YJ Update

As we fast approach our RE-PREMIERE, thought I'd give another update...

SEASON ONE
Episodes 101-109 have aired.
Episode 110, which we previewed officially at Comic-Con will finally air on Cartoon Network this Friday, September 16, 2011 at 6:30pm (or check local listings).
Episodes 111-121 are all in the can, ready to air.
Episode 122 is in post. We'll be mixing the sound next week.
Episode 123 is also in post. We'll be editing/locking the footage this Friday while some of you are watching 110.
Episode 124 is finishing up animation in Korea.
Episode 125 just came back from Korea - EARLY!! (That almost never happens.) We will be calling retakes on the footage shortly.
Episode 126 is finishing up animation in Korea.

SEASON TWO
Episodes 201-202 have both shipped to Korea for animation.
Episode 203 ships this week.
Episode 204 is in storyboard revisions. Brandon and I still need to give notes on the last act.
Episode 205 is waiting on storyboard notes too.
Episodes 206-207 are in storyboard.
Episode 208's script went final today. We'll record it next week.
Episode 209's script is currently being edited by me.
Episode 210 is in script.
Episode 211's outline is waiting to be edited by me.
Episodes 212-214 are in outline.
Episodes 215-217 we'll be handed out today (9/14) to the writers to go to outline.
Episodes 218-220 we'll be handed out next week to the writers. Beatsheets are completed though.

COMIC BOOK
Issues 0-7 plus the Free Comic Book Day issue have all been released.
Issue 8 is finished and should "hit the stands" this month.
Issue 9 is being inked.
Issue 10 is being pencilled. But the cover is done.
Issue 11's script was turned in by me yesterday. The cover is done.
Issue 12's cover has been pencilled and inked. I know the basic story, but I'm going to begin breaking down the story page-by-page tonight.
Issues 13-14's story is also pretty clear in our heads. Kevin and I will discuss it today so Kevin can proceed to break the issues down page-by-page.

ASK GREG & YJ UPDATE

ASK GREG & YJ UPDATE

Gorebash, Todd and I will be opening up Ask Greg for questions and comments again on September 16th, 2011 - i.e. the day that the next new episode of Young Justice airs.

I would, as usual, ask a few favors...

1. Please check the, ASK GREG FAQ, the ASK GREG ARCHIVES AND the questions in the queue ahead of you BEFORE posting. It only slows down the queue for everyone if I get the same question asked over and over again.

2. To save more time, both for you AND for me, consider asking your question FIRST of the knowledgeable fans at the STATION 8 COMMENT ROOM: http://www.s8.org/gargoyles/comment/index.php

3. Resist the urge to ask for spoilers. I'm not going to spoil my own show. So asking only slows down the queue.

4. Please be polite. You don't have to like my work, but you should be able to critique it without being rude. And please REFRAIN FROM ASSUMING that your argument is going to be SO convincing that I will admit that my own work sucks. WE LIKE OUR SHOW. You don't have to, but you're not going to convince me that I don't.

YJ UPDATE
FIRST SEASON
101-109 have all aired.
110 was previewed at Comic-Con and will premiere on Cartoon Network on September 16th.
111-119 are also in the can, i.e. totally completed and ready for airing.
120-123 are all in post-production. Today we previewed the music for 120, and spotted the music for 121.
124-126 are still being animated.

SECOND SEASON
201 is shipping to Korea at the end of the week.
202 is in timing.
203 is in storyboard clean-ups.
204 is waiting for board notes.
205-206 are in storyboard.
207 records tomorrow.
208-210 are all in script.
211-220 have been approved into production. Brandon Vietti, Kevin Hopps and myself spent the last week (including Saturday) breaking the last six episodes (one per day). We are pitching the arc of the season to DC, CN and WB this Wednesday. Assuming that goes well, we'll have our first writer's meeting to assign 211-214 on Thursday. I have beatsheets completed on 211-216. Have to write up the beatsheets for 217-220, but I've got all the beats on index cards, so it's just a matter of finding the time to transcribe them into a document.

That's it for now. See you all on the 16th of September!

gdw

CONGRATULATIONS TO PHIL!!!

Phil Bourassa, character designer extraordinare for YOUNG JUSTICE, has one an EMMY AWARD for his work on the series!

Phil's designs are, of course, stunning, and he's truly irreplaceable! All of us here at YJ are thrilled for him.

And, let's be honest, for ourselves as well. Hey, now we're all working on an Emmy-winning show! ;)

Update...

Anyone in the mood for another YJ Update?

101-109 - Aired
110 - Previewed at Comic-Con
111-118 - In the can.
119-121 - In post-production.
122-125 - In animation.
126 - In layout overseas. Final color models going out today.
201-204 - In storyboard.
205 - Recording this tomorrow.
206 - I'm editing the script now.
207 - Waiting for notes on the outline.
208 - Have to write the outline.
209 - Have to read the writer's draft on the outline.
210 - In outline.

As before, we don't have an official pick-up on the back ten episodes of Season Two, but we've been given the go ahead to break the stories:
211-212 - Beat Outlines completed.
213 - We're in the middle of breaking this one on index cards.

Another Rumor to Squash

Back from San Diego Comic-Con and was thrilled to see the outpouring of good wishes and thanks on the internet for us. But...

Someone seems to have spread the idea that our panel went poorly and that the fans who attended were rude to us.

NOTHING could be further from the truth. The panel - to my mind - went EXTREMELY well. The response to episode 10 seemed great, despite the fact that I think many in the room had seen it already, and we had a fun (if brief) Q&A after. Plus Miss Martian (and some other dude) brought us cookies. We then had a fun signing and press interviews. All full of praise.

I'll admit that ASK GREG has occasionally been inundated with a bit of rudeness, but that's at least in part thanks to the relative anonymity of the internet. In person, at the conventions, the fans are just terrific!

So thank you,

STAY YOUNG!

STAY JUST!

San Diego Comic-Con 2011

San Diego Comic-Con 2011

Well, I'm here!

I've so much work backed up from Oregon, ConVergence and being sick that I may spend an unfortunate amount of time holed up in my hotel room, nose to grindstone (grindstone = laptop), but if YOU are here, there are a few places you can find me:

Thursday, Friday and Saturday from 11:30am - 12:30pm, I'll be signing Gargoyles TPBs at the SLG Booth (#1815 - across from the DC Comics booth). Stop by and say hello!

Sunday at 10 am, Brandon Vietti, character designer Phil Bourassa, Danica McKellar (the voice of Miss Martian) and myself will be appearing at a panel for YOUNG JUSTICE in Room 7AB. We'll be screening an episode, followed by a Q&A.

After that, from 11:15am until noon, the four of us will be signing some VERY cool and unique (and even spoilerish) YJ giveaways at the Warner Bros. Booth (#4545). So again, stop by and say hey!

SO WHERE HAVE I BEEN? Updates & Debunks

Hello everyone,

Haven't posted here in a while, and since I did a bit of message board lurking this morning, it seems to have led people to believe all sorts of odd things, so...

Where have I been?

Well, in early June, my family and I went to the Oregon Shakespeare Festival in Ashland, Oregon.
We saw seven plays in four days. Six of them (Henry IV, Part Two, The Language Archive, To Kill a Mockingbird, Julius Caesar, Love's Labours Lost and Measure for Measure) were just stellar productions. Everyone was great, but I'd like to particularly single out Susannah Flood in both Language Archive and Mockingbird, Dee Maaske in Mockingbird and Michael Winters as Falstaff in 2HenryIV.

Coming back from that, I was understandably swamped and didn't have time to post.

Next, I went to Minneapolis for the always great ConVergence convention. I did about thirteen panels. Some of which, like Gargoyles and Spider-Man and Young Justice, I felt qualified to be on. And some, like Dexter and Galaxy Quest, my only qualification was being a fan of whatever we were talking about. This was my third ConVergence, and it continues to be the best run convention I've ever attended. And now that the Gathering of the Gargoyles is no more, it has become my FAVORITE convention to attend.

Returning from ConVergence, I then got quite ill. In fact, I'm still home sick today. (Home sick as opposed to homesick, clear?)

So THOSE are the reasons I haven't posted. Nothing nefarious.

Next topic: YOUNG JUSTICE UPDATE.

We have aired episodes 101-109 (i.e. Season One, episodes 1-9).

(Yes, episode 110 accidentally was posted on Cartoon Network's website, but I'm going to pretend that never happened.)

Episodes 110-115 are in the can, i.e. they are completed and ready to air.

Episode 116 awaits only the final on-line, i.e. the final review of the episode. This has been delayed ONLY because I've been out sick this week.

Episode 117 will have it's sound mix on Friday. (I hope to be back at work by then.)

Episode 118 has been edited and work progresses on scoring and sound effects.

Episode 119 is ready to begin post-production.

Episodes 120-123 are being animated in Korea.

Episodes 124-126 are in layout in Korea, while we finish the final color models here in the States.

Episodes 201-202 (i.e. Season Two, Episodes one and two) - Are fully recorded and are in storyboard. (201 was written by me. 202 by Nicole Dubuc.)

Episode 203, written by Kevin Hopps, is almost fully recorded. We have one actor left to pick up, who has been out of town. It is also in storyboard.

Episode 204, written by me, will record this week. It is also in storyboard.

Episode 205 - Brandon Vietti, has turned in his draft of the script. I have to read and edit it.

Episode 206 - The outline, written by Peter David and edited by me, went out Monday for notes, which are due tomorrow.

Episode 207 - Kevin Hopps turned in his outline, which I need to read and edit.

Episode 208 - I'm writing this one. I'll start the outline, after I've edited the outline to 207.

Episode 209 - Jon Weisman turned in his outline, which I need to read and edit.

Episode 210 - Kevin Hopps is working on his outline.

We do NOT yet have a pick-up beyond episode 210, but our bosses have told us to start blocking out episodes 211-220 in anticipation of one.

Episode 211 - We've broken this story. I still need to find time to write up the Beat Outline, though I have it all on index cards.

Episode 212 - We've got the basics of this one down, but we (i.e. myself, Brandon and Kevin) still need to finish breaking the story.

Episodes 213-220 - We've got a very clear sense of the arc and what things need to happen, but we haven't started on these yet.

NEXT TOPIC: DEBUNKING YJ RUMORS

False Rumor #1: YJ IS A GREG WEISMAN PRODUCTION
Everywhere on the Internet, all I see is that YJ is Greg Weisman's show. That's just blatantly false. This is a VIETTI/WEISMAN production. Just as Spectacular Spider-Man was a COOK/WEISMAN production and Gargoyles was a PAUR/WEISMAN production. I am not, nor have I ever been, a one-man show on ANY project I've EVER worked on. EVER. And in particular, on YJ, it's extremely unfair to Brandon to leave him out of consideration. Brandon is heavily involved in every aspect of production, INCLUDING SERIES DEVELOPMENT AND STORY. He's been right there with myself and Kevin Hopps breaking every single episode. It's been a team effort from day one. Many of the series' best ideas came/come from Brandon. And this is aside from the fact, that of course, Brandon can write - but I cannot draw, which arguably makes him MORE important to the production than I. I am exceedingly proud of this series and my own work on it - though certain very vocal fans seem to think I shouldn't be - but that doesn't change the fact that Brandon and I are a team.

False Rumor #2: YJ WAS RUSHED INTO PRODUCTION
Another blatant misconception. Look, Brandon and I are both perfectionists. Neither of us would deny that we'd LOVE to have more time on each and every episode. But that's not the same as being rushed. Let's make a comparison: on Spectacular Spider-Man, I basically had one week to develop both the series and the entire first season. Then Vic Cook came aboard, and we raced to get into production in less than two months. Brandon and I had seven months to develop the series, break the first season (which granted had twice as many episodes as the first season of Spidey) and head into production. The show isn't and never has been rushed. That's not to say the schedule isn't tight. But we haven't aired a single episode that wasn't ready to air. And we won't.

False Rumor #3: YJ ISN'T AIRING NOW BECAUSE WE'RE REWORKING EPISODES BASED ON INTERNET CRITICISM
This is my favorite. I love it the most because the first person I saw who posted this rumor also said that I'd deny it. So here I am denying it, which of course serves to PROVE that he or she was correct, see? Let's be clear: for better or worse, this series is COMPLETELY unaffected by internet criticism BECAUSE of schedule. Everything of any significance was set and DONE before even the pilot movie aired last November, so we couldn't address fan concerns even if we wanted to. And, honestly, we don't want to. We don't in part because there is way less consensus than some people seem to think. For example, for every post I see expressing hatred for "Hello, Megan!", I see a post that likes it. And personally, I like it. Brandon likes it. So why would we change it, even if we could? In fact, even Season Two is moving forward more or less disregarding "fan" criticism. Brandon and I always had very clear ideas for what we wanted to do in Season Two (and even Season Three, should we get one) and those ideas haven't changed. As with every series I've co-helmed, all we can ever do is write and produce to OUR OWN passions - and then just cross our fingers and hope enough people share our passions to make it a success. Anything else is doomed to failure, because if we're not passionate about it, it'll show in the work, and then no one will like it. And just to make it clear: WE LIKE OUR SHOW!! Doesn't mean you have to - but don't try to tell me I don't.

So why aren't we airing new episodes now? That's a fair question that I don't have an answer for. After all, we have six unaired episodes in the can, with four more on the verge of completion. It's a Cartoon Network decision. Some fans have argued that they shouldn't have started airing ANY episodes until ALL episodes were in the can. But that too is a decision above my pay grade.

My best guess - and that's all it is - is that CN will air new episodes - starting with 110 ("Targets") - in September. The good news is that the later they wait, the more weeks they can go uninterrupted by reruns. I do know that Season Two (i.e. "Young Justice: Invasion") will begin airing as part of DC NATION in March of 2012. And by then ALL of Season One will have aired. So do the math.

People have asked me if I'm bummed about losing momentum by this delay. But the thing is we've ALREADY lost all momentum. So as long as they PROMOTE us whenever they finally do start airing us again, then pragmatically I'm good. Yes, I'll admit to a certain level of frustration in that I want our stuff to get out there, but if CN has a plan to make the most of the episodes, then more power to them.

Anyway, I think that's it for now. I'll get back to answering questions on ASK GREG as soon as I can find the time. (But keep in mind that San Diego Comic-Con is fast approaching. Note: Young Justice has a panel scheduled for Sunday, July 24th at 10am, with a signing to follow. I'll also be signing Gargoyles comics (and whatever else anyone might want) at the SLG Booth from 11:30am to 12:30pm on Thursday, Friday and Saturday (July 21, 22, 23).

YJ Update

Seems like a good day for an update on production...

Episodes 101-109 have aired.

Episodes 110-111 are in the can, ready to air in June.

Episode 112 is in post-production. We do the Sound Mix tomorrow.

Episode 113 is in post-production. We should be locking the edit later today.

Episodes 114-119 are in Korea being animated.

Episodes 120-124 are in Korea in layout, while final models are being completed here.

Episode 125's storyboard is in checking and track. It's slightly too long. Brandon and I will be cutting slivers out of it before it ships.

Episode 126's storyboard is in revision.

Episode 201 is in script.

Episode 202's outline is waiting for notes that should come in today.

Episode 203's outline is being edited by me this week.

Episodes 204-210 are in outline.

By the way, in case it isn't obvious: NO, WE HAVE NOT DONE OVER TWO HUNDRED EPISODES. The first digit refers to the season. The second two digits refer to the episode number for that season. So, for example: episode 111 is the eleventh episode of the first season and episode 203 is the third episode of the second season.

GargWiki

We're back, baby!

That's right. The official GargWiki has been down for quite some time with server issues. But Gorebash, our host here at Station 8 has provided a new home for us. So check out: http://gargwiki.net/Main_Page

Most of what you might want to ask me (and thus needlessly crowd the queue here at ASK GREG) about Gargoyles is already easily available in this very smart-looking and user-friendly wiki.

I myself participate in keeping it honest and utilize it as a resource all the time.

Again, that's:

http://gargwiki.net/Main_Page

Worth the look.

ASK GREG

Finally, a word about Ask Greg.

I've asked Gorebash to shut down the question asking function until either (a) I catch up with the huge backlog of questions currently in the queue or (b) we have a new episode airing (whichever comes FIRST).

In the meantime, I'm going to try as usual to wade through the backlog. I'll admit, the questions lately have made me a bit cranky, and I want to avoid that, so I'm breaking down three categories of questions that get on my nerves and will from now on ONLY receive stock answers, both to keep me sane and to speed up the process.

1. Questions that have been asked before are really bogging down the queue. It would be MUCH appreciated if folks would follow the guidelines before posting and try (1) checking the Ask Greg Archives to see if their question has already been answered, (2) check the unanswered questions already in the queue to see if the question has been asked already and will get answered before I get to theirs and (3) try asking the question in the Station 8 Comment Room (http://www.s8.org/gargoyles/comment/). The fans there are VERY knowledgeable and may be able to get you an answer LONG before I reach your question. Any question that falls into this category will simply be answered with the following: "ASKED AND ANSWERED."

2. Questions that ask me to SPOIL my own show are exasperating. As I've said over and over, I'm just NOT going to do that. Why would I? Even obvious stuff can't be addressed, because if I acknowledge anything, the stuff I don't comment on is spoiled by default. So please, please, please refrain. Any question that falls into this category will simply be answered: "SPOILER REQUEST. NO COMMENT."

3. Finally, I have NO problem with people commenting on the series. And I get that not everyone is going to like everything (or even anything) that they see. But for some posters, commenting doesn't seem to satisfy. Instead, they phrase their comments in the form of a question, and in essence CHALLENGE me to acknowledge how right they are about their criticisms of the program. But here's the thing... you do NOT have to agree with me, but aside from a few objective mistakes that I'm ALWAYS willing to acknowledge (e.g.. the incorrect timestamps), you have to understand that if Brandon and I put something in the series, the odds are WE LIKE IT. YOU are NOT going to convince ME that, for example, "Hello, Megan!" or Robin's laugh or Superman's response to Superboy or Wally's flirting is bad for the show. Feel free to tell me you don't care for these (or other) things, but stop phrasing these COMMENTS as questions or challenges. It grates. Any question that falls into this category will simply be answered: "WE LIKE OUR SHOW."

Now, I realize that all of the above sounds fairly negative, but that's not the intent. In fact, the intent is to get any and all negativity out of the way HERE, so that the rest of Ask Greg becomes more manageable and pleasant for myself and all of you. I hope that makes sense.

Young Justice Update

Good news and bad news today...

Here's the good news.

Coming out of Cartoon Network's upfronts last week (and Geoff John's comments on it since) there's been some confusion about what's happening on the Young Justice front.

What amuses me a bit is how CONFIDENT some posters on various message boards are about their interpretation of the reports. CONFIDENT and generally wrong.

So here's what's going on:

Young Justice has aired nine episodes of our 26-episode first season. The rest will begin airing after some weeks of reruns. The schedule is Cartoon Network's, and I'm not yet 100% clear on when we're back up and running. Though to be fair to CN, we don't have ANY other episodes in the can as of this moment. We're posting episodes 10 and 11 now.

(I saw some folks protesting why we didn't wait until ALL episodes were in the can before we began airing. All I can do is shrug. It's not up to me, but I do wonder how the fans who were furious that they had to wait until January 2011 for Season One would feel about THAT strategy.)

So the good news: We HAVE INDEED been picked up for a second season. As of now, all CN & WB have ordered is a ten episode mini-series, "YOUNG JUSTICE: INVASION". We're HOPING for more than just ten eps, and I honestly think the odds are fairly good that the order will expand, but as of NOW, all we have is this ten episode order.

We immediately began work on this new season last week, and are breaking approximately (but not quite) one episode per day. The creative team is fundamentally the same as for Season One.

And though, of course, we will be introducing many new characters episodically in Season Two (just as we do episodically in Season One), I don't want to give the impression that this is some spin-off featuring, I dunno, the League or something, in the same Earth-16 setting. Invasion IS the second season of Young Justice and absolutely features our "Team". Episode 26 of Season One is time-stamped "December 31". Episode 1 of Season Two will be time-stamped "January 1", in essence picking up right where we left off.

We anticipate YJ:Invasion premiering in 2012... late first quarter, if I had to guess. Reports suggesting late 2011 are... beyond wishful thinking.

Hmmm... anything else? I feel like I'm forgetting something. But I can't think of any other misconceptions that need correcting right now.

Oh, well...

Still - Season Two. Not too shabby, huh?

Back Issue

I should have posted this long ago...

I received a complimentary copy of Back Issue #46. Inside is an interview of me conducted by John Wells (who incidentally has -- through Peter David -- provided considerable DC Comics related research for us on Young Justice). It's all about the Black Canary mini-series that I wrote a good chunk of for DC Comics back in the 80s before it was cancelled and never published to make way for Mike Grell's Longbow Hunters.

But that's not the only article of interest in the magazine. In fact, one of the reasons I'm so late in referencing this here, is because I took the time to read the magazine cover to cover. Lots of great stuff. I heartily recommend it.

Young Justice Happy Meal Toys!

Young Justice Happy Meal Toys!

So I got my complete set of YJ Happy Meal toys today, and I have three things to say:

1. Yes, I'm bummed that McDonalds chose to go with Littlest Pet Shop for girls, instead of creating a couple of kick-ass toys for Miss Martian and Artemis.

2. Nevertheless, the eight toys they did make are very cool!

3. But the choices made me stop and think: Black Manta is Aqualad's biological father. Batman is Robin's foster-father. Superman is Superboy's genetic father. So... is McDonalds trying to imply that Captain Cold is Kid Flash's father?!! OMG!!!

YOUNG JUSTICE Episode #9 ("Bereft") Credits

YOUNG JUSTICE Episode #9 ("Bereft") Credits

YOUNG JUSTICE
"Bereft"

Producers
Brandon Vietti
Greg Weisman
_________________________________________________________________________
Written By
Nicole Dubuc
_________________________________________________________________________
Directed By
Michael Chang
_________________________________________________________________________
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme and Music Written And Performed By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Stephanie Lemelin - Artemis
Jesse McCartney - Robin
Danica McKellar - Miss Martian
Nolan North - Superboy
Khary Payton - Aqualad
Jason Spisak - Kid Flash

Bruce Greenwood - Batman
Marina Sirtis - L4
Alan Tudyk - Psimon
_________________________________________________________________________
Based On DC Comics Characters
Batman Created By Bob Kane
Miss Martian Created By Geoff Johns and Tony Daniel
Psimon Created By Marv Wolfman and George Perez
_________________________________________________________________________
Production Manager
John Diaz

Assistant Production Manager
Casey Sandin

Animation Coordinator
Matthew Benzinger
_________________________________________________________________________
Lead Character Design
Phil Bourassa

Character Design
Dusty Abell
Jerome Moore

Prop Design
Hakjoon Kang
Eugene Mattos

BG Key Design
Hakjoon Kang
Gary Mantalbano

Storyboard
Charles E. Drost, III
Jeff Johnson
Paul Harmon
Olga Ulanova

Storyboard Clean-up
Owen Sullivan

Animation Timing Director
James Tim Walker

Timing
Jeff Hall
Richard Collado
Gordon Kent
R. Michel Lyman
Bob Shellhorn

Animation Checking
Jan Browning
Annamarie Costa
Chuck Gefre
Justin Schultz

Color Stylist
James Peters

Ink & Paint
Kim Bowen

Background Paint
Mike Inman
David McBride
Craig Robertson
Chun Liu
Wei Zhao

Effects Animation
Matthew Girardi

Main Title Animation
MOI Animation, Inc.
Wut It Is
_________________________________________________________________________
Editor
Jhoanne Reyes

Supervising Dialogue/ADR Editor
Mark A. Keatts

Sound Reading
Fred Salinas
Wilson Martinez

Dialogue/ADR Editors
Patrick Foley
Mike Garcia

Post Production Manager
Scott Shinick

Dialogue Recording
Studio Studiopolis, Inc.

Recording Machine Operator
Jeff O. Collins
Sarah Baluch

Post Production Sound Services
Audio Circus, Inc.

Online Editor
Christopher D. Lozinski
_________________________________________________________________________
Animation Services
Lotto Animation, Inc.

Supervising Animation Director
Heechul Kang

Background Director
Yunhee Kim
EunHee No
Eunjung Choi

Production Staff
Hyoungmin Doh
Miok Kwon
Eonho Lee
Jinhwa Heo (Jun-E)

Animation Directors
Sangjoon Lee
Myeonghwan Park
________________________________________________________________________
Layout Artists
Soohyeon Gwak
Gapchan Jung
Jungmo Kim

Final Checker
Hosoon Shin

Color Stylist
Mihyun Ji

Model Checkers
Junghee Kim
Jisoo Kang

Composition
Sangbong Oh
Hoyeon Joo
Yuri Choi
Daehee Rim
Sunghun Lee

Key Animation
Seokjin Jang
Eunhwa Jung
Howon Jung
Kwonil Kim
SinKwon Kim
Sebo Lee
Gyeonghwa Seo
Joonho Song

Final Checker
Seokki Um
Misook Choi
_________________________________________________________________________
Production Administrator
Nicole Martin

Production Accounting
Athena Wingate
Luisa Guzman

Production Support
Audrey Kim
Kira Tirimacco
Renee Toporzysek

Casting Administrator
Liz Carroll

Executive In Charge Of Music
Niki Sherrod

Business And Legal Affairs
Lori Blackstone
Bonnie Negrete
Joulene St. Catherine
_________________________________________________________________________
Production Supervision
Bobbie Page

Production Management
Ed Adams

Executive in Charge of Production
Jay Bastian

Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones

Executive Producer
Sam Register
_________________________________________________________________________
"This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.

© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED

Country of first publication United States Of America

YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.

Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Dan Soulsby - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Chris Eaton - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
Aris Katsaris - Atlantean Translator
Sindy Tadros - Arabic Translator
Nicole Dubuc & Greg Weisman - Martian Translator
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!

Electric Tiki, Rubén Procopio, Goliath and Me...

So I received my copy of the Electric Tiki Goliath sculpt. I LOVE it! It looks fantastic in my office at Warner Bros.

I highly recommend the purchase!

YOUNG JUSTICE Episode #8 ("Downtime") Credits

YOUNG JUSTICE Episode #8 ("Downtime") Credits

YOUNG JUSTICE
"Downtime"

Producers
Brandon Vietti
Greg Weisman
_________________________________________________________________________
Written By
Kevin Hopps
_________________________________________________________________________
Directed By
Jay Oliva
_________________________________________________________________________
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme Written And Performed By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_______________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Stephanie Lemelin as Artemis Crock
Jesse McCartney as Dick Grayson
Danica McKellar as M’gann M’orzz
Nolan North as Superboy, Superman
Khary Payton as Kaldur’ahm, Black Manta
Jason Spisak as Wally West
_________________________________________________________________________
Starring The Voices Of
Jeff Glenn Bennett as Vulko, Alfred Pennyworth
George Eads as Barry Allen
Bruce Greenwood as Bruce Wayne
Kelly Hu as Paula Crock
Phil LaMarr as King Orin
Yuri Lowenthal as Garth
Roger Craig Smith as Prince Orm
Kath Soucie as Queen Mera, Joan Garrick
Cree Summer as Tula, Mary West
James Arnold Taylor as Topo

NOTE: Though uncredited, Kath Soucie also was the voice of Lori Lemaris; Yuri Lowenthal performed Lagoon Boy, and Roger Craig Smith was L-5.
_________________________________________________________________________
Based On DC Comics Characters

Batman Created By
Bob Kane

Superman Created By
Jerry Siegel & Joe Shuster

Miss Martian Created By
Geoff Johns and Tony Daniel

Aquaman Created By
Paul Norris
________________________________________________________________________
Production Manager
John Diaz

Assistant Production Manager
Mark Wilson

Animation Coordinator
Matthew Benzinger
________________________________________________________________________
Lead Character Design
Phil Bourassa

Character Design
Dusty Abell
Jerome Moore

BG Key Design
Enzo Baldi
Hahk-Jin Kim
In-Soo Kim

Prop Design
Andy Chiang
Alexander Kubalsky
Eugene Mattos
_______________________________________________________________
Storyboard
Jay Baker
Tim Divar
Phil Langone
Lauren Montgomery

Storyboard Clean-up
Brendon Clogher
Owen Sullivan
Olga Ulanova

Animation Timing Director
James Tim Walker

Timing
Richard Collado
Jeff Hall
Gordon Kent
R. Michel Lyman

Animation Checking
Jan Browning
Annamarie Costa
Chuck Gefre
Chuck Martin
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters

Ink & Paint
Kim Bowen

Background Paint
Mike Inman
David McBride
Craig Robertson

Effects Animation
Matthew Girardi
_________________________________________________________________________
Main Title Animation
MOI Animation, Inc.
Wut It Is
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts

Sound Reading
Fred Salinas
Wilson Martinez

Dialogue/ADR Editors
Patrick Foley
Mike Garcia

Post Production Manager
Scott Shinick

Dialogue Recording Studio
Studiopolis, Inc.
Recording Machine Operator
Jeff O. Collins
Sarah Baluch

Post Production Sound Services
Audio Circus, Inc.

Online Editor
Christopher D. Lozinski
_________________________________________________________________________
Animation Services
MOI Animation, Inc.

Animation Director
Doo-Hyung Lee

Background Director
Jung-Ho Park

Production Managers
Young-Soo Yoo (Director)
Min-Sung Park
Pan-Seob Kim
Su-Mi Beck

Production Coordinator
Hyosun Ryu
________________________________________________________________________
Layout Artists
Hahk-Jin Kim
In-Soo Kim

Color Stylist
Min-Yi Kim

Composition
Byoung-Ryul Kim (Director)
Hyo-Yoon Beck
Kyoung-Hee Kang
Sung-Ho Jo
Soo-Jin Yu
Jeong-Mi Lee

Model Checkers
Yang-Sook Kim

Key Animation
Byong-Eui Gwack
Kyong-Ho Lee
Bum-Seok Lee
Kyong-Ah Jang
Eun-Hee Ba
Chang-Ho Park

3D CGI
Gyu-Han Yoo (Director)
Gyu-Sung Oh

Final Checker
Nam-Gyu Lee
________________________________________________________________________
Production Administrator
Nicole Martin

Production Accounting
Athena Wingate
Luisa Guzman

Production Support
Audrey Kim
Kira Tirimacco
Renee Toporzysek

Casting Administrator
Liz Carroll

Business And Legal Affairs
Lori Blackstone
Bonnie Negrete
Joulene St. Catherine

Executive In Charge Of Music
Niki Sherrod
_________________________________________________________________________
Production Supervision
Bobbie Page

Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.

© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED

Country of first publication United States Of America

YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.

Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Dan Soulsby - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Chris Eaton - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
Aris Katsaris - Atlantean Translator

I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!

Young Justice Stats - Part II

Young Justice Stats - Part II

I typed ALL this up yesterday, posted it -- and it vanished into the ether.

Anyway...

We've completed the scripting and recording of all 26 episodes of Season One of Young Justice.

Episodes 1-7 have aired.

Episodes 8-9 are in post-production.

Episodes 10-13 are being animated in Korea.

Episodes 14-15 are having their models colored.

Episodes 16-18 are getting final models on characters, props and BGs finished.

Episode 19 is in checking.

Episode 20 is in timing.

Episode 21 is in storyboard revision.

Episodes 22-24 are awaiting storyboard notes and revisions from their directors and/or the producers.

Episodes 25-26 are in storyboard.

In Season One, we have 179 named characters from the DC Universe. That's an average of 6.9 characters introduced per episode, though of course some introduce more and some less.

We used 66 actors total. That's 2.7 characters per actor, though that's a particularly meaningless number, as some characters don't speak or only grunt. Also many actors only performed a single role, while others performed considerably more than 2.7. The record holder (with 11 roles under his belt) is Kevin Michael Richardson with 11, beating out Jeff Glenn Bennett by one.

The average number of actors used per episode is 12. The episodes that required the fewest actors were 3, 9, 12 and 24 that needed 9 actors each. The episode that required the most actors was 25, which needed 19 actors.

Our shortest scripts -- at 31 pages each -- were from episodes 1 and 12. Our longest scripts -- at 35 pages each -- were from episodes 6, 7, 9, 16, 21, 22 and 25. The average page count across the 26 episodes was 34 pages.

The average line count was 231 lines of dialogue per script. The largest line count was 276 for episode 25; the smallest was 213 for episode 8.

Our longest dialogue track was 14:33 for episode 7. Our shortest was 10:07 for episode 12. The average length of our dialogue tracks is 12:14.

Of course, by the time you see them, all episodes will be the exact same length, give or take 30 seconds, including our 20 second main title -- which is a length dictated by the network. (I guess the days of minute-long theme songs are over.)

That's it for now...

YOUNG JUSTICE Episode #7 ("Denial") Credits

YOUNG JUSTICE Episode #7 ("Denial") Credits

YOUNG JUSTICE
"Denial"

Producers
Brandon Vietti
Greg Weisman
_________________________________________________________________________
Written By
Thomas Pugsley
_________________________________________________________________________
Directed By
Michael Chang
_________________________________________________________________________
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme Written And Performed By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_______________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Stephanie Lemelin as Artemis
Danica McKellar as M’gann M’orzz
Nolan North as Superboy
Khary Payton as Kaldur’ahm
Jason Spisak as Wally West
_________________________________________________________________________
Starring The Voices Of
Thom Adcox as Klarion
Edward Asner as Kent Nelson
Jeff Glenn Bennett as Red Tornado, Abra Kadabra
Kevin Michael Richardson as Nabu
Cree Summer as Madame Xanadu
_________________________________________________________________________
Based On DC Comics Characters

Batman Created By
Bob Kane

Miss Martian Created By
Geoff Johns and Tony Daniel

Doctor Fate Created By
Gardner Fox

Madame Xanadu Created By
David Michelinie and Val Mayerik
________________________________________________________________________
Production Manager
John Diaz

Assistant Production Manager
Mark Wilson

Animation Coordinator
Matthew Benzinger
________________________________________________________________________
Lead Character Design
Phil Bourassa

Character Design
Dusty Abell
Jerome Moore

BG Key Design
Manalac “Tec” Cornelio
Enzo Baldi

Prop Design
Alexander Kubalsky
_______________________________________________________________
Storyboard
Charles E. Drost, III
Paul Harmon
Jeff Johnson

Storyboard Clean-up
Olga Ulanova
Owen Sullivan

Animation Timing Director
James Tim Walker

Timing
Jeff Hall
Gordon Kent
R. Michel Lyman
Burton Medall

Animation Checking
Jan Browning
Chuck Gefre
Justin Shultz
______________________________________________________________________
Color Stylist
James Peters

Ink & Paint
Kim Bowen

Background Paint
Mike Inman
David McBride
Craig Robertson

Effects Animation
Matthew Girardi
_________________________________________________________________________
Main Title Animation
MOI Animation, Inc.
Wutitis
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts

Sound Reading
Fred Salinas
Wilson Martinez

Dialogue/ADR Editors
Patrick Foley
Mike Garcia

Post Production Manager
Scott Shinick

Dialogue Recording Studio
Studiopolis, Inc.

Recording Machine Operator
Jeff O. Collins
Sarah Baluch

Post Production Sound Services
Audio Circus, Inc.

Online Editor
Christopher D. Lozinski
_________________________________________________________________________
Animation Services
Lotto Animation, Inc.

