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MARCH 22

This day in Gargoyles' Universe History....

March 22nd...

2198
Earth surrenders to the Space-Spawn.


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Vaevictis Asmadi writes...

Catching up on my reviews/feedback to the comics... random thoughts as usual, and not very thorough.

Unfortunately, I can't afford to buy the Trade Paperback, since I'm unemployed and low on money. Maybe someday. But I intend to continue buying the individual issues. I sincerely hope that the comic continues long after #12! And I really hope #8 comes around soon.

I forgot to mention, I like that #7 visually confirms that Delilah turns to stone like an ordinary gargoyle.

Issues #3-5:
I read these a while ago, and watched the Radio Play online before reading #5. Lots of new revelations about the Illuminati in this set. Overall, I didn't find the Illuminati stuff in the series as interesting as this. They really are sinister and scary. Whatever they're doing, it won't be in the clan's best interest.

Art
The different art styles in the three issues makes it strange to read them in sequence. Being the critic that I am, I notice many flaws, but I don't think that the art in #3 and #4 these issues was bad overall. I'm just not as good at describing the parts I like.
David Hedgecock's art isn't as good in this issue as in the latest issues drawn by him, which I already mentioned in my reactions to #7. It appears he was still getting used to all the various characters. Some good character asides are worked into the frames -- like Margot's obnoxious expression as she walks out of the meeting, and Brooklyn facing Malibu while Al talks to Shari. I don't understand the frame in which Talon is covered in warts, though. That wasn't in Metamorphosis, though it could have happened off-screen. I prefer Dustin Evans' shading style to Will Terell, but Morgan, Matt, and Thailog are colored oddly. I dislike the lines stabbing out of the gargoyles' eyes when they glow. As I've already said, Hedgecock's art looks best in #7, and with Robby Bevard's colors.
I quite like Nir Paniry's art on the Mutates, I think they looked very good. I also generally like his art for gargoyles' faces, I think he does good facial expressions in general (except the first page which looks more cartoony). I think he does a great job on Hudson. Talon's face when he says "I'm not leaving Maggie!" is especially well done, and very expressive. But the lines on Angela's face look like eyebrows. And I don't like seeing the gargoyles with such huge muscles. The split frame of Goliath's and Thailog's faces looks good. I also like the effect of the frame with just Goliath, Elisa, Morgan, and Delilah standing alone, as if the party is not all around them. It conveys the emotion of the situation (for Elisa and Goliath, at least) more effectively than words or faces could. I also enjoy the frame where Broadway and Lexington go after the food.
Karine Charlebois' art is amazing, it looks just like the animated show! The art in #5 is excellent, both the lines and the colors. Morgan still does look paler and Malibu's hair greener than I remember, but otherwise this issue is spot on the models in most frames. Brentwood is even drawn with the extra spikes he has on his shoulders. I am also pleased that the blood was drawn (not avoided) but also was not gratuitous or excessive -- especially considering that Thailog was not trying to kill anyone.
My main problem with these three issues is the inconsistency with the Mutates and the Clones, who are off-model in various ways in #3 and #4. In #3 the Mutates have tails. In both #3 and #4 the Clones have white teeth and red mouths, and Thailog and Brentwood look black instead of blue and purple. (Actually, I was kind of hoping at first that the Clones' mouths and teeth had simply changed to the normal color over time, as I find their black teeth and green tongues rather nasty.)
The inconsistency with Broadway's costume was less avoidable, though dramatic. Angela's footwear also seems to change from #4 to #5, but that is hardly noticable. Maybe they changed clothes?
In any case, such things also happened in the animated series, they were just harder to notice in moving images. They'll probably be rarer once every issue is by the same art team (you are going to pick a permanent color artist eventually, right? Please make it Robby Bevard!)

#3
Ugh, Margot. She's just so hateable. I don't really know why, some other antagonists are more of a threat.

