40" (despite the fact that she certainly LOOKED like that statement was true).
I buy that Elisa found Demona familiar (you're right, there's that sort of connection between them).
The transformation sequence of Demona from human to gargoyle (and later from gargoyle to human) were EXCELLENT. I had been waiting to see her change since THE MIRROR and was a bit frustrated that it didn't occur anytime durning the five eps with her between then and now (y'see, I didn't know about the "tiers and tentpoles" back then). Thus, I was quite happy to see her working in human form here. Also, somehow I just KNEW the transformation was going to involve pain. I don't know why...maybe it's what I would have done with the spell if I had cast it on Demona. I can be cruel sometimes.
I'm afraid that the fact that we had three villains teaming up against the heroes didn't hit me as strongly as you would have liked. It's not just that the villains had such complexity, but also the fact that Macbeth and Demona usually are fighting each other. That kind of undercut some of the "WOW, THREE VILLAINS" factor. Also, the good guys still outnumbered the villains (even though the villains managed to outthink and incapacitate them)
I do love the interaction between Goliath and Elisa when the gargoyles head off to Macbeth's. I didn't find Goliath too smug, and I thought Elisa's "full report" remark was kind of fun and endearing.
The sequence at Macbeth's house was pretty cool as well. I also love it when Goliath taps the camera with his wing--I always was interested in seeing what other uses there were for that extra pair of appendages in addition to gliding.
"Just remember, one of them hates your guts." Lex has such a wonderfully blunt method of stating the situation. ;)
Of course Goliath responds with the equally fun "Then I'll just have to be very careful" after he's punched out the console.
Broadway: "Look at all these books!"
Macbeth: "And I know how to read them."
Nice exchange that succeeds in taking us back to LIGHTHOUSE. Also, it managed to impress my brother as being an excellent insult.
Bronx sniffs Demona behind the false wall, Brooklyn takes no notice. A repeat of the events that took place at the castle in CITY OF STONE. "Fool me once, shame on you. Fool me twice, shame on me." I get the feeling Brooklyn's going to pay a bit more attention to Bronx's hunches after this.
BTW, I just love it when Bronx scratches at the door...and gouges the wood.
I figured Macbeth in the library was probably directly over Demona in the...whatever room it was, for the pain link to work.
Yeah, the villains pulled a smart one with Coldstone/Iago volunteering the added information. I didn't doubt that they would.
Elisa and Demona have their encounter, and then Elisa runs into Morgan. I was surprised to find that Keith David was Morgan's voice--it sounded so different from Goliath. But Morgan is a fun character with some nice insight.
I don't know why, but I like Elisa's mention that if she went to sleep and woke up there would be "no more monsters, good or bad."
Elisa goes to the castle, unarmed, and Macbeth goads Demona into facing Elisa the same way. This is one instance where it makes sense that the villain gives up the advantage of a weapon--just the honorable Macbeth playing on Demona's contempt for Elisa to ensure an honorable fight. And I like that Elisa holds her own well. I'm glad that she didn't just turn out as another "damsel in distress" but worked as a heroine in her own right.
Meanwhile, through all of this, Othello has been hiding away, against Desdemona's pleas. Personally, Desdemona strikes me as the more mature of the two of them, the wiser and more patient (she continues to stick by this guy no matter what--this is one heck of a woman...gargoyle, whatever).
Even though the hair-color was always off, I recognized the three Desdemonas as the Weird Sisters (c'mon, triplets talking nearly as one, in a situation concerning Demona and Macbeth; who else could it be?).
Othello makes the decision and the fight for control begins. You have to admire the sacrifice Othello and Des make for the sake of keeping Iago in cyberspace. I couldn't help feeling sorry that it had to be this way.
After the fight's over, and the chains are blasted, Coldstone takes his leave for the safety of others. A couple things I really like here--Coldstone refers to Elisa as "my lady" and bows, and when Coldstone shakes his head to defer staying until Goliath wakes, he only is able to close the biological eye. His robotic eye can't close. Pity that only shows up here.
And then the jogger comes in for some nice comic relief.
The final tag struck me--kind of like the first Xanatos tag I saw. Coldstone was a feint just to get the talismans--the three the Archmage said would grant "ultimate magical power!" There they were! Macbeth and Demona start to question the situation, and in come the Sisters. I knew they had been involved, but I didn't quite know what they wanted the talismans for. "The coming battle" eh? Well, that was one I couldn't wait to see.
Of course I had to wait a while for AVALON. :)
Glad you liked it. Hope it was worth the wait.