Supervising Animation Director
Heechul Kang

Background Director
Yunhee Kim
EunHee No
Eunjung Choi

Animation Directors
Daegu Heh
Hyeoksoo Lee
Myeonghwan Park

Production Staff
Hyoungmin Doh
Miok Kwon
Eonho Lee
Jinhwa Heo (Jun-E)
________________________________________________________________________
Layout Artists
Soohyeon Gwak
Gapchan Jung
Jungmo Kim

Final Checker
Hosoon Shin

Color Stylist
Mihyun Ji

Model Checkers
Jaehee Oh
Jisoo Kang

Composition
Sangbong Oh
Hoyeon Joo
Yuri Choi
Daehee Rim
Sunghun Lee

Key Animation
Yeongsik Hwang
Seokjin Jang
Seongho Jeon
Howon Jung
Sebo Lee
Joonho Song

3D CGI
Seokki Um
Misook Choi
________________________________________________________________________
Production Administrator
Nicole Martin

Production Accounting
Athena Wingate
Luisa Guzman

Production Support
Audrey Kim
Kira Tirimacco
Renee Toporzysek

Casting Administrator
Liz Carroll

Executive In Charge Of Music
Niki Sherrod

Business And Legal Affairs
Lori Blackstone
Bonnie Negrete
Joulene St. Catherine
_________________________________________________________________________
Production Supervision
Bobbie Page

Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.

© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED

Country of first publication United States Of America

YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.

Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.

_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Dan Soulsby - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Chris Eaton - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!

YOUNG JUSTICE Episode #6 ("Infiltrator") Credits

YOUNG JUSTICE Episode #6 ("Infiltrator") Credits

YOUNG JUSTICE
"Infiltrator"

Producers
Brandon Vietti
Greg Weisman
_________________________________________________________________________
Written By
Jon Weisman
_________________________________________________________________________
Directed By
Jay Oliva
_________________________________________________________________________
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme Written And Performed By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_______________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Stephanie Lemelin as Artemis
Jesse McCartney as Robin
Danica McKellar as Miss Martian
Nolan North as Superboy, Professor Ojo
Khary Payton as Aqualad
Jason Spisak as Kid Flash
_________________________________________________________________________
Starring The Voices Of
Oded Fehr as L-2
Crispin Freeman as Red Arrow
Kelly Hu as Cheshire
Tara Strong as Serling Roquette
Alan Tudyk as Green Arrow
Keone Young as Sensei
_________________________________________________________________________
Based On DC Comics Characters

Batman Created By
Bob Kane

Miss Martian Created By
Geoff Johns and Tony Daniel

Cheshire Created By
Marv Wolfman and George Perez
________________________________________________________________________
Production Manager
John Diaz

Assistant Production Manager
Casey Sandin

Animation Coordinator
Matthew Benzinger
_______________________________________________________________________
Lead Character Design
Phil Bourassa

Character Design
Dusty Abell
Jerome Moore

BG Key Design
Enzo Baldi
Jay Hong
Hakjoon Kang
Alexander Kubalsky
Jonard Soriano
Alex Stevens
Ken Yi

Prop Design
Alexander Kubalsky
_______________________________________________________________
Storyboard
Jay Baker
Tim Divar
Phil Langone

Storyboard Clean-up
Owen Sullivan
Olga Ulanova

Animation Timing Director
James Tim Walker

Timing
Richard Collado
Jeff Hall
Gordon Kent
R. Michel Lyman
Burton Medall

Animation Checking
Annamarie Costa
Chuck Gefre
Janette Hulett
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters

Ink & Paint
Kim Bowen

Background Paint
Mike Inman
Chun Liu
David McBride
Craig Robertson
Wei Zhao

Effects Animation
Matthew Girardi
_________________________________________________________________________
Main Title Animation
MOI Animation, Inc.
Wut It Is
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts

Sound Reading
Fred Salinas
Wilson Martinez

Dialogue/ADR EditorsΩ
Patrick Foley
Mike Garcia

Post Production Manager
Scott Shinick

Dialogue Recording Studio
Studiopolis, Inc.

Recording Machine Operator
Jeff O. Collins
Sarah Baluch

Post Production Sound Services
Audio Circus, Inc.

Online Editor
Christopher D. Lozinski
_________________________________________________________________________
Animation Services
MOI Animation, Inc.

Animation Director
Jin-Hae Lee
Jae-Bum Lee

Background Director
Jung-Ho Park

Production Managers
Young-Soo Yoo (Director)
Min-Sung Park
Pan-Seob Kim
Su-Mi Beck

Production Coordinator
Hyosun Ryu
________________________________________________________________________
Layout Artists
Ki-June Kim
In-Soo Kim

Color Stylist
Min-Yi Kim

Composition
Byoung-Ryul Kim (Director)
Hyo-Yoon Beck
Kyoung-Hee Kang
Sung-Ho Jo

Model Checkers
Yang-Sook Kim

Key Animation
Young-ll Park
Hyung-Seok Jang
Sun-Ki Kang
Cheong-ll Hahn
Jong-Hwa Lee
Seun-Deuk Sohn
Gun-Shik Lee
Jae-Hyung Kim

3D CGI
Gyu-Han Yoo (Director)
Gyu-Sung Oh

Final Checker
Gyun-Ho Hahn
________________________________________________________________________
Production Administrator
Nicole Martin
Production Accounting
Athena Wingate
Luisa Guzman

Production Support
Audrey Kim
Kira Tirimacco
Renee Toporzysek

Casting Administrator
Liz Carroll

Business And Legal Affairs
Lori Blackstone
Bonnie Negrete
Joulene St. Catherine

Executive In Charge Of Music
Niki Sherrod
_________________________________________________________________________
Production Supervision
Bobbie Page

Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones

_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.

© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED

Country of first publication United States Of America

YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.

Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________

There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Jennifer A. Anderson - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Chris Eaton - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!

YOUNG JUSTICE Episode #5 ("Schooled") Credits

YOUNG JUSTICE Episode #5 ("Schooled") Credits

YOUNG JUSTICE
"Schooled"

Producers
Brandon Vietti
Greg Weisman
_________________________________________________________________________
Written By
Nicole Dubuc
_________________________________________________________________________
Directed By
Michael Chang
_________________________________________________________________________
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme Written And Performed By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_______________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Jesse McCartney as Robin
Danica McKellar as Miss Martian
Nolan North as Superboy, Superman
Khary Payton as Aqualad
Jason Spisak as Kid Flash
_________________________________________________________________________
Starring The Voices Of
Bruce Greenwood as Batman
Stephanie Lemelin as Computer
Vanessa Marshall as Black Canary
Peter MacNicol as Professor Ivo, Amazo, MONQI
Kevin Michael Richardson as Martian Manhunter
______________________________________________
Based On DC Comics Characters

Batman Created By
Bob Kane

Superman Created By
Jerry Siegel & Joe Shuster

Miss Martian Created By
Geoff Johns and Tony Daniel

Amazo Created By
Gardner Fox
________________________________________________________________________
Production Manager
John Diaz

Assistant Production Manager
Mark Wilson

Animation Coordinator
John Roback
________________________________________________________________________
Lead Character Design
Phil Bourassa

Character Design
Dusty Abell
Jerome Moore

Prop Design
Andy Chiang
Taesoo Kim
Alexander Kubalsky

BG Key Design
Jay Hong
Art Lee
Jonard Soriano
_______________________________________________________________
Storyboard
Charles E. Drost, III
Paul Harmon
Jeff Johnson

Storyboard Clean-up
Brendon Clogher
Owen Sullivan
Olga Ulanova

Animation Timing Director
James Tim Walker

Timing
Richard Collado
Gordon Kent
R. Michel Lyman
Burton Medall

Animation Checking
Annamarie Costa
Chuck Gefre
Justin Schultz
______________________________________________________________________
Color Stylist
James Peters

Ink & Paint
Kim Bowen

Background Paint
Mike Inman
David McBride
Craig Robertson

Effects Animation
Matthew Girardi
_________________________________________________________________________
Main Title Animation
MOI Animation, Inc.
_________________________________________________________________________
Editor
Jhoanne Reyes

_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts

Sound Reading
Fred Salinas
Wilson Martinez

Dialogue/ADR Editors
Patrick Foley
Mike Garcia

Post Production Manager
Scott Shinick

Dialogue Recording Studio
Studiopolis, Inc.

Recording Machine Operator
Jeff O. Collins
Sarah Baluch

Post Production Sound Services
Audio Circus, Inc.

Online Editor
Christopher D. Lozinski
_________________________________________________________________________
Animation Services
MOI Animation, Inc.

Animation Directors
Du-hyung Lee

Background Director
Jung-ho Park

Production Manager
Young-Soo You (Chief)
OK-Ki Lee
Min-Sung Park
Pan-seob Kim
Su-mi Beck

Production Coordinator
Gina Park
So-yeon Kim
Hyosun Ryu
________________________________________________________________________
Layout Artists
Ki-Du Kim
In Jung

Color Stylists
Min-Lee Kim

Model Checkers
Yang-suk Kim

Composition
Byoung-Ryul Kim (Chief)
Hyo-Yoon Back
Kyoung-Hee Kang

Key Animation
Hyung-Seok Jang
Cheong-il Han
Byung-Eui Kwak
Eun-hee Back
Sun-Ki Kang
Jae-Hyeong Kim

3D CGI
Gu-Han Yoo

Final Checker
Gyun-Ho Han
________________________________________________________________________
Production Administrator
Nicole Martin

Production Accounting
Athena Wingate
Luisa Guzman

Production Support
Audrey Kim
Kira Tirimacco
Renee Toporzysek

Casting Administrator
Liz Carroll

Business And Legal Affairs
Lori Blackstone
Bonnie Negrete
Joulene St. Catherine

Executive In Charge Of Music
Niki Sherrod
_________________________________________________________________________
Production Supervision
Bobbie Page

Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.

© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED

Country of first publication United States Of America

YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.

Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________

There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Jennifer A. Anderson - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Chris Eaton - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker

I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!

YOUNG JUSTICE Episode #4 ("Drop-Zone") Credits

YOUNG JUSTICE Episode #4 ("Drop-Zone") Credits

YOUNG JUSTICE
"Drop-Zone"

Producers
Brandon Vietti
Greg Weisman
_________________________________________________________________________
Written By
Andrew R. Robinson
_________________________________________________________________________
Directed By
Christopher Berkeley
_________________________________________________________________________
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme Written And Performed By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_______________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Jesse McCartney as Robin
Danica McKellar as Miss Martian
Nolan North as Superboy
Khary Payton as Aqualad
Jason Spisak as Kid Flash
_________________________________________________________________________
Starring The Voices Of
Nick Chinlund as Sportsmaster
Miguel Ferrer as L-1
Bruce Greenwood as Batman
Danny Trejo as Bane
Arnold Vosloo as Kobra
_________________________________________________________________________
Based On DC Comics Characters

Batman Created By
Bob Kane

Miss Martian Created By
Geoff Johns and Tony Daniel

Bane Created By
Chuck Dixon, Doug Moench, and Graham Nolan
________________________________________________________________________
Production Manager
John Diaz

Assistant Production Manager
Mark Wilson

Animation Coordinator
John Roback
________________________________________________________________________
Lead Character Design
Phil Bourassa

Character Design
Dusty Abell
Jerome Moore

BG Key Design
Enzo Baldi
Hakjoon Kang

Prop Design
Alexander Kubalsky
_______________________________________________________________
Storyboard
Alan Caldwell
Juno Le
James Yang

Storyboard Clean-up
Chrissy Delk
Olga Ulanova

Animation Timing Director
James Tim Walker

Timing
Richard Collado
Jeff Hall
Gordon Kent
R. Michel Lyman
Burton Medall

Animation Checking
Jan Browning
Annamarie Costa
Chuck Gefre
Chuck Martin
______________________________________________________________________
Color Stylist
James Peters

Ink & Paint
Kim Bowen

Background Paint
Mike Inman
David McBride
Craig Robertson

Effects Animation
Matthew Girardi
_________________________________________________________________________
Main Title Animation
MOI Animation, Inc.
Wutitis
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts

Sound Reading
Fred Salinas
Wilson Martinez

Dialogue/ADR Editors
Patrick Foley
Mike Garcia

Post Production Manager
Scott Shinick

Dialogue Recording Studio
Studiopolis, Inc.

Recording Machine Operator
Jeff O. Collins
Sarah Baluch

Post Production Sound Services
Audio Circus, Inc.

Online Editor
Christopher D. Lozinski
_________________________________________________________________________
Animation Services
Lotto Animation, Inc.

Supervising Animation Directors
Heechul Kang

Background Director
Yunhee Kim
EunHee No
Eunjung Choi

Animation Directors
Daegu Heh
Hyeoksoo Lee
Myeonghwan Park

Production Staff
Hyoungmin Doh
Miok Kwon
Eonho Lee
Jinhwa Heo (Jun-E)
________________________________________________________________________
Layout Artists
Soohyeon Gwak
Gapchan Jung
Jungmo Kim

Final Checker
Hosoon Shin

Color Stylist
Mihyun Ji

Model Checker
Jaehee Oh

Composition
Sangbong Oh
Hoyeon Joo
Yuri Choi
Daehee Rim
Sunghun Lee

Key Animation
Yeongsik Hwang
Seokjin Jang
Seongho Jeon
Howon Jung
Sebo Lee
Joonho Song

3D CGI
Seokki Um
Misook Choi
________________________________________________________________________
Production Administrator
Nicole Martin

Production Accounting
Athena Wingate
Luisa Guzman

Production Support
Audrey Kim
Kira Tirimacco
Renee Toporzysek

Casting Administrator
Liz Carroll

Business And Legal Affairs
Lori Blackstone
Bonnie Negrete
Joulene St. Catherine

Executive In Charge Of Music
Niki Sherrod
_________________________________________________________________________
Production Supervision
Bobbie Page

Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.

© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED

Country of first publication United States Of America

YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.

Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.

_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Jennifer A. Anderson - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
James Lafferty - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!

YOUNG JUSTICE Episode #3 ("Welcome to Happy Harbor") Credits

YOUNG JUSTICE Episode #3 ("Welcome to Happy Harbor") Credits

Seems I've fallen behind posting credits...

YOUNG JUSTICE
"Welcome to Happy Harbor"

Producers
Brandon Vietti
Greg Weisman
_________________________________________________________________________
Written By
Kevin Hopps
_________________________________________________________________________
Directed By
Jay Oliva
_________________________________________________________________________
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme Written And Performed By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_______________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Jesse McCartney as Robin
Danica McKellar as M’gann M’orzz
Nolan North as Superboy
Khary Payton as Kaldur’ahm, Brick
Jason Spisak as Wally West
_________________________________________________________________________
Starring The Voices Of
Jeff Bennett as Red Tornado, T.O. Morrow
John De Lancie as Mr. Twister/Brom Stikk
Crispin Freeman as Speedy
Stephanie Lemelin as Computer
_________________________________________________________________________
Based On DC Comics Characters

Batman Created By
Bob Kane
_________________________________________________________________________
Production Manager
John Diaz

Assistant Production Manager
Casey Sandin

Animation Coordinator
John Roback
________________________________________________________________________
Lead Character Design
Phil Bourassa

Character Design
Dusty Abel
Jerome Moore

BG Key Design
Enzo Baldi
Jay Hong
Hakjoon Kang
Alexander Kubalsky
Gong Peng
Jonard Soriano

Prop Design
Alexander Kubalsky
________________________________________________________________________

Storyboard
Jay Baker
Tim Divar
Phil Langone

Storyboard Clean-up
Owen Sullivan
Olga Ulanova

Animation Timing Director
James Tim Walker

Timing
Richard A. Collado
Jeff Hall
Gordon Kent
R. Michel Lyman
Burton Medall

Animation Checking
Jan Browning
Annamarie Costa
Justin Schultz
________________________________________________________________________
Color Stylist
James Peters

Ink & Paint
Kim Bowen

Background Paint
Mike Inman
David McBride
Craig Robertson

Effects Animation
Matthew Girardi
______________________________________________________________________
Main Title Animation
MOI Animation, Inc.
_________________________________________________________________________
Editor
Jhoanne Reyes

Supervising Dialogue/ADR Editor
Mark A. Keatts
Sound Reading
Fred Salinas
Wilson Martinez

Dialogue/ADR Editors
Patrick Foley
Mike Garcia
Post Production Manager
Scott Shinick

Dialogue Recording Studio
Studiopolis, Inc.

Recording Machine Operator
Jeff O. Collins
Sarah Baluch

Post Production Sound Services
Audio Circus, Inc.

Online Editor
Christopher D. Lozinski
_________________________________________________________________________
Animation Services
Lotto Animation

Supervising Animation Directors
Heechul Kang

Background Director
Yunhee Kim
EunHee No
Eunjung Choi

Animation Directors
Daegu Heh
Hyeoksoo Lee
Myeonghwan Park
Myeonghwan Park

Production Staff
Hyoungmin Doh
Miok Kwon
Eonho Lee
Jinhwa Heo (Jun-E)
_________________________________________________________________________
Layout Artists
Junsik Cho
Soohyeon Gwak
Minsoo Kim

Color Stylists
Mihyun Ji

Composition
Sangbong Oh
Hoyeon Joo
Yuri Choi
Daehee Rim
Sunghun Lee

Model Checkers
Jaehee Oh

Key Animation
Seokjin Jang
Seongho Jeon
Joonho Song

3D CGI
Seokki Um
Misook Choi

Final Checker
Hosoon Shin
________________________________________________________________________
Production Administrator
Nicole Martin

Production Accounting
Athena Wingate
Luisa Guzman

Production Support
Audrey Kim
Kira Tirimacco
Renee Toporzysek

Casting Administrator
Liz Carroll

Executive In Charge Of Music
Niki Sherrod

Business And Legal Affairs
Lori Blackstone
Bonnie Negrete
Joulene St. Catherine
_________________________________________________________________________
Production Supervision
Bobbie Page

Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.

© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED

Country of first publication United States Of America

YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.

Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Jennifer A. Anderson - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
Aldo Martinez - Assistant Engineer (NOTE: Aldo also was assistant engineer on episode #2)
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!

YOUNG JUSTICE TIMESTAMP HORROR

YOUNG JUSTICE TIMESTAMP HORROR

Yes, that's right. I said "horror". (For me, anyway.)

Okay, as some of you probably have ALREADY noticed, two of the timestamps on Episode #4 of YOUNG JUSTICE ("Drop-Zone) is incorrect.

Here's the CORRECT timeline:

The beginning of the Teaser correctly reads:

SANTA PRISCA
JUNE 19, 00:43 ECT

The beginning of Act One SHOULD read:

CARIBBEAN SEA
JULY 22, 20:08 ECT

And the tag at the end of the episode SHOULD read:

MOUNT JUSTICE
JULY 23, 10:01 EDT

We are fully aware that to some of our more serious-minded fans, these are huge errors. All I can say is that there's no possible way it's as traumatizing to you guys as it is to us.

I'm seriously not at all sure how this happened. We did review the timestamps, and they were correct, but obviously at some point during the process of post-production they were changed and nobody noticed it. We are ATTEMPTING to see if we can get them fixed for future airings, but it is clear there's no possible way to get it fixed in time for Sunday's airing. And I'm not sure if it's financially feasible to fix at all. But we will try. And in any case, we are instituting measures to make sure this never happens again on any future episodes. (Please, God.)

I am ... ugh... just going nuts over this.

You have the sincere apologies of everyone on the Young Justice production crew.

YOUNG JUSTICE Episode #2 ("Fireworks") Credits

YOUNG JUSTICE Episode #2 ("Fireworks") Credits

Well, this was a new twist. So called "gang credits" appeared on the last episode, mashing together credits from multiple episodes. That annoys me just as much as the non-legible variety.

So once again, I'm posting the credits here...

YOUNG JUSTICE
"Fireworks"
(a.k.a. "Independence Day, Part Two")

Producers
Brandon Vietti
Greg Weisman
_________________________________________________________________________
Written By
Greg Weisman
_________________________________________________________________________
Directed By
Sam Liu
_________________________________________________________________________
Line Producer
David Wilcox
_________________________________________________________________________
Young Justice Theme
Written And Performed By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_______________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Jesse McCartney as Robin
Danica McKellar as Miss Martian
Nolan North as Superboy, Superman
Khary Payton as Aqualad
Jason Spisak as Kid Flash
_________________________________________________________________________
Starring The Voices Of
Rene Auberjonois as Mark Desmond
George Eads as Flash
Miguel Ferrer as L-1
Crispin Freeman as Guardian
Bruce Greenwood as Batman
Phil Lamarr as Aquaman, Dubbilex
Mark Rolston as L-3
_________________________________________________________________________
Based On DC Comics Characters

Batman Created By
Bob Kane

Superman Created By
Jerry Siegel & Joe Shuster

Wonder Woman Created By
William Moulton Marston

Martian Manhunter Created By
Joseph Samachson
_________________________________________________________________________
Production Manager
John Diaz

Assistant Production Manager
Casey Sandin

Animation Coordinator
John Roback
________________________________________________________________________
Lead Character Design
Phil Bourassa

Character Design
Dusty Abell
Jerome Moore

Prop Design
Jay Hong
Alexander Kubalsky

BG Key Design
Enzo Baldi
Hakjoon Kang
Gong Peng
Jonard Soriano
________________________________________________________________________
Storyboard
Charles E. Drost, III
Jeff Johnson
Jae Kim

Storyboard Clean-up
Brendon Clogher
Chrissy Delk
Christina I. Manrique
Owen Sullivan
Olga Ulanova

Animation Timing Director
James Tim Walker

Animation Checking
Jan Browning
Annamarie Costa
Chuck Gefre
Chuck Martin
Justin Schultz

Timing
Jeff Hall
Gordon Kent
R. Michel Lyman
________________________________________________________________________
Color Stylist
James Peters

Ink & Paint
Kim Bowen

Background Paint
Mike Inman
David McBride
Craig Robertson

Effects Animation
Matthew Girardi
______________________________________________________________________
Main Title Animation
MOI Animation, Inc.
_________________________________________________________________________
Editor
Jhoanne Reyes

Supervising Dialogue/ADR Editor
Mark A. Keatts

Sound Reading
Fred Salinas
Wilson Martinez

Dialogue/ADR Editors
Patrick Foley
Mike Garcia

Post Production Manager
Scott Shinick

Dialogue Recording Studio
Studiopolis, Inc.

Recording Machine Operator
Jeff O. Collins
Sarah Baluch

Post Production Sound Services
Audio Circus, Inc.

Online Editor
Christopher D. Lozinski
_________________________________________________________________________
Animation Services
MOI Animation, Inc.

Animation Director
Yang-Ho Ji

Background Director
Joo-Sun Cha

Production Manager
Young-Soo You (Chief)
OK-Ki Lee
Min-Sung Park
Pan-seob Kim

Production Coordinator
Gina Park
Hyun-Jung Kim
Hyosun Ryu
_________________________________________________________________________
Layout Artists
Ihu-Soo Kim

Color Stylists
Min-Lee Kim

Model Checkers
Ki-Deok Park

Composition
Byoung-Ryul Kim (Chief)
Hyo-Yoon Back
Kyoung-Hee Kang

Key Animation
Geon-Sik Lee
Seong-Deuk Son
Yoon-Jae Ko
Jae-Bum Lee
Kyung-Ho Choi
Jeong-Hee Yang

3D CGI
Gu-Han Yoo

Final Checker
Dong-Moon Chu
________________________________________________________________________
Production Administrator
Nicole Martin

Production Accounting
Athena Wingate
Luisa Guzman

Production Support
Audrey Kim
Kira Tirimacco
Renee Toporzysek

Casting Administrator
Liz Carroll

Executive In Charge Of Music
Niki Sherrod

Business And Legal Affairs
Lori Blackstone
Bonnie Negrete
Joulene St. Catherine
_________________________________________________________________________
Production Supervision
Bobbie Page

Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.

© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED

Country of first publication United States Of America

YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.

Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
Jennifer A. Anderson - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
James Lafferty - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
Jackie Trinidad - Development Coordinator
Peter Girardi - Design Guru
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!

Young Justice on Conan

It's Just after 8pm PST on Monday, January 10th.

I just caught the east coast feed of tonight's Conan O'Brien show, which featured a big shout out to Young Justice. If you are a fan of Young Justice (or Conan) try to catch or record the west coast feed or the late night rerun of the episode. You'll be glad you did.

Flaming C Forever!!!!

Young Justice Production Snapshot

Hey gang,

Happy (belated) New Year!

Still very busy on Young Justice. Got a new production report today, so I thought I'd give you all a little snapshot of where we are in production as of today (i.e. Monday, January 10, 2011). By tomorrow, this could all be different, but here's where we are now - or at any rate, here's where I am now with each episode.

101 - Aired.
102 - Aired as part of the movie pilot. Airs as an episode next Friday.
103 - Completed.
104 - Completed.
105 - Completed.
106 - We "On-Line" it today, after which it will be complete.
107 - We are working on the music, sound and visual After-FX this week.
108 - Being animated.
109 - Being animated.
110 - Being animated.
111 - Animation begun overseas, while we finish color models here.
112 - Animation begun overseas, while we finish color models here.
113 - Layouts being done overseas, while we finalize line-art models here.
114 - Layouts being done overseas, while we finalize line-art models here.
115 - Layouts being done overseas, while we finalize line-art models here.
116 - Layouts being done overseas, while we finalize line-art models here.
117 - Storyboard in revision.
118 - Storyboard in revision. (I'm giving notes on the last act of the board now.)
119 - Storyboard in revision.
120 - Storyboard in revision.
121 - Storyboard in revision.
122 - Storyboard in revision. (I'll be supervising a dialogue edit of the recording session this week.)
123 - In Storyboard.
124 - We're recording this episode tomorrow.
125 - Notes on the first draft script are due tomorrow.
126 - I'm in the process of writing the first draft script.

That's it. For now.

YOUNG JUSTICE Episode #1 ("Independence Day") Credits

YOUNG JUSTICE Episode #1 ("Independence Day") Credits

Once again, to at least partially compensate for the way ALL networks shrink credits down to nothing, I'm posting the credits here after each airing...

YOUNG JUSTICE
"Independence Day"
(Part One)

_________________________________________________________________________
Producers
Brandon Vietti
Greg Weisman
_________________________________________________________________________
Written By
Greg Weisman
_________________________________________________________________________
Directed By
Jay Oliva
_________________________________________________________________________
Line Producer
David Wilcox

_________________________________________________________________________
Young Justice Theme Written And Performed By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_______________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of
Jesse McCartney as Robin
Nolan North as Superboy, Superman, Zatara
Khary Payton as Aqualad
Jason Spisak as Kid Flash
_________________________________________________________________________
Starring The Voices Of
Rene Auberjonois as Mark Desmond
George Eads as Flash
Crispin Freeman as Speedy, Guardian
Bruce Greenwood as Batman
Phil LaMarr as Aquaman, Dubbilex
Stephanie Lemelin as Computer
Yuri Lowenthal as Icicle Jr.
Kevin Michael Richardson as Martian Manhunter
Keith Szarabajka as Mr. Freeze
Alan Tudyk as Green Arrow
_________________________________________________________________________
Based On DC Comics Characters

Batman Created By
Bob Kane

Superman Created By
Jerry Siegel & Joe Shuster

Wonder Woman Created By
William Moulton Marston

Martian Manhunter Created By
Joseph Samachson
________________________________________________________________________
Production Manager
John Diaz

Assistant Production Manager
Mark Wilson

Animation Coordinator
John Roback
________________________________________________________________________
Lead Character Design
Phil Bourassa

Character Design
Dusty Abell
Jerome Moore

Prop Design
Andy Chiang
Jay Hong
Alexander Kubalsky

BG Key Design
Enzo Baldi
Jay Hong
Hakjoon Kang
Art Lee
Gong Peng
Jonard Soriano
_______________________________________________________________
Storyboard
Jay Baker
Tim Divar
Phil Langone

Storyboard Clean-up
Brendon Clogher
Owen Sullivan
Olga Ulanova

Animation Timing Director
James Tim Walker

Animation Checking
Jan Browning
Annamarie Costa
Chuck Gefre
Chuck Martin
Justin Schultz

Timing
Richard Collado
Jeff Hall
Gordon Kent
R. Michel Lyman
______________________________________________________________________
Color Stylist
James Peters

Ink & Paint
Kim Bowen

Background Paint
Mike Inman
David McBride
Craig Robertson

Effects Animation
Matthew Girardi
_________________________________________________________________________
Main Title Animation
MOI Animation, Inc.
_________________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts

Sound Reading
Fred Salinas
Wilson Martinez

Dialogue/ADR Editors
Patrick Foley
Mike Garcia

Post Production Manager
Scott Shinick

Dialogue Recording Studio
Studiopolis, Inc.

Recording Machine Operator
Jeff O. Collins
Sarah Baluch

Post Production Sound Services
Audio Circus, Inc.

Online Editor
Christopher D. Lozinski
_________________________________________________________________________
Animation Services
MOI Animation, Inc.

Animation Directors
Hyung-Ky Kim

Background Director
Jung-ho Park

Production Manager
Young-Soo You (Chief)
OK-Ki Lee
Min-Sung Park
Pan-seob Kim

Production Coordinator
Gina Park
Hyun-Jung Kim
Hyosun Ryu
_________________________________________________________________________
Layout Artists
Jin-Seok Choi

Color Stylists
Min-Lee Kim

Model Checkers
Yang-suk Kim

Composition
Byoung-Ryul Kim (Chief)
Hyo-Yoon Back
Kyoung-Hee Kang

Key Animation
Jeong-gil Lee
Jong-Jin Choi
Soo-Hyun Kang
Cheong-il Han
Hyung-Seok Jang
Young-il Park
Jae-Hyeong Kim
Hyun-ho Jeong

3D CGI
Gu-Han Yoo

Final Checker
Nam-gyu Lee
________________________________________________________________________
Production Administrator
Nicole Martin

Production Accounting
Athena Wingate
Luisa Guzman

Production Support
Audrey Kim
Kira Tirimacco
Renee Toporzysek

Casting Administrator
Liz Carroll

Executive In Charge Of Music
Niki Sherrod

Business And Legal Affairs
Lori Blackstone
Bonnie Negrete
Joulene St. Catherine
_________________________________________________________________________
Production Supervision
Bobbie Page

Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
_________________________________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_________________________________________________________________________
Executive Producer
Sam Register
_________________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.

© 2011 Warner Bros. Entertainment Inc.
ALL RIGHTS RESERVED

Country of first publication United States Of America

YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.

Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________
There are of course a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.

A handful (in no particular order) include...

Jennifer A. Anderson - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
James Lafferty - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
Jackie Trinidad - Development Coordinator
Peter Girardi - Design Guru

I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!

Young Justice Pilot Movie Credits

One of my peeviest of pet peeves is the way ALL networks (and I'm afraid Cartoon Network is no exception) shrink credits down to nothing. Bad enough they're only on screen for a split-second each, but when they're so tiny that you can't even read them when you freeze-frame on them, I think that's beyond obnoxious. So I'm going to post the credits here after each airing...

YOUNG JUSTICE
"Independence Day"
(Pilot "Movie")
_________________________________________________________________________
Directed By
Jay Oliva (Part 1)
Sam Liu (Part 2)
_________________________________________________________________________
Written By
Greg Weisman
_________________________________________________________________________
Producers
Brandon Vietti
Greg Weisman
_________________________________________________________________________
Line Producer
David Wilcox
_________________________________________________________________________
Music By
Kristopher Carter
Michael McCuistion
Lolita Ritmanis
_________________________________________________________________________
Casting & Voice Direction
Jamie Thomason
_________________________________________________________________________
Starring The Voices Of

Jesse McCartney as Robin
Danica McKellar as Miss Martian
Nolan North as Superboy, Superman, Zatara
Khary Peyton as Aqualad
Jason Spisak as Kid Flash

Rene Auberjonois as Mark Desmond
George Eads as Flash
Miguel Ferrer as L-1
Crispin Freeman as Speedy, Guardian
Bruce Greenwood as Batman
Phil LaMarr as Aquaman, Dubbilex
Stephanie Lemelin as Computer
Yuri Lowenthal as Icicle Jr.
Kevin Michael Richardson as Martian Manhunter
Mark Rolston as L-3
Keith Szarabajka as Mister Freeze
Alan Tudyk as Green Arrow
____________________________________________________________
Based On DC Comics Characters

Batman Created By
Bob Kane

Superman Created By
Jerry Siegel & Joe Shuster

Wonder Woman Created By
William Moulton Marston

Martian Manhunter Created By
Joseph Samachson
_______________________________________________________________________
Production Manager
John Bueno Diaz

Assistant Production Managers
Casey Sandin
Mark McClain Wilson

Animation Coordinator
John Roback
________________________________________________________________________
Lead Character Design
Phil Bourassa

Character Design
Dusty Abell
Jerome Moore

Prop Design
Andy Chiang
Jay Hong
Alexander Kubalsky

BG Key Design
Enzo Baldi
Jay Hong
Hakjoon Kang
Art Lee
Gong Peng
Jonard Soriano
_________________________________________________________________
Storyboard
Jay Baker
Tim Divar
Charles E. Drost, III
Jeff Johnson
Jae Kim
Phil Langone

Storyboard Clean-up
Brendon Clogher
Chrissy Delk
Christina I. Manrique
Owen Sullivan
Olga Ulanova

Animation Timing Director
James Tim Walker

Animation Checking
Jan Browning
Annamarie Costa
Chuck Gefre
Chuck Martin
Justin Schultz

Timing
Richard Collado
Jeff Hall
Gordon Kent
R. Michel Lyman
______________________________________________________________________
Color Stylist
James Peters

Ink & Paint
Kim Bowen

Background Paint
Mike Inman
David McBride
Craig Robertson

Effects Animation
Matthew Girardi
______________________________________________________________________
Editor
Jhoanne Reyes
_________________________________________________________________________
Supervising Dialogue/ADR Editor
Mark A. Keatts

Sound Reading
Fred Salinas
Wilson Martinez

Dialogue/ADR Editors
Patrick Foley
Mike Garcia

Post Production Manager
Scott Shinick

Dialogue Recording Studio
Studiopolis, Inc.

Recording Machine Operator
Jeff O. Collins
Sarah Baluch

Post Production Sound Services
Audio Circus, Inc.

Online Editor
Christopher D. Lozinski
_______________________________________________________________________
Animation Services
MOI Animation, Inc.

Animation Directors
Hyung-Ky Kim
Yang-Ho Ji

Background Director
Jung-ho Park
Joo-Sun Cha

Production Manager
Young-Soo You (Chief)
OK-Ki Lee
Min-Sung Park
Pan-seob Kim

Production Coordinator
Gina Park
Hyun-Jung Kim
Hyosun Ryu
_________________________________________________________________________
Layout Artists
Jin-Seok Choi
Ihu-Soo Kim

Color Stylists
Min-Lee Kim

Composition
Byoung-Ryul Kim (Chief)
Hyo-Yoon Back
Kyoung-Hee Kang

Model Checkers
Yang-suk Kim
Ki-Deok Park

Final Checker
Nam-gyu Lee
Dong-Moon Chu

3D CGI
Gu-Han Yoo

Key Animation
Jeong-gil Lee
Jong-Jin Choi
Soo-Hyun Kang
Cheong-il Han
Hyung-Seok Jang
Young-il Park
Jae-Hyeong Kim
Hyun-ho Jeong
Geon-Sik Lee
Seong-Deuk Son
Yoon-Jae Ko
Jae-Bum Lee
Kyung-Ho Choi
Jeong-Hee Yang
________________________________________________________________________
Production Administrator
Nicole Martin

Production Accounting
Athena Wingate
Luisa Guzman

Production Support
Audrey Kim
Kira Tirimacco
Renee Toporzysek

Casting Administrator
Liz Carroll

Executive In Charge Of Music
Niki Sherrod

Business And Legal Affairs
Lori Blackstone
Bonnie Negrete
Joulene St. Catherine
________________________________________________________
Production Supervision
Bobbie Page

Production Management
Ed Adams
_________________________________________________________________________
Executive in Charge of Production
Jay Bastian
______________________________________________________
Executives In Charge Of Production For Cartoon Network
Tramm Wigzell
Brian E. S. Jones
_____________________________________________________________
Executive Producer
Sam Register
______________________________________________________________________
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.