I think Hacker is lying to everyone he talks to here. The Illuminati manipulates and uses its lower members. Probably Hacker isn't totally in the loop either. They can't want to kill all gargoyles, because they already know where the Manhattan clan sleep. I think I know what they're up to with the Quarrymen, Taskforce, and Xanatos, but would guessing in print be an idea?

The conversation between Lex and Fox is funny, though less than last time. But I notice he takes her word for it.

I really like how Goliath and Elisa's relationship is handled. Too many fantasy stories have inter-species romances in which the characters don't act at all sensibly. They just jump into it as though cross-species mating is normal and they expect healthy children and total social acceptance. But Elisa has a realistic reaction. She may be a gargoyle-lover, but she isn't crazy. Goliath's behavior surprises me more, that he has no doubts at all. Is it because falling in love after losing the first mate is so rare that he doesn't question it? Because his life is already so different from how he grew up, that he just goes with it?

LIMITED is right.

And Demona takes the crystal. Nice to see that, to know what happened to it.

#4
Hudson! I like Hudson, he's one of my favorite characters.
If people didn't want to believe real bad that gargoyles are just animals, if the idea of sentient gargs wasn't so impossible for a person, I doubt they'd fall for the "I'm wearing a mask" trik. No way a garg's face looks like a rubber mask.

"Excuse me? Cyborg." Somehow this line is very funny to me. But how does his costume just happen to be identical to the one in Future Tense? Did Puck see the costume in a prophecy? It can't be a coincidence. Of course it is only a costume, but from an in-the-universe point of view, the perfectly identical appearance is pretty creepy.

Go Claw! He has some guts in him.

Roebling is hilarious. Clearly he is wasted. And Delilah is so naive! Who would ever say such things in public, to total strangers... wow. English she has learned, but not basic social niceties.

I wonder why Alex is growing so fast. Is it his magic training? And I can't fail to notice that this Ambassador Chung has a son named Terry... he's pretty young yet, though.

I was very worried about Maggie when I read this. Now having #7 I'm not worried anymore of course.
Clearly Derek has a lot of feeling for her.

I love the way Owen handles Thailog. He knows that if his head is blown off, he will be dead like any mortal. But he's deadpan calm as always.
And that line about endlessly repairing the castle had me laughing so hard!

#5
The bloody cover of #5 with the Disney logo on it is ironic/amusing/strange. I'm sure most people don't expect that from a Disney comic! But I was sure you weren't ready to kill Goliath yet, so I didn't worry.

I already watched the Radio Play but of course it is much better with visuals. Because I watched the Radio Play, I get to hear Brentwood's hilarious lines in my head. I gasped along with the audience at the end.

There are Mary and Finella. It has to be them. And using their old clothes as costumes.

Morgan sure takes that news very well. That's kind of him.

I was very surprised that Duval is only #2, and I'm eager to learn who #1 is. We will find out eventually, right?

I laughed so hard at the Super-Garg pose! Brooklyn looks hilarious there.

Never expected Angela to start dropping profanity.

The way the clan treat the clones is kind of sad. I understand that for the Manhattan clan, the clones are unsettling and perhaps frightening, and it is difficult to think of them as being their own separate selves, partly because until now they have mostly seemed fairly passive, serving Thailog or going to the Labyrinth because they were told to. Yet I can also see that the Manhattan clan are being very inconsiderate and dismissive, and I imagine it makes the clones feel pretty bad.

I wonder about what led them to choose the Labyrinth over Thailog. Angela phrases it in terms of good and evil, but I have the feeling the clones did not reject Thailog for that reason. They aren't really old enough to have a good grasp of "good" and "evil" yet, though of course that isn't to say they can't or won't learn about such things in time. I think it was more a matter of freedom and slavery to them, than a concrete conviction that Thailog has done immoral things. Probably also it was a matter of their personal liking for the Mutates, and for each other, versus Thailog. Whereas Brentwood likes Thailog as a person more than he likes the Mutates or his siblings, but I don't get the feeling that he has a clear sense that Thailog has been "evil," either. I could be wrong, but it seems they are too young to expect that of them yet. Nevertheless, Delilah knows when she herself has been wronged, whether or not she phrases it that way. I was certainly surprised by her and Breentwood's choices here.