© 2010 Warner Bros. Animation Inc.
ALL RIGHTS RESERVED

Country of first publication United States Of America

YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.

Warner Bros Entertainment Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
_________________________________________________________________________

There are of course a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.

A handful (in no particular order) include...

Jennifer A. Anderson - Talent Coordinator
Eric Lewis, CAS - Dialogue Sound Mixer
James Lafferty - Assistant Engineer
Otis Van Osten - Sound Supervisor
Ron Salaises - Sound Effects editor
Carlos Sanches - Re-Recording Mixer
Stacy Michaels - Foley Mixer
Alex Ulrich - Foley Walker
Jackie Trinidad - Development Coordinator
Peter Girardi - Design Guru

I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!

Young Justice, twenty minutes and counting..

Hey gang,

The one-hour premiere of YOUNG JUSTICE is about to air at 7pm EST, less than twenty minutes from now. Those who receive Cartoon Network's East Coast feed can see it at the same time in their time zone. For example, I'm currently in Las Vegas with my in-laws, and we'll be watching it at 4pm PST.

It will also air on Cartoon Network's West Coast feed at 7pm PST.

Please WATCH!!!!! We think you'll like it!

Keeping Young Justice continuity straight...

All Young Justice television episodes and comic book issues will have captions stating place, month, day and time. So you can figure out EXACTLY where the comics fit - continuity-wise - relative to the television series and vice versa.

Young Justice Comic Book

FYI - Young Justice Staff Writer Kevin Hopps and I have written issue #0 of the Young Justice comic book, which will be in continuity with the television series, telling stories set either between episodes of the tv show and/or telling the same stories from different points of view. You don't have to watch the show to enjoy the comic or read the comic to enjoy the show, but I guarantee you'll get even more out of both if you take the time to experience both.

After issue #0, issues #1-6 will be writtien by Art Baltazar and Franco Aureliani to help us out while Kevin and I are swamped with the scripting, pre-production and post-production of the series. But Kevin, Brandon Vietti and I are advising Art & Franco and artist Mike Norton on Issues #1-6 to keep everything in continuity.

After that, Kevin Hopps and I will be taking over the writing chores on the Young Justice comic full time, starting with issue #7.

And by the way, Mike's art so far on the interior pages of issue #0 is just gorgeous!!

Young Justice Premiere!

I've finally been authorized to post what many of you have known for some time: the one-hour Young Justice pilot premiere is scheduled for Friday, November 26th at 7pm on Cartoon Network!

Brandon, myself and the entire Young Justice crew (and even our bosses) are ridiculously proud of how this almost-movie has turned out! If you like super-heroes... if you like shows about teens coming of age... if you like action... if you like drama... if you like a little humor spiced in... and mostly if you like ANYTHING I've ever done in the past, then I really believe you'll like Young Justice.

So check it out!

Please.

Brandon's Blog...

Brandon Vietti, my producing partner on YOUNG JUSTICE, has started blogging occasionally about the series. Check out his first (recent) entry on the series' costuming theory at:

http://brandonvietti.blogspot.com/

New York Comic Con

This just confirmed. Brandon Vietti and I will be at New York Comic Con for a signing, presentation of new footage and a Q&A about Young Justice. Stop by. We have some exciting stuff to show you!

SATURDAY, OCTOBER 9

2:00â€"3:00 p.m. Young Justice Signing at the DC Comics booth #2243

3:45â€"4:45 p.m. Young Justice Video Presentation and Q&A â€" Join the league! Fans were given their first glimpse of Robin, Aqualad, Kid Flash, Superboy, Miss Martian and Artemis this past July at Comic-Con International: San Diego. But this panel will offer far more than just a glimpse, as producers Brandon Vietti (Batman: Under the Red Hood) and Greg Weisman (Gargoyles) answer questions from fans and show footage from this highly anticipated series. A one-hour special event of Young Justice will premiere in November 2010 on Cartoon Network, and the series begins in 2011. Young Justice is produced by Warner Bros. Animation and is based upon characters from DC Comics. Room 1A14

http://www.newyorkcomiccon.com/

ALL CAUGHT UP

Hey gang,

I'm finally all caught up on the ASK GREG queue. Gonna take a short break, but we'll open the queue again on September 27th, 2010 in preparation for the release of Superman/Batman: Apocalypse which also contains the DC Showcase Green Arrow short that I wrote.

As always, I urge you guys NOT to flood ASK GREG with questions. Check the archives. Check the FAQs. Ask questions of the loyal fans in the Station 8 comment room.

AND, please, THINK BEFORE YOU POST. I am NOT, for example, going to SPOIL "Young Justice" before it airs. I'm not going to SPOIL "Gargoyles" either since I still have hopes of bringing that back. I'm not even going to "SPOIL" Spectacular Spider-Man, because I don't see any real point in revealing future plans and ideas independent of their execution.

Happy to talk process. Happy to talk about what's ALREADY aired or been published. Happy to talk about Mecha-Nation and many other things. But. NOT. GONNA. SPOIL.

Thanks,

gdw

Young Justice Stats

Statistics interest me. So I thought I'd share some with you guys. (Okay, yeah, I'm procrastinating. But it is my lunch hour, so sue me.)

We have completed (so far) 17 out or our 26 first season Young Justice Scripts. That is NOT the same as completing the episodes. We haven't completed a single episode yet. We don't start post-production until later this month. But we do have 17 scripts in the can.

As of episode 17, we have 147 name characters from the DC Universe. That's an average of introducing 8.6 DC characters per episode. Of course, the reality is that some episodes have introduced many more than that, others fewer. But that's the average.

Our average page count for each script is 33. Our average dialogue count is 235 lines.

We've completed recording on the first 13 episodes. (We've partially recorded episodes 114-116, but are missing a few actors still. We'll record 117 this coming Tuesday after Labor Day.) So the following statistics are only through episode 13:

Total number of actors we've used so far: 47.
Average number of actors we've used per episode: 11.
Of course many actors are in multiple episodes and many are performing more than one character.

Hmm... what else?

All 26 scripts have been assigned to writers. (All 26 premises were written and approved months ago.) As I mentioned above, 1-17 are in the can. Episode 18 is in script. Episodes 19-22 are in outline. Episodes 23-24 are in beat outline. 25-26 are approved premises, waiting in the wings.

We have seven writers, including myself, staff writer Kevin Hopps and our freelancers: Andrew Robinson, Nicole Dubuc, Jon Weisman, Tom Pugsley and Peter David. My fellow producer Brandon Vietti is also heavily involved in the writing process.

Okay, back to work...

Dragon*Con

I'm told that at Dragon*Con in Atlanta this weekend, Jonathan Frakes and Marina Sirtis will be hosting a Gargoyles panel. I'm quite jealous that I won't be there!

According to

http://www.dragoncon.org/

the panel is on Sunday, September 5, 2010 at 11:30am.

If you can attend, you should. Then let me know how it went!

What's in a name...?

So I've been lurking a bit today on various Young Justice message boards (almost always a mistake), and I feel the need to respond on one point (ALWAYS a mistake).

Some people are asking (with various levels of outrage), why we are calling this series "Young Justice"?

They cite the fact that our Robin isn't Tim Drake, that our Kid Flash isn't Impulse/Bart Allen. That we're not using Wonder Girl or Arrowette or Secret and that even our Superboy is dressed more like the later Titans Superboy.

And, honestly, I can see their point. In some ways, I do almost (almost) wish we weren't using the Young Justice title.

But it would be nice if these people turned a more practical and realistic eye toward the question of title.

Some ask, why not call it Teen Titans, when you have Dick, Wally, Aqualad, etc.?

But the answer to that is beyond obvious. There was a RECENT hit series named Teen Titans. The name is TAKEN! Taken, by the way, by a great series that used the cast not of Teen Titans but of Marv Wolfman & George Perez's NEW TEEN TITANS with the tone of neither. In fact, the tone is/was much closer to Peter David & Todd Nauck's YOUNG JUSTICE. (Ironic, huh?)

And if, somehow, we DID call our series TEEN TITANS (again), how would that help? Another group of fans (with some overlap) would cry foul because we were putting Superboy, Miss Martian, Artemis and a new Aqualad in with Dick and Wally. Where's Donna? And etc.

The thing is... we're not doing a straight adaptation of either Teen Titans OR Young Justice. We are, in fact, pulling from both properties and later Titans and decades worth of Justice League stuff to create something new with a new continuity on a new Earth-16.

So what SHOULD we entitle it? There just ISN'T one comic book title that's a PERFECT fit for what we're doing. So if you get past the impossible notion of finding a historically accurate title, you're left with coming up with a MEANINGFUL title. In which case, Young Justice fits perfectly - at least on THAT level. (Trust me, you'll see.) It's a flat-out BETTER and more appropriate and more meaningful title for our series than New Titans or Teen Titans or plain old Titans or Justice League Task Force or Justice League Europe or Extreme Justice or Justice League Babies or pretty much anything else you can come up with. I know. I tried. Nothing else captures the essence of our series as well. Baggage or no baggage.

That still leaves the perfectly legit argument: Why do this? Why NOT just adapt the David/Nauck Young Justice? Fair question, absolutely.

And the answer here is... we didn't want to. The creative people (myself, Brandon Vietti, Sam Register, etc.) behind the series premiering this November on Cartoon Network didn't want to. That's not meant as any disrespect for a great comic book. But again, we felt that the tone of the David/Nauck Young Justice book had been done recently and well on television as Teen Titans. Different group of teens, but the same feeling. We wanted to do something NEW. Maybe you'll like it. Maybe you won't. But writers as diverse as Peter David (yep, that Peter David) and Geoff Johns and, uh, Greg Weisman all like what we're doing, so maybe it's worth at least giving us a chance. Or not. That's the call of every individual.

But if you are going to give us a try, you might also try leaving a bit of baggage behind. We have six leads and many, many, many supporting characters (135 existing characters from the DC Universe just through episode 16 alone). As when I worked on Spectacular Spider-Man, we have tried VERY hard to be as true to the core truths of each individual character as possible. Some of the interpretations may be new. Some of the details. The timeline is start from scratch. (Parallel universe, remember?) But the core should hold true, or I haven't done my job.

And gang, stop pretending you know what's coming or what ISN'T coming. What characters will eventually be included and which won't. We haven't even premiered yet. It's fine to guess. But making a guess and then praising or condemning us based on that guess is a bit rough.

Now, I know that this message will invariably read like I've got a big chip on my shoulder. And/or that I'm whining about fans pre-judging the work. That's not the TONE I want for this message. But it's hard in text to get tone across. The tone I'm looking for is more like... weariness. (Not wariness, but weariness.) Honestly, all I'm trying to get across here is that perhaps the conversation would be more productive if folks weren't stuck on preconceptions.

Oh, and one more thing for the record: I know a number of people -- even a few individuals legitimately attached to the series -- have been quoted saying the original title of the series was "Young Justice League". It wasn't. Ever. For better or worse, we were "Young Justice" from Day One of our development. And why not "Young Justice League?" Well, frankly, cuz it sounds awful, don't you think?

Non-sequitor, but since I'm in correcting-internet-incorrectness-mode: Miss Martian is the NIECE of Martian Manhunter. NOT his daughter. Someone misquoted us there.

Mecha-Nation Trailer

Here's a link. Check it out:

http://www.victorcook.com/mechanation_trailer.mov

LIVE PODCAST

Meant to post this days ago at ASK GREG, but I forgot. I'm being interviewed for a live podcast at http://www.blogtalkradio.com/123-film TODAY at 4pm PDT, i.e. in less than half an hour. Sorry for the lack of warning...

SAN DIEGO COMIC-CON 2010 and ASK GREG

Hey gang,

Well, I've finally caught up with the backlog here at ASK GREG. I'm going to take a short Ask Greg vacation, and then we'll be reopening the site soon... i.e. on the Monday (July 26th) AFTER San Diego Comic-Con 2010.

As always, I ask that before you post a question you do your best to make sure it's not a question that's been answered in the archives already AND that it's not a question that someone posted just before you. You can also try asking your question first in the Station 8 Comment Room, as the fans know a LOT of answers already.

We're just trying to avoid flooding the site with so many questions, that I'm immediately backlogged again.

Meanwhile, I will be at Comic-Con next week. Subject to change, here's my current schedule:

THURSDAY, JULY 22, 2010
10 - 11:30am - Mecha-Nation signing at the Kizoic Booth. (We'll be premiering the first issue.)

FRIDAY, JULY 23, 2010
10:30-11:30 am - Brave and the Bold/Young Justice Panel. (We'll be premiering our first Young Justice footage in a mini-panel jam-packed with revelations!)

2 - 4 pm -Mecha-Nation signing at the Kizoic Booth.

SATURDAY, JULY 24, 2010
11:30am - 1pm - Gargoyles signing at the SLG Booth.

3 - 4 pm - DC Showcase panel. (We'll be previewing some footage from the Green Arrow DVD short that I wrote.)

5:30 - 6:30pm - DC Showcase signing. (Location TBD).

SUNDAY, JULY 25, 2010
10-11am - Mecha-Nation signing at the Kizoic Booth.

11am - 12:30pm - Gargoyles signing at the SLG Booth.

Please stop by and say hello!

Oregon Shakespeare Festival 2010

Hey gang,

I just got back from taking my kids to the Oregon Shakespeare Festival in Ashland, Oregon. Saw five uniformly great productions:

Hamlet

Henry IV, Part One

Twelfth Night

Merchant of Venice

Jane Austen's Pride and Prejudice

Can't recommend any or all of them strongly enough...

Young Justice

Wow. This has been a big couple of weeks ANNOUNCEMENT-wise.

As some of you doubtless already know, YOUNG JUSTICE was announced today by Cartoon Network.

Here's the official press release info (with slightly better proofreading from me):

"Young Justice: In Young Justice, being a teenager means proving yourself over and overâ€"to peers, parents, teachers, mentors and, ultimately, to yourself. But what if you’re not just a normal teenager? What if you’re a teenage super hero? Are you ready to join the ranks of the great heroes and prove you’re worthy of the Justice League? That’s exactly what the members of Young Justiceâ€"Robin, Aqualad, Kid Flash, Superboy, Miss Martian and Artemisâ€"will find out: whether they have what it takes to be a proven hero? This all-new series is produced by Warner Bros. Animation and based upon characters from DC Comics. Sam Register (Teen Titans, Ben 10, Batman: The Brave and the Bold) is the executive producer. Brandon Vietti (Batman: Under the Red Hood, Superman Doomsday, The Batman) and Greg Weisman (Gargoyles, The Spectacular Spider-Man, W.I.T.C.H.) are the producers."

We're hard at work on the 26-episode first season. Got a great writing staff in place, and the designs look phenomenal. I really think the series will kick some major ass!

And that's about all I'm allowed to say right now...

DICK GIORDANO, R.I.P.

Just over a week ago, Dick Giordano passed away. I've been meaning to write this ever since but haven't felt equal to the task. But it's time...

Dick was one of the all time great comic book inkers, but he was also the single individual most responsible for bringing me into the comic book business, which directly lead to me working in animation.

It's a story I've told many times, so feel free to skip down if you've heard it.

I was a nineteen-year-old college sophomore when Marvel Comics announced a New Talent Search. I was excited, but reasoned (correctly) that Marvel would be inundated with submissions. I also reasoned (rather cleverly) that if Marvel began a New Talent Search, DC Comics would too. So instead of preparing submissions based on Marvel characters, I immediately set to work, prepping stuff based on DC characters. Sure enough, DC announced it's search, and I immediately sent in my stuff. YEARS LATER, I saw the logbook that was used to log in each submission as it arrived. Mine was literally the second submission received.

It was duly logged in -- and then lost. (Likewise, years later, I found it in the DC offices in the back of a file cabinet.) DC still had my address in the log book. But not the submission itself. Because 70% of all submissions were artist submissions and only 30% were writer submissions, the person in charge of the talent search at the time took a chance and sent me a packet for new ARTISTS. I was OUTRAGED!!! Outraged, of course, in the way only a 19-year-old know-nothing can get outraged. So I sent a LETTER to DC Comics expressing my outrage. I said (lying) that I was a professional, and if they lost my submission, a simple admission of this fact would have resulted in me sending copies. There was no need to GUESS (incorrectly) that I was an artist and hope for the best. I stated that this was no way to run a business.

Somehow this letter found it's way to Dick Giordano's desk. Dick was at the time the EXECUTIVE EDITOR and head creative muckymuck at DC. Most guys in that position would have found a nice round file for my letter, but Dick was amused by it... and maybe a little impressed with (not the content) but the writing of it itself.

So sometime later, the phone in my dormroom rings. My roommate answers and says it's for me. "Who is it?" "Some guy named Dick Giordano." Now, I knew EXACTLY who Dick Giordano was and figured there was no way I was getting a call from him. So I got on the phone assuming it was one of my geek friends playing a prank. Nope. It was Dick. He wanted to meet me and asked if I had any plans to be in New York City. I (lied again and) told him that coincidentally, I was planning to be there over spring break. He invited me up to the DC Comics offices, and we set a date and time.

So I scraped the money together to buy a plane ticket, crashed at my cousin's apartment, put on a SUIT (what did I know, it was a job interview, right?) and headed out during a torrential Manhattan rainstorm to FIND A CAB to take me to DC. (Somewhere out there New Yorkers are laughing at the thought of me trying to find a cab in the rain.)

Ultimately, I found one, but not before I was (despite an umbrella) soaked to the bone in my stupid suit. I arrive at DC looking more like a drowned rat than a professional writer (which, of course, I was not), and met with Dick. And we hit it off. He was great. From Day One, he believed in me and tried to get me freelance work. He eventually gave me a job as an Editorial Assistant (read Xerox boy) and quickly promoted me twice over twenty-one months to Assistant Editor and then Associate Editor.

I was impatient, of course. I couldn't stick it out, and moved back to Los Angeles to go to grad school and eventually start a career in animation. I remember how disappointed Dick was. How he tried to get me to reconsider, but how he also supported my decision, when I made it clear it was final.

After that, every time Dick and his right-hand woman and good friend Pat Bastienne came to Los Angeles, they would take time out to meet with me. They met my fiancee Beth long before she became my wife. They were both always cheering me on. Eventually, Dick retired from DC and moved to Florida, and we lost touch. Which is on me. And I regret it.

When I heard/saw that he had passed at age 77 from complications from Leukemia (over the same weekend when my Grandmother turned 100), it was a real blow.

Dick was a terrific and extremely talented guy, and I owe him just... TONS.

Thank you, Dick. You will be missed.

Greg Weisman
April 2010

The Spectacular Spider-Man

So...

I've heard nothing directly from Marvel, Disney or Sony, but I think the recent announcement that an "Ultimate Spider-Man" animated series is in the works at Marvel Animation, makes it fairly clear that The Spectacular Spider-Man is over.

I can't say that I'm surprised, but that doesn't mean I'm not disappointed. But guys... all of you so quick to rush to my defense (sometimes in the most heated of terms)... it's appreciated, of course, but not necessary. This is the business I've chosen to work in. It comes with the job.

Sure, I think Spectacular kicked some ass! But there's no reason to assume that Ultimate Spider-Man won't kick ass too! I'd recommend giving it a chance. I remember when we were first announced, a bunch of MTV Spider-Man fans were screaming about why they were creating a new series and not continuing that one. Heck, there were even a bunch of 90s Spider-Man the Animated Series fans who felt they should still be continuing THAT show. Some of those folks wound up giving us a chance. Some didn't, I'm sure. Some of those who loved those and other old Spidey series found they liked or loved Spectacular. Others didn't, I'm sure. But we found our audience, and now we've got nostalgia working on our side. But I wouldn't want Ultimate Spidey to be judged on anything other than itself. Because that's all I wanted for Spectacular.

It's just the way of things. I try to take the long view and be philosophical about it. Don't always succeed, but I try. I had more stories I was dying to tell, but anyone who's familiar with this website due to a certain series beginning with a "G" knows that this isn't the first series I've felt that way about. I rarely run out of tales to tell. I had more Spidey stories to tell. More Gargoyles stories to tell. More W.I.T.C.H. stories to tell. More Captain Atom stories to tell. More Starship Troopers stories to tell. Even more Max Steel stories to tell. And if and when I get a new series -- no matter how long it lasts -- I'll probably STILL have more stories of that puppy to tell too.

So I try to be grateful for what I did get. I got to tell 26 fun stories. And those led directly to me writing for The Amazing Spider-Man, which puts me in some pretty august company and fulfilled a life-long dream, even if it was only half of one issue. So it's all good.

For those who loved and will miss, alongside me and pretty much all of its cast and crew, The Spectacular Spider-Man, I appreciate all your support and kind words. Let's celebrate what we achieved and not stress over what we didn't get to do.

Thanks, everyone.

Greg Weisman
April, 2010

HAPPY CENTENNIAL GRANDMA SUE

Hey guys,

I've been on vacation (SPRING BREAK!) and busy with a bunch of stuff, so haven't been able to stop by recently, but I didn't want this major event to go by without notice. Last week, my Grandmother turned 100.

Of course, my brother beat me to it, writing more eloquently than I'd be able to, so I'm going to link to his website, which has neat pictures too!

http://bit.ly/b4GAI2

As my cousin pointed out at the LARGE family dinner we had this past weekend, when Sue Weisman was born, the Ottomans had an empire, as did the British and the Russian Czars, and Sue-Baby has outlast them all. The changes she's seen... living through World War I, the Depression, Prohibition, World War II, the invention of radio, television, computers, etc. It's a completely different world. And she's still sharp and funny and a joy to be around.

So happy birthday, Grandma Sue! Here's to 100 more!

Robert Culp R.I.P.

I won't pretend I knew Robert Culp well, but long prior to his work on Gargoyles, I was a fan. I loved him in The Greatest American Hero and LOVED him in I Spy. His unique delivery and humor made both series a joy. And what great partnerships: Culp & Cosby in Spy and Culp & Katt in Hero. He was clearly a generous actor. And a dedicated one. His performances as Halcyon Renard in a handful of episodes of Gargoyles made Renard a completely fascinating character for me. And his exchanges with Peter Scolari as Preston Vogel in the booth were really fun to watch.

Culp will be missed.

Reopening Ask Greg/Amazing Spider-Man 622

Hey gang,

It caught me off guard, but it seems my issue of The Amazing Spider-Man (i.e. #622) is out. So I've asked Gorebash to open Ask Greg to allow comments and questions about it. Normally, we wouldn't reopen this soon, given that I still am about 200 questions behind -- so don't assume it'll stay open long -- but I figured I should give you all the opportunity.

Mecha-Nation

Just got this message from the folks at Ape Entertainment:

Just a heads up to let you know that MECHA-NATION #1 is now available to order from the February edition of the Diamond PREVIEWS catalog!

Tell a friend!

FAIR WARNING

ASK GREG's question-asking function will temporarily go off line at the end of November to allow me to catch up on the over 400 question backlog.

Goliath Sculpt

As promised, here are the photos of myself, Ruben Procopio and the Goliath Sculpt. Note the model sheets everywhere.

http://www.flickr.com/photos/29246775@N04/sets/72157622647604288/

May the drooling commence...

Rubén = Ruben with an accent over the "e".

Rubén = Ruben with an accent over the "e".

Electric Tiki, Rubén Procopio, Goliath and Me...

Electric Tiki, Rubén Procopio, Goliath and Me...

I literally just got back to my office after a trip to Rubén Procopio's studio in Burbank. Some of you, I'm sure, met Rubén at this summer's Gathering. Rubén is sculpting Goliath for Electric Tiki, and Tracy Mark Lee of Electric Tiki was at Rubén's studio too.

Rubén's Goliath sculpt -- in its final approval phase before baking, sanding, etc -- just kicks ass!!! Tracy and I had some extremely minor notes, but really, even if it went out exactly as is, I'd be thrilled!

I'm a big fan of the Randy Bowen Goliath that I've currently got sitting on my desk -- which is very much Randy's interpretation of the character. By contrast, what Rubén has done is bring the television show's Goliath to life in 3D. It's totally on-model, and in fact Rubén's workspace is surrounded by actual model sheets of the character from the series. Tracy tells me the sculpt will be available next summer, so if you're a fan of Goliath, Gargoyles or just great sculpts in general, start saving now! I've already reserved my copy!

I have some pictures of Rubén and I with the in-progress sculpt, which I'll figure out how to post or link to or something soon. Stay tuned.

THE SPECTACULAR SPIDER-MAN is back!

THE SPECTACULAR SPIDER-MAN is back!

Disney XD is bringing "new" second season episodes back starting Wednesday, October 7th. Check local listings for times! Tell your friends, spread the word, watch the episodes (especially if you're a Nielson Family)! It's good stuff, I swear!!

Podcast

Hey gang,

Josh Keaton, the voice of Peter Parker/Spider-Man, and I did a podcast with spidermancrawlspace:

http://www.spidermancrawlspace.com/wordpress/2009/09/26/podcast-80-spectacular-spider-man-interview-of-keaton-weisman/

Check it out!

ACCESSIBILITY

So I've been lurking a bit, and I see folks are questioning the accessibility of the Gargoyles comics.

And I know I shouldn't do this, but I'm going to defend my own work here instead of just letting it stand on its own.

I totally reject the notion that the comics aren't accessible to new readers, unfamiliar with the GARGOYLES property. Now, granted Clan-Building, Volume II is pretty inaccessible IF you haven't read Clan-Building, Volume I. But in fairness to me, the Clan-Building arc is published in two volumes for commercial reasons, not creative ones. It's not two six-issue arcs; it's one twelve issue arc. So if you read Clan-Building in it's entirety OR if you read Bad Guys in it's entirety, I think both these arcs are extremely ACCESSIBLE.

And, yes, I've seen the reviews that claim that they're not. But I notice that those reviews are written by people who ARE passingly familiar with the cartoon and are making the ASSUMPTION that the books would be inaccessible to new readers. But I don't buy it. I've been doing this for a LONG time. And I know how to fill in my reader and/or viewer, introduce new concepts, etc.

Every issue in sequence introduces all the necessary information to a new reader that said reader would need. Does a reader benefit if they know all the backstory? Of course. But they don't have to know that backstory to enjoy the comic.

Let me take a specific example -- one that a reviewer specifically brought up. At the very end of issue #2 of Bad Guys, Sevarius appears. The reviewer (who knew exactly who Sevarius was) thought that I was blowing off new readers, because I gave NO backstory or introduction to Sevarius in that issue. But I'd argue that no introduction was necessary at that point. We've seen a mysterious figure descend into the Labyrinth, taser a guard, shed a disguise and confront Fang, claiming to know his real name and stating that he is Fang's "maker". That's ALL you need to know at that point as a new reader. It's perfectly okay if you DON'T know who this guy is. It's intriguing enough on that level. And in the very next issue (or chapter if you're reading the trade) Hunter gives all the backstory on Sevarius that you need to appreciate his role in issues/chapters #3 and #4. Yes, a hardcore fan is going to get extra juice when Sevarius pulls off his disguise because they'll recognize him. But even if Sevarius had been a brand new character, I wouldn't have handled his introduction any differently.

Look at Tasmanian Tiger. He is a new character. I hope he's at least a little bit intriguing. But is a new reader lost because they DON'T know that this is his first appearance? Readers, whether they are hardcore Garg fans or complete newbies, know as much about TT as they need to know -- and no more.

Yes, there are resources on the web -- BUT I don't count on those AT ALL, with one exception. And that exception is if people wonder why I'm ignoring Goliath Chronicles. And a new reader isn't even going to KNOW about Goliath Chronicles, so it's NOT an exception to him or her.

Otherwise, I use the tools I have within the book to explain what an audience needs to know. Someone familiar with the property may THINK the reader needs to know more, but I flat-out think they're wrong. My proof is anecdotal but it exists. I know people who've read the books and enjoyed them even though they never saw the show. Has it interested them in finding out more about the original series? Yes. And that's good and fine. But there's a difference between a new reader being intrigued and WANTING to learn more and a new reader being confused and NEEDING to know more to get what's going on.

You don't need to KNOW Brooklyn's entire history to know he's hurting because he can't get a date, to know he's pining for Angela and to know he's trying to get away from Angela and Broadway before chapter 10 of Clan-Building comes along -- and he's thrust into the past. Everything you NEED to know about him is present in issues 1-9. One benefits from knowing more, but that doesn't make it necessary to know more.

Of course, the greatest blockade to accessibility is the non-linear structure of chapters 7-9. But that's not property-based or familiarity-based, that's me using a non-traditional structure, which I might have done on an issue of, say, Captain Atom or Spider-Man or whatever. Hopefully, if a reader has read the first six chapters, they're intrigued enough to want to follow along despite the difficult structure.

Remember, issues 1 & 2 are designed to introduce you to the world of Gargoyles and any relevant information about said world. I got slammed by one reviewer for opening the comic book series with that adaptation of "The Journey", but I thought it was essential for new readers. One could argue fairly that each succeeding issue isn't as accessible as those first two, but complications and characters were added gradually through those first six issues. Anyone reading the book in order would not have been lost for a minute. If we hadn't been plagued by delays and late deliveries (which I had no control over and did not anticipate) it wouldn't have been the same kind of problem.

Any comic book or animated series that employs serialization and continuity is subject to these difficulties. And the middle chapter of any story (including a twelve-part story like Clan-Building or a six-part story like Redemption) can be tough to follow without having read the first few chapters. But just as I feel you can enjoy, say, "Leader of the Pack" without ever having seen any episodes from Season One of Gargoyles, I think Clan-Building can be enjoyed without having seen ANY of the Gargoyles TV series. Is the same true for "Avalon, Part Two" or "Avalon, Part Three"? No. But I think it IS true for "Avalon, Part One" and/or the three-part "Avalon" series when considered as a single unit.

My point is, I'm very familiar with the dilemma, and I know how to compensate. Or in any case, I'm VERY aware of the need to compensate. One can argue that I failed, I suppose. It does become subjective at some point. But nothing I did was done without very conscious thought on my part vis-a-vis the needs of a new reader. So any reviewer who claims that I didn't care or didn't try to make the book accessible is just -- well, wrong. And I think they are making assumptions based on THEIR knowledge of the richness of the property. They get all these resonances and call-backs, etc., and ASSUME a new reader would be lost without them. But you know what they say about the word "ASSUME". The resonances and call-backs are gravy. (And if you don't know they exist you won't know you're missing anything.) The meat, in my opinion, is all right there on the page.

Bowen SCULPT

Last week, Disney contacted me asking if I'd like one of the new Randy Bowen sculpted Goliaths. I, of course, responded with a VERY enthusiastic "YES!!"

They sent it to me, and I'm staring at it now in my office. It's pretty darn amazing: Goliath looks fantastic, and his wingspread is stunning. Heck, even the base is very cool! I recommend it to any fan of the show who has the disposable income. Remember also, that the best way to get Disney interested in producing more Gargoyles-related stuff is to vote with your wallets!! And whether or not you buy one, please help us SPREAD THE WORD about it.

It's Randy's interpretation of the character, and I've always been big on letting the artists take liberties that suit their personal style, but I find it interesting that some of the things he added, like Goliath's armband and earring are things that Greg Guler put on Goliath's original development design (before Frank Paur had our Japanese designers simplify all the characters). Don't believe me: compare and contrast Goliath from the original pitch, viewable on the Season One Gargoyles DVD.

Anyway, I want to thank Randy and the folks at Disney Collectibles (Scott Robertson, Steve Carrasco and Emily Shoji) for sending me a copy. I'm thrilled to have it!

G2009 Radio Play

G2009 Radio Play - Act Three

672. NARRATOR
Act Three.

673. DEMONA
Norman Osborn was a fool. So obsessed with the power of science, he kept the Crown of Thorns in this vault as if it was just another souvenir â€" albeit an expensive one â€" to hang upon his wall. But with the Crown and the Spear of Destiny together, I now have the power to force all of humanity to its knees.

674. GOLIATH
These are Christian icons, Demona. Not every human being is a Christian.

675. DEMONA
Not every human being speaks Latin, but that didn’t stop me from using a Latin spell to turn a city-full of humans to stone. The magic I wield is potent beyond measure. Mine is the Kingdom and the Power and the Glory. No human may resist. No human will be spared. None will be spared who oppose me. Just look at this fool…

676. GOLIATH
Her name is Obsidiana.

677. DEMONA
Of course it is. For she wears the mystic Obsidian pendant fashioned by human sorcerers. Even that is enough to put her in my thrall. She has relinquished her gargoyle birthright.

678. GOLIATH
I have relinquished nothing.

679. NARRATOR
Demona waves the Spear of Destiny, and Electro rises and blasts Goliath back into the wall.

680. GOLIATH
<impact>

681. DEMONA
Yes, I’m surprised you’re unaffected… since you reek of humanity. The stink of your human whore is in your hair, on your lips, everywhere. And nothing in this world will give me more pleasure, Goliath, than watching your detective on her knees to me, as she draws her service revolver and thanks me with tears of joy in her eyes… before gratefully blowing out her own brains.

682. GOLIATH
(coldly furious)
That will never be.

683. DEMONA
No? My power expands with every second. I doubt she’s far away.

684. GOLIATH
You will not harm Elisa.

685. NARRATOR
Goliath advances on Demona. Electro blasts away, but Goliath will not be stopped…

686. DEMONA
No one ever said you weren’t persistent, Goliath. But what do you hope to gain?

687. GOLIATH
(through gritted teeth)
I will turn these forces back upon you.

688. DEMONA
Impossible. I am the last true gargoyle left on this world. The Crown’s magicks cannot touch me.

689. GOLIATH
So you believe. But I am not the only one who reeks of humanity. Am I… Dominique?!

690. NARRATOR
Goliath grasps the crown. The thorns bite into his hands, drawing blood. They struggle for control of the immense power…

691. GOLIATH, DEMONA
<roaring to the heavens>

692. SPIDER-MAN
<moan>

693. NARRATOR
Goliath’s intervention â€" and his complete immunity to the Crown’s effects â€" creates the smallest of fluctuation in Demona’s control. In a haze, Spider-Man lifts his arm…

694. SPIDER-MAN
Thwip.

695. NARRATOR
He shoots off a web, yanking the bloody crown from Demona’s head.

696. DEMONA
Noooooo!!!!

697. NARRATOR
There is a massive explosion of mystic energy and light! Demona, Goliath and Electro collapse.

698. GOLIATH
<moan>

699. SPIDER-MAN
Goliath…

700. GOLIATH
The Spear… the Crown…

701. SPIDER-MAN
Gone. I think they… blew up. Calypso’s gone too. But I’m betting that’s just a talent of hers. And I’d guess she’s taken Kraven and the pussycat with her.

702. DEMONA
<unconscious moan>

703. SPIDER-MAN
But the Big Bad’s still here…

704. GOLIATH
(sadly)
Leaving behind, as always, nothing but a handful of thorns…

Goliath, Spider-Man and Demona sit. Jonah, Elisa, Matt and George STAND.

705. NARRATOR
While Goliath helps Obsidiana, Spidey webs up Demona, Electro and Ock. In the outer vault, Zafiro and the Trio recover, finding only an unconscious and de-venomed Eddie Brock. Outside, the bad guys have all been beaten. Goblin and Vulture, their tech badly damaged, barely manage to fly away. Carnage and Jupiter are once again Cletus and John.

706. JONAH
I’m here, Johnny. Your old Pop’s here…

707. ELISA
Matt…

708. MATT
Call an ambulance, Elisa. Old Man Dracon said something about seeing a light. Then he collapsed. A stroke or something. I’ve been giving him C.P.R.

709. ELISA
Matt… Matt! You can stop. Stop. He’s gone.

710. GEORGE
You’re gargoyles are flying off, Detective.

711. MATT
(breathing hard)
Really? Not sure I see ‘em myself. But is that Spidey web-slinging away?

712. GEORGE
You think? I must have missed him?

Margot STANDS.

713. MARGOT
Are you all blind?! They’re right over there!

714. GEORGE, MATT, ELISA (UNISON)
Oh, give it a rest, Margot…

Elisa, Matt, George, Margot and Jonah sit. Peter, May, Harry and Gwen STAND.

715. NARRATOR
Back at the bus…

716. PETER
I’m back. And not a single decent picture to show for my efforts.

717. MAY
Well, you tried your best, Peter. I’m sure Mr. Jameson will appreciate that.

718. PETER
Oh, yeah. He’s a sweetheart that way.

719. NARRATOR
Emily Osborn watches as her son finally emerges from the bathroom.

720. GWEN
Harry?

721. HARRY
Hey, Gwen. I feel much better.

Harry, Gwen, Peter and May sit. Jonah and Robbie STAND.

722. NARRATOR
Later that night, at The Bugle…

723. JONAH
Whaddayou mean I can’t publish it?! How else can I make them all pay for what they did to Johnny!

724. ROBBIE
You can’t publish because the authorities refuse to comment. We have no pictures or statements to corroborate a story that includes gargoyles, a dead Green Goblin and everything except the kitchen sink. No one will believe it. I was there, and I don’t believe it! Print this, Jonah, and The Bugle becomes the next Daily Tattler.

725. JONAH
Ms. Brant, call the bomb squad. BECAUSE I’M ABOUT TO EXPLODE!!

Jonah and Robbie sit. Gwen, Peter, Kong, Curt, Harry, EMILY OSBORN and Mary Jane STAND.

726. NARRATOR
Later still, aboard OsCorp’s private jet en route to Miami…

727. GWEN
I still can’t believe we ran into you in the airport parking lot, Doctor Connors.

728. PETER
Yeah, and we’re so sorry you got mugged.

729. KONG
Dude, they took your shoes?! That’s hilarious! <laughs>

730. CURT
Yes, well, I just really appreciate the ride back to Florida…

731. HARRY
Anytime, Doctor C. Anytime.

732. EMILY
Harry, could I have a moment… in your father’s office?

733. HARRY
Uh, sure, Mom.

Curt, Kong and Gwen sit.

734. MARY JANE
Pete, help.

735. PETER
What’s wrong?

736. MARY JANE
Tiny. Cute enough, but it’s like talking to a tree stump.

737. PETER
Tried to warn you.

738. MARY JANE
Just say we’ll spend the week as a threesome, okay, Tiger.

739. PETER
Sure!

740. MARY JANE
Not that kind of threesome.

Mary Jane and Peter sit.

741. NARRATOR
Meanwhile, Harry follows his mother Emily into the jet’s private office.

742. EMILY
I know you were playing at being the Goblin, Harry.

743. HARRY
What?! Mom, that’s crazy! I was in the bathroom…

744. EMILY
Don’t lie to me, baby. You hired the worst chauffer in the city to delay our progress. You had a secret hatch installed in the bus bathroom, so you could slip in and out undetected. And you left a pre-recorded “vomit tape” with voice recognition software. All very impressive for a sixteen-year-old. But you need to understand… the Green Goblin is not what your father wanted for you.

745. HARRY
I have no idea what Dad wanted for me…

746. EMILY
Then let him tell you…

747. NARRATOR
She slips a DVD into the computer and Norman Osborn appears on screen…

NORMAN OSBORN STANDS.

748. NORMAN
Harry, my son. If you are watching this, then I am dead. And I have instructions…

Norman, Emily and Harry sit. Big Man, Blackie and SHARI STAND.

749. NARRATOR
Meanwhile at the Big Man’s office, he and Blackie Gaxton are visited by Shari, a young woman wearing a pendant depicting an eye atop a pyramid…

750. BIG MAN
Thirty-six.

751. BLACKIE
Thirty-five.

752. SHARI
Nine. Any problems?

753. BIG MAN
Not particularly. Ms. Destine was ready to believe I could find Dracon and the others useful.

754. BLACKIE
And that faux Goblin was happy to believe I’d been fooled into thinking he was the real thing.

755. NARRATOR
Blackie removes his false face, revealing that he is actually the Chameleon in disguise.

756. CHAMELEON
Just as he was happy to believe I was the real Blackie Gaxton. But I’m still not sure why the Society wanted all this…?

757. SHARI
Isn’t it enough to know the Illuminati appreciates your efforts?

CHAMELEON and Big Man sit. THAILOG, BRENTWOOD, Homunculus #1, Homunculus #2 And Homunculus #3 STAND.

758. NARRATOR
Shari leaves Lincoln’s office and pulls out her cellphone…

759. SHARI
Dial Nightstone Unlimited.

760. THAILOG
Alexander Thailog.

761. SHARI
The Spear? The Crown?

762. THAILOG
Waiting for you to send to Duval.

763. BRENTWOOD
Brentwood capture little robot. Use it to control other little robots. When bright light shine, robots take spear and crown.

764. SHARI
Lovely.

765. THAILOG
What should we do with the Homunculi?

766. SHARI
Set them free. Maybe they’ll get their own series some day.

767. HOMUNCULUS #1
Free, free, set them free…

768. HOMUNCULUS #2
On basic cable and DVD…

769. HOMUNCULUS #3
Jazz hands!

Homunculus #3, Homunculus #2, Homunculus #1, Shari, Thailog and Brentwood sit. Elisa and Goliath STAND.

770. NARRATOR
At the castle, Elisa’s cell rings.

771. ELISA
Maza… Yeah, Captain Stacy said you might call. Sure, he’s right here.

772. NARRATOR
She hands the phone to Goliath, who doesn’t quite know how to hold it. She takes it back and puts the call on speaker.

773. GOLIATH
Hello…?

Spider-Man STANDS.

774. SPIDER-MAN
Hey, Goliath. It’s your Friendly Neighborhood Spider-Man.

775. GOLIATH
You protect your… neighborhood.

776. SPIDER-MAN
Just like you do the super-hero thing without the tights.

777. GOLIATH
Spider-Man, I think this is the beginning of a beautiful friendship.

778. SPIDER-MAN
Hey, I was just gonna say that. You saw that movie too?

779. GOLIATH
Movie?

780. ELISA
God, I love you… <kiss>

Elisa, Goliath and Spider-Man sit. Kafka STANDS.

781. NARRATOR
And finally â€" yes, finally â€" we end where we began. In the offices of Dr. Ashley Kafka at Ravencroft. She’s on the phone to her Board of Directors.

782. KAFKA
After all that tsuris, little has changed. Otto and Eddie are still disassociative. Max still needs a cure, and John still wants power. Cletus? He just keeps repeating, “I got a taste now,” over and over. Yes, we lost Dominic, I’m afraid. But we do have a new patient…

Dominique STANDS.

783. KAFKA (CONT)
…Dominique Destine.

784. DOMINIQUE
Just wait until the sun goes down…

Dominique and Kafka sit.

785. NARRATOR
The End.

THE END

NEXT: I finally get back to answering questions...

G2009 Radio Play

G2009 Radio Play - Act Two

BIG MAN STANDS.

247. NARRATOR
Act Two. The Big Man of Crime enters his offices, but finds he’s not alone…

248. BIG MAN
You spend so much time here, I’ll need to buy you your own chair. So you’ll stay out of mine.

Green Goblin STANDS.

249. GREEN GOBLIN
Surprised to see me?

250. BIG MAN
Not particularly.

251. GREEN GOBLIN
Then you won’t be surprised to learn I’m still running things…

252. BIG MAN
If you can run them from a hospital bed…

253. NARRATOR
Catching Gobby off guard, Lincoln punches him right through the window…

254. GREEN GOBLIN
<impact grunt>

255. NARRATOR
The goblin-glider swoops in and catches the Goblin, who pulls out a Pumpkin Bomb.

PUMPKIN BOMB STANDS.

256. GREEN GOBLIN
Ever the gracious host. And ever the gracious guest, the Goblin must show his appreciation. Here. I brought a gift.

257. NARRATOR
Gobby throws his “gift”, but Goliath swoops in, catches it and throws it back.

Goliath and Spider-Man STAND.

258. PUMPKIN BOMB
<shriek>

259. GREEN GOBLIN
<impact>

260. NARRATOR
Not far away…

261. SPIDER-MAN
No, no, no, no, no… I was hoping I’d never hear that trademark Pumpkin Bomb shriek again…

262. NARRATOR
Spidey swings in to find Goliath and a recovering Gobby together…

263. SPIDER-MAN
So that’s what these gargoyles are… more of the Goblin’s Halloween creations…

264. NARRATOR
Spidey swings into action against Goliath.

265. GOLIATH, SPIDER-MAN
<ad-lib battle sounds>

266. GOLIATH
The Bugle was right about you: you are a threat and a menace!

267. SPIDER-MAN
Wait, you can talk? And read?! And what you read is the Jolly One’s editorials?!

268. GREEN GOBLIN
I know I should assassinate Mr. Lincoln. But I’m so enjoying the show. Really, someone should make more Gargoyles. I know: I’ll call Walt Disney.

Green Goblin, Spider-Man, Goliath, Pumpkin Bomb and Big Man sit. ANGELA, BROOKLYN, BROADWAY and LEXINGTON STAND.

269. NARRATOR
Meanwhile, atop the Eyrie Building, Brooklyn, Lexington and Broadway watch Angela playing with Brooklyn’s son Nashville…

270. ANGELA
That’s great, Nashville. This time try the axe…

271. BROADWAY
Wow, Angela looks so adorable playing with Gnash. I mean, Gnash is cute too…

272. BROOKLYN
Thanks. I know he hatched in another decade, but Katana and I discussed it, and we want the whole clan to be Gnash and Egwardo’s Rookery parents…

273. BROADWAY
We’d be honored…

274. LEXINGTON
I still can’t quite take it all in. I go to Britain for a few weeks, and everything changes…

275. BROADWAY
At least you were gone for weeks. Try adjusting in forty seconds.

276. BROOKLYN
Hey, I had forty years to get ready for this, and it’s still strange…

277. LEXINGTON
But, dude. You’re so… old.

278. BROOKLYN
Thanks.

279. LEXINGTON
Older than Goliath.

280. BROOKLYN
Yeah.

281. LEXINGTON
Almost Hudson’s age.

282. BROOKLYN
I get it. I’m old.

283. LEXINGTON
It’s not that. Everything about you is different.

284. BROOKLYN
Oh, come on…

285. BROADWAY
No, he’s right. The way you talk. The way you move. All those weapons you carry now. It’s like you’ve outgrown us.

286. BROOKLYN
That’s not fair. I can’t tell you how much I missed you both.

287. LEXINGTON
We get that. And we’re not mad. But…

288. BROOKLYN
Look, this isn’t all on me. As I recall, things were already changing. Broadway spent all his time with Angela.

289. BROADWAY
Not all my time.

290. LEXINGTON
Uh… pretty much.

291. BROADWAY
Yeah, well, you’re practically on the internet non-stop.

292. LEXINGTON
It’s addictive! Do you know they have porn on that thing? There’s this one website, Blue Mug Prodâ€"

293. BROOKLYN
I don’t wanna know. The point is we’ve all gone through some changes. That’s just life.

294. BROADWAY
I guess our Three Musketeer days are over…

295. LEXINGTON
Yeah…

Zafiro and Obsidiana STAND.

296. ZAFIRO
Gargoyles of Manhattan!

297. OBSIDIANA
We need you’re help!

298. NARRATOR
At just that moment, the sun rises, turning Brooklyn, Lexington, Broadway, Angela and Gnash to stone. Obsidiana and Zafiro are unaffected, thanks to their mystic Mayan pendants.

299. ZAFIRO
Mierda.

300. OBSIDIANA
Nuestro cronometraje apesta hoy.

Obsidiana, Zafiro, Lexington, Broadway, Brooklyn and Angela sit. Spider-Man, Green Goblin and Pumpkin Bomb STAND.

301. NARRATOR
Across town, Goliath also turns to stone.

302. SPIDER-MAN
What the heck?!

303. GREEN GOBLIN
Well, that was… unexpected.

304. SPIDER-MAN
All right, that’s enough. I know you’re not the real Gobby.

305. GREEN GOBLIN
Yes, yes, “It’s not the voice; it’s the words. Not the tech, but the moves.” I’ve heard it all before…

306. SPIDER-MAN
Then I know exactly who you really are: Chameleon!

307. GREEN GOBLIN
That would ease your conscience, wouldn’t it? To think I’m Chameleon â€" and not the ghost of the man you killed!

308. SPIDER-MAN
I don’t believe in ghosts.

309. GREEN GOBLIN
Then maybe you’d prefer I was the Spawn of Goblin.

310. SPIDER-MAN
Oh, you’d just love to shift the blame to Harry. Sorry, Gobby â€" I mean, Chammy â€" but we’ve been there, done that. Besides, no matter who you are, there hasn’t been time for the Globulin Green to kick in and truly Goblify you. So I’m gonna take you down now while you’re still just a cheap imitation.

311. GREEN GOBLIN
You could do that… or you could save stoneface over there.

312. NARRATOR
Gobby throws a pumpkin bomb at Goliath. Instinctively, Spidey webs it away…

313. PUMPKIN BOMB
<shriek>

Pumpkin Bomb and Green Goblin sit.

314. NARRATOR
By which time, the Goblin is gone, leaving a confused Spidey perched on Goliath’s head…

315. SPIDER-MAN
So in hindsight, I’m thinking maybe you weren’t part of the Gob-Squad, right?
(beat)
Fine. Stonewall me.

May STANDS.

316. NARRATOR
That morning in Forest Hills, Spidey sneaks in through his bedroom window, hoping to catch a few Zs.

317. MAY
Peter, are you awake.

318. PETER
Uh, sure Aunt May. Just getting dressed.

319. MAY
Well, hurry up. I’m… “conferencing” with all the other parents.

Robbie, ROSIE THOMPSON and George STAND.

320. ROBBIE
Are you sure you don’t mind, Mrs. Parker? Cuz I gotta say, what you’re proposing would be my worst nightmare.

321. MAY
<laughs> Oh, I don’t believe that for a minute, Mr. Robertson. It’s a joy to be around Peter and his friends. And I won’t be alone. Anna Watson and Mrs. Osborn will be with me.

322. ROSIE
Emily? She’s so… odd. I don’t think she’s ever said one word to me…

323. MAY
Well, I don’t know her very well, Rosie, but Harry is Peter’s best friend â€" no offense to your Eugene â€" so she must be doing something right.

324. ROSIE
May, you never change. Always seeing the best in people.

325. MAY
I’ll take that as a compliment, dear girl.

326. GEORGE
In any case, I’m glad to get Gwen out of Manhattan for a few days. The streets are looking pretty grim right about now.

327. MAY
Oh, I’m sure your officers will have things under control in no time.

328. PETER
Aunt May, what’s going on?

329. MAY
Oh, didn’t I tell you, Peter. I’m chaperoning your trip to Miami Beach!

330. PETER
Wow. Great.

Peter, May, George, Rosie and Robbie sit. Big Man and Dominique STAND.

331. NARRATOR
Meanwhile, back at L. Thompson Lincoln’s office…

332. BIG MAN
And how can I be of help, Ms. Destine.

333. DOMINIQUE
I think I can help you, Mr. Lincoln.

334. BIG MAN
What makes you think I need any help?

335. DOMINIQUE
Oh, little things. The shattered window, that unusual statue on the ledge outside…

336. BIG MAN
Point taken. How about you cut to the chase?

337. DOMINIQUE
Fine. Tony Dracon. Tomas Brod. Silvio Manfredi. All in jail. Hammerhead. Sable Manfredi. On the run. This gives you a unique opportunity to reclaim what was lost.

338. BIG MAN
I’m sure L. Thompson Lincoln has no idea what you’re talking about. But go on…

339. DOMINIQUE
You have three problems. Green Goblin, Doctor Octopus and the government watching your every move.

340. BIG MAN
And you have the solution…

341. DOMINIQUE
I have the manpower. Three… “super-villains” to take down the competition and Dominic Dracon to use as a figurehead.

342. BIG MAN
The old man? I heard he was shy a few brain cells.

343. DOMINIQUE
It’s easy enough to spread the word he was faking insanity to avoid prosecution. And easy enough to assign him a keeper. Meanwhile, he’s a Dracon. And that name still carries weight, I believe.

344. BIG MAN
It does. But what would you want in exchange?

345. DOMINIQUE
Nothing extraordinary. Just the services of the Tinkerer.

346. BIG MAN
I believe that can be arranged.

347. DOMINIQUE
Lovely. But let’s not allow the moss to gather. You’ll want to move fast. Before the Octopus retrieves his arms…

Dominique and Big Man sit. SILVER SPOON MANAGER, Vulture, DOCTOR OCTOPUS and Electro STAND.

348. NARRATOR
The weather has turned cold. At the Silver Spoon, three men in trench coats and hats wait for their coffee.

349. SILVER SPOON MANAGER
Sixty-nine!

350. VULTURE
Yes. Here.

351. NARRATOR
Vulture sits down with Electro and Doctor Octopus.

352. DOCTOR OCTOPUS
Thank you, Adrian. Now. My arms?

353. VULTURE
In an OsCorp vault.

354. ELECTRO
At Rykers?!

355. VULTURE
<shhhhh> Not THE Vault. A vault. Still very high security, and the police are bound to expect our arrival, but…

356. DOCTOR OCTOPUS
Indeed. <sigh> OsCorp. Even in death, Norman Osborn torments me. But it cannot be helped. I must have my arms. We go in under cover of darkness tonight.

Doctor Octopus, Vulture and Electro sit. Silver Spoon Manager remains standing. Peter and Mary Jane STAND.

357. NARRATOR
The three men exit through one door. Two teenagers enter through another.

358. SILVER SPOON MANAGER
Seventy!

359. MARY JANE
Try to understand, Tiger. I just can’t do that to Gwen. She’s really become my best friend at Midtown.

360. PETER
But it’s not like we’d be making out or anything, right? Uh, right?

361. MARY JANE
Right.

362. PETER
Right, right. We’d be going as friends. Hanging out when the couples were … you know, coupling.

363. MARY JANE
And that would be great. But look at it from her point of view. She took all the risks, and you still wound up with Liz. There’s no way, she’d see me as anything but a threat. Wait, that sounded really conceited.

364. PETER
Have you looked in a mirror? Not conceited. Just fact.

365. MARY JANE
Ooh, nice one. Such a player.

366. PETER
Yeah, right. The world’s loneliest player.

367. MARY JANE
Stop it. I know you don’t want to hurt Gwen either. Not after all the two of you have been through.

368. PETER
Yeah… I wonder if Ms. Brant likes Miami. Kidding, kidding… Wow, pretty good. That was practically the Look.

369. SILVER SPOON MANAGER
Seventy-One!

SEYMOUR O’REILLY stands.

370. PETER
So you’re just not going?

371. MARY JANE
Oh, I’m going. It’s 48 degrees outside and 82 in Miami. I asked Tiny to be my plus one.

372. PETER
Tiny?! Tiny McKeever?! The guy’s got the brain of an amoeba. He makes King Kong look like a genius. Hell, he makes Flash look like Stephen Hawking!

373. MARY JANE
(shrugs)
He’s cute.

374. PETER
<argggh> I just wish I could skip the whole thing. But Aunt May’s going, and after her heart attack, I really think she could use some fun in the sun--

375. SEYMOUR
Sorry to interrupt. Couldn’t help overhearing.

376. PETER
Oh, hey, Seymour.

377. SEYMOUR
Just wanted to let you know Harry invited me too. And I’m totally going stag. I mean who wants a ball and chain when Miami Beach is full of hotties, right?

378. PETER
Uh…

379. SEYMOUR
Just don’t expect to hang out, okay. You’d fully cramp my style.

380. PETER
Of course I would…

381. SILVER SPOON MANAGER
Seventy-two!!

Silver Spoon Manager, Peter, Seymour and Mary Jane sit. Dominique and TINKERER STAND.

382. NARRATOR
Meanwhile, the Tinkerer arrives at the Destine Mansion…

383. DOMINIQUE
You have the devices?

384. TINKERER
Five was all I could put together on short notice. Unless you want to bring Mysterio in…?

385. DOMINIQUE
Our stage is crowded enough. And five should do quite nicely.

Dominique and Tinkerer sit. May, Mary Jane, GREG BISHANSKY, Sally, Gwen, Harry, Kong, Rand, Flash, Liz, Jason, Peter and Seymour STAND.

386. NARRATOR
Later that afternoon, Harry’s rented a party bus, and the gang is en route to the airport, stuck in heavy traffic on the expressway. A very prepared May Parker has a clipboard…

387. MAY
All right, we have three adults and sixteen children â€" sorry, sixteen teenagers. That’s nineteen sojourners bound for Florida. So why did my headcount come to twenty?

388. MARY JANE
I think you counted the bus driver, Mrs. Parker.

389. MAY
Oh, that I did.

390. BISHANSKY
Hey, twist my arm! I’ll go to Miami with you guys!!

391. SALLY
Was anyone talking to you?

392. BISHANSKY
Uh… no.

393. SALLY
Then eyes front.

394. BISHANSKY
Eyes front.

395. GWEN
Harry, are you all right?

396. HARRY
I dunno. All this stopping and starting. My stomach’s a little queasy…

397. KONG
Dude. Does this bus rock or what?!

398. RAND
‘Scool.

399. FLASH
Damn right it’s cool. Wouldn’t mind taking this baby all the way to Florida.

400. SALLY
Excuse me?! It’s a bus.

401. LIZ
Sally’s right. We’re not ditching the private jet for a bus. Right, Jason?

402. JASON
Uh…

403. SALLY
Right.

404. PETER
It really is a very nice bus though.

405. BISHANSKY
Hey, I’m not offended. I still can’t believe the Osborns hired me again. The last time, I got in two-- <impact grunt>

406. SEYMOUR
Dude, you totally rear-ended that guy at the tollbooth!

407. BISHANSKY
Not again…

408. SALLY
Wonderful. Now, we’ll be stuck here forever!

409. MAY
Everybody stay calm.

410. HARRY
Ah, man, gotta use the john…

411. KONG
<laughs> I think Osborn’s gonna hurl!

412. SALLY
Oh. My. God! If my hair starts smelling like vomit, I’ll sue you for bus-driver malpractice!!

413. BISHANSKY
Sorry, sorry…

Bishansky, Sally, Kong, Harry, May, Seymour, Peter, Jason, Liz, Flash, Rand, Gwen and Mary Jane sit. Brooklyn, Lexington, Broadway, Zafiro and Obsidiana STAND.

414. NARRATOR
The sun sets. At the castle, the gargoyles awaken…

415. BROOKLYN, BROADWAY, LEXINGTON
<awakening roars>

416. BROOKLYN
You must be Zafiro.

417. ZAFIRO
How did you know?

418. BROOKLYN
Strong family resemblance.

419. ZAFIRO
¿Perdón?

420. BROOKLYN
Long story. Time travel. The future. A whole other spin-off. Two actually…

421. OBSIDIANA
We don’t have time for your “spin-offs”. ¿Donde esta Goliath?

422. BROADWAY
He didn’t sleep here.

423. LEXINGTON
But I’m sure he’ll be back soon.

Elisa STANDS.

424. ELISA
He’d better. We have trouble. Demona trouble.

425. OBSIDIANA
Elisa!

426. ELISA
Hi, Obsidiana. I’m betting you have trouble too…

Elisa, Obsidiana, Lexington, Broadway, Brooklyn and Zafiro sit. Kraven, Calypso, Curt and Gulyadkin STAND.

427. NARRATOR
And while the clan awaits Goliath’s return…

428. KRAVEN
It is time, Calypso.

429. CALYPSO
Yes. The forces gather. We can make this one our own.

430. CURT
I demand you let me go!

431. KRAVEN
Hold your tongue, American dog. Or Gulyadkin will hold it for you.

432. GULYADKIN
<low lion growl>

433. CALYPSO
Calm yourself… This change will not be difficult. The primitive bound within is barely skin-deep…

434. CURT
I-- I don’t know what you’re talking about.

435. CALYPSO
I think you do. You see my companion. The details may have been created in a laboratory…

436. KRAVEN
But the soul of the Hunter â€" the beast inside â€" was always my own.

437. CURT
What are doing with that doll?

438. CALYPSO
Turning it inside out.

439. CURT
Listen to me, please. Even if you can release the “beast inside”, you don’t want to! It can’t be controlled.

440. KRAVEN
<laughs> Nyet. Not by you perhaps. But my Calypso is not so easily trifled with.

441. CALYPSO
It is time…

442. CURT
Noooo!!!! <transformation scream>

443. NARRATOR
Curt Connors is transformed by Calypso’s magic into the Lizard.

444. LIZARD
<roar>

445. KRAVEN
Now… to the Hunt!

Kraven, LIZARD, Calypso and Gulyadkin sit. Obsidiana, Zafiro, Angela, Elisa, Goliath, Broadway and Brooklyn STAND.

446. NARRATOR
Back at the Castle, Goliath has returned, and the entire clan has gathered. Elisa’s revealed what she knows about Demona. Now, it’s Obsidiana’s turn…

447. OBSIDIANA
It came from somewhere further south. Two human smugglers carrying an object of great power through the Green…

448. ZAFIRO
My mate is sensitive to these things. We tracked them, but they boarded a jet airplane and were soon out of our reach.

449. OBSIDIANA
Pero still I could sense great forces gathering. I asked Jade and Turquesa to teach us the way to Avalon…

450. ZAFIRO
Gabriel says hello, by the way.

451. ANGELA
Oh, I miss him. How is he?

452. ELISA
Angela, honey, let’s stay on point. I take it Avalon sent you here.

453. OBSIDIANA
Yes. We nearly achieved the totem, but a ridiculous human dressed in red and blueâ€"

454. ELISA, GOLIATH (UNISON)
Spider-Man…

455. OBSIDIANA
He did spin webs like a spider. Though from his hands, not hisâ€"

456. ZAFIRO
Focus, mi amor.

457. OBSIDIANA
Lo siento. This Man-Spider, he interfered. The smugglers escaped again. Now, power builds on power, rising to a crescendo.

458. BROADWAY
And that’s bad, right?

459. NARRATOR
Elisa’s cellphone rings.

Matt STANDS.

460. ELISA
Maza.

461. MATT
It’s Matt. Something’s going down at the OsCorp vault off the Expressway. Most of the Taskforce is already here. Stacy and his men too. But I’m thinking we might need… “back-up”. Lots and lots of back-up.

462. ELISA
We’re on our way. Brooklyn, can Bronx and Fu-Dog baby-sit Egwardo?

463. BROOKLYN
Of course.

464. ELISA
Good. Because otherwise it’s all hands on deck.

Elisa, Brooklyn, Broadway, Obsidiana, Zafiro, Goliath and Angela sit. George, Morgan and O’Neil STAND.

465. MATT
Okay, Captain. The rest of the Taskforce is on its way.

466. GEORGE
My men are deployed.

467. O’NEIL
And just in time! Cuz we got Gobby and his Pumpkin-Heads at 12 o’clock!

Green Goblin and Pumpkin Bomb STAND.

468. GREEN GOBLIN
Playtime!

469. PUMPKIN BOMB
<shriek>

470. MORGAN
And a gargoyle at 3 o’clock!

471. GEORGE
That’s not a gargoyle. That’s the Vulture!

Vulture STANDS.

472. VULTURE
You were right, Otto. The police were waiting. And the Goblin is here too. You don’t think it could actually be Osborn, still alive, do you?

Doctor Octopus and Electro STAND.

473. DOCTOR OCTOPUS
Do not get distracted by old grudges, Adrian. It hardly matters who wears the Green. His intent is still to prevent me from regaining my arms. You must keep the Goblin and the authorities occupied.

474. VULTURE
Of course.

475. DOCTOR OCTOPUS
Now, Electro. Open the vault.

476. ELECTRO
Roger that, Doc!

477. NARRATOR
Electro, already inside, short-circuits the vault’s electro-magnetic lock.

Tinkerer and Demona STAND.

478. TINKERER
Electro’s breached the vault.

479. DEMONA
So predictable. Send in your operatives.

480. NARRATOR
Tinkerer opens a burlap sack, releasing his five “operatives”.

HOMUNCULUS #1, HOMUNCULUS #2, HOMUNCULUS #3, HOMUNCULUS #4 and HOMUNCULUS #5 STAND.

481. HOMUNCULUS #1
Homunculi to the rescue!

482. HOMUNCULUS #2
Dirty work to be done!

483. HOMUNCULUS #3
Peach Cobbler!

484. HOMUNCULUS #4
Uh oh, somebody’s language system’s off-line again.

485. HOMUNCULUS #5
You know it, girlfriend!

Calypso, Kraven and Lizard STAND.

486. NARRATOR
And down in the sewer…

487. CALYPSO
It is right above us, my love. The Power and the Glory. The very keys to the Kingdom.

488. KRAVEN
And Kraven will lay them all at your feet.

489. LIZARD
<lizard roar>

490. NARRATOR
Up top, a stretch limo skids to a stop outside the vault. Dominic Dracon and Fancy Dan emerge.

Dracon and FANCY DAN STAND.

491. DRACON
All right, boys. Get me those jewels!

492. FANCY DAN
I think what the boss means is… Destroy the competition!

Carnage, Colonel Jupiter and Venom STAND.

493. CARNAGE
<evil chuckle> Carnage time?

494. FANCY DAN
Yeah. Go. Kill. Whatever.

495. COLONEL JUPITER
Colonel Jupiter will stop the Green Goblin and Vulture in their tracks!

496. FANCY DAN
Knock yourself out. But what are you waiting for?

497. VENOM
Someone worthy of our hate. But we have faith… He’ll come…

498. GREEN GOBLIN
My, my, the field’s getting crowded. Let’s thin the herd. Pumpkin-Heads, release the hounds! <ahem> That was a metaphor. Throw your pumpkin bombs already!

499. PUMPKIN BOMB
<multiple shrieks>

Pumpkin Bomb, Green Goblin, Venom, Fancy Dan, Colonel Jupiter, Carnage, Dracon, Lizard, Kraven, Calypso, Homunculus #5, Homunculus #4, Homunculus #3, Homunculus #2, Homunculus #1, Demona, Tinkerer, Electro, Doctor Octopus, Vulture, George, Morgan, O’Neil and Matt SIT. May, Peter, Bishansky, Flash, Kong, Sally, Mary Jane, Gwen and Harry STAND.

500. MAY
Goodness, what was that?

501. PETER
Something The Bugle will want pictures of. Open the door.

502. BISHANSKY
Uh…

503. MAY
Peter Parker, I am not letting you off this bus in the middle of the expressway.

504. PETER
Aunt May we’re at a complete standstill. And you don’t have to worry. I’ll use my telephoto lens. I won’t be anywhere near the action.

505. MAY
I suppose it is your job… Open the door.

506. BISHANSKY
Yes, ma’am.

507. PETER
Thanks, Aunt May. You rock!

508. FLASH
If Puny Parker’s going, I’m going too!

509. MAY
Eugene Thompson, you sit your backside down in that seat right this minute.

510. FLASH
Yes, ma’am.

511. KONG
<laughs>

512. SALLY
What’s he going to take pictures with? I saw his camera get blown up two months ago.

513. MARY JANE
Pete’s a professional photographer, Sally. I’m sure he has more than one camera.

514. GWEN
Harry… Are you all right in there?

515. HARRY
<vomit noise> Ugh, don’t come in. It really isn’t pretty.

Harry, Gwen, Mary Jane, Sally, Kong, Flash, May, Peter and Bishansky sit. Broadway, Goliath, Brooklyn, Angela, Elisa, Zafiro and Obsidiana STAND.

516. NARRATOR
The clan alights on a rise overlooking the battlefield.

517. BROADWAY
Whoa, what a mess…

518. GOLIATH
We will split our forces. Brooklyn, Lexington, Broadway, Obsidiana, Zafiro with me.

519. BROOKLYN
Shouldn’t I lead the other contingent?

520. GOLIATH
I need your experience and your weapons at my side.

521. ANGELA
Don’t worry, Brooklyn, we’ve got it covered.

522. NARRATOR
Angela, Hudson, Katana, Gnash, Coldstone and Coldfire glide toward the battle.

523. BROOKLYN, BROADWAY (UNISON)
Be careful!

Angela sits.

524. ELISA
You know I’m going with you.

525. GOLIATH
Not this time, Elisa. You must join your fellow officers…

526. ELISA
Butâ€"

527. GOLIATH
When all is settled, we shall need your help to cover our retreat from this conflagration… You know this is true.

528. ELISA
(defeated)
Yes.

Elisa sits. Spider-Man STANDS.

529. NARRATOR
Elisa makes her way down the hill. Goliath and the others glide to the Vault’s roof. Spider-Man lands there at the same time.

530. SPIDER-MAN, ZAFIRO (UNISON)
You again!

531. GOLIATH
Hold, Spider-Man. I have a friend who knows your Captain Stacy.

532. SPIDER-MAN
Really?

533. GOLIATH
This policeman believes in you. So I choose to believe in you as well.

534. SPIDER-MAN
Says the eight-foot tall medieval monster. But I get it. We’re on the same side. So let’s go kick some Pumpkin-Butt!

535. ZAFIRO
¡Idiota! That battle is a mere distraction.

536. OBSIDIANA
The true danger lies within…

537. SPIDER-MAN
All right, all right, you had me at “Idiota”.

538. NARRATOR
The gargoyles rip open the rooftop. The seven heroes descend, but someone watches…

Spider-Man, Obsidiana, Zafiro, Goliath, Broadway and Brooklyn sit. Venom and Fancy Dan STAND.

539. VENOM
And there goes our Bro…

540. FANCY DAN
You going in? That wasn’t the plan!

541. VENOM
And how do intend to stop us?

542. FANCY DAN
Fine, go. But if you see my Ricochet suit, bring it out!

Fancy Dan and Venom sit. Foswell, Jonah and Robbie STAND.

543. FOSWELL
See, J.J. The tip from Dracon’s old chauffer was right on the money.

544. JONAH
Whaddaya want, a fershlugginer medal?! Let’s get in there!

545. ROBBIE
Slow down, Jonah. I promised Joan I wouldn’t let you lose your head, figuratively or literally.

546. JONAH
Forget my head! Who cares about my head?! My boy needs me!

Ned and Colonel Jupiter STAND.