The scene with Jeffery Robbins is very nice. But does Hudson really smell like concrete? The stuff is made of limestone I think. And how does Robbins know that gargoyles are strictly nocturnal? Seems like the Quarrymen are telling people about stone sleep...
But I'm glad to see Robbins and Dr. Sato become friends to the gargoyles here, even knowing what they are. It even looks like Brendan was the one who got the doctor.

Quincy and Xanatos interacting is amusing. Xanatos making wisecracks at the #2... he's rather full of himself. But amusing.

In the end Elisa and Goliath kiss. And he says something very wise about free will. Brooklyn becomes funny. And Sevarius gets in a rather grotesque line.

Greg responds...

Glad you liked the run. I was pretty proud of it. Hope 7-9 works as well for you.

Response recorded on March 20, 2008

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Anthony Tini writes...

Greg,

I don't know if Peter Jackson or George Lucas are/were fans of Gargoyles, but an intro by either of them for the TPB Vol 2 would be awesome.

Also, I know you were a fan of Gummy Bears. Were the creators of Gummy Bears fans of Gargoyles? Maybe people involved in Gummy Bears like Art Vitello, David Block, Diane Dixon, Jymn Magon, Bruce Talkington, Alan Burnett, Bryce Malek, or Mark Zaslove could do an intro for you?

Maybe you can have a contest and the winning fan can have a shot at it?

Greg responds...

Bruce Talkington passed away, unfortunately.

I don't know a few of those people mentioned (like, say Lucas) and I'm not in touch with many of the others anymore, though I still talk to Jymn and Alan on occasion. I'm not sure they were gargoyles fans though. But they're good suggestions. Tad Stones might be good too.

Response recorded on March 20, 2008

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Ricky writes...

Hey Greg,

It would be incredible if you could get Joss Whedon to write the intro for Clan-Building Volume Two. I know that might be a bit of a stretch, but it would be great, and could probably turn some Buffy/Angel fans on to the series, who may have been previously unaware of Gargoyles.

Just a fanboy's wishful thinking.

Greg responds...

That would be great. But (a) I don't know him or any way to contact him and (b) I have no idea if he's a fan or even aware of Gargoyles' existence.

Response recorded on March 18, 2008

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Dustin writes...

Hi Greg,

I just watched the first two episodes of The Spectacular Spider-Man and I loved it!
I was surprised how young Aunt May looks, even younger than the Ultimate Spider-Man version, but that's fine, if there was one thing that always annoyed me, it was her poor health and the heart attacks she almost had, whenever Spider-Man was mentioned. A younger and stronger May is what Peter needs, he has enough things to worry about. I was surprised that Sally was included (let's face it, in the comics she's practically a nobody), the supporting cast is bigger than I expected. I hope we'll see more of the Bugle characters in the next few episodes, once Peter manages to take good pictures of himself.

I'm glad Mary Jane is not part of the show yet, I love her, but Peter had a life before MJ and it should be shown, if only for a few episodes, I'm pretty sure we'll meet her soon.

I thought the animation was great, and I like the character designs, although the eyes are kinda scary ... no pupils, strange.

I'm going to watch this show every week and I'm so buying the DVDs, you and everyone else involved did a great job!

Greg responds...

May doesn't look that young to me...

Response recorded on March 18, 2008

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Charisma82 writes...

Hey! I just thought I'd post my congratulations to you and all the talented people who worked on the new Spectacular Spider Man show. I watched it a couple days ago, so I'm not going to go into a big ramble on it, but I will write a few things I remember off the top of my head.

First things first, I LOVED the Spider Man humor. This is coming from a person who never read the comics, who heard how funny and witty Spiderman was, and saw the movies & was disappointed. The movies were good, but that humor wasn't there. I like how Peter is his smart-mouth self as Spiderman and then his nerd/geek self when he's back to Peter Parker. Great job at establishing the differences in his two personas.

I thought Peter's eyes were a bit huge. It kinda bugged me (pun intended). I can't remember the other characters that had huge eyes like that, but I definitely remember Peter had them.

I was suprised not to see MJ. For some reason I had the impression she was going to be in the TV series, but I guess she won't show up right away.

I liked having the variety of bad guys. I also loved all the hints in there about the bad guys to come.

And, most of all, the gargoyle cameos! And only a few seconds into the show! I recognized a Broadway looking gargoyle (at the beginning of the 1st show) and a Hudson looking gargoyle (that almost smashed into Spidey when he was fighting the guys in the helicopter).

All in all, I think the show started off well. I can't wait to see what else happens.

Thank you for your time and all that you do.

-Charisma82

Greg responds...

Thanks for watching!

Response recorded on March 18, 2008

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Phoenician writes...

Hey Greg,

A little behind on the my review for the comics, will get to those one day (just know right now I've loved each and every new issue that comes out:) ).

That said, I did want to post some random thoughts about Saturday's Spiderman. I must admit that my only exposure to Spidey thus far has been the 90's incarnation as well as the three feature films . . . I've never had the chance to delve into Peter's comic origins.

That said, some thoughts:

- Love seeing the tributes to Hudson and Broadway. Shame about the Broadway statue though. Don't the folks in Spidey's world know how much us fans would pay for a collectible Gargoyles statue?? :P

- You really are a weaver of great stories, and that can be seen with all the set-up of stories to come. We meet the characters of the Green Goblin, the Lizard, Venom, and (from what I've gathered in the CR) other Spidey antagonists that I never knew about. And though I vaguely knew about the Vulture and Electro (was Electro even in the 90's version? I can't remember . . .), I still loved these two episodes -- both characters had amazing lines.

- I'm totally sympathetic for Peter with his cell phone constantly ringing during his fights, and I have no good reason why. It's not like I've been webslinging in New York City fighting crime, right?

- Speaking of web-slinging, I found it interesting that Peter's using web-cartridges, instead of having spinners. I know the movies had Peter with spinners, and the 90's show had the web-cartridges.

- I also loved Peter ripping his costume. I think my favorite part of the films was just how much his suit got torn-up in his final battles, so that little moment gave me a chuckle as well.

- I could have sworn that the classic "bad-guy-crashing-into-fellow-bad-guy" trick from Gargoyles was going to be used in one of the aerial flights, but I can't remember if it actually happened or not. I don't think it did, but I really got the impression that it was going to happen. Maybe it was because Peter was on Vulture's back that triggered the thought.

- Love the Banana Cream Pie scene.

- I really love this version of J. Jonah Jameson. While I loved him in both the 90's cartoon and the films, my memory of him is that "His bark is worse than his bite, but his bark is still totally see-through." As of Spiderman 3, he was pretty much "cute." But Saturday was the first time I actually got scared from him. Was it the voice actor, the words he said, or just the animation of Jameson ripping one on Peter? Not totally sure -- but I know my eyes went as big as Peter's. So kudos on that!

That's pretty much it -- be happy knowing you've got at least one more college guy getting up early on Saturday Morning for cartoons!

Greg responds...

Daran Norris is brilliantly funny as Jonah.

Response recorded on March 18, 2008

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legion writes...

you said before that you came up with the name Thailog from listening to Goliath's name backwards but wouldn't it be spelled/pronounced htailog instead of thailog?

Greg responds...

No. Sounds don't respect spelling conventions. "TH" is a sound. In any case, it sounded like Thailog.

Response recorded on March 18, 2008

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Vaevictis Asmadi writes...