547. NED
Looks to me like your boy’s doing pretty well, Chief!

548. COLONEL JUPITER
Take that, miscreants!

549. ROBBIE
Ned, how did youâ€"

550. NED
Tip from one of the pumpkin-heads. Foswell’s not the only one with sources.

551. JONAH
You two can naked mud-wrestle over who’s the biggest brown-noser later. For now, Robbie, if you don’t let go of me in zero-point-zero seconds, I’ll dropkick you to next Season! And there’s no guarantee there’ll be a next Season!

552. NARRATOR
Jonah breaks away from Robbie, but his path is blocked…

Elisa STANDS.

553. ELISA
Get back! You want to wind up street pizza!

554. JONAH
But that’s my son up there.

555. ELISA
Yeah, well, at least he’s fighting on the right side.

556. COLONEL JUPITER
Nothing stands against the might of Colonel Jupiter!

557. ELISA
Does he always talk like that?

558. ROBBIE
Bombasticism runs in the family.

Robbie, Elisa, Colonel Jupiter, Jonah, Ned and Foswell sit. Vulture, Carnage, Green Goblin, Angela, Fancy Dan, Matt and Dracon STAND.

559. NARRATOR
Jupiter takes down Pumpkin-Heads right and left. Hudson squares off against Vulture.

560. VULTURE
Why do I get the old guy?

561. NARRATOR
You’re old. He’s old. It’s parallelism. Get over it.
(beat)
Coldstone and Coldfire isolate Carnage.

562. CARNAGE
No fair! These two don’t spatter at all!

563. NARRATOR
Angela and Katana take on the Goblin.

564. GREEN GOBLIN
Oh, goody. Gobby likes getting down and dirty with the hotties.

565. ANGELA
Oh, you did not just say that.

566. NARRATOR
And little Gnash goes after Fancy Dan.

567. FANCY DAN
Admit it, you gave me the kid because I’m short?

568. NARRATOR
Even Detective Bluestone gets into the act.

569. MATT
Freeze, Dracon!

570. DRACON
You’re confused. I’m G.F. Benton, a certified public accountant. I think I’ll be going now…

571. MATT
Yeah. Back to Ravencroft, you old nutter!

572. NARRATOR
But inside, things are a bit more serious…

Matt, Dracon, Fancy Dan, Angela, Green Goblin, Carnage and Vulture sit. Electro and Doctor Octopus STAND.

573. ELECTRO
Got your arms, Doc!

574. DOCTOR OCTOPUS
And my Megalo-Pack?

575. ELECTRO
You’re Mega-what now?

576. DOCTOR OCTOPUS
My power-source, Maxwell.

577. ELECTRO
Right, right. No. That’s not here.

578. DOCTOR OCTOPUS
What?!

Homunculus #1, Homunculus #2 and Homunculus #3 STAND.

579. HOMUNCULUS #1
Gotta get the true treasure!

580. HOMUNCULUS #2
Bring it back to the big Smurfette!

581. HOMUNCULUS #3
Blunk hates getting wet!

582. NARRATOR
Three Homunculi fly deeper into the vault to retrieve Demona’s prize.

Homunculus #3, Homunculus #2 and Homunculus #1 sit. Zafiro, Spider-Man, Lexington, Homunculus #5, Goliath, Brooklyn, Broadway and Obsidiana STAND.

583. ZAFIRO
What are those things?!

584. SPIDER-MAN, LEXINGTON (UNISON)
Robots!

585. LEXINGTON
And I got one!

586. HOMUNCULUS #5
Leggo, you big bully!

587. LEXINGTON
<ugh> What an annoying voice…

588. HOMUNCULUS #5
(aside to audience)
Look who’s talking.

589. LEXINGTON
…But I might be able to use it to take control of the others.

590. SPIDER-MAN
I think I can help.

Venom STANDS.

591. VENOM
You’ll be a little too busy for that, Bro.

592. GOLIATH
Friend of yours?

593. SPIDER-MAN
Once upon a time. Not so much now.

594. VENOM
Die, Spider-Man!

595. VENOM, SPIDER-MAN
<add-lib battle sounds>

596. SPIDER-MAN
A little help?

597. NARRATOR
Brooklyn blasts Venom, who collapses.

598. VENOM
<vibrating scream>

Venom sits.

599. BROOKLYN
Sonic Cannon. Circa 2198. Guess my weapons do come in handy.

600. LEXINGTON
Just cover me until I can get this working…

Demona and Tinkerer STAND.

601. DEMONA
What’s wrong, Tinkerer? Why haven’t they returned?

602. TINKERER
Someone’s trying to counter their programming. He won’t succeed.

603. DEMONA
He had better not.

604. LEXINGTON
My hack’s being hacked!

605. TINKERER
He’s overriding my override!

Homunculus #4 STANDS.

606. HOMUNCULUS #4
Go right. Go left. Go right. Go left. Blow up!

607. NARRATOR
Homunculus #4 blows up. But so does Homunculus #5 in Lexington’s hands!

608. LEXINGTON
<pain cry>

609. BROADWAY
Lexington!

Homunculus #4 and Homunculus #5 sit.

610. DOCTOR OCTOPUS
This is madness! Grab my arms and get me out of here!

611. ELECTRO
Workin’ on it!

612. NARRATOR
Electro blasts away, until he and Doc Ock are blindsided by…

Kraven, Gulyadkin, Lizard and Calypso STAND.

613. ELECTRO, DOCTOR OCTOPUS
<impacts>

614. BROADWAY
Look, it’s Claw.

615. KRAVEN
<roar>

616. BROOKLYN
That’s not Claw.

617. BROADWAY
Well, it’s sure not Maggie.

618. GULYADKIN
<lion roar>

619. LEXINGTON
(recovering)
Is that an actual lion?

620. LIZARD
<lizard roar>

621. SPIDER-MAN
Lizard, too? Seriously, this is way over the top.
Homunculus #1 and Homunculus #2 STAND.

622. HOMUNCULUS #1
Got the gizmo!

623. HOMUNCULUS #2
Homunculi never fail!

624. NARRATOR
Two homunculi fly past, carrying a sealed container down a dark corridor.

625. CALYPSO, OBSIDIANA (UNISON)
The totem!
(pointing at each other)
Don’t let her near it!

626. KRAVEN
Go, Calypso! Leave them to us!

627. ZAFIRO
¡Vaya, mi amor!

628. BROOKLYN
We got your back, Goliath! Go!

629. SPIDER-MAN
Think I’ll tag along too…

Spider-Man, Obsidiana, Calypso, Homunculus #2, Homunculus #1, Goliath, Tinkerer and Demona sit.

630. NARRATOR
Calypso, Obsidiana, Goliath and Spider-Man race down the corridor.

631. KRAVEN
Lizard, take the reptile!

632. ZAFIRO
¡No soy ningún reptil! ¡Soy un Gárgolo!

633. ZAFIRO, LIZARD
<ad-lib battle sounds>

634. KRAVEN
Gulyadkin attack!

635. GULYADKIN
<pounce roar>

636. NARRATOR
Gulyadkin and Kraven attack Lex and Broadway!

637. LEXINGTON
Hey, get him off me!

638. BROADWAY
Kinda busy at the moment!

639. GULYADKIN, LEXINGTON, KRAVEN, BROADWAY
<ad-lib struggles>

640. NARRATOR
Brooklyn steps in and pulls both cats off his rookery brothers. They turn on him.

641. BROOKLYN
Uh oh.

642. BROADWAY, LEXINGTON (UNISON)
All for one!

643. NARRATOR
The two gargoyles return the favor, knocking Kraven and Gulyadkin aside. Then Brooklyn blasts them both.

644. BROOKLYN
And one for all!

645. KRAVEN, GULYADKIN
<blast impacts>

646. LEXINGTON
Some things never change.

647. NARRATOR
Zafiro throws Lizard’s unconscious body on top of Kraven…

648. KRAVEN, LIZARD
<oofs>

649. ZAFIRO
We should follow Obsidiana…

650. ZAFIRO, BROOKLYN, LEXINGTON, BROADWAY
<electrocution scream>

651. NARRATOR
The four gargoyles are dropped by Electro’s blast.

652. ELECTRO
Still want out?

653. DOCTOR OCTOPUS
Indeed not. My curiosity is piqued. Let’s see where this leads…

Doctor Octopus, Electro, Broadway, Lexington, Brooklyn, Zafiro, Gulyadkin, Kraven and Lizard sit. Demona, Homunculus #1 and Homunculus #2 STAND.

654. NARRATOR
Electro and Octopus head down the corridor… In a dimly lit room, Demona holds the Spear of Destiny and watches as the two homunculi open the container. Inside… is a crown of thorns.

655. DEMONA
The Crown of Thorns!

656. NARRATOR
Demona removes her tiara.

657. DEMONA
Place it on my head…

658. HOMUNCULUS #1
Placing, placing…

659. HOMUNCULUS #2
Homunculi aim to please!

660. NARRATOR
The Homunculi gently lower the crown onto Demona’s head before disappearing back into the darkness. The thorns bite into her brow, drawing blood. Calypso, Obsidiana, Goliath and Spidey come rushing in.

Homunculus #2 and Homunculus #1 sit. Spider-Man, Goliath, Calypso and Obsidiana STAND.

661. DEMONA
My Kingdom come. My Will be done…

662. SPIDER-MAN
Friend of yours?

663. GOLIATH
Once upon a time. Not so much now.

664. DEMONA
On Earth as it is in Heaven…

665. CALYPSO
Too late…

666. OBSIDIANA
Too late…

667. DEMONA
For MINE is the Kingdom and the Power and the Glory for ever and ever…

668. CALYPSO, OBSIDIANA, SPIDER-MAN (UNISON)
Amen…

669. NARRATOR
Light radiates outward from the Spear. Goliath watches in confusion as Calypso, Obsidiana and Spider-Man drop to their knees before Demona. Octopus and Electro enter and likewise fall to their knees. The light reaches the outer vault. Though still unconscious, Venom, Lizard, Zafiro and Kraven lurch to their feet, then drop to their knees. And still the light advances…

Obsidiana and Calypso sit.

670. GOLIATH
What sorcery is this?!

671. DEMONA
The most powerful human sorcery ever created, Goliath. This is humanity’s Armageddon. Their entire race’s final act.

END ACT TWO

NEXT: ACT THREE...

G2009 Radio Play

G2009 Radio Play - Act One

4. NARRATOR
The Spectacular Spider-Man Meets Gargoyles. RELIGIOUS STUDIES 101: A HANDFUL OF THORNS. Act One. Late that night atop the Eyrie Building…

Dominique and Kafka sit. GOLIATH and ELISA MAZA STAND and KISS.

5. GOLIATH, ELISA
<kiss>

6. GOLIATH
There are some human customs I will never get used to Elisa. <kisses her again> This is not one of them.

7. ELISA
You’re in a good mood.

8. GOLIATH
I am. Hudson and Lexington are back from Europe, bringing Coldstone and Coldfire with them.

9. ELISA
<chuckle> Not to mention Brooklyn returning from forty years of TimeDancing with a mate, a son, a beast and an egg.

10. GOLIATH
The clan has doubled in size. What challenge can the Fates throw at us now that we cannotâ€"

11. NARRATOR
The sun rises. Goliath turns to stone.

12. ELISA
<groan> You just had to say that out loud, didn’t you?

Elisa and Goliath sit. MAY PARKER and PETER PARKER STAND.

13. NARRATOR
Meanwhile, in Forest Hills…

14. MAY
Peter, what are you doing up?

15. PETER
Studying for today’s English final. It’s on Midsummer Night’s Dream. And I missed seeing the Cliff Notes version.

16. MAY
Which may explain why you and Miss Allan are no longer a couple.

17. PETER
Aunt May, you know we didn’t break up because I missed her play.

18. MAY
You’re right; I shouldn’t be glib. I suppose there’s no chance that you and Gwen…

19. PETER
I don’t know. Not now anyway. Not when Harry’s hurting so much from the death of his father.

20. MAY
It hardly seems possible that Norman Osborn is gone. The Bugle says he was the Green Goblin, but I’m not sure I can believe that.

21. PETER
Sometimes, Aunt May… it’s, okay, to believe everything you read…

May and Peter sit. GREEN GOBLIN and BLACKIE GAXTON STAND.

22. NARRATOR
At a dive bar downtown, the Green Goblin BURSTS in on his glider…

23. GREEN GOBLIN
<tsk, tsk, tsk> Blackie. This place is scummy even by your pond-scum standards. Quite a comedown from your last gig…

24. BLACKIE
Tell that to the whacko who set a flaming super-villain loose in The Big Sky. Oh, wait. That was you.

25. GREEN GOBLIN
Yes. Yes, it was. <maniacal laugh>

26. BLACKIE
Weren’t you supposed to be dead?

27. GREEN GOBLIN
I was also supposed to be Osborn, but you didn’t buy that, did you? Just one of the many little tricks I keep up my sleeve. Nothing’s changed, Blackie. The Goblin’s still in charge.

28. BLACKIE
You hear me arguing?

29. GREEN GOBLIN
No. Now, gather my Pumpkin-Heads…

Blackie and Goblin sit. Kafka and Dominique STAND.

30. NARRATOR
At Ravencroft, Dominique Destine and Dr. Kafka supervises six inmates who work to excavate a sub-basement.

31. KAFKA
I still don’t understand what you expect to find down here.

32. DOMINIQUE
Vertros Ravencroft, the founder of this Institute, was a quirky soul. An intimate friend of Freud and Conan Doyle, he was a true believer in both psychotherapy and spiritualism.

33. KAFKA
You speak as if you knew him.

34. DOMINIQUE
Now how would that be possible?

35. KAFKA
It couldn’t, of course… But the dig?

36. DOMINIQUE
Yes. Ravencroft was also a collector. I have reason to believe he buried certain items of his collection here. Now, Doctor, didn’t you say you had meetings scheduled…

37. KAFKA
You’ll be all right down here alone?

38. DOMINIQUE
Your orderlies are in the hallway. And I’m quite self-sufficient. So run along.

Kafka sits. OTTO OCTAVIUS STANDS.

39. DOMINIQUE
Excellent work, Doctor Octavius. Very precise.

40. OTTO
Thank you. I appreciate having something to occupy my hands…

41. DOMINIQUE
Your hands? Not… your arms?

42. OTTO
Arms? I… I hope you’re not referring to my unfortunate… b-b-breakdown.

43. DOMINIQUE
What would be the point? Believe me, Doctor, no one better understands the advantage of creating a false front.

ELECTRO STANDS.

44. ELECTRO
I’ve blasted away another section of cement.

45. DOMINIQUE
Thank you, Maxwell.

46. ELECTRO
Don’t. Call. Me. That.

47. DOMINIQUE
Don’t. Tell. Me. What to do… Electro.

48. ELECTRO
Uh… okay.
(asides to Otto)
She’s a little scary.

49. OTTO
Indeed.

Otto and Electro sit. DOMINIC DRACON, JOHN JAMESON, EDDIE BROCK and CLETUS KASSADY STAND.

50. DRACON
I blame Mace. When that crook cheated me, I lost face. But when I get the jewels back, they’ll respect me again. Did Mace bury the jewels here?

51. DOMINIQUE
Maybe he did, Dominic. Keep working.

52. JOHN
What’s the point? How is tearing up a basement supposed to bring me Colonel Jupiter’s power?!

53. EDDIE
Shut up and dig.

54. JOHN
You like doing this?!

55. EDDIE
I hate it. But I need that hate. I need to keep the hate alive.

56. DOMINIQUE
Such an interesting crew. And what do you want out of life, Cletus…

57. CLETUS
Nothing too fancy. <chuckles> Just a little carnage.

Cletus, Dominique, Eddie, John and Dracon sit. GWEN STACY and Peter STAND.

58. NARRATOR
That afternoon, at Midtown High…

59. GWEN
Hey, Pete. How’d you do?

60. PETER
Ugh, horrible, probably. I mean you know English is like my worst subject. It’s all so subjective andâ€"

61. GWEN
Peter.

62. PETER
Okay, okay… not the look! I probably aced it. Happy?

63. GWEN
That you did well. Always.

64. PETER
Thanks. Look, Gwen, I--

HARRY OSBORN STANDS.

65. HARRY
Well, what have we here? My best friend and girlfriend conferring in a corner. Planning a surprise party for me?

66. PETER
Uh, it’s not your birthday, Harr.

67. HARRY
I thought maybe it was a thank you bash. For giving you both these…

68. GWEN
(reading)
“You are cordially invited to spend Spring Break traveling by private jet to Miami, where you’ll stay, all-expenses-paid, at the Osborn Winter Compound on the Beach…"

69. PETER
You’re inviting the three of us to spend a week together in Florida?

70. HARRY
Not just the three of us…

KENNY KONG, FLASH THOMPSON and MARY JANE WATSON stand.

71. KONG
Osborn, dude! You rock!

72. FLASH
Seven days in the sun and surf.

73. KONG
All you can eat!

74. FLASH
Girls in bikinis!

75. FLASH, KONG (UNISON)
Score! <laughter>

76. MARY JANE
Hi, Sha Shan. Hi, Glory.

77. FLASH
Sha Shan… uh… So… how much of that did you hear?

78. KONG
Look, Glory, you know I meant you, right? I mean who else would I want to see in a bikini. Uh, you’re not gonna break up with me again, are you?

Kong and Flash sit. SALLY AVRIL, RAND ROBERTSON, LIZ ALLAN and JASON IONELLO STAND.

79. SALLY
Oh. My. God. Harry, I just found the invitation in my locker. And all I have to say is that you can be my super-dweeb sugar-daddy anytime you want!

80. HARRY
You okay with that Rand?

81. RAND
‘Scool. You can be my super-dweeb sugar-daddy too.

82. PETER
Exactly how many people did you invite to this thing?

83. HARRY
A handful. Kenny and Glory. Flash and Sha Shan. Rand and Sally. Hobie and Mindy. M.J. Gwen. Oh, and you and Liz, of course.

84. GWEN
Harry… Liz and Peter broke up.

85. HARRY
You did?! Wow. I had no idea. Guess I’ve just been so focused on my own problems. My Dad dying and everything. That’s why I need this trip. Gotta clear my head, you know? But maybe you two could reconcile…

86. SALLY
I don’t think so!

87. LIZ
It’s too late for that Harry. I’m with Jason now. We totally fell in love doing the play together.

88. JASON
We did?

89. SALLY / LIZ (UNISON)
Yes, you did. / Yes, we did.

90. LIZ
You don’t mind if I bring Jason instead of Petey, do you.

91. HARRY
The more the merrier.

92. LIZ
Thanks, Harry. You’re a doll. Kisses!

Liz, Sally, Jason and Rand sit.

93. HARRY
Pete, you’re still invited too. Course, it’s more of a couple’s thing. But M.J.’s guy is in prison…

94. MARY JANE
Thank you, Harry. Hadn’t been reminded of that in the last five minutes.

95. HARRY
Sorry, sorry. It’s just that I can’t help remembering the Fall Formal. You two made such a great pair! Don’t you think so, Gwen?

96. GWEN
Great.

97. PETER
I… suppose we could go… as friends. Just as friends.

98. MARY JANE
We’ll talk later, Tiger.

Mary Jane, Peter, Gwen and Harry sit. Kafka and CURT CONNORS STAND.

99. NARRATOR
Late that afternoon in Dr. Kafka’s office…

100. KAFKA
Doctor Connors, it’s good to see you. I’d heard you moved to Florida.

101. CURT
I did. But I never stopped working on a cure for Max Dillon. I think I’ve made some real progress.

102. KAFKA
That’s wonderful news. Max is downstairs… doing “work-therapy”. I’ll take you to him…

Kafka and Curt sit. Otto, Dominique, Electro, Dracon, John, Eddie and Cletus STAND.

103. ELECTRO
Ms. Destine. I think I found something.

104. DRACON
Is it my jewels?

105. OTTO
It… it appears to be a spearhead. It looks quite old.

106. DOMINIQUE
Give it to me.

107. ELECTRO
Sure, sure.

108. DOMINIQUE
Yes. This is it. I think we’re done, boys.

109. OTTO
Indeed. And just as the dig brought us right up against Ravencroft’s outer wall.

110. ELECTRO
You mean this wall?!

111. NARRATOR
Electro blasts a huge hole in the wall. When the smoke clears, the Vulture is waiting. He grabs Octavius.

VULTURE STANDS.

112. VULTURE
You’re coming with me, Otto.

113. OTTO
No, no, stop. I don’t want this life anymore… I’m trying to get better!! Let me go!!

114. ELECTRO
Shut it, Doc! It’s for your own good!

115. OTTO
Nooooooo!!!!

Otto, Electro and Vulture sit.

116. NARRATOR
Vulture and Electro leave with Octavius. Dominique watches them go.

117. DOMINIQUE
Well, that was diverting. And such excellent timing as well: it’s sunset. <transformation scream>

118. NARRATOR
With the setting of the sun, Dominique Destine transforms into a gargoyle… just as Kafka and Connors enter…

Kafka and Curt STAND.

119. KAFKA / CURT
Oh my god… / What in the world?!

120. NARRATOR
Demona effortlessly slams them both against a wall and turns to the remaining inmates…

121. CURT, KAFKA
<impacts, moans>

122. DEMONA
Listen carefully, humans. For I have listened to you. I can make all your petty little dreams come true. Dominic demands respect.

123. DRACON
Yes.

124. DEMONA
John craves power.

125. JOHN
Yes!

126. DEMONA
Eddie needs hate.

127. EDDIE
YES!

128. DEMONA
And all Cletus desires is a little carnage.

129. CLETUS
Or a lot. I’m not picky.

130. DEMONA
Then stick with me, boys. Respect, power, hatred, carnage. These are things I know…

DEMONA, Cletus, Eddie, John and Dracon sit. ALAN O’NEIL and GEORGE STACY STAND.

131. NARRATOR
Later, the police arrive to investigate…

132. O’NEIL
And you never met this broad before in your life…

133. KAFKA
She had excellent references, Officer O’Neil. It’s not like I grant just anyone access to my patients…

134. O’NEIL
And you wonder why people think they belong at Rykers.

135. GEORGE
There’s nothing else you can tell me, Doctor?

136. CURT
I’m sorry, Captain Stacy, but no. It was a creature.

137. GEORGE
Like that Lizard-thing from last fall?

138. CURT
No! No. Nothing like that. More like… like those things on the news that blew up the clock tower.

139. GEORGE
You mean the 23rd Precinct.

140. CURT
Yes.

141. GEORGE
You’re saying a gargoyle kidnapped those men.

142. CURT
Yes. No. I don’t know. Can I leave now?

George, O’Neil and Kafka sit. DILBERT TRILBY and NED LEE stand.

143. NARRATOR
But outside…

144. TRILBY
Doctor Connors! Dilbert Trilby, Action News. What can you tell our audience about the escape?

145. CURT
Nothing. No comment.

146. NED
Hey, Doc. Remember me? Ned Lee from The Bugle. Can you just tell me who escaped? Doc Ock? Electro? Colonel Jupiter â€" I mean, Colonel Jameson?

147. CURT
I’m sure the police will issue a statement. Now, I have to go.

Trilby sits. CALYPSO EZILI, KRAVEN THE HUNTER and GULYADKIN STAND.

148. NARRATOR
Connors hurries away down the street, as a limousine with dark-tinted windows pulls up in front of Ravencroft.

149. CALYPSO
We are too late, my love. The Christian Totem is gone.

150. KRAVEN
Gulyadkin and I will track it for you.

151. GULYADKIN
<low lion growl>

152. CALYPSO
I’m afraid that is beyond even your impressive abilities, Sergei, my love. But I have my own ways, as you well know…

153. KRAVEN
Of course, Calypso.

154. CALYPSO
Who is that? That man trying to hail a cab?

155. KRAVEN
He is a stranger to my eyes. Yet his scent is familiar.

156. CALYPSO
His aura glows with primal energies and may be of use to us.
(to Curt)
You need a ride.

157. CURT
What? No. No, thank you. I’ll get a cab.

158. KRAVEN
She wasn’t asking.

159. CURT
<scream>

160. NARRATOR
Kraven drags Connors into the limo, which quickly drives away…

Curt, Kraven, Calypso and Gulyadkin sit.

161. NED
Hello, Robbie? I’ve got something.

J. JONAH JAMESON, JOE “ROBBIE” ROBERTSON and FREDERICK FOSWELL STAND.

162. JONAH
Is that Lee? Put him on speaker.

163. ROBBIE
Now, Jonah, stay calm…

164. JONAH
Don’t you tell me to stay calm, Joe Robertson. It’s not your son at risk. Lee, you there?! I’ll give you exactly three-point-seven seconds to tell me John’s all right!

165. NED
Wish I could, Chief. But he disappeared with the rest. There are six inmaâ€" uh, patients missing. It’s not clear if they busted out or were kidnapped.

166. JONAH
Well, of course John was kidnapped. You think my son would--

167. ROBBIE
Ned, give me the whole list.

168. JONAH
Who cares about the listâ€"

169. ROBBIE
It could provide a lead to John.

170. NED
Doc Ock. Electro. John. Uh… let’s see. Edward Brock Jr., Cletus Kasady and Dominic Dracon.

171. FOSWELL
Dominic Dracon? The old mob boss? There’s a name I haven’t heard in a while.

172. JONAH
Foswell, you know that world! Find out where Dracon might have gone!

173. FOSWELL
You got it, J.J.

174. JONAH
Lee, you stick to the damn super-villain angle! Ock, Electro. What’s their next move?!

175. NED
Right, boss!

176. JONAH
Robbie, I want every available man on this. No, damnit, I want every man, woman and child on this, available or not. Call Parker. Put Benny the copyboy on it. But Ms. Brant on it. I want John Jameson safely back in his mother’s arms in six-point… six-point…

177. ROBBIE
It’s okay, Jonah. We’re on it.

178. JONAH
Good. Good. I’ll… I’ll hit the streets myself. I’m still the best damn reporter in New York City! Just have to make a call first. Well, what are you all waiting for, get out! Out!

Robbie, Ned and Foswell sit.

179. JONAH (CONT)
Hello, is this WVRN? Travis Marshall, please. Travis? It’s Jonah. I got a lead for you on the Ravencroft thing.
(pauses, listening)
Whaddayou care why I’m helping the competition?! I know I hate television! You don’t have to tell me that! I’m not trying to sandbag you, damnit, I… I’m just trying to find my son… any way I can.

Jonah sits. SPIDER-MAN STANDS.

180. NARRATOR
That night finds Spider-Man swinging through the city…

181. PETER (VO)
If I didn’t know better, I’d think Harry was trying to torture me and Gwen. Then again, M.J. is quite the consolation prize. Ah, man, what am I saying? I’m in love with Gwen. Gwen. Gwendolyn Stacy. Just have to get through the next few weeks and then Harry’ll be in a better place, and she and I--

182. NARRATOR
Pete’s ringtone plays Itsy-Bitsy Spider.

183. SPIDER-MAN
Hello?

Robbie STANDS.

184. ROBBIE
Pete. Joe Robertson. There’s been an incident at Ravencroft.

Robbie sits.

185. SPIDER-MAN
Uh huh… uh huh… Wait, who’s missing? Uh oh. Him too? Oh, crap. Sorry, I mean-- What?! Seriously?! Uh, right. Yeah, I’ll keep my eyes open. Camera lens at the ready. Thanks for the heads up. Bye.
(to himself)
Whoa. At least this day can’t get any worse!

SMUGGLER #1 stands.

186. SMUGGLER #1
What the hell are those things?!

187. SPIDER-MAN
When am I gonna learn not to say that out loud?

188. NARRATOR
Spidey swings down to find two men in a van being attacked by two gargoyles, Obsidiana and Zafiro…

ZAFIRO and OBSIDIANA STAND.

189. SPIDER-MAN
Hi there. Hate to interrupt, but this lady-esque-blue-creature-thing matches the description of another lady-esque-blue-creature-thing who just busted some folks out of Ravenâ€"

190. ZAFIRO
What is he babbling about?

191. OBSIDIANA
I have no idea. I sense no connection between him and the source of the disturbance. But these two…

192. SMUGGLER #1
Keep her away from us!!

193. SPIDER-MAN
You see, now I’m on the horns of a dilemma… Uh, no offense. It’s just an expression; I wasn’t referring to your rather striking… Never mind. See in this particular Spider-Man’s experience, when genetic misfits attack ordinary human beings, I’m gonna have to side with the humans.

194. ZAFIRO
Qué sorpresa. A human with no knowledge of the situation leaping to defend one of his own.

195. NARRATOR
Zafiro attacks Spidey.

196. ZAFIRO, SPIDER-MAN
<ad lib battle efforts, impacts>

197. NARRATOR
Obsidiana rips open the top of the van.

198. OBSIDIANA
<rip effort>

199. SMUGGLER #1
Stay back!

200. NARRATOR
The two humans open fire on her, forcing her to leap away… The van peels out. Obsidiana tries to follow, but Spidey webs her wings together.

Smuggler #1 sits.

201. OBSIDIANA
Por favor! You don’t understand the powers that are gathering!!

202. SPIDER-MAN
And you’re the one doing the Gathering, I take it!

203. OBSIDIANA
No!

204. ZAFIRO
Enough!

205. SPIDER-MAN
<impact grunt>

206. NARRATOR
Zafiro slams Spidey into a wall. By the time the web-slinger recovers, the gargoyles are gone…

Zafiro and Obsidiana sit.

207. SPIDER-MAN
<groan> For a guy with no legs, that snake-thing can move…

Spider-Man sits. George and MARIA CHAVEZ STAND.

208. NARRATOR
Not far away…

209. GEORGE
Captain Chavez.

210. CHAVEZ
Captain Stacy. What brings you to what’s left of the 23rd?

211. GEORGE
It’s the Ravencroft thing. I’ve got corroborating witnesses telling me a gargoyle was involved.

212. CHAVEZ
<sigh> I miss the days when being a cop didn’t involve a working knowledge of The Twilight Zone.

213. GEORGE
Welcome to the Freak Show.

214. CHAVEZ
Anyway, as it happens, the Gargoyle Taskforce is meeting right now. First trailer on the right. Ask for Bluestone.

Chavez sits. MATT BLUESTONE, MORGAN MORGAN, MARGOT YALE and Elisa STAND.

215. NARRATOR
Minutes later…

216. GEORGE
And that’s all I know…

217. MATT
Well, that is interesting, or, you know… really, really scary.

218. MORGAN
I’ll say, Detective. With or without a gargoyle, I’ve heard Ock and Electro are bad news. And that Cletus Kasady: he killed five people before--

219. MARGOT
Forget Kasady. Any idiot can bring a serial killer down. It’s the gargoyle we should be concerned with. It’s what I’ve been saying all along! Those monsters are dangerous!

220. MATT
I think what A.D.A. Yale is saying, Captain, is that the Taskforce is on it. We’ll let you know if we hear anything. And we’ll be checking in with all our sources, won’t we, Detective?

221. ELISA
And fast.

Elisa, Matt, Margot, Morgan and George sit. Smuggler #1 and Demona STAND.

222. NARRATOR
Meanwhile, a van with a torn up roof pulls up to a Gramercy Park Mansion… The driver speaks into the intercom…

223. SMUGGLER #1
Longinus sent me.

224. DEMONA
Leave the package. Then take your money and go. While you still can.

225. SMUGGLER #1
Geez, who lives here? Dracula’s daughter?

Smuggler #1 sits. Eddie, John and Cletus STAND.

226. NARRATOR
Demona collects her package.

227. EDDIE
The old guy’s asleep. What’s that?

228. DEMONA
A simple wooden shaft. The prize of Adolph Hitler’s personal collection. After his… demise, his remaining followers smuggled it to Brazil. I paid handsomely to have it smuggled to me.

229. EDDIE
Why? I mean sure, it’s the shaft of a spear. Completes the set with that arrowhead you took from Ravencroft. But why do we care?

230. DEMONA
Here’s why.

231. NARRATOR
Demona joins the spear and spearhead together. Instantly, it radiates incredible power.

232. DEMONA
The Holy Lance. The Spear of Destiny. The weapon that pierced the side of the Christ. Do you still want power, John? This is power.

233. JOHN
Give it to me. Give it!

234. DEMONA
No. This power is mine. But I will use it to give you back your own…

235. NARRATOR
She points the Spear at John Jameson. The magic surrounds him and transforms him into Colonel Jupiter!

236. COLONEL JUPITER
<transformation scream> Yes! The power is mine! I am Colonel Jupiter!

237. DEMONA
For what that’s worth… Now for Eddie.

238. VENOM
<transformation scream>

239. DEMONA
Happy now?

240. VENOM
Extremely. We are Venom again.

241. DEMONA
And what about you, Cletus?

242. CLETUS
(pointing at Venom)
I’ll have what he’s having…

243. DEMONA
As you wish… Carnage.

244. CARNAGE
<transformation scream>

245. VENOM
All right, Demona. You’re the Mirror Universe Wizard of Oz. But what now?

246. DEMONA
Mine is the Power. But I still require the Kingdom and the Glory. This is only the first act, humans… or whatever you are now. The main event is still to come…

Demona, VENOM, CARNAGE and COLONEL JUPITER sit.

END ACT ONE

TOMORROW: ACT TWO...

G2009 Radio Play

Okay, gang, here's the Title Page, Cast List and Teaser for the G2009 Radio Play. As I've mentioned before this is NOT canon for either GARGOYLES or THE SPECTACULAR SPIDER-MAN. It's just a goof, which I wrote in three days. As anyone who was at the Gathering knows, it was a tremendous success. ALL credit for that should go to (a) my amazing cast of professional voice actors and talented fans and (b) my ability to pander mercilessly to my audience. So READING it, as opposed to seeing it, may be quite the let down. If you dislike it, well, what do you expect from a script written in three days? And if you like it, I guess I am a genius. ;)

THE SPECTACULAR SPIDER-MAN
MEETS
GARGOYLES

Religious Studies 101:
A Handful of Thorns

A Radio Play Crossover Event

Written by
Greg Weisman

For
The Thirteenth Annual
Gathering of the Gargoyles
in
Los Angeles, California

Performed August 22, 2009.