This is not a question, but a comment about "Heritage." I enjoyed the story (even though I prefer a less malevolent version of Raven), but I think there must be an error in it. Maybe you're already aware of it. I don't aim to make the show look bad, but only to inform you, because you have said you have future plans for Natsilane and the Haida.

The scene with the error is when Natsilane ascends the volcano to battle Raven. He is dressed in a buckskin jacket, buckskin pants, and a feather headdress. This is the kind of clothing that many people think of when they imagine a Native American chief, but this kind of clothing was only worn in or near the Great Plains. Before European clothing became common, each region of North and South America had a separate style of clothing, with further variation between the different cultures within each region. The traditional clothing in the Northwest Coast area did not include any buckskin or feather headdresses. In general, in the Northwest Coast people traditionally wore brightly colored woven cloaks and wide-brimmed conical hats.

Greg responds...

Thanks. Obviously, if your info is accurate, our character designer for that model of Natsilane didn't do his research.

Response recorded on March 17, 2008

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Anonymous writes...

hey i cant find places to watch gargoyls do u know were i can find places to watch them i tried megavideo and youtube but nuthin so can u help

Greg responds...

Try buying the DVDs!

Response recorded on March 17, 2008

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Greg Bishansky writes...

Just a few comments. I'm sure we'll discuss it in more detail soon.

Okay, first two episodes were pretty damn good.

- Loved Keith David as the unseen Big Man.
- Spidey's quips were funny, and as Pete he was very geeky and awkward, which was cool.
- I am really liking Gwen Stacy here, she's like a spunky version of Willow when she was in High School.
- On that note, you can tell that Greg is a Joss Whedon fan, but in a way, this had a bit of a Buffy feel, especially in the High School scenes.
- I liked Vulture a lot. The re-design was great. Loved hearing Freddy Kruger's voice come out of him.
- Electro was both an imposing an sympathetic villain. Crispin Freeman did a great job with that voice.
- Eddie Brock was great... I never thought I'd ever say that, but I like this Eddie. Giving him a connection to Peter is a brilliant move, which will make things all the more tragic when he becomes Venom.
- Cameos, cameos, cameos. Flint Marko and the Rhino as criminals before they become supervillains.
- Nice foreshadowing for the Lizard. I like how the villains are interconnected. Works better than random radiation accidents.
- And Gargoyles fan service. Goliath, Hudson and Broadway statues... Broadway shattered in the fight with Vulture.
- Norman Osborn is perfect in this series. He was a ruthless businessman. Unscrupulous, amoral and a bully. His one scene with Harry said all we needed to know about what kind of father he is, and how disappointed he is in his son. I love how Harry calls him "Sir."

I also loved how Vulture didn't even manage to faze him. He is being held hundreds of feet up in the air, and dropped, and he still insults him. Yes, this is the Norman Osborn I always read in comics. Much better than the 90s version who was reduced to being the Kingpin's whiny victim, and who wasn't a bad guy before he got powers.

Greg responds...

Glad you like it.

Response recorded on March 17, 2008

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Mera writes...

Hi, Greg.

I’m compelled to tell you that I have never been interested in comics much less read them until Gargoyles and BUFFY/ANGEL (they are the only ones I read and I have every issue). I had a dream once about you and Joss Whedon collaborating in something but I woke up before I saw what it was. Therefore, please keep up the amazing work in bringing out the comics (or show if the stars align) and maybe, who knows, one day I can see both your names on something I’m reading/watching. My selfish fantasies have come true before.

Here’s the question. Even though I adore all the characters Gargoyles had brought to life for me, I, as everyone have a soft one for one or two particular characters. Depending on how you look at it. Will Owen (or Puck) ever get his own storyline or particular focus? Not asking about romance, unless there is one! Won’t say no about it. But he is a very interesting character and I hope for us to see more of him and his sharp witty one-liners.

Thanks.

Greg responds...

Given enough issues, the answer is yes, of course.

Response recorded on March 17, 2008

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Algernon writes...

My Thoughts on The Spectacular Spider-Man

Wow, I am truly gobsmacked by these first two episodes. I'm particularly impressed by how many figures of Spidey-lore you have managed to squeeze in here. From big names like Norman Osborn and Gwen Stacy to the insanely obscure ones like Sally Avril and Stan Carter. Most comic-based shows don't intro this many familiar faces in a whole season, this show does it in the pilot. Pretty much every single character with a speaking role is lifted directly from the comic page. But on to the episodes themselves...

Survival of The Fittest

A whole lot going on in this ep, Vulture's vendetta against Osborn, Foswell and the Enforcers cracking down on Spidey plus a whole lot of pipe laying for future story lines. It really is a great running start for the series, hope you keep up the momentum.

Interactions
Another episode bursting at the seems, lots of different plot lines interweaving. Seriously I'm amazed these episodes are only 22 minutes long. Electro's never been a fave of mine but I like what you did with him here.

Random Thoughts

*Keith David's Big Man is the standout for me. I especially dig the unseen ominous voice angle, Kingpin, shmingpin I Say.

*It seems your going the Ultimate route with Eddie Brock's character development. Not my favorite incarnation of Brock but it'll be interesting seeing where you go with it.

*I'm pretty sure this is the first time Sandman's been animated since the eighties.

*Who does the voice of Norman Osborn? It kinda sounds like Kelsey Grammer

Great work so far, keep it up.

Greg responds...

Alan Rachins IS Norman Osborn.

Response recorded on March 17, 2008

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MARCH 17

This day in Gargoyles' Universe History....

March 17th...

1058
In Strathbolgi, Canmore kills Luach. Bodhe also dies. Gruoch commits suicide.


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The Spectacular Spider-Man #103

___________________________________________________________________________

The Spectacular Spider-Man
Ep: "NATURAL SELECTION"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
MATT WAYNE

Card #5
Directed By
DAVE BULLOCK
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring
DEE BRADLEY BAKER as CURT CONNORS / LIZARD
MAX BURKHOLDER as BILLY CONNORS
LACEY CHABERT as GWEN STACY
BEN DISKIN as EDDIE BROCK
CRISPIN FREEMAN as THUG # 1
ANDREW KISHINO as KENNY KONG

_______________________________________________________________________
Card #8
Also Starring
PHIL LAMARR as RAND ROBERTSON
JOSHUA LEBAR as FLASH THOMPSON
KATH SOUCIE as MARTHA CONNORS
DEBORAH STRANG as MAY PARKER
__________________________________________________________________________
Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION

___________________________________________________________________________
Card #11
Associate Producer
ERIC VESBIT

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
KI HYUN RYU
ADAM VANWYK
RICK MORALES
IRINEO MARAMBA JR.

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KARROL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
SWINTON SCOTT
JUNG JA KIM WOLF

Animation Checker
MYOUNG SMITH
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN "BUENOS" DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

Animatic Technician
MIKE MANGAN

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
ELVIDA ABELLA

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
DONNELL EBARRETE
CHUCK SMITH

Digital Effects Supervisor
ULYSSES ARGETTA

Card #23

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #24
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #25
Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #26

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION


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"Natural Selection" on "The Spectacular Spider-Man"

Hey gang,

Hope you tune in on Saturday Morning to see the first appearance of the LIZARD on "The Spectacular Spider-Man". This episode is INTENSE!!! Trust me!


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Wesley Nichols writes...

You mentioned that other Gargoyles would join the Manhattan clan besides Katana, Nashville, Fu-Dog. Will we see these gargoyles soon? Also does the manhattan clan have enough Gargoyles for Atermis to have a mate by the time he reaches full adulthood?

Greg responds...

"Atermis"?

Response recorded on March 14, 2008

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Jordan writes...

Hey Greg,

I caught the spider-man premire and I have to say it was one of the best saturday mornings I've had in years. Congrats to you and your crew.