THE SPECTACULAR SPIDER-MAN MEETS GARGOYLES
“Religious Studies 101: A Handful of Thorns”
(Radio Play)
CAST LIST
NARRATOR 104 lines. (Greg Weisman)
SPIDER-MAN/PETER PARKER 76 lines. (Josh Keaton)
DEMONA/DOMINIQUE DESTINE 60 lines. (Marina Sirtis)
GOLIATH 32 lines. (Keith David)
LEXINGTON 24 lines. (Thom Adcox)
ELISA MAZA 23 lines. (Zehra Fazal)
BROOKLYN 22 lines. (John Clemens)
CURT CONNORS/LIZARD 22 lines. (Dee Bradley Baker)
BROADWAY 19 lines. (Crispin Freeman)
ZAFIRO 19 lines. (Joshua Poole)
MAY PARKER 19 lines. (Deborah Strang)
GREEN GOBLIN 18 lines. (Steve Blum)
OBSIDIANA 17 lines. (Elisa Gabrielli)
KRAVEN THE HUNTER 17 lines. (Eric Vesbit)
HARRY OSBORN 17 lines. (James Arnold Taylor)
DOCTOR OCTOPUS/OTTO OCTAVIUS 17 lines. (Michael McAdam)
J. JONAH JAMESON 16 lines. (Daran Norris)
MARY JANE WATSON 16 lines. (Vanessa Marshall)
ELECTRO 15 lines. (Crispin Freeman)
VENOM/EDDIE BROCK 15 lines. (Ben Isaac Diskin)
GEORGE STACY 14 lines. (Lucas McClain)
BIG MAN 13 lines. (Keith David)
CALYPSO EZILI 13 lines. (Jennifer L. Anderson)
ASHLEY KAFKA 12 lines. (Elisa Gabrielli)
ROBBIE ROBERTSON 10 lines. (Phil LaMarr)
LIZ ALLAN 10 lines. (Kaitlyn Robrock)
SALLY AVRIL 10 lines. (Jennifer L. Anderson)
GWEN STACY 10 lines. (Sarah Williams)
MATT BLUESTONE 9 lines. (Eric Tribou)
GREG BISHANSKY 8 lines. (Greg Bishansky)
KENNY KONG 8 lines. (Andrew Kishino)
COLONEL JUPITER/JOHN JAMESON 8 lines. (Daran Norris)
NED LEE 7 lines. (Andrew Kishino)
VULTURE 7 lines. (Seth Jackson)
FLASH THOMPSON 7 lines. (Ian Bassett)
SHARI 6 lines. (Zehra Fazal)
FANCY DAN 6 lines. (Phil LaMarr)
GULYADKIN 6 lines. (Dee Bradley Baker)
CARNAGE/CLETUS KASADY 6 lines. (Ian Bassett)
HOMUNCULUS #1 5 lines. (Dee Bradley Baker)
HOMUNCULUS #2 5 lines. (Phil LaMarr)
SMUGGLER #1 5 lines. (Andrew Kishino)
DOMINIC DRACON 5 lines. (Seth Jackson)
BLACKIE GAXTON 5 lines. (Steve Blum)
EMILY OSBORN 4 lines. (Kaitlyn Robrock)
TINKERER 4 lines. (Thom Adcox)
SEYMOUR O’REILLY 4 lines. (Steve Blum)
SILVER SPOON MANAGER 4 lines. (Crispin Freeman)
ANGELA 4 lines. (Sarah Williams)
PUMPKIN BOMB 4 lines. (Nicki France)
THAILOG 3 lines. (Keith David)
HOMUNCULUS #3 3 lines. (Steve Blum)
HOMUNCULUS #5 3 lines. (Thom Adcox)
MARIA CHAVEZ 3 lines. (Elisa Gabrielli)
FREDERICK FOSWELL 3 lines. (James Arnold Taylor)
ALAN O’NEIL 3 lines. (James Arnold Taylor)
HOMUNCULUS #4 2 lines. (James Arnold Taylor)
ROSIE THOMPSON 2 lines. (Vanessa Marshall)
MARGOT YALE 2 lines. (Marina Sirtis)
MORGAN MORGAN 2 lines. (Keith David)
JASON IONELLO 2 lines. (Ben Isaac Diskin)
RAND ROBERTSON 2 lines. (Phil LaMarr)
BRENTWOOD 1 line. (Fox Anderson)
CHAMELEON 1 line. (Steve Blum)
NORMAN OSBORN 1 line. (Eric Vesbit)
DILBERT TRILBY 1 line. (Steve Blum)

THE SPECTACULAR SPIDER-MAN MEETS GARGOYLES
“Religious Studies 101: A Handful of Thorns”
Radio Play

1. NARRATOR
Manhattan. The Ravencroft Institute. Office of Institute Director, Dr. Ashley Kafka.

ASHLEY KAFKA STANDS.

2. KAFKA
A… “dig” beneath the building’s foundation can’t help but disturb our residents. And this list of patients you’ve requested for the excavation: Edward Brock Jr., Maxwell Dillon, John Jameson, Cletus Kasady, Otto Octavius, Dominic Dracon… These are some of the most disturbed â€" perhaps even dangerous inmates we have here at Ravencroft. There’s even been some suggestion a few of them belong in the OsCorp Vault at Rykers. I know you have connections on our Board of Directors, Ms. D’STYNE, but--

DOMINIQUE DESTINE STANDS.

3. DOMINIQUE
It’s pronounced Des-STEEN. Dominique Destine. And you’ll find we’ll get along better, Doctor… if you give me what I want.

4. NARRATOR
The Spectacular Spider-Man Meets Gargoyles. RELIGIOUS STUDIES 101: A HANDFUL OF THORNS.

TOMORROW: ACT ONE...

Misinformation...

So I did a bit of lurking on sites like IGN, Toonzone, S8 and Superherohype and the quantity of misinformation based on my statements here and in a couple of brief, brief interviews is truly depressing. So let me at least attempt to dispel some of the erroneous assumptions that have been made.

1. Is it true that if you get a third season of THE SPECTACULAR SPIDER-MAN you'd be able to use Kingpin?

Answer: I have no idea.

2. Is it true that if you get a third season of THE SPECTACULAR SPIDER-MAN, you still would not be able to use Kingpin?

Answer: I have no idea.

3. Is it true that if you get a third season of THE SPECTACULAR SPIDER-MAN you'd be able to use Johnny Storm?

Answer: I have no idea.

4. Is it true that if you get a third season of THE SPECTACULAR SPIDER-MAN, you still would not be able to use Johnny Storm?

Answer: I have no idea. (Sense a trend?)

5. Is it true that THE SPECTACULAR SPIDER-MAN is the first "victim" of the Disney/Marvel merger?

Answer: It's WAY too soon to know, but I have no particular reason to think so. I'd think this merger could only HELP us, as Disney would now be more personally invested in the series.

6. Is it true that THE SPECTACULAR SPIDER-MAN is all but guaranteed a third season now that Disney/Marvel is merging?

Answer: It's WAY too soon to know. Our last six episodes will be airing between October and December. I'm sure the biggest factor for or against any renewal is RATINGS, RATINGS, RATINGS. Either that, or maybe RATINGS.

G2008 Radio Play

G2008 Radio Play (Chapter IX)

Stone STANDS.

237. NARRATOR
12:18AM. LANTERN OF THE ABBEY. Arthur opens the transport container to look upon the Stone of Destiny. Chapter Nine: Rock of Ages. 1:06AM GMT. Arthur listens to the glowing Stone.

238. STONE
…Pointless, Arthur Pendragon, to waste time protecting any particular stone…

Stone sits.

239. NARRATOR
1:31AM. VICTORIA TOWER. Arthur, Macbeth, Hudson, Lex, Amp, Griff, Coco, Coldstone and Coldfire confer.

240. ARTHUR
Perhaps… perhaps this is all unnecessary. I don’t think we need to guard the stone.

Macbeth, Arthur, Hudson, Lexington, Amp, Coco, Griff, Coldstone & Coldfire sit. Coldsteel & Coyote STAND.

241. NARRATOR
NOVEMBER 15, 6:16AM. LEITH. Coyote and Coldsteel stand side-by-side inside a warehouse.

242. COYOTE
No, I am not programmed for free will…

243. COLDSTEEL
Pity. You have potential…

COLDSTREAM GUARD, Macbeth, Xanatos, Coldstone & Coldfire STAND.

244. NARRATOR
NOVEMBER 15, 10:02AM. A Coldstream Guard holds up a hand to stop a transport convoy from driving onto Coldstream Bridge.

245. COLDSTREAM GUARD
Get the bomb unit! Now!!

246. MACBETH
Macbeth to Coldstone: convoy’s stopped, and Xanatos is here.

247. XANATOS
Well, it’s a momentous occasion… and such a lovely day…

248. MACBETH
Safe to say he’s up to something.

249. COLDSTONE
Yes, safe to say.

250. NARRATOR
Coldstone and Coldfire intercept Coldsteel and Coyote heading for the Bridge.

251. COLDFIRE
Hold, brother!

252. COLDSTEEL
Hold, sister!

253. NARRATOR
Coldsteel’s tentacles grab Coldfire, forcing her arms up so that she nearly FRIES Coldstone.

254. COLDSTEEL
As you see, I’ve had time to mend my ways. Well, my appendages…

255. COLDSTONE
Release her! <pain cry>

256. NARRATOR
Coldstone’s back is raked by Coyote’s buzzsaw-arm.

257. COLDSTEEL
Now that we’re machines, don’t you love these exhilarating daytime battles…? No nasty organic gargoyles to even the odds…

258. NARRATOR
Coldfire HEAD BUTTS Coldsteel violently. His tentacles release her.

259. COLDFIRE
Consider the odds evened.

260. COLDSTEEL
A t-t-temporary s-s-setback…

261. COLDFIRE
Then let’s make it permanent.

262. COYOTE
Out of David’s respect for Goliath, I am programmed to inflict only as much damage as necessary to reach our objective. But I define the parameters of “necessary”.

263. COLDSTONE
Define this.

264. NARRATOR
Coldstone’s fist SHATTERS the half-Xanatos/half-robot skull image on Coyote’s screen. Coldstone shoves his forearm cannon down Coyote’s “throat” and fires. Coyote EXPLODES! The dented Coldsteel watches the wreckage of Coyote fall toward the RIVER TWEED below.

265. COLDSTEEL
P-p-pity. He had p-p-potential…

266. NARRATOR
Coldsteel POWER-DIVES down into the river. Coldstone follows but can find no sign of Coldsteel.

Coyote & Coldsteel sit.

267. NARRATOR
10:12AM GMT. COLDSTREAM BRIDGE. Xanatos stands between Macbeth and Arthur. A Marching Band plays. Xanatos presses a small one-button remote. Inside the Land Rover, the Stone’s metal transport container is strapped to the floor of the cargo space â€" which FLIPS over, so that the real container is replaced by a DUPLICATE (with a duplicate stone inside).

268. COLDSTREAM GUARD
Hold it down! The Bomb Squad’s at work!

269. NARRATOR
10:38AM GMT. The Guard signals the convoy forward.

270. COLDSTREAM GUARD
Right, we’re clear. Not a bomb. Just an empty shoebox.

271. COLDSTONE
Coldstone to Macbeth. We’ve lost Coldsteel.

272. MACBETH
Just stay on the alert…

273. COLDSTREAM GUARD
Let’s go! We’re behind schedule!

274. MACBETH
The Stone’s on the move again.

Coldstream Guard, Macbeth, Xanatos, Coldfire & Coldstone sit. Thailog & Shari STAND.

275. NARRATOR
NOVEMBER 15, 5:43AM EST. NIGHTSTONE UNLIMITED.

276. THAILOG
Check.

277. SHARI
The story is told â€" though who can say if it be true â€" that on a clear Christmas night, a band of Scottish patriots broke into Westminster Abbey to steal the Stone and in the process broke it in two!

Thailog & Shari sit. Arthur & Macbeth STAND.

278. NARRATOR
NOVEMBER 15, 12:00PM GMT. EDINBURGH CASTLE.

279. ARTHUR
Well?

280. MACBETH
The Stone’s back where it belongs! Well, it belongs in Scone, but at least it’s back in Scotland.

Macbeth & Arthur sit. Stone & Xanatos STAND.

281. NARRATOR
A land rover from the convoy drives past Macbeth and Arthur. 12:36PM. LEITH. The Land Rover pulls into a non-descript warehouse and stops in front of a smiling Xanatos. 1:06PM. Xanatos listens to the glowing Stone.

282. STONE
…Pointless, David Xanatos, to substitute yet another stone to fool the Illuminati…

Stone sits. Coldsteel STANDS.

283. NARRATOR
2:23PM. Coldsteel dumps pieces of Coyote shrapnel on the floor.

284. COLDSTEEL
There’s what’s left of your boy… and here’s your rock.

285. NARRATOR
Coldsteel tosses the Coyote Diamond to Xanatos.

286. XANATOS
Oh, I’m just its minder.

287. COLDSTEEL
I believe that completes our bargain…

288. XANATOS
Indeed. Consider your tracking device deactivated.

289. COLDSTEEL
Pleasure doing business with you.

Coldsteel sits. FLEUR STANDS.

290. NARRATOR
3:59PM.

291. XANATOS
Thirty-six.

292. FLEUR
Three. <pause> Any problems?

293. XANATOS
Only finding a duplicate on such short notice.

294. NARRATOR
4:04PM. Behind the wheel of the Land Rover, Fleur drives through Leith. Fog rises, until the street is barely visible. The fog forms into Castle Carbonek. The Land Rover drives across the drawbridge into a large cobblestone courtyard.

DUVAL STANDS.

295. DUVAL
Finally. Two.

296. FLEUR
Bugger off.

297. DUVAL
I still outrank you, milady. I won’t tolerateâ€"

PEREDUR STANDS.

298. PEREDUR
Couldn’t you both try to get along? Since you are, after all, the two people I love most in this world?

299. FLEUR
I brought the Stone.

Fleur, Duval & Peredur sit. Macbeth, Griff, Amp, LUNETTE, Coldstone & Hudson STAND.

300. NARRATOR
NOVEMBER 15, 8:13PM. KNIGHT’S SPUR.

301. MACBETH
I know it doesn’t matter, but I’m glad the Stone’s back in Scotland.

302. GRIFF
You lot should stay a while. Get to know the clan…

303. AMP
Yeah, mates, stay!

304. LUNETTE
Please!

305. COLDSTONE
But Coldsteel is still out there…

306. HUDSON
Aye, lad, but it’s a mighty big world, and even the banished and the badduns eventually return to the clan.

Macbeth, Griff, Amp, Lunette, Coldstone & Hudson sit. Stone, Peredur & GRAIL STAND.

307. NARRATOR
NOVEMBER 16, 1:06AM. CASTLE CARBONEK. A frowning Peredur listens to the glowing stone.

308. STONE
…Pointless, Peredur fab Ragnal, to have gone to such extremes merely to possess… a rock.

309. NARRATOR
On APRIL 11, 1951, 1:07AM at ARBROATH ABBEY, on NOVEMBER 15, 1:07PM in a warehouse in LEITH, on NOVEMBER 15, 1:07AM in the LANTERN OF THE ABBEY, and on NOVEMBER 16, 1:07AM inside CASTLE CARBONEK, Macbeth, Xanatos, Arthur and Peredur listen to the glowing Stone of Destiny.

310. STONE
Do you think the Spirit of Destiny can be contained in one vessel? I am the Fatal Stone. The Lia Fáil. The Stone of Bethel and Jerusalem, of Egypt, Samothrace and Portugal… The Stone at Tara and of Mora, at Iona and of Scone, in London and in Edinburgh… I am the Blarney Stone, the Coronation Stone, the Hero Stone… I am the Pillar Stone, the Stone of the Sword, the Stone of the Waters, Clach-na-Cinneamhain… The Tanist Stone, the Philosopher’s Stone, the Standing Stone, the Cornerstone… The Foundation Stone, the Megalith Dance, the Burden of Sisyphus… I am the Rock of Gibraltar, the Pillar of Hercules, Uluru, Clach Sgàin… Jacob’s Pillow, the Rosetta Stone, the Rune Stone, Sire of the Wyrd… I AM THE MANTLE OF FATE… I AM THE STONE OF DESTINY… I AM THE ROCK OF AGES! Do not dream of possessing me, mortal.

311. NARRATOR

NOVEMBER 16, 1:07AM. CASTLE CARBONEK. Behind Peredur, Fleur listens from the doorway.

312. STONE
Besides, Peredur, don’t you have more important matters of concern… now that your Master has awakened?

313. PEREDUR
What?! King Arthur cannot be awake?!

314. STONE
Awake and returned. I have twice conversed with him.

315. PEREDUR
But we did not expect him for another two hundred years! Everything we planned--

316. STONE
Plans change.

317. PEREDUR
I must contact the Upper Echelons immediately!

318. NARRATOR
Peredur exits. Fleur is no longer in the doorway. The Stone is left alone with the Holy Grail.

319. STONE
Hey.

320. GRAIL
Hey.

Peredur, Stone & Grail sit. Thailog & Shari STAND.

321. NARRATOR
NOVEMBER 16, 5:44AM EST. NIGHTSTONE UNLIMITED.

322. THAILOG
Checkmate.

323. SHARI
Very good. Should I continue?

324. THAILOG
Please.

325. SHARI
The story is told â€" though who can say if it be true â€" that the Stone was repaired and recovered. Some say a replica was reinstalled at Westminster; others disagree. Either way, the Stone remained undisturbed until yesterday, when it was transported to Edinburgh without incident…

326. THAILOG
And that’s all you know of the Stone of Destiny?

327. SHARI
Well, one last story is told--

328. NARRATOR
As the sun sets, Owen Burnett and Macbeth wait for Goliath to wake…

329. SHARI
--Though who can say if it be true?

Thailog & Shari sit.

THE END

G2008 Radio Play

G2008 Radio Play (Chapter VIII)

1. NARRATOR
Meanwhile, on Victoria Tower…

Lexington, Amp, Coco & Griff STAND.

2. LEXINGTON
So how big is your clan?

3. AMP
One hundred ninety-six gargoyles, ranging in age from Old Pog to little Lunette and her rookery sibs.

4. LEXINGTON
And are there eggs?

5. AMP
Twenty-five.

6. LEXINGTON
So few…

7. COCO
We don’t dare outgrow Knight’s Spur, so to keep our numbers manageable, mated couples are allowed only two eggs across their lifespans instead of three.

8. LEXINGTON
How exactly--

9. COCO
Enforced isolation during the female’s final heat.

10. LEXINGTON
Yikes.

11. COCO
Tell me about it.

12. LEXINGTON
And are you two mates?

13. AMP
Us?!! God, no!!

14. COCO
<laughs>

15. AMP
Don’t get me wrong. Coco’s my best mate.

16. COCO
But “mates”? Please.

17. LEXINGTON
Okay, new topic… I didn’t see any beasts…

18. GRIFF
Because we have none.

Hudson, Macbeth & Arthur STAND.

19. NARRATOR
NOVEMBER 15, 12:00AM. Victoria Tower. Hudson joins the others.

20. HUDSON
Any signs of life?

21. LEXINGTON
Nah. Quiet, bordering on dull.

Coldsteel & Coyote STAND.

22. COLDSTEEL
I believe we can rectify that and still display no signs of life.

23. NARRATOR
Coldsteel, Coyote, a Steel Clan Robot and an Iron Clan Robot attack.

24. HUDSON
Take to the sky, lads and lassie! Coldsteel is mine!!

25. COLDSTEEL
Well, well, look who’s biting off more than old gums can chew?

26. HUDSON
Brave words for a metal ghost!

27. COLDSTEEL
Bring it on, you old horned goat!

28. NARRATOR
Chapter Eight: Rock & Roll. Coyote blasts at Amp, who’s knocked to safety by Lex.

29. LEXINGTON
Amp! Look out!

30. NARRATOR
Griff and Coco battle the Iron Clan and Steel Clan robots. Macbeth and Arthur watch from below.

31. GRIFF
Why do these two look like Goliath?

32. LEXINGTON
Long story.

33. MACBETH
That’s a Xanatos ‘bot!

34. ARTHUR
If you say so.

Arthur sits.

35. MACBETH
He must be after the Stone! Wants it for his collection, I imagine. But I don’t see him up there. The automatons may be a mere diversion. Best stay on the alert… Pendragon…?

36. NARRATOR
But Pendragon is gone. Coyote blasts at Lex & Amp.

37. COYOTE
I am programmed to terminate only if necessary. Abandon this airspace, and you will not be harmed.

38. LEXINGTON
Dream on, you electric sheep! We’re not going anywhere ‘til we know exactly what Xanatos and Fox are up to!

39. COYOTE
Pity…

40. LEXINGTON
<pain cry>

41. NARRATOR
Coyote shocks Lex unconscious, but Amp catches him. Coco, meanwhile, sees Griff blast the arms off the Iron Clan Robot with a lightning gun.

42. COCO
Delimbification!! I like it!

43. GRIFF
Right-o! We’ll get Macbeth to issue these beauties to the entire clan!

44. COCO
Like I need the gun.

45. NARRATOR
Coco cloaks her wings and tucks her knees to become a big gargoylean cannonball. The Steel Clan robot gains; she slams feet first into its chest, digs her talons in and RIPS its arms out.

46. COCO
<roar>

47. COLDSTEEL
Your hatchlings seem to think they invented the joys of dismemberment â€" but I wonder how they’d take to the real thing?

48. NARRATOR
One of Coldsteel’s tentacles yanks the sword from Hudson’s grasp. The other tentacles wrap around his arm to rip it from its socket.

49. HUDSON
<pain roar>

50. NARRATOR
Suddenly, fire from above melts the tentacles.

COLDSTONE & Coldfire STAND.

51. COLDSTONE
You never did learn to respect your elders. Did you, brother?

52. AMP
Anyone order up the kitchen sink?

53. COLDSTEEL
Isn’t this turning into quite the reunion?

Arthur STANDS.

54. NARRATOR
12:12AM. WESTMINSTER ABBEY. Arthur takes out two guards.

55. ARTHUR
Apologies.

56. NARRATOR
Standing in front of the container holding the Stone, Arthur carefully places his crown on his head. Meanwhile…

57. LEXINGTON
<recovery moan> Amp… What’d I miss? Never mind. I get the gist. Follow my lead!

58. NARRATOR
Lex and Amp use their heat signatures to lure the Iron and Steel Clan Robots away…

59. COCO
Mate, you nicked my shiny…

60. AMP
Sorry, Coco…

61. NARRATOR
…and into the path of Coyote’s laser blasts. The Iron and Steel Clan robots explode. This distracts Coldsteel, allowing Hudson to recover his sword by ripping Coldsteel’s last remaining tentacle from its socket.

62. COLDSTEEL
<pain cry>

63. COLDFIRE
Feeling a bit outnumbered, brother?

64. HUDSON
Outnumbered and overmatched!

65. COLDSTEEL
Yes, I wasn’t expecting all the company…

66. NARRATOR
Coldsteel drives Hudson back by generating an electric field…

67. COLDSTEEL
Though I’m far from shocked by the development. Coyote, cover our departure. Tomorrow is another day.

68. NARRATOR
Joining Coyote, Coldsteel rockets between a surprised Coldstone and Coldfire, who are forced apart by his e-field. The gargoyles pursue, but Coyote generates a bright light that whites out the night sky.

Coldsteel & Coyote SIT.

Tomorrow, Chapter IX...

G2008 Radio Play

G2008 Radio Play (Chapter VII)

XANATOS, COLDSTEEL & COYOTE STAND.

13. NARRATOR
NOVEMBER 2, 6:46AM EST. Scarab Corp. Coldsteel looks on, as David Xanatos installs a diamond inside Coyote 5.0.

14. COLDSTEEL
And what would that be?

15. XANATOS
It’s called the Coyote Diamond…

16. NARRATOR
Chapter Seven: The Rock.

17. XANATOS
The stone’s flawless surfaces and clarity increase the speed of--

18. COLDSTEEL
I’m sorry I asked.

19. XANATOS
My apologies. I’m sure you’re much more interested in your own situation.

20. COLDSTEEL
I was under the impression I had free will.

21. XANATOS
And you do. I promise summoning you was a one-time event. On the other hand, your unit does include a built-in tracking device… which I’m happy to deactivate…

22. COLDSTEEL
Permanently?

23. XANATOS
Permanently. All I ask in return is help on one small errand. Are we agreed?

24. COLDSTEEL
We are agreed.

25. COYOTE
Excellent.

XANATOS, COLDSTEEL & COYOTE sit. TALON, SATO, MAGGIE & ELISA STAND.

26. NARRATOR
3:52PM EST. The Labyrinth. Talon cradles Maggie the Cat, as Dr. Jay Sato examines her. Elisa Maza looks on.

27. TALON
How is she, Doc?

28. SATO
Well, her pulse is fine, and her injuries seem to be healing nicely…

29. MAGGIE
See, Derek, I said you were worried over nothing.

30. SATO
But I’m a surgeon. Treating someone in Maggie’s… “condition” is really not my area.

31. ELISA
Not anyone’s, Dr. Sato. Anyone we dare trust anyway.

32. SATO
It’s as if you’ve revealed a new world to me…

33. ELISA
Yep, you’re a medical pioneer.

34. SATO
Pioneer or not, she needs an O.B.

TALON, SATO, MAGGIE & ELISA sit. Macbeth, BROOKLYN, GOLIATH, BROADWAY, OWEN & Xanatos STAND.

35. NARRATOR
4:50PM EST. Eyrie Building. As the sun sets, Owen Burnett and Macbeth wait for Goliath to wake. NOVEMBER 2, 5:12PM EST. Inside the Great Hall, Macbeth addresses Goliath, Brooklyn, Hudson, Angela, Broadway, Bronx and Lexington.

36. MACBETH
It’s called the Stone of Destiny. For centuries the kings of Scotland were crowned upon it at Scone…

37. BROOKLYN
Magic talking stone. We’ve heard of it.

38. MACBETH
Yes, well, the English stole it. Now, after eight hundred years, it’s finally being returned. I’m asking for your help to ensure it gets to Scotland safely.

39. GOLIATH
Don’t you have… minions… for this?

40. MACBETH
We’ve parted ways. Please, Goliath. Many â€" including your landlord â€" would stop at nothing to get the Stone.

41. GOLIATH
I have been wounded twice in one week. I am healed â€" but not whole. But my second, Brooklyn, can lead Broadway, Lexington and Angela to join your quest.

42. BROADWAY
Yeah, we’re goin’ to Scotland!!

43. MACBETH
Well, England to start with--

44. BROOKLYN
I don’t know, Goliath, if you’re recovering, maybe this is the wrong time to send me overseas.

45. GOLIATH
Ah… Yes. You are needed here. Hudson may lead this expedition.

46. NARRATOR
Owen, watching the exchange by closed circuit, talks on the phone to Xanatos, who’s about to board a private plane.

47. OWEN
Yes, Macbeth, Hudson, Broadway, Angela and Lexington… Shall I attempt to stop them?

48. XANATOS
That won’t be necessary. I believe I’ve planned for this contingency.

49. NARRATOR
Back in the Great Hall, Angela whispers in Broadway’s ear.

50. BROADWAY
Uh… yeah… Manhattan’s dangerous right now. Me and Angela’ll stay too. To help Brooklyn.

51. BROOKLYN
That’s great. Thanks.

Macbeth, Brooklyn, Goliath, Broadway, Owen & Xanatos sit. SHARI STANDS.

52. NARRATOR
NOVEMBER 3, 5:29AM EST. Nightstone Unlimited. Shari and Thailog are in Dominique Destine’s office.

53. SHARI
The story is told â€" though who can say if it be true â€" of two brothers who both loved the same female. And though all strife comes to an end one way or another, some conflicts refuse to stay dead. Xanatos and Demona used science and sorcery to create a monster from fragments of all three gargoyles, their bodies and souls. But in the end, the souls were segregated into Coldstone, Coldfire and Coldsteel. It’s really a timeless love story.

SHARI sits. Macbeth, CUSTOMS OFFICIAL, LEXINGTON & HUDSON STAND.

54. NARRATOR
3:00PM GMT. London. A private jet lands. Customs Officials greet Macbeth, as workers wheel two large crates from the plane’s hold.

55. CUSTOMS OFFICIAL
Lennox Macduff?

56. MACBETH
Yes.

57. CUSTOMS OFFICIAL
Welcome to England, sir. Anything to declare?

58. MACBETH
Works of art for my home in Berkeley Square.

59. CUSTOMS OFFICIAL
Have to have a look in, sir.

60. MACBETH
Of course.

61. NARRATOR
The crates are opened, revealing Lexington and Hudson, frozen in stone. 4:30PM GMT. Macbeth waits on the roof of his Berkeley Square Townhouse for Hudson and Lexington to wake. The sun sets. 5:07PM. It’s past sunset. Hudson and Lex are STILL frozen in stone. 6:15PM. Night. No change. 7:01PM. Macbeth grows concerned. 7:45PM. Hudson and Lex finally wake.

62. LEXINGTON, HUDSON
<awakening roars>

63. LEXINGTON
Whoa, I don’t feel so hot… and look how dark it is? How long have we been asleep?

64. MACBETH
Welcome, lad, to the wonderful world of jetlag. Don’t worry. You’ve got ten days to adjust before they move the Stone.

Macbeth, CUSTOMS OFFICIAL, LEXINGTON & HUDSON sit. Shari, INTERCOM & VINNIE STAND.

65. NARRATOR
NOVEMBER 4, 5:30AM EST. Nightstone. Thailog soaks in a jacuzzi. Shari sits nearby.

66. SHARI
The story is told -- though who can say if it be true-- of Jacob, son of Isaac, son of Abraham… who fled the wrath of his brother Esau to a place he would call Bethel, where he laid his head upon a stone and had a wondrous vision!

67. NARRATOR
5:35AM EST. J.F.K.

68. INTERCOM
Flight 994, now boarding all rows…

69. VINNIE
Can you believe it? I’m goin’ to Japan!

Shari, Intercom & Vinnie sit. Goliath & Elisa STAND.

70. NARRATOR
9:48PM EST. Goliath’s Tower.

71. GOLIATH
About Halloween… I will not hold you to words spoken when you believed my life hung in the balance.

72. ELISA
Even if I want to be held?

73. GOLIATH
I know you care for me. That is not at issue. But what of the things I cannot give you… picnics… normalcy…?

74. ELISA
We can have a picnic anytime… and normalcy’s so over-rated.

75. NARRATOR
She runs her fingers through his hair. He takes her into his arms and kisses her.

Goliath & Elisa sit. Shari STANDS.

76. NARRATOR
NOVEMBER 5, 5:31AM EST. Nightstone. Thailog and Shari look out over the city.

77. SHARI
The story is told â€" though who can say if it be true â€" that Gathelus, a son of the king of Athens, won many victories for the Pharaoh of Egypt, who rewarded the prince with the hand of his beloved: Pharaoh’s own daughter, Scota. But Gathelus had also befriended Moses, the Hebrew, who warned his young friends of the plagues to befall the Kingdom of the Nile. Gathelus and Scota determined to leave Egypt, and Moses entrusted them with Jacob’s Pillow, the Hebrews’ sacred stone…

78. NARRATOR
NOVEMBER 6, 5:32AM EST. ST. DAMIEN’S CATHEDRAL. Thailog, Shari and Brentwood search for something.

79. SHARI
The story is told â€" though who can say if it be true â€" that Gathelus fled Egypt with his wife and the Stone of the Hebrews. He sought landfall on the rocky shores of Samothrace, for Scota was heavy with child and could go no farther. Still destiny blessed them with fine twin sons…

80. NARRATOR
6:00AM EST. Thailog flies Shari across the city. Brentwood follows.

81. SHARI
Gathelus and his family would wander the globe for two years before finding a home on the Iberian Peninsula in a place they named the Port of Gathelus, or Portugal. By this time the family had grown: the Athenian prince and Egyptian princess now had four healthy boys in their care not to mention one large Stone.

82. NARRATOR
NOVEMBER 7, 5:33AM EST. Thailog and Shari begin a game of chess.

83. SHARI
The story is told â€" though who can say if it be true â€" that after the death of her beloved Gathelus, Scota departed Portugal with her eight sons… only to lose five of the boys at sea… while Scota herself and another son died warrior’s deaths upon landing in Ireland. But her eldest boy, Eremon, and her youngest, Eber Finn, survived, and Eremon was crowned king upon the Stone at Tara.

Shari sits. Xanatos & FOX stand.

84. NARRATOR
2:18PM GMT. Mayfair. Xanatos takes Alexander from Fox.

85. XANATOS
Darling, if you like the shoes, buy them…

86. FOX
The black manolos in the window… do you have them in a size nine? Lovely. Wrap them up, please.

87. NARRATOR
2:45PM GMT. Fox exits the store.

88. FOX
Mission accomplished.

89. NARRATOR
7:19PM GMT. Fox admires her new shoes in the full-length mirror of her hotel room. Xanatos admires the shoebox.

90. XANATOS
Darling? Do you still need this shoebox… or might I dispose of it?

Xanatos & Fox sit. Shari & THAILOG STAND.

91. NARRATOR
NOVEMBER 8, 5:34AM EST. Nightstone. Thailog and Shari continue their chess game.

92. SHARI
The story is told â€" though who can say if it be true â€" of Moses, who led the Hebrews out of Egypt and into the desert… bringing forth water from Jacob’s Pillow to quench their--

93. THAILOG
You said Moses gave the Stone to Gathelus and Scota before leading the Hebrews out of Egypt!

94. SHARI
The story is told…

95. THAILOG
<pause> Though who can say if it be true? Right. Continue.

96. SHARI
The Hebrews passed the Stone down the centuries, until the prophet Jeremiah offered it in dowry to King Eochaid of Ireland when he wed Tamar Tea Tephi, Princess of Judah. Eochaid ensconced the Stone at Tara and dubbed it Lia Fáil.

97. NARRATOR
NOVEMBER 9, 5:36AM EST.

98. SHARI
The story is told â€" though who can say if it be true â€" of Cu Chullain, the Hero of Ulster, who championed Lugaid Red-Stripe for king. But when the Lia Fáil would not cry to confirm Lugaid, Cu Chullain was enraged, striking with Gae Bolga, the Spear of Light, and splitting the Stone of Destiny forever!

99. NARRATOR
NOVEMBER 10, 5:37AM EST. Shari captures Thailog’s white knight with her black bishop.

100. SHARI
The story is told â€" though who can say if it be true â€" of young Prince Fergus of Ireland, who carried half Cu Chullain’s handiwork to Argyll in what men now call Scotland to found a kingdom called Dalriada. Though a castle called Carbonek found him instead, bringing the Priest-King Pelles and the Archmage Merlin and their request to borrow the Stone of Destiny for a purpose of their own. A purpose fulfilled in Londontown by a sword clep’d Excalibur in a stone clep’d Lia Fáil drawn forth by a boy clep’d Arthur.

101. NARRATOR
NOVEMBER 11, 5:38AM EST. Thailog tips over one of Shari’s black rooks with his white bishop.

102. SHARI
The story is told â€" though who can say if it be true â€" of Saint Columba, he who tamed the monster of Loch Ness, before returning to the island of Iona, where Merlin and Pelles had brought the Stone once it had served their purposes. And where Columba laid down his head upon Jacob’s Pillow and breathed his last.

103. NARRATOR
NOVEMBER 12, 5:39AM EST. Shari’s Black Queen is lined up to capture Thailog’s White King.

104. SHARI
Check.

105. THAILOG
<growl>

106. SHARI
Would you prefer I lost on purpose?

107. THAILOG
I’d fire you if you did. Don’t you have a story to tell?

108. SHARI
The story is told â€" though who can say if it be true â€" of Kenneth MacAlpin, scion of Fergus, who united the Kingdoms of Scotland and was crowned High King upon the Stone at Scone. As would all the Heirs of Scota â€" for the next four hundred years.

COLDFIRE STANDS.

109. NARRATOR
NOVEMBER 12, 10:00PM GMT. David Xanatos presses a button on a remote control. NOVEMBER 13, 6:01AM GMT+8. TIBET. Inside the old cave, Coldstone and Coldfire stand over Master Dawa and Sangpo. All react to a noise.

110. COLDFIRE
I believe… I believe I can find him…

Coldfire sits.

111. NARRATOR
NOVEMBER 13, 5:40AM EST. NIGHTSTONE.

112. SHARI
The story is told â€" though who can say if it be true â€" of Edward the First of England, the Hammer of the Scots, who sicced his mighty Warwolf on his neighbors to the north and took as prize the Stone of Scone, which he installed in the Coronation Chair at Westminster Abbey, where it has crowned the kings and queens of England down to this very day…

Shari & Thailog sit. Lexington, Macbeth, Hudson, Arthur, GRIFF, AMP & COCO STAND.

113. NARRATOR
NOVEMBER 13, 5:32PM GMT. Hudson and Lex are atop Victoria Tower. Macbeth is below, in front of Westminster Abbey.

114. LEXINGTON
All clear. No sign of trouble.

115. MACBETH
Not expecting trouble tonight. They’re only moving the Stone from the Coronation Chair to the Lantern. It won’t leave the Abbey until tomorrow.

116. HUDSON
Aye, and the human security is tight as a drum. I’m nae convinced you could break in there with a battering ram.

117. MACBETH
You’d be surprised.

118. NARRATOR
11:46PM GMT.

119. LEXINGTON
<yawn> Still nothing to report. Who exactly are we expecting?

120. MACBETH
Anyone. Everyone. Just stay alert…

121. NARRATOR
Macbeth spots a shadowy figure and pursues it down into a London Underground Station…

122. MACBETH
I’m probably on a wild goose chase, lads. But in case I’m not, you’d better head this… way…

123. LEXINGTON
That could be a problem…

124. NARRATOR
Arthur Pendragon puts Excalibur to Macbeth’s throat. Meanwhile, on Victoria Tower, Hudson and Lex are surrounded by gargoyles.

125. ARTHUR
By the blade of Excalibur, what are you up to now, Macbeth?

126. MACBETH
King Arthur?! I’m here to protect the Stone of Destiny!

127. ARTHUR
Then our two quests are one and the same!

128. MACBETH
Aye…

129. ARTHUR, MACBETH (UNISON)
The gargoyles!!

130. MACBETH
They’ll be at each other’s throats!!

131. GRIFF
Hudson! Lexington! Bloody lovely to see you again!

132. LEXINGTON
You too, Griff!

133. HUDSON
Aye, lad. The badduns’ll have no chance at that Stone now!

134. NARRATOR
NOVEMBER 14, 5:28AM. Macbeth radios Lex.

135. MACBETH
It’ll soon be dawn. You and Hudson go with Griff. Arthur and I will stand vigil through the day.

Arthur & Macbeth sit.

136. NARRATOR
5:33AM GMT. Griff, Hudson, Lex and the other two gargoyles glide over London.

137. LEXINGTON
Are we headed to Soho? Goliath said you have a store there…

138. GRIFF
We do. But I thought I’d take you home instead. To our clan--

139. AMP
To Knight’s Spur!

140. COCO
You know, Griff, I don’t believe we’ve been properly introduced to your Yank friends…

141. HUDSON
<Hmph> Watch who you’re callin’ a Yank, lass…

142. GRIFF
Where are my manners? Hudson, Lexington, this is Constance.

143. COCO
My friends call me Coco.

144. GRIFF
And this is Staghart.

145. AMP
My friends call me Amp!

146. COCO
Nobody calls you Amp, luv.

147. LEXINGTON
I’ll call you Amp.

148. NARRATOR
5:40AM.

149. GRIFF
Welcome to Knight’s Spur…

150. NARRATOR
7:20AM. Atop Knight’s Spur, Old Pog, Hudson, Griff, Lex, Amp, Coco and Lunette sleep as stone.

Hudson, Lexington, Griff, Amp & Coco sit. Arthur & Macbeth STAND.

151. NARRATOR
7:48AM. Macbeth and Arthur sip coffee outside a Nightstone’s café.

152. ARTHUR
…Mortally wounded in 542. So they shipped me off to some magic hill and put me to sleep for a thousand four hundred fifty-three years.

153. MACBETH
Sounds lovely.

154. ARTHUR
And you?

155. MACBETH
Deal with a demon in 1040. Officially died in 1057. Been sleepwalking for nine hundred thirty-nine years.

156. ARTHUR
<pause> Guess I got the better bargain.

157. MACBETH
Ach, I try not to dwell these days. So here’s to the immortals. There aren’t many like us…

Arthur & Macbeth sit. Shari STANDS.

158. NARRATOR
NOVEMBER 14, 5:42AM EST. NIGHTSTONE. Shari places her black knight in front of Thailog’s white knight.

159. SHARI
The story is told â€" though who can say if it be true â€" of Robert the Bruce of Scotland, who defeated the English at Bannockburn with the help of an Irish ally, Cormac MacCarthy. With the victory, came a prize: a fragment of the Fatal Stone that England had taken from Scone. This fragment, the Bruce gave to MacCarthy, whose descendents had it installed at Blarney Castle, where it is said to grant the gift of gab. I’ve kissed it myself a time or two…

Shari sits. Hudson, Macbeth & Arthur STAND.

160. NARRATOR
NOVEMBER 14, 6:32PM GMT. Knight’s Spur. Hudson, Macbeth and Arthur confer in a book-lined study.

161. HUDSON
Lex, Griff, Constance and Staghart sent you home to rest then…

162. MACBETH
Aye, Hudson. We’ll catch a few hours sleep then head back out. But you…?

163. HUDSON
I had some questions for the Pendragon. Weren’t you on a quest to find your wizard?

164. ARTHUR
Indeed. And Sir Griff and I searched for Merlin in all the obvious places. But to no gain. So I’ve been “doing research” on Merlin… and on myself.

165. NARRATOR
Hudson examines a copy of Le Morte D’Arthur by Thomas Malory.

166. HUDSON
So many books… are any of them true?

167. ARTHUR
All things are true… few things are accurate.

168. MACBETH
Aye. No bloody kidding.

169. NARRATOR
Hudson contemplates this.

Hudson, Macbeth & Arthur sit.

Tomorrow, Chapter VIII...

G2008 Radio Play

G2008 Radio Play

No, that's not a misprint. Before I post the G2009 Gargoyles/Spectacular Spider-Man crossover radio play, I'm going to post (over the next few days) the G2008 Radio Play. This was a CHRONOLOGICAL adaptation of issues 7-9 of the Gargoyles comic, i.e. the Stone of Destiny three-parter which makes up the first half of the recently released trade paperback, GARGOYLES: CLAN-BUILDING, VOLUME II. Now that the trade is out, I'm okay with posting this. But there are some caveats...

1. Reading this does NOT replace buying the trade. Because...

2. This version of the story doesn't really work, dramatically or otherwise. The story wasn't designed to be told chronologically. It gets somewhat tiresome told in chronological order and the final dramatic moment with the Stone talking to Macbeth, Xanatos, Arthur and Peredur across four time periods has none of it's power.

Nevertheless, here it is... or at any rate, here is the title page, cast list and teaser. I'll post the three chapters over the next three days...

GARGOYLES

CLAN-BUILDING
Chapter VII: THE ROCK
Chapter VIII: ROCK & ROLL
Chapter IX: ROCK OF AGES

(Radio Play Edition)

A Chronological Adaptation
by
Greg Weisman
(from his SLG comic book scripts)

For
The Twelfth Annual
Gathering of the Gargoyles
in
Chicago, Illinois

Performed June 28, 2008.

GARGOYLES
“CLAN-BUILDING:
CHAPTER VII: THE ROCK
CHAPTER VIII: ROCK & ROLL
CHAPTER IX: ROCK OF AGES”
(Radio Play Edition)
CAST LIST
1. NARRATOR 86 lines.
2. MACBETH 34 lines.
3. SHARI 22 lines.
4. COLDSTEEL 22 lines.
5. LEXINGTON 21 lines.
6. STONE OF DESTINY 15 lines.
7. HUDSON 13 lines.
8. DAVID XANATOS 13 lines.
9. ARTHUR PENDRAGON 13 lines.
10. CONSTANCE/COCO 12 lines.
11. STAGHART/AMP 9 lines.
12. GRIFF 9 lines.
13. THAILOG 8 lines.
14. COLDSTONE 6 lines.
15. COLDFIRE 5 lines.
16. GOLIATH 5 lines.
17. COYOTE 5.0 5 lines.
18. PEREDUR 4 lines.
19. COLDSTREAM GUARD 4 lines.
20. ELISA MAZA 4 lines.
21. JAY SATO 4 lines.
22. BLANCHEFLEUR 3 lines.
23. CUSTOMS OFFICIAL 3 lines.
24. BROOKLYN 3 lines.
25. DUVAL 2 lines.
26. FOX 2 lines.
27. BROADWAY 2 lines.
28. HOLY GRAIL 1 line.
29. LUNETTE 1 line.
30. VINNIE 1 line.
31. AIRPORT INTERCOM 1 line.
32. OWEN BURNETT 1 line.
33. MAGGIE THE CAT 1 line.
34. TALON 1 line.
35. SCOTTISH PATRIOT 1 line.

GARGOYLES
“CLAN-BUILDING:
CHAPTER VII: THE ROCK
CHAPTER VIII: ROCK & ROLL
CHAPTER IX: ROCK OF AGES”

ARTHUR, MACBETH, PATRIOT & STONE STAND.

1. NARRATOR
Gargoyles. Clan-Building. SEPTEMBER 29, 500. London.

2. ARTHUR
And as High King, I, Arthur Pendragon, swear by the Stone of Destiny to protect Britain and to serve her people all my days…

3. NARRATOR
SEPTEMBER 29, 1040. Scone.

4. MACBETH
And as High King, I swear by the Stone of Destiny to protect Scotland and to serve her people all my days…

5. NARRATOR
DECEMBER 25, 1950. Westminster Abbey.

6. MACBETH
All right, lads. Now or--

7. PATRIOT
SCOTLAND FOREVER!

8. MACBETH
<SHHHHH!>

9. NARRATOR
APRIL 11, 1951, 1:06AM GMT. ARBROATH ABBEY. Macbeth has just finished repairing the Stone of Destiny with epoxy. There’s a visible crack, but it’s in one piece.

10. MACBETH
There. Good as new. You can barely see the--

11. NARRATOR
The stone glows blue. The crack vanishes.

12. STONE
Thank you, Macbeth mac Findlaech, but the effort was pointless…

ARTHUR, MACBETH, PATRIOT & STONE sit.

A few thoughts...

Got easily a hundred calls, texts, e-mails yesterday about the big Marvel/Disney news and a few about the Sony/Marvel/Spidey news, so here are a few random thoughts to go with what I posted yesterday...

1. SPEC SPIDEY: The main thing that's changed about the Spec Spidey situation is that Sony is now out of the loop/decision making process about whether or not there's a third season. Before Sony was waiting to see if Disney picked up the series. Then they'd decide on its economic feasibility for Sony. Now Sony isn't part of that equation, leaving the whole thing in Marvel and Disney's hands. Of course, now that Marvel and Disney are kinda one hand, so-to-speak, I don't know what that means for us. Other than the obvious, which is that I'm sure we're not exactly Disney/Marvel's highest priority at the moment. How and when this decision gets made is really up in the air, but a former negative does feel good -- now -- that our last six episodes won't start airing on Disney XD until late October. That means our last episode won't air until early December, which may be a better time for Disney/Marvel to focus on the show. (Or not.) Of course even a positive decision in December or (more likely) January means a HUGE gap between Seasons Two and Three, but I'd take that over no new episodes.

2. FLASHBACKS:I can't help but be reminded of events in the mid-nineties, when Michael Eisner (then CEO of Disney) wanted to buy Marvel, so that he'd have super-heroes to compete with Warner Bros' DC Universe heroes (including Superman and Batman). Back then, however, Marvel was, or so I was told, a corporate mess. And it wasn't just that -- as now -- various studios already had the rights to individual characters, but that the rights had been double sold all over the place, and that every character pretty much represented a lawsuit in the making if not already in the works. Eisner was advised NOT to buy Marvel, and of course he didn't. But he REALLY wanted to be competing in the boys action/super-hero market. That was when the Gargoyles Universe was raised as a possible alternative. We pointed out that the Marvel Universe began with the Fantastic Four, and that we could use Gargoyles as a springboard to more properties and to an entire Universe. We were encouraged by Michael to create spin-off properties, backdoor pilots, etc. And that was THE major impetus for us to work on things like New Olympians, Bad Guys, Pendragon and Dark Ages. (Gargoyles Future Tense -- which became Gargoyles 2198 and TimeDancer came later.) It was also a reason to be expansive with the World Tour and introduce more and more new characters, etc. Of course, by the time all this stuff was actually made, the world had changed again. Frank Wells died. Michael and Jeffry Katzenberg went to war, with Jeffry eventually leaving to found DreamWorks, and taking two of my immediate superiors, Gary Krisel and Bruce Cranston, with him. Rich Frank (another of my bosses up the chain) also left. Dean Valentine was placed in charge of Walt Disney Television Animation and he had no affinity for Gargoyles or its spin-offs. And Michael, who had initiated the whole thing, had way bigger concerns on his plate. I was more or less forced out. But for one bright, shining moment...

3. GARGOYLES: I'm sure a lot of people are wondering what this means for our favorite winged warriors, but in the short term, I'm sure the answer is "Not much." Gargoyles is pretty much under Disney's radar right now, and really doesn't exist on Marvel's radar at all, as far as I can tell. We'll be an extremely low priority. Our best bet is still SLG, which HOPEFULLY will be motivated by the sales of the Trades to want to make more content with me. Having read Dan "Mr. SLG" Vado's recent reaction to the Disney/Marvel merger, I'm hoping he isn't too discouraged by being in bed with his competition. But I have no doubt that the best way to get Dan fully on board is to make it worth his while by having those trades sell VERY well. So again, buy the trades and/or SPREAD THE WORD!!!!

SUCH BIG NEWS

Okay, in the period of just a few days, I have been rocked by two incredible pieces of news.

1. Last Thursday (8/27/09), Vic Cook and I were informed that in exchange for some concession vis-a-vis the live action Spider-Man features, Sony returned the television rights (including the animated television rights) for Spider-Man to Marvel. This took place the day before ComicCon, I'm told. But I was only informed of it this past week.

2. Today (8/31/09) comes the news that Disney has purchased Marvel outright.

NOW, before you ask -- before you post a thousand duplicate and/or overlapping questions to ASK GREG -- let me be clear: I have NO IDEA what this means for either Gargoyles or The Spectacular Spider-Man. Neither of these developments are by definition good news or bad news. Shocking news, sure. But how it will play out for either or both properties is a complete mystery to me. As soon as I have ANY information on either property, I will post it here at ASK GREG. Until then, don't ask. Seriously. Just don't. There's just no point in bogging down the queue with questions I have no answer to. Thank you for your cooperation.

GATHERING 2009 - Monday, August 24th

GATHERING 2009 - Monday, August 24th

Midnight - The goodbyes begin for folks who are leaving first thing Monday morning or right now. Said goodbye to Marina, Zehra, Sarah, Michael McAdam and probably quite a few others...

1:30am - The party downstairs finally breaks up and I head up to my room.

4am - Went to bed. But I just couldn't sleep at all.

8am - Finally gave up and got up.

9am - Brought my luggage to my car and then went to the staff breakfast: crepe, ham, potatoes, OJ.

10am - Comic book panel with Karine Charlebois and Greg Guler. I'll just repeat the main message I gave. I have no info on the future of Gargoyles comics beyond this: SLG's Dan Vado is sincerely interested in doing more. His ability to make an offer for the license to Disney will depend on the sales of the three trade paperbacks. Beyond that, we had some really interesting discussions about the books.

11:30am - Gargoyles Biology and Culture panel with Jade Griffin and Matt Parker. I love this panel. Always full of interesting discussions, that influence how I handle things in the Gargoyles Universe.

1pm - Closing Ceremonies. Okay, I admit it. I pretty much lost it more than once. It was VERY emotional. A number of us told stories of past Gatherings and how they changed our lives. It was warm and all too fuzzy, but wonderful. I love all you guys. Thank you.

2:30pm - We finally closed the Closing Ceremonies. I helped Patrick and a bunch of other volunteers carry things down to Patrick's rented van. Then we headed up to the Constaff Suite for a dead dog party. Christopher bought pizza for everyone, which was very generous. I had a coke and a virgin jello shot. And we just hung out.

5:45pm - Time to go, to return to real life. I hugged EVERYONE. Jennifer Anderson walked me to the elevator. I was pretty wrecked. It felt a bit like it felt to end a long job. You walk away. What else can you do? You take your memories with you, but you also know you're leaving a piece behind.

But it's been a FANTASTIC THIRTEEN YEARS. Thanks to everyone who ever attended a Gathering. You really changed my life!

GATHERING 2009 - Sunday, August 23rd

GATHERING 2009 - Sunday, August 23rd

1am - Got back to my room.

2am - Went to bed.

9am - I woke up. Wow, a real night's sleep. I showered and dressed quickly, attempting to make the tail end of the staff breakfast, but got waylaid along the way by arriving guests, like Bob Kline. Managed to snag one croissant, but that's it.

10am - Gargoyles Production panel with Frank Paur, Bob Kline, Brad Rader, Pamela Long, Vic Cook, Greg Guler and Doug Murphy. More fun old stories.

11:30am - Spidey Production panel with Bob, Pamela, Vic, Greg, Kevin Altieri, Jennifer Coyle, Sean "Cheeks" Galloway, Joey Mason and Phil Weinstein. We showed the unaired scenes clip from ComicCon and the animatic for the main title. And again, more fun stories.

1pm - I finally had a break, but I couldn't resist sitting in on the Composer's panel with Carl Johnson, Gargoyles Composer, and Dynamic Music Partners (Lolita Ritmanis, Kris Carter and Michael McCuistion) the Spider-Man composers. They were WELL-prepared. Way more well-prepared than I was for any of my panels. Brought a bunch of clips and talked process. It was fascinating.

2:30pm - Writers Panel. From Spidey: Andrew Robinson, Kevin Hopps, Nicole Dubuc and Matt Wayne. From Gargoyles: Bob Skir and Michael Reaves. Michael has Parkinsons, so first Bob and later Michael's daughter Mallory Reaves served as interpreters for him. It was great having everyone there.

4pm - The writers (and Karine) had a signing.

5pm - My wife dropped my son Benny off at the con. So we hung out a bit.

6pm - Benny and I went to the Banquet. We sat with Gayle, Lauren, Ryan, Grey Wolf, Read and Abbie. Real sweet spread at the buffet. But I've forgotten exactly what. I guess I'm just not that into the food this time. Is that progress?

7:30pm - Another Q&A. This time with myself, Bob Skir, Vic Cook, Greg Guler, Nicole Dubuc, Kevin Altieri, Jennifer Coyle, Ben Diskin, Crispin Freeman, Karine Charlebois and Wendy Pini. Michael Reaves kibbitzed a bit from the sidelines too.

8:30pm - By this time, Beth had picked Benny up again. I went to the bar and hung out with Vic, Guler, Kevin, Jennifer, Wendy and Karine. Just had a coke.

9:30pm - Masquerade time. The judges were myself, Wendy Pini, Keith David, Thom Adcox, Ben Diskin, Carl Johnson and Karine Charlebois. I will attempt to remember all the awards we handed out, but I forgot to save my award sheet...

Best Junior - Ryan & Lauren as Owen & Banshee
Best Performance - Abbie as the Lady in the Lake
Best Original Character - Rika as Venus
Cutest Trio - Jade, Eric and Kyari as Fox, Owen and Alex
If I give you this, I'll have to kill you award - Zehra, Tony & Andrea as Shari & the Illuminati
Best Canon - Aaron as Upgraded Jackal
Excalibur Award - Justin as King Arthur
Gorelisa Award - Charlie as Kalia Sartre
Thom Adcox Memorial Award - Rebecca as a Star Trek Dispensable Red
Best in Show - Esopus as ... okay, this was best in show and it was really great, but I just can't remember the name of the character! SORRY!!!!

10:30pm - We all just hung out in the Ballroom for awhile. I chatted with GXB, Carl Johnson, Zehra & Sarah and many, many others...

MORE NEXT WEEK!!!!!

GATHERING 2009 - Saturday, August 22nd

GATHERING 2009 - Saturday, August 22nd

3am - Went to bed.

8am - Woke up, with five hours sleep being the most I'd had in any one night in over a week.

9am - Staff Breakfast. Usually, I'm all about telling you what I ate at every meal, but I just don't remember. Orange Juice and a croissant, I think. But also... uh... not sure.

10am - Jennifer and I were joined by Gargoyles/Spidey Voice Director Extraordinaire Jamie Thomason for our second round of auditions.

11:30am - Casting session. We only had thirteen slots for fans to participate in the play because of the LARGE pro "turnout". You see, most years I ask the pros to participate and we get one or two saying yes. But this year SIXTEEN said yes. So from a fan standpoint, we had an embarrassment of riches. Over forty people auditioned and most of those did great, so we decided to cast the thirteen slots, plus STEAL a role from Thom Adcox and give that to another fan, PLUS cast a couple of fans as understudies in case someone didn't show. (But everyone did.) We posted the cast list...

12pm - Lunch in the staff room with Marina Sirtis, Keith David, Karine Charlebois, Greg Bishansky, Thom Adcox and Keith's son Owen. It's always great to see Keith, but it was very cool to see Marina again, whom I haven't seen in years. And, man, has Owen grown!! Broccoli soup, salad, and... see, can't remember!

1pm - Gargoyles Voice Acting Panel with Jamie, Keith, Thom, Marina and Elisa Gabrielli. Fun stories told. Marina and I have very different memories about how she was cast. (I'm right, but I'd never say that.)

2:30pm - Spidey Voice Acting Panel with (again) Jamie, Keith and Elisa. Plus Dee Bradley Baker, James Arnold Taylor, Ben Isaac Diskin (what's with all these three name guys?), Steve Blum, Daran Norris, Deborah Strang, Vanessa Marshall, Josh Keaton, Andrew Kishino, Phil LaMarr, Crispin Freeman and Eric Vesbit. More fun stories. Jamie and I disagreed about how many characters we auditioned. And once again, I'm right. It's a blessing and a curse, as Monk would say.

4pm - Radio Play Rehearsal. We barely had time to do one full read through of the ridiculously long and over-stuffed radio play. There was really no time to direct the actors at all, beyond telling them to project louder, though Jamie and I tried to give an occasional pointer.

5:30pm - Radio Play. Gotta say, thanks to my shameless pandering in the script and the amazing talent of my cast, we really had a phenomenal success with the three night mess of a bloated script I wrote. Got lots of laughs, even a few gasps. Pros were spot on, of course, including some Gargoyles folks who hadn't played their characters in years. But our fan cast was great too.

Here's the cast list:

THE SPECTACULAR SPIDER-MAN MEETS GARGOYLES
“Religious Studies 101: A Handful of Thorns”
(Radio Play)
CAST LIST
NARRATOR - Greg Weisman
DEMONA/DOMINIQUE DESTINE - Marina Sirtis
SPIDER-MAN/PETER PARKER - Josh Keaton
GOLIATH - Keith David
LEXINGTON - Thom Adcox
ELISA MAZA - Zehra Fazal
BROOKLYN - John Clemens
CURT CONNORS/LIZARD - Dee Bradley Baker
BROADWAY - Crispin Freeman
ZAFIRO - Joshua Poole
MAY PARKER - Deborah Strang
GREEN GOBLIN - Steve Blum
OBSIDIANA - Elisa Gabrielli
KRAVEN THE HUNTER - Eric Vesbit
HARRY OSBORN - James Arnold Taylor
DOCTOR OCTOPUS/OTTO OCTAVIUS - Michael McAdam
J. JONAH JAMESON - Daran Norris
MARY JANE WATSON - Vanessa Marshall
ELECTRO - Crispin Freeman
VENOM/EDDIE BROCK - Ben Isaac Diskin
GEORGE STACY - Lucas McClain
BIG MAN - Keith David
CALYPSO EZILI - Jennifer L. Anderson
ASHLEY KAFKA - Elisa Gabrielli
ROBBIE ROBERTSON - Phil LaMarr
LIZ ALLAN - Kaitlyn Robrock
SALLY AVRIL - Jennifer L. Anderson
GWEN STACY - Sarah Williams
MATT BLUESTONE - Eric Tribou
GREG BISHANSKY - Greg Bishansky
KENNY KONG - Andrew Kishino
COLONEL JUPITER/JOHN JAMESON - Daran Norris
NED LEE - Andrew Kishino
VULTURE - Seth Jackson
FLASH THOMPSON - Ian Bassett
SHARI - Zehra Fazal
FANCY DAN - Phil LaMarr
GULYADKIN - Dee Bradley Baker
CARNAGE/CLETUS KASADY - Ian Bassett
HOMUNCULUS #1 - Dee Bradley Baker
HOMUNCULUS #2 - Phil LaMarr
HOMUNCULUS #3 - Steve Blum
HOMUNCULUS #4 - James Arnold Taylor
HOMUNCULUS #5 - Thom Adcox
SMUGGLER #1 - Andrew Kishino
DOMINIC DRACON - Seth Jackson
BLACKIE GAXTON - Steve Blum
EMILY OSBORN - Kaitlyn Robrock
TINKERER - Thom Adcox
SEYMOUR O’REILLY - Steve Blum
SILVER SPOON MANAGER - Crispin Freeman
ANGELA - Sarah Williams
PUMPKIN BOMB - Nicki France
THAILOG - Keith David
MARIA CHAVEZ - Elisa Gabrielli
FREDERICK FOSWELL - James Arnold Taylor
ALAN O’NEIL - James Arnold Taylor
ROSIE THOMPSON - Vanessa Marshall
MARGOT YALE - Marina Sirtis
MORGAN MORGAN - Keith David
JASON IONELLO - Ben Isaac Diskin
RAND ROBERTSON - Phil LaMarr
BRENTWOOD - Fox Anderson
CHAMELEON - Steve Blum
NORMAN OSBORN - Eric Vesbit
DILBERT TRILBY - Steve Blum

Thanks to the entire cast. You guys were amazing, and totally saved my butt.

7pm - Once the play was over, all the tension and adrenaline that it had generated over the last week or so melted away, leaving me nearly comotose. I went to dinner in the hotel with my wife Beth and my son Benny. I didn't eat much. Clam Chowder, a roll, a coke and a shrimp cocktail. I was all but passing out. Fortunately, I got a second wind... and I'd need it.

9pm - Blue Mug w/Thom Adcox and the staff of Blue Mug Productions: Mara Cordova, Kalia Sartre, Jennifer L. Anderson and Boswell Bosley. I had to duck out for awhile, and I hear Edmund Tsabard showed up and pretty much insulted everyone in the room. (So what else is new?) I came back, by which time Edmund was gone. I picked up my water glass to take a drink, and someone told me that Thom's chihuahua had sipped from my glass. Someone else pointed at another glass and said that was the one the dog had lapped from. I shrugged it off and sipped from my glass. Then Jen told me Edmund had used that glass. I did a spit-take. I mean do you know where Edmund's mouth has been?!!! I hate to do anything to promote anything that reprobate is working on, but the work of the rest of the Blue Mug staff is so good that I'll ignore his contribution and recommend BlueMugProductions.com to all of you (who are 18 or over). I've seen the work, and it's really good!!! By the way, whomever took my Vox-made macrame Greg doll and put an eyepatch on it to turn it into an Edmund doll: UNCOOL!!! I don't even see the resemblance anyway!

11:30pm - After the mug, a few of us -- Jennifer, Mara, Eric and Tony -- went upstairs to the staff room. I had a virgin jello shot. Black Cherry!

More tomorrow!

GATHERING 2009 - Friday, August 21st

GATHERING 2009 - Friday, August 21st

12am - Went to bed. I was completely exhausted from the last few nights of working on the Radio Play instead of sleeping...

2am - So of course I wake up two hours later.

6:30am - Finally fell asleep again.

10:30am - Woke up, having missed staff breakfast.

11:30am - I went downstairs to check out the Art Room-in progress. Aaron gave me a very cool Phoenix Gate pin. (Thanks, Aaron!)

Noon - Had my mug-a-guest with Leah, Fan, Abbie, Eva, Kathie and others. I'm embarrassed over how little I can remember already, I'm afraid.

1:30pm - Jennifer Anderson and I held the first batch of auditions. Some real good people.

2:30pm - Back to the art room. I also bought two copies of the Bad Guy Trade, one for myself and one for the Sperlings.

3pm - By this time, I was pretty hungry, so although they had JUST eaten, Tony and Andrea Zucconi accompanied me up to CityWalk so I could get a Tommy Burger, fries and a coke/Root Beer semi-suicide mix. I ate; we chatted.

4pm - We headed back down to the hotel/con.

4:50pm - My wife Beth arrived at the con. We hung out, waiting for Opening Ceremonies to start.

5:40pm - Opening Ceremonies. I got the ball rolling. We had a bunch of con virgins -- for whom this was their first Gathering. And of course we had four people who had attended ALL thirteen Gatherings: myself, Gathering Co-Chair Patrick Toman, Bad Guys artist Karine Charlebois and a Fan. Gathering Co-chair introduced her staff and then they presented me with a very cool macrame doll of me, commissioned by the staff and created by the talented Vox. I then stood up again and talked about the great programming we had in store for the weekend. Then I presented Patrick and Jennifer with the Fan Guest of Honor, represented by great prints of Puck and Demona by Karine and Kythera of Anevern. Next, I spoke a brief tribute to the late Gary Sperling, and we presented his wife and kids with a copy of the Bad Guys Trade and another fantabulous print by Karine. After that came the Rocky Horror Gargoyles Show, i.e. the same old schpiel I always do. Showed the Pitch, the Jim Cummings version of the pitch, the promo, the Frakes presentation piece, the New Olympian and Dark Ages pitch, the Bad Guys animatic and "The Last" animatic -- nearly finished and almost entirely done by fans.

8pm - Having eaten a late lunch, I decided to skip dinner. But I hear Edmund Tsabard and the staff of Blue Mug Productions (Mara Cordova, Kalia Sartre, Jennifer L. Anderson and Boswell Bosley) had a dinner business meeting at Versaille up at CityWalk. Edmund had Ropa Vieja, Plantains, Beans, Rice and a coke.

9:30pm - A few of us hung out in the staff suite upstairs on the hotel's top floor. Liz, Patrick, Mara, Jen, Nikki, Eric, Seth, Sammy, Rebecca, Fox, Sydney, Steph, Scott and Marina all stopped by at one point or another.

11:59pm - I went back to my room...

More tomorrow...

GATHERING 2009 - Thursday, August 20th

Well, gang, I'm back from the final Gathering. Had an amazing time. Truly. I'll start my conjournal now. One day at a time...

As always, all times and quotations are approximate. Please forgive any mistakes or omissions.

GATHERING 2009 - Thursday, August 20th
I was up all Wednesday night, prepping the scripts for the Radio Play, which I had written over the three (largely sleepless) nights previous.

7:30am - Finally went to bed.

11:30am - Got up. Drove to my office in Beverly Hills to finish prepping for the Gathering.

6pm - Finally finished prepping. Drove home to pack.

7pm - Left for the Universal Hilton. Parked and checked in and unpacked in my seventh floor room. The staff then gathered to go to dinner at Bucco de Beppo's in CityWalk. It was a big table. I think a complete list of those present would include me, Liz Chesterman, Mara Cordova, Joe, Susan Leonard, Sammy Behr, Seth Jackson, Eric Tribou, Jennifer L. Anderson, Kythera of Anevern, Rebecca Bochner, Patrick Toman, Tony Zucconi, Andrea Zucconi, Cindy Kinnard and Karine Charlebois. I had garlic bread, calamari, spaghetti and meatballs, apple gorgonzola salad, two kinds of fettucini, green beans and manicotti. Afterwards, we went back to the hotel to check out the rooms for the con.

10:30pm - I went back to my room to continue prepping my script for the radio play.

More tomorrow... please post YOUR ConJournal here at ASK GREG! Thanks!

Gathering 2009 - Los Angeles CA

Gathering 2009 - Los Angeles CA

Okay, gang, I leave tomorrow for the Gathering. This is our last one for the foreseeable future, so I plan to make the most of it. We've got a TON of programming (including panels on both Gargoyles and The Spectacular Spider-Man and ElfQuest, production panels, voice panels, writing panels, comic book panels), a TON of professional guests (Comic book pros, animation pros, actors, artists, writers, sculptors, directors, etc.) These guests include Frank Paur, Victor Cook, Sean "Cheeks" Galloway, Greg Guler, Thom Adcox, Keith David, Josh Keaton, Steve Blum, Crispin Freeman, Wendy Pini and Demona herself: Marina Sirtis.

We have screenings of exclusive Gathering footage, like the Bad Guys reel and the pro/fan Team Atlantis collaboration. I'm bringing the only once-before seen footage clip from Spectacular Spider-Man ONLY shown at ComicCon last month. And Michael Reaves, Gargoyles writer and story editor, is bringing his STAR TREK webisode, professionally produced and starring George Takei himself as Sulu.

We have a Radio Play (that has nearly killed me to get ready in time) that presents an ORIGINAL Feature-Length crossover between Gargoyles and The Spectacular Spider-Man, with EVERY voice actor guest performing with fans.

We have a Banquet with a pro/guest at every table. We have our "Mug-A-Guests", i.e. a chance for a small group of fans to chat with individual pro/guests. We have the Masquerade and Dance.

We have fan/pro discussion panels on Gargoyles Biology and Culture, mythology, ABJD, Fanfiction, etc. We have Mature Content programming -- including Edmund Tsabard and his Angels at the Blue Mug.

We have Universal Studios and Universal CityWalk right next door.

And we have the opportunity to purchase all three Gargoyles Trade Paperbacks, both volumes of Clan-Building and Bad Guys: Redemption. Plus the auction features more gargoyle merchandise than you could possibly carry home. Great art at the art show.

And a few surprises...

Anyway, if you're anywhere near the Universal Hilton in Los Angeles, we hope you stop by. Let's make this last Gathering the best one yet!

And I'll see you back here at Ask Greg next week...

Oh, and as always, PLEASE, PLEASE, PLEASE post Gathering journals here at ASK GREG!!!!!

Thanks,

gdw

STONE OF DESTINY -- SPOILERS!!!!

STONE OF DESTINY -- CLAN-BUILDING, VOLUME TWO SPOILERS!!!!

GXB sent me a question about the Stone of Destiny in Clan-Building. He wrote:

"Just to be clear... Xanatos has the original Stone of Destiny? Scotland has a fake? That's... kinda cool. :)"

Now, of course, I shouldn't have responded. The book SHOULD either stand and fall on it's own. But of course, if that was my policy, we wouldn't really have ASK GREG at all, would we?

I apologize that I wrote with so little clarity that an explanation is necessary at all, but here's my answer to him, and before the rest of you get a chance, to all of you:

You're missing the point.

Which was the original, the one Moses sent with Gathelus or the one Moses kept and used to bring forth water in the desert?

Which was the original, the half that stayed at Tara or the half that sailed to Dalriada? (Note that both halves are the same size as the so-called "original".)

Which was the original, the one that was kept in London or the one that became the Blarney Stone?

There is no original. There is no fake.

But if you're asking where the specific stone that had been at Westminster went, Peredur has it in Carbonek. Look at the timeline. Xanatos switched the stone at the bridge and was about to make a DOUBLE switch at Leith before Blanchfleur came to pick it up. He was planning to keep the one he assumed was the original, when the stone itself told him it was pointless. So he gave Blanchefleur the stone the Illuminati wanted, i.e. the Westminster stone.

Xanatos kept one of the two "fakes" and Edinburgh has the other "fake", except both are still real stones. (It's not like they're paper mache or something.) And ANY stone can be THE stone.

Gargoyles: Clan-Building, Volume II TPB

Reports indicate that the Gargoyles: Clan-Building, Volume II TPB has arrived in some (though not all) stores, and is being shipped out from SLG and other sources. As most of you know, this trade contains the previously published issues #7 & #8, plus the unpublished issues #9- #12. There is TONS of new material here, tons of revelations. Tons of new canon. And if we hope to get more Gargoyles comics of any stripe in the future, it is imperative that this volume sells. If you don't have it already, I'd recommend purchasing Volumes I & II together. Read the stuff in order in (more or less) one sitting, and you'll get more out of it.