In the time between Gargoyles and Spider-man, how would say the overall process of creating an animated show has changed, for better or worse?

Greg responds...

Mostly worse for me at least, because in those days I had the occasional ear of Michael Eisner. He was hard to sell, but if he said yes, we got to MAKE OUR SHOW with no more bologna attached. Nowadays getting a "yes" is nearly impossible as it's always a decision by committee. Heck it took them years to decide to make Spider-Man. I mean... Spider-Man?!! If any show is a no-brainer...

Response recorded on March 14, 2008

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Chuck Logan writes...

Greg I have enjoyed reading the new gargoyles comics immensely. I have bought each issue along with the paperback edition. To find out when each issue is going to hit the stands I go to the SLG publishing website. You are a terrific storyteller, and I would love to see your take on the red tornado. The SLG website has a link posting their publishing schedule for certain comics. Does the DC website do the same? Will you let us know on AskGreg.com when these issues are supposed to hit the stand at our local comic book store? I get the same feeling from reading the comic book as I did from watching the show so many years ago. I will continue to buy anything having to do with the gargoyles universe in the hope that season two volume 2 is released and furthering the growth of the franchise. If buying other projects you work on will also help the gargoyles I will be right there showing my support.

Greg responds...

Didn't I just answer this?

Response recorded on March 13, 2008

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chuck logan writes...

Saw the new Spider-Man series and I have some quick questions:
1. Why does Doc conners have a robot arm?
If he has a perfectly fuctioning macanical arm, that may work better then a real one, why is he in such a hurry to grow a new arm? With this macanical arm (unlike in the comics) his life and ability to function is not hindered like it would be without it. The machanical arm deflates his motivation and the urgency to experiment on himself. I understand his wanting a flesh and bone arm but with a wife and child and a perfecly good maybe better robo arm his motives come across purely selfish and even more unnessisary.

2. Why do all the characters have eyes like the children in those old marionette/claymation christmas specials? This is especilly distrubing on Peter Parker.
3. Why introduse eddie brock so eairly in the series and not marry jane? Both these characters came much later in spider-man's life.
Mary Jane The Amazing Spider-Man #42 November 1966 (full apperence) \
Eddie Brock Web of Spider-Man #18 (Sept. 1986 Venom)

4. There are a couple other things that bug me, those are the big ones. Aginst my better judgment I actully like the new look of Vulture and Electro. My only problem with Electro is he is basicly a mutent. I would like it better if he uesed the suite to as a means of power not a way of containing it. This way he can lead an outwordly norm life and look like any rondom guy on the street until it is time to strike. At the end of the episode electro shattered his helmet. I hope he dosen't get another one he lookes cooler without it.

The animation on Spider-man during the action sequeces is great.
Thank You, Thank, You Thank You for giving Peter Parker/Spider-Man web shooters.
Is it true Kingpin will not appear in this show?

Greg responds...

1. It's not a robot arm, it's a somewhat advanced prosthetic arm. It doesn't function as well as a real arm, and he has no sensation in it. You'll notice he doesn't even use it to shake Peter's hand. If you think it's the same thing as having a real arm... well, you're just wrong. (Sorry.)

2. We like the art style. I'm not going to apologize for something that I VERY MUCH LIKE. Doesn't mean you have to like it, of course. To each his or her own.

3. I know exactly when each character was introduced, but I'm trying to find core truths, core dynamics for ALL the characters we're introducing. There is a method to my madness, but you may need to have a little patience.

4. Electro isn't a mutant by any comic book definition of the term that I know. I guess he's a mutate of sorts. But basically he got his powers in an accident, which is always how he got his powers in the comic.

5. As for Kingpin, at the moment we do not have permission to use the character, which I think is a damn shame. But I have hopes that'll change someday.

Response recorded on March 13, 2008

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Todd Jensen writes...