If your store doesn't have the book, ask them to order it for you!

And please, please, please, help us SPREAD THE WORD!!!!

Thank you.

TRADE PAPERBACKS!

Hey gang,

I know -- and share -- the frustrations over the vague release dates of the two remaining trades. Both are DONE. So it's just an issue of getting them from the printers, through customs, out to Diamond and then into stores, etc.

BUT, Dan Vado has ASSURED me that all three trades (GARGOYLES, CLAN-BUILDING, VOLUME ONE; GARGOYLES, CLAN-BUILDING, VOLUME TWO; GARGOYLES: BAD GUYS, REDEMPTION) will be available for purchase at the Gathering. Hopefully, they'll be available everywhere sooner or at least shortly thereafter, but at the very least -- if you come to the con, you can get the books!

Hermione R.I.P.

Our basset hound Hermione passed away in her sleep yesterday. She had a large inoperable malignant cancer tumor, so it wasn't a shock.

I know it must seem like we go through these dogs rapidly, but that's because my wife and kids always choose elderly dogs from the Basset Rescue Ranch, because they feel that everyone always wants the puppies and young dogs, and the old ones never find a home. So we get dogs. They're old. They die. My family grieves. And we start the process again... all too often, I guess.

We still have one basset left, Murray. Plus our cat Emmy. I'd like to put off getting any more pets for the time being, but it's never up to curmudgeonly me.

Hermione was a handsome girl, definitely the Alpha Female of our pets. Very common sense. We'll miss her.

Blue Mug Productions

Blue Mug Productions is up and running!

If you're 18 or over, check out http://www.bluemugproductions.com/ for the very latest in story-driven mature content.

They've got preview pages of the web-comic LAST TENGU IN PARIS, so you can see what you're missing. But I suggest getting a membership which gives you access to all existing pages of LAST TENGU, as well as a forum, Gallery, even an ASK EDMUND feature and more. This is good stuff. You don't want to miss out.

[Okay, Edmund, I gave you your damn plug. Now put down the gun...]

ComicCon 2009

Hey gang,

Had a fun convention. We had 100 copies of Clan-Building Volume Two on sale, and they went like hotcakes. David Hedgecock and I did multiple signings.

Also did a signing at the Ape booth for Mecha-Nation with Vic Cook.

And Vic, Sean "Cheeks" Galloway, Josh "Spider-Man" Keaton, Robert "Vulture" Englund, Kelly "Sha Shan" Hu and myself had a successful Spidey panel on Sunday.

Saw friends. Ate meals. Bought a Captain Atom action figure.

Good times.

SAN DIEGO COMIC-CON 2009

Hey gang(s),

Here's my basic itinerary for SAN DIEGO COMIC-CON 2009. You can find me at the following places at the following days and times. So I hope you'll stop by and say hello!

THURSDAY, JULY 23
11:30am - 1pm - SLG BOOTH.
David Hedgecock and I will be signing Garg stuff. Dan Vado assures me, we WILL have 100 copies of GARGOYLES: CLAN-BUILDING, VOLUME II, sent FED EX directly from the printer. We might even have copies of GARGOYLES: BAD GUYS: REDEMPTION, although that's not definite. And of course we'll have copies of GARGOYLES: CLAN-BUILDING, VOLUME I, as well as individual issues of both series. We're also hoping to have a prototype of the Electric Tiki Goliath statue on display.

FRIDAY, JULY 24
4 - 5:30pm - SLG BOOTH.

SATURDAY, JULY 25
2 - 3pm - APE BOOTH.
Vic Cook and I will be signing promotional postcards and talking about MECHA-NATION, our new comic book series (with Greg Guler and Antonio Campo). This was a project that was seen at a couple of Gatherings and was previously announced with SLG. Unfortunately, SLG had to bail, but the good folks at APE scooped it up.

3:30 - 5pm - SLG BOOTH.

SUNDAY, JULY 26
10 - 11am - ROOM 6A.
THE SPECTACULAR SPIDER-MAN panel. Vic Cook, Character Designer Sean "Cheeks" Galloway and voice actors Josh "Peter Parker/Spider-Man" Keaton, Kelly "Sha Shan Nguyen" Hu, Robert "Vulture" Englund and Greg "Donald Menken" Weisman will all be there, talking, answering questions and showing NEVER BEFORE SEEN FOOTAGE. This is not stuff you'll find on as-aired episodes or DVDs or YouTube or BitTorrent or anywhere else -- except maybe the Gathering next month.

12:30 - 2pm - SLG BOOTH.

NOT A TRUE STORY...

So I stopped by the bank this morning, because my wallet was totally cash-free. Both ATM's are "Out of Service" so I go into the branch to get some money. It occurs to me that I haven't actually been inside a bank in many months, maybe in a couple years. But here I am in the single rope-line that traverses back and forth in front of the tellers. The line is fairly long -- probably because the ATMs are down. Within a minute or so, there are a few people behind me and about a half-dozen in front of me.

The next customer achieves her teller, and I turn the corner so that I'm now facing the entrance to the bank. My eyes are wandering about, bored mostly, when I notice a tall man enter the bank wearing a trenchcoat. Now, it's July in Los Angeles, so this is odd. And maybe I'm kidding myself -- I am a cartoon writer, after all -- but the security guard who's standing by the door, seems to think this is odd too. He takes a few steps forward to keep an eye on this guy.

Trenchcoat marches right up to the end of the line, and says -- not loudly, not muttering: "The A.T.M.s are out of order." The guy at the end of the line turns at this and nods curtly to Trenchcoat. Then Trenchcoat says: "Get out of my way." End-of-the-line gives him an incredulous look. If he says anything at all, it's too quiet for me to hear (and I'm about two yards away).

Then shouting "GET OUT OF MY F***ING WAY!", Trenchcoat pulls -- I kid you not -- a goddamn MACHETE from out of his coat and swings it down at End-of-the-line over and over. But -- and it's a huge but - he's not hacking at him. He's WHACKING him with the FLAT of the blade. End-of-the-line is holding up his arms defensively and screaming. I don't think he even realizes he's not being chopped into horror-movie bits. All he sees is this maniac swinging a machete down at him.

Meanwhile, nearly EVERYONE in the bank -- myself included -- does absolutely nothing. We all stand, rooted to our spots. Maybe we're too shocked to react, maybe too afraid. I remember noticing that Trenchcoat is hitting him with the machete instead of cutting him, but still I don't move. I don't even run away, let alone help. I just stand there.

The only person who does react is the Security Guard, who is standing behind Trenchcoat. There can't be anyway for him to know that End-of-the-line is not being horribly murdered. Security Guard pulls his gun. He says something like "Drop the knife!" (He said "knife", but it really was a machete.) Trenchcoat turns to face Security Guard, holding the machete high. He does not drop it, but takes a step toward Security Guard, who promptly shoots him twice. The gunshots are very loud, and I can almost still hear them echoing in my eardrums. Trenchcoat goes down. The machete clatters to the (probably faux) marble floor. The Security Guard advances quickly and kicks the machete out of Trenchcoat's reach. It goes skittering across the (probably faux) marble floor until it hits the carpeted area where the loan officers have their desks.

Security Guard then kneels beside Trenchcoat, who is lying on the (probably faux) marble floor, breathing heavily with his eyes open. Security Guard, keeping his gun aimed the whole time, pulls open Trenchcoat's coat. I lean forward and see that Trenchcoat is wearing what appears to me to be a bullet proof vest of some kind. In any case, there's no blood that I can see.

The police arrive almost immediately, which suggests that at least one of the tellers was not quite as paralyzed by events as I was and hit a silent alarm. End-of-the-line is freaked out but basically fine. He has some nasty welts and a few extremely superficial scratches on his arms, I suppose from where the edge of the blade dug into his skin a bit. The cops insist on him going to the hospital. An ambulance arrives to take Trenchcoat away. One cop actually suggests that End-of-the-line get in too. Unsurprisingly, End balks at riding with the guy, and then makes it clear he's not even willing to go to the same hospital as "that F***ER". He eventually gets in a squad car and is driven away.

They keep all of us there for about two and a half hours. I talk to a uniformed officer and then to two plainclothes detectives. I tell them what I saw, but I have more questions than answers. I get no answers. And since I knew I wouldn't get any, I make very little effort to ask the questions. Finally, they take my information and let me go. I leave, passing the useless ATMs as I go.

It's all like some really bizarre performance art, and now that it's over I can't help wondering if that's exactly what it was. But if so, it was incredibly elaborate and damned irresponsible.

But in any case, that's why I'm broke and late for work.

CONVERGENCE converges with the GATHERING

I just got the following e-mail from a buddy on the staff of CONvergence (http://www.convergence-con.org/), which is taking place NOW:

Hi Greg!

I'm at CONvergence, and I am seeing flyers all over the hotel
advertising for the Gathering. They are having over 40 guests? Wow!

So thanks to those posting our flyers at ConVergence (my second all-time favorite convention). Have a great con!

But don't miss the Gathering, which as of yesterday actually has OVER FIFTY GUESTS attending! Fifty and counting. Soon the guests will outnumber the fans. ( And, dude, I wish I was kidding.) You will NEVER find a better fan to pro ratio at any convention ANYWHERE, ANYTIME!!!! Sign up now at http://www.gatheringofthegargoyles.com/g2009/ !!!!!

Comment Rooms

Before I begin, let me make something perfectly CLEAR. The Station 8 Comment Room is NOT my comment room. It is the property of and under the management of Gorebash for him to run as he sees fit. Personally, I like the Comment Room as is. I'm not a big fan of forums. If the vote goes that way, and Gore decides to make a change, so be it. But I voted against the change. My problem/issues with the comment room is about the (occassional) bad behavior of some people who post and what I perceive as the over-reaction of other people (often the same people, I suppose) to what I perceive as innocuous (or only slightly bad) behavior. But to reiterate, I stand by whatever decision Gorebash makes.

So what follows is only my opinion. Not even that really. What follows is my brother's opinion. And it's not even his opinion on the Station 8 Comment Room or on anything Gargoyles related. As some of you know, my brother, Jon Weisman, has a blog: http://latimesblogs.latimes.com/dodgerthoughts/

This blog on the Los Angeles Dodgers gets more hits in a day then we get here in a week. Or two. Probably even three. One of the main features of his blog, one of the things that he has told me is a big draw for DodgerThoughts, is the comments that his readers post regularly, their exchanges and their dialogue with him and with each other. So Jon has developed some basic guidelines for commenting that I think are calm and intelligent and worth considering for what we do at Station 8. Here they are:

Dodger Thoughts Commenting Guidelines
Thank You For Not ...
1) using profanity or any euphemisms for profanity
2) personally attacking other commenters
3) baiting other commenters
4) arguing for the sake of arguing
5) discussing politics
6) using hyperbole when something less will suffice
7) using sarcasm in a way that can be misinterpreted negatively
8) making the same point over and over again
9) typing "no-hitter" or "perfect game" to describe either in progress
10) being annoyed by the existence of this list
11) commenting under the obvious influence
12) claiming your opinion isn't allowed when it's just being disagreed with

I think these guidelines are very common sense and with the possible exception of #9, apply directly to Station 8. #12 seems particularly applicable. I'd actually add a #13:

13) thinking that just because no one has responded to your post that you are unwelcome. (Your post may simply have inspired no comment.)

These guidelines seem SO straightforward to me, I was stunned to learn today that some people over at DodgerThoughts OBJECT to them. So here's the post Jon made responding to these objections:

Dodger Thoughts commenting is healed - in practice, if not in spirit
After nearly two months, the folks at Typepad have finally solved the bug that prevented comments at the bottom of a page at Dodger Thoughts from appearing until several had been cached. So in that respect, we're back to smooth sailing. Any of you who departed out of frustration, please feel encouraged to return.

On another commenting note, some have voiced to me, either on the site or in e-mail, dissatisfaction about the commenting guidelines and a feeling that only one point of view at Dodger Thoughts is tolerated. I'd like to address these concerns in this post. ...

Starting with the guidelines ... I realize that they are not everyone's cup of tea, but I still feel they do far more good than harm. Conversation can quickly become heated on the Internet, and I firmly believe the guidelines keep things from getting out of hand. It'd be nice if we were all mature adults -- but we're not. Myself included.

The guidelines are meant for everyone, and they apply to the most diehard regulars. If, for some reason, you feel that a comment has been posted that should be deleted, don't hesitate to let me know, either here or via e-mail. If you find the guidelines too confining, then consider the big picture of what they accomplish. If that big picture doesn't look attractive to you, well, I've learned all too well that I can't please everyone. Believe me, it's been humbling.

There are a few other points I'd like to emphasize:
*Although off-topic conversation is allowed at Dodger Thoughts, it is meant to broaden the discussion and the community here, not narrow it. If someone's talking about television when you want to talk about Chad Billingsley, then make a comment about Chad Billingsley. There's nothing stopping you.
*No Dodger Thoughts rule prevents a point of view. Every point of view is welcome.
*People who agree on some issues disagree on others. We're all human.
*There is no ban on any style of conversation that would be allowed in a civil, offline venue.

One quirk that occurred to me overnight is that the people who complain the most about the site's rules tend to be the people who, frankly, are most protected by them. A primary purpose of the comments is to safeguard those who have minority viewpoints.

Since more than one reader is encountering this problem, I take it very seriously. I want to remind people to treat everyone with respect -- especially those with whom you disagree. This is of the utmost importance.

At the same time, I'd like to remind those whose comments meet opposition that disagreement is not censorship. It's easy to become defensive -- it happens to me, like anyone else -- but if someone is rebutting with you without attacking you personally, the simple thing to do is respond to the rebuttal. Or write it off. The point is, we're all here for the same purpose.

If you feel you are being chased away, let me know. But first, examine if that's truly happening. It's not easy to be in the minority on an issue, but inevitably, someone is going to be.

My transition to The Times has not gone as smoothly as I had hoped, for three reasons that I can name (not counting the requirement to capitalize both Ts in "The Times"). One has been the technical problems, and another has been a bit of a culture clash between readers.

Perhaps the oddest wrinkle in the transition has been the effect of the Dodgers surprising all of us by having the best record in baseball. That itself has led to a divide between those who find some complaints about the team petty, against those who feel that no problem is too small even when the team is winning.

It's not so much that there's heated disagreement on the main issues, as there is disagreement about how to respond to those issues. For example, I would say a minority of readers believe Matt Kemp should bat low in the order, but a majority feel it hasn't been worth losing sleep over. A minority of readers think the Dodgers have a playoff spot locked up, but a majority don't seem to think it's time to panic. And so on.

I can see both sides. The level of negativity this season has struck me as remarkable and kind of depressing, not because I'm a knee-jerk defender of all things Dodgers (another accusation I've encountered more than once lately) but because I simply want to savor the good times as they happen. That being said, I should probably be more tolerant of the negativity and not make such a big deal of it.

But also, maybe that means that some other commenters shouldn't make such a big deal over some things as well. From the site's very first day, long before commenting was even a notion, I've wanted Dodger Thoughts to be a place to seek perspective on the team (and the sport, and life). That doesn't mean a "No Griping" rule. But it does imply that the gripes should have a sense of context -- and sometimes, I feel that is lacking.

In the end, I consider this site my responsibility. As we near the All-Star Break and I look back at the first half of the season, aspects of site management that I could have handled better shout out at me. I am going to do my best to improve over the second half of the season, which may bring us a breezy jaunt to October or a tense pennant race. I hope, win or lose, people continue to find this a nice place to hang out.

Greg again here. What strikes me is that even though Jon is discussing very specific Dodger-related issues above, it's stunning how much this seems to apply to us here at Station 8.

*Griping is totally legit. But griping without any sense of context does get old and leads to temper flare ups.
*The MORE you disagree with someone, the MORE respectful you should be. If you can't be respectful, don't respond. Or at the very least, GO AWAY for an hour or two until you calm down.
*Don't sink to the level of the most obnoxious posters. If we've got a troll, it does NOT help to troll back at him or her.

I think it would be a good idea, no matter what format the comment room takes going forward if some version of the DodgerThoughts guidelines were adopted and POSTED on the sidebar for everyone to see every time they post.

Again, that's merely my opinion. Gore can and should simply do whatever he wants.

Finally, I want to thank my brother, whom I admire to no end. I'm sure he has no idea of the problems we had here last week. It's not like I planned to post anything else on the subject. But there it was. This incredibly well-written common sense response to a problem he didn't even know I was having. Thanks, Jon.

Spidey Ratings

FYI:

THE SPECTACULAR SPIDER-MAN episode "Blueprints" delivered 1.57 B6-11 rating, up +76% from prior 4 week time period average, retaining 89% of Catch that Kid lead-in in B6-11 and delivering the time period's highest B6-11 Rtg in over one month… since THE INCREDIBLES on 5/4/09.

"Destructive Testing" delivered 1.86 B6-11 Rtg, its highest ratings yet on DXD, while up +54% from prior 4 week time period average, delivering the time period's highest B6-11 rating in over one year...

Last Gathering

The announcement has been made that the current Gathering of the Gargoyles (the thirteenth annual) will be the last in this form. I'm saddened by this of course, but even more saddened by some of the vitriol I've seen toward the constaff. So I posted this at Station 8:

Hey folks,

Thought I should speak up. In part to defend my friends, I suppose, but also just to make my position on all this clear.

I'm the person who suggested we end the thing. Me. Frankly, I was simply horrified to discover how much of their own MONEY the con staff was putting toward the convention year after year... with it costing them increasingly more with each succeeding convention and with attendance falling at a steady clip. And that's on top of the incredible amount of hard work that these people put in. There have been other individuals and groups who have run individual Gatherings here and there, but most burn out after one year and don't do it again. This group volunteered their time year after year. Stuck with it when others wouldn't. They deserve praise, not scorn.

Are they my friends? Of course. Are they loyal to me? I think so. I like to think I'm just as loyal to them. Are they cliquish at times. Yeah. I've noticed that too. It happens with any group of people who work very hard together to do something and, frankly, feel largely unappreciated for their efforts. They get tight.

But I don't buy the notion that this is an impenetrable clique -- especially since new members join the group all the time. I've known some of these folks for over a decade. Others, just for a couple years. And even if you aren't admitted to this so-called "Inner Circle", what difference should that make? The Gathering is big enough for multiple cliques. Big enough for you to bring your own clique. The Gathering has interesting and informative events whether or not you're in ANY clique.

When someone asks "Why would I want to give any money to hang out with people who have no interest in including me?" I think the question itself is off point. They're throwing you a convention! They're including you! Does that mean they have to personally enjoy your company? Personally, spend time with you? That's unreasonable. You may be great. You may be annoying. I don't know. But they don't have an obligation to coddle you. Just to put on a great show, which I think they've done year after year.

And you're not paying to spend time with them anyway, you're paying to attend the con. Or not. No one's holding a gun to your head, but then don't complain if the thing isn't somehow able to continue indefinitely on SOMEONE ELSE'S DIME.

Don't get me wrong. No one is going to miss the Gathering more than I. I think there's some real truth to the accusation that the thing became Greg Weisman's annual ego boost. Because without a doubt it is a HUGE ego boost for me personally. Year in and year out, I have a blast. I'm treated VERY well, and I enjoy that treatment. I'd be lying if I said otherwise.

But it's not as simple as that. For starters, the reason that the con has consistently featured me and the various series that I've worked on is because I'm willing to do the work to help put the convention together. Frank Paur, just as an example, is ALWAYS welcome, but he doesn't always choose to come. I ALWAYS want to be there. So it's something of a not-so-vicious circle. I provide the convention with contacts -- and the convention uses those contacts to hold panels on Starship Troopers or WITCH or, this year, The Spectacular Spider-Man. All of which is an attempt to INCREASE the attendance by bringing in other fandoms and exposing them to Gargoyles. It's worked to some degree, but not enough.

I've also provided contacts for shows like Darkwing Duck and TaleSpin and Kim Possible, and we've had panels on those that I wasn't a part of because my involvement on those series was nearly non-existent. But I knew those guys, so I got 'em to come. I'm sure everyone would have loved it if I had gotten, uh, say, the Avatar/Last Air Bender guys to do a panel on that show. Trouble is, I don't know those guys. So no luck.

And, hey, I did create the show that we're theoretically celebrating. I am the guy who's fought to get the DVDs and the comics, etc. It's because of the fandom that I never gave up. But it doesn't change the fact that I'm the guy who never gave up. So maybe it's not SUCH a bad thing that I've been the primary beneficiary of the con. Or maybe it is. I'm not going to worry about it.

What I am going to do is enjoy the last convention. I really think we'll be going out with a bang with a ton of special guests. And, ironically, because of the low attendance the BEST FAN-TO-PRO RATIO you'll find at any convention EVER!!! If you can't afford to come this year, we're very sorry. We'll miss you. Really. But if you can, you should try, because once again, I think it'll be a great show.

But of course I'm biased. ;)

And as Jennifer pointed out, if anyone else wants to have a Gargoyles convention in 2010 or 2011 or 2198, no one's stopping you. I'm still willing to attend, still willing to help. Or willing to stay away, if that would be best. But I'd advise thinking long and hard about both the time commitment and the financial aspect of it before jumping in. Cuz it's tough. Not for me. It's easy for me. But for whomever happens to be the constaff in any given year, it's a lot of work and not cheap.

Now, I suppose for some people, all I've done in this post is prove their point. I'm tight with the constaff. They're tight with me. All true. But they've still put out an open invitation year after year to friends and so-called-foes alike. All they're really saying is that they're done. You think you can do better? Go for it!

Greg Weisman

Oregon Shakespeare Festival 2009

I've been meaning to post this all week.

Last Friday, my family and I headed up to Ashland, Oregon to attend the Oregon Shakespeare Festival. The Festival runs for nine months a year, producing 11 different plays. During the summer months, there are nine productions going on in repertory at any given time. We saw five plays in three days, and just had a blast.

We started Friday night with Shakespeare's HENRY VIII, and this was the best production of this play I've EVER seen, including the production I saw in London years ago. Vilma Silva as Katherine and Anthony Heald as Wolsey were both fantastic.

On Saturday, we saw EQUIVOCATION, a new play by Bill Cain that was the highlight of the entire trip (which is saying a lot)! Equivocation is set during the reign of King James I of England (a.k.a. James VI of Scotland). William Shagspeare has been commissioned to write a play about the Gunpowder Plot, and his attempts to tell the truth -- and not get hanged in the process -- are played out. The cast of characters includes his daughter Judith (and for those of you who saw my "Doc Shakespeare" radio play at the 2005 Gathering in Las Vegas, you can imagine how fascinated I was by this), the King, SIr Robert Cecil, Guy Fawkes and various members of the Kings Players. It also features bits of King Lear, Macbeth and Henry VIII, giving a sense to the origin of those plays as well as Shakespeare's later "romances" such as Pericles, Winter's Tale, Cymbeline and The Tempest. Anthony Heald, so good the night before as Cardinal Wolsey is fantastic as Shag. An actress, whose name escapes me unfortunately, is wonderful as Judith. (She played Anne Boylen in Henry VIII) and four other actors (all fantastic) cover all the other parts. I liked this play so much, I immediately went to the gift shop and bought the text. And stayed up reading it that night.

Saturday night, we went to see a Nigerian play called "Death and the King's Horseman", based on a true story and set during World War II. This was a fascinating look at African vs. European (Western) values and theater.

Sunday, we saw Shakespeare's MACBETH. I've seen a LOT of productions of Macbeth of course, but there were a lot of cool elements to this version, including a sense that the Weird Sisters weren't done with Fleance at the end, which was something completely fresh to me. It was also great to see it right after seeing Equivocation.

Finally, Sunday night we saw a wonderfully funny production of MUCH ADO ABOUT NOTHING.

In addition to the shows, we had a number of wonderful meals -- and okay, a couple mediocre ones too -- in Ashland. And my daughter, father and I had a great hike through an absolutely gorgeous park.

All and all, I can't recommend the Festival, Ashland and especially EQUIVOCATION enough.

Spidey on Disney XD

FYI, Disney announced this morning the rollout of SSM Season Two on June 22 with two back-to-back episodes: "Blueprints" and "Destructive Testing."

For times, check local listings.

Spidey Ratings

Folks at Sony are feeling pretty good about Spidey's recent ratings on Disney XD. Here's some info...

Returning to its regular time period, THE SPECTACULAR SPIDER-MAN "Nature vs. Nurture" delivered a season high 1.71 B6-11 Rtg, up +67% from its season average (1.02).

The 18-episode marathon on 5/25/09 improved significantly over the time period's prior 4 week average… +279% in B6-11 Rtg, +250% in B6-14 and +226% in B9-11.

Second Season episodes will begin airing Monday 06/22/09. Check local listings for times.

SERIOUSLY...

It's the return of the giant invisible flying monkey brain. Damn thing won't leave me alone. Where's Mongo Mingi Mungu when you really need him?

TRADE NEWS!!!!!

Today, I e-mailed Dan Vado at SLG, asking about the two trades. Here's his response:

Hey Greg,

I was going to be emailing you this week.

Gargoyles I have scheduled for July, and that looks good for Comic-Con. Bad Guys I have scheduled for August and it a possibility for comic-con, but not a lock.

The Gargoyles trade will be in the May issue of Previews, I cannot stress enough that the fans really need to come out of the wood work on this one (not that they were in the wood work, but you know). They need to be "annoying" (i.e. pushy with retailers) as they can be because with the economy what it is right now nothing short of a huge groundswell of apparent demand wll get some of these guys (comic retailers and regular booksellers alike) to even buy a single copy. I am not a fan of getting people to be annoying, but this is going to be a case where it is needed.

Likewise Bad Guys (June Previews) will need an even BIGGER boost. I separated them because I did not want them to cannibilize each other sales-wise.

There you go, hope all is well with you...

Dan

So that's the news, both the good and the scary. I know I sound like a broken record. I know the fans shouldn't HAVE to be responsible for this, but if the fans don't, who will? I'll do my part. And Dan will do his, relative to his limited economic resources. But we NEED the fans to really step up and do two things:

(1) SPREAD THE WORD!!!! Please make sure EVERYBODY knows about these trades (and Volume 1 too).

(2) HARASS YOUR RETAILERS!! Make sure they KNOW how much you want these books. Pre-order them!! Put them on your pull lists!! Talk them up to every employee of every store!

Please!!

Remember, if these trades do well, we might be back with more original stories sooner than later. If they don't, it'll make it MUCH harder for SLG to justify risking more on the property, much harder to convince Disney that the property is viable and much harder to convince any other publisher to give us a shot.

Thanks,

gdw

ASK GREG is back, MARCH 23, 2009.

Ask Greg will once again open for question submission on March 23, 2009, which is coincidentally the date of The Spectacular Spider-Man's premiere on DisneyXD. (Okay, so maybe it's not exactly a coincidence.)

I would ask -- even beg -- that you carefully read the submission guidelines before posting here. In particular, PLEASE check the archives and the questions-already-asked sections before posting a question that's already been asked and/or asked AND answered. Try to avoid FLOODING Ask Greg, as it will only serve to slow down my ability to respond in a timely fashion. As always, comments are encouraged and appreciated... on Spidey or Gargs or whatever.

Thanks in advance...

Latest bit of news...

Hey gang,

Back from WonderCon. Had a nice Spidey panel, among other things. (I enjoyed the screening of the Wonder Woman direct to DVD.)

Also talked to Dan Vado. He assures me that the two trades (GARGOYLES: CLAN-BUILDING, VOLUME TWO and GARGOYLES: BAD GUYS: REDEMPTION) will both be out in time for this summer's Comic-Con in San Diego.

WonderCon 2009

Hey gang,

I'll be attending WonderCon 2009 this week in San Francisco.

I'll be signing Gargoyles stuff at the SLG Booth on Friday, February 27th from 4-6pm and on Saturday, February 28th from noon to 2pm.

We'll also have a Spectacular Spider-Man panel on Saturday, February 28th from 3-4pm, where Vic Cook, Sean Galloway, Josh Keaton and myself will have a Q&A and be premiering footage from Season Two, some of which hasn't even been shown yet in Canada or Bulgaria! That'll be followed by a Spidey signing from 4-5pm.

Hope to see some of you there!

UPDATE as of January 2009

Hey gang,

Today's my last day at Sony. I'm packing boxes. (Well, actually, I'm doing this and procrastinating on the packing, but you get the idea.) The last of the Spidey crew is laid off tomorrow, when we deliver the last episode of Season Two. The fact that we're all leaving does not preclude us all from coming back to do a third season, of course. But we've been told that the EARLIEST we could get a pick-up is March, when the series premieres on Disney XD. If I'm available, believe me, I'll be back. But I'm hustling up work now, so we'll have to wait and see. In the meantime, the second season has already premiered in Canada. Hope you Canadian fans are enjoying it. We're really proud of the work done on all 26 episodes.

Meanwhile, on the TRADE PAPERBACK front... As of today, ALL OF THE CREATIVE WORK on the GARGOYLES: BAD GUYS REDEMPTION trade is completed. Totally done. As for the Gargoyles trade, there is ONE lettering error that still needs to get corrected, and THEN ALL OF THE CREATIVE WORK on GARGOYLES CLAN-BUILDING VOLUME II will be done. I do NOT yet know when either trade will be released. That's a Dan Vado question. But I'll post info here as soon as I have it. I will NOT be responding to every rumor or speculation. I'm only going to post when I know something definitive. But believe me, I have no interest in keeping this info from you. When I know, you'll know.

It's been brought to my attention that there's a Goliath sculpt out there that looks pretty darn cool...
http://www.toyark.com/news/attachment.php?do=fullview&attachmentid=3072
http://www.toyark.com/news/disney-toy-news-38/bowen-releasing-new-gargoyles-goliath-statue-722/
As usual, I would never ask fans to spend money they need for necessities, but if you do have disposable income, then nothing helps the property more than dollars spent on products based on it.

Also, IGN's recently presented us with a few nice little honors. Spidey won Best Hero of 2008 (Spidey beats Jack Bauer!) and Best Animated series of 2008... plus we were nominated for Best New Series too. Also in their top 100 animated shows of all time, Gargoyles received #45 and Spectacular Spider-Man was #30. I might quibble about some of the included shows and some of the rankings (Jonny Quest was ROBBED!!!!), but it's nice to have both shows in the top 50.

Check out:
http://bestof.ign.com/2008/tv/15.html
http://bestof.ign.com/2008/tv/5.html
http://tv.ign.com/top-100-animated-tv-series/45.html
http://tv.ign.com/top-100-animated-tv-series/30.html

Finally, preparations are well under way for the Thirteenth Annual Gathering of the Gargoyles in Los Angeles (G2009). This year, it's Goliath meets the Spectacular Spider-Man, as we'll be having panels and guests from BOTH shows! Confirmed guests include myself, Vic Cook, Thom Adcox, Keith David, Josh Keaton (voice of Spidey/Pete) and Phil LaMarr (voice of Rand Robertson, Joe Robertson and Fancy Dan). And that's just the tip of the guest iceberg. Expect a metric ton of pros (writers, artists, voice directors, actors, production people) to sign on over the next few months. The ratio of fan to pro at this convention will top anything you can find anywhere. Don't miss it!

http://www.gatheringofthegargoyles.com/

And that's it for now. We'll reopen ASK GREG for questions and comments when Spidey premieres in the U.S. in March or when one or both of the trades are released, whichever comes first.

Take care,

Greg Weisman

Emru Townsend, RIP

I only just read today that Emru Townsend passed away from Leukemia. See http://www.pcworld.com/article/153725/in_memoriam_pc_world_contributor_emru_townsend.html

I won't pretend I knew Emru very well. He interviewed me twice for FPS. Once on a conference call with Keith David. And once in person during the 2004 Gathering in Montreal. But during those two brief encounters, he immediately impressed me as a smart guy, funny and fun to talk to. He also had the kind of voice that just begged to be behind a microphone in a cartoon, and I do remember telling him as much.

My condolences go out to his family and friends.

I didn't know him well, but he will be missed.

Spectacular Spider-Man on DVD

I can't believe I forgot to mention this:

The first Spectacular Spider-Man DVD, "Attack of the Lizard" has been out for over a week. This does more than "collect" the first three episodes of our season, i.e. the ones featuring Vulture, the Enforcers, Electro and the Lizard. We've recut the episodes into a movie. I won't pretend it works as a film perfectly, but I really do think it plays well ... also restoring footage and sound effects cut for time and S&P reasons.

If you like my work on Gargoyles, I'm fairly confident you'll like what me and the team are doing with Spidey.

And I know this sounds ridiculously self-serving, but good Spidey sales raises my profile in general, which can't hurt us on the Gargoyles front.

Check it out!

ComicsonComics.com

Unless you're Blaise or GXB -- and saw it live -- you might want to check out the podcast I did for ComicsonComics.com:

http://www.comicsoncomics.com/?p=130

The high quality version is available on itunes.

I think it turned out well...

CON-ODYSSEY: CopperCon - Monday, September 1, 2008

CON-ODYSSEY: CopperCon - Monday, September 1, 2008
12:45am - Said goodbye to Lanny and headed down to my room to watch some TV and read.

4am - Went to sleep.

6:45am - Wake up call.

7:15am - Had the complimentary hotel breakfast, which I had never gotten up early enough to get. It was good. Had a cheese, tomato, mushroom omelette. Plus scrambled eggs, bacon, raisin bran, cheerios, corn flakes, oatmeal, potatos, etc. Sat with Mara, Jennifer, Patrick, David and conchair Gary. When breakfast was over, I said goodbye to Mara, Jennifer and Patrick.

8:15am - Shane and Caitlin took David and I to the airport. We said goodbye to Shane and Caitlin, checked in and then I said goodbye to David.

10:05am - Got on the plane.

11:35am - Arrived at LAX. No car waiting for me. Called. Called again. Finally, the car showed up.

12:30pm - Made it home.

And thus ends my 2008 Con-Odyssey. I'm done for the year with conventions. Had a great time at all of them. But I'm ready to stick to home base -- at least until WonderCon in February. ;)

CON-ODYSSEY: CopperCon - Sunday, August 31, 2008

CON-ODYSSEY: CopperCon - Sunday, August 31, 2008
2am - I went back to my room and read a bit.

3am - Went to sleep.

10:30am - Wake up.

12pm - Held a Spidey panel. Usually Q&A's easily fill the time, but the turn-out wasn't great, so I need to start preparing more.

1pm - Sat in on David Hedgecock's panel on producing a comic book. Lots of good info. Not a lot I didn't know, but still learned something new.

2pm - Shane took David and I upstairs to meet the constaff.

2:30pm - David, Jennifer, Greg, Lanny, Patrick, Mara and I went to Qdobe, where I had a steak taco salad.

3:45pm - We said goodbye to Greg Bishansky and then headed for Chase Stadium.

5:05pm - Marty & Lexy Lund bought us all tickets to the Dodgers-Diamondback game. It was me, David, Patrick, Jennifer, Mara, Lanny, Marty, Lexy and three of their friends: Kevin, Corey and Shasta. I had a kosher dog, water and a cheeseburger. Great game. Dodgers slayed the D-backs 8 to 1. After the game, we said goodbye to Marty, Lexy and their friends.

9:30pm - David, Lanny, Jennifer, Patrick, Mara and I went to the hotel restaurant for dessert. I had deep-fried cheesecake and chocolate ice cream (which may explain why I started a diet as soon as I got back to Los Angeles).

10:30pm - We closed down the restaurant and headed up to Jen, Patrick and Mara's room to hang out.

MORE TO COME...