I saw the first two episodes of "The Spectacular Spider-Man" this morning, and enjoyed them. I immediately spotted a few of the elements that people have commented on here before me: the stone gargoyles in the first episode (knowing that you'd written that one, I wasn't at all surprised that they showed up), Keith David being cast as the mysterious boss determined to get rid of Spider-Man, and the way that Electro's accident evoked "Metamorphosis".

I'm looking forward to seeing the others - and I'm pleased that it's easy to follow for someone who (like me) has only a general familiarity with Spider-Man (though I got a few of the allusions, such as to Uncle Ben's death and the significance of lizards in Dr. Connors' lab). Congratulations.

Greg responds...

Thanks. We're having fun. We're exhausted, but we're having fun.

Response recorded on March 13, 2008

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Chuck Logan writes...

Greg I have enjoyed reading the new gargles comics immensely. I have bought each issue along with the paperback edition. To find out where each issue is going to hit the stance I go to the SLG publishing website. You are a terrific storyteller, and I would love to see your take on the red tornado. The SLG website has a link to that post their publishing schedule for certain comics. Does the DC website do the same? Will you let us know on AskGreg.com when these issues are supposed to hit the stand at our local comic book store? I get the same feeling from reading the comic book as I did from watching the show so many years ago. I will continue to buy anything having to do with the gargles universe in the hope that season two volume 2 is released and furthering the growth of the franchise. If buying other projects you work a lot and will also help the gargoyles. I will be right there showing my support.

You mentioned that the Red Tornado is one of your favorite characters. Would you explain why this particular character stands out in your mind and why you are excited about getting to write about this character.

Greg responds...

I don't know what DC has on their website. Check it out and let us know.

I will of course keep everyone as up to date as I can right here at ASK GREG.

I don't want to go into TOO much detail about Red Tornado now -- because I don't want to scoop the mini-series.

Response recorded on March 13, 2008

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Ricky writes...

Hey Greg,

This is my last question-posting, it'll be my third today, so I'll have filled my geekly quota!

I just (not two minutes ago) read about SLG switching formats to only putting out graphic novels. If the license is renewed, I think this could bode incredibly well for Gargoyles. Here are my thoughts on why:

1. Given the fact that a graphic novel is the same as a trade, and we got three complete stories in Clan-Building Vol 1, this would mean we would get a much larger helping of Gargoyles in one sitting. Whether it's an entire arc in one book, or one arc and the beginning of the next, or just a bunch of standalones, I think it would feel really satisfying, especially to those of us who crave Gargoyles like addicts.

2. Increased sales (which I'm sure appeals to everyone for a multitude of reasons). What happens a lot, which I'm sure you know but I'll say anyway, is that a lot of people by the individual issues and then don't by the trade, or people simply wait for the trade, which means lower sales for the issues. Releasing Gargoyles as a graphic novel and not as individual issues could mean that sales for the individual issues and the trade won't be sort of competing in that way.

3. No delays between individual issues and less delay between the completion of a story arc. Personally the delays don't bother me, I'd wait years if I had to for the next issue (I'd probably just run around like a chicken without a head). But I know that some people get discouraged and become uninterested as a result of them.

4. Less production costs. I'm assuming printing individual issues AND a trade would cost more than just producing graphic novels.

5. Hopefully less approval time from Disney. This might be a stretch, but I dunno… it's good to be hopeful.

6. Well, I'm sure there are plenty more reasons that my feeble little brain have yet to think of, but I'm sure someone else will, and you've probably thought of them all by now anyway.

Ok, so, now that I'm done with all my blabber, we can get to the actual questions.

1) You said in the past that you were unsure about whether or not the Gargoyles license will be renewed. Has there been any change, good or bad, that may have changed your feelings about that?

2) I read on a forum (yea, I know, not a very reliable source) that Dan Vado had stated that he planned to let every Disney license lapse except for Gargoyles. Do you know if there's any truth to this? Is it something he might have said in the past that may have changed? Or…is it just BS I read on a forum? 

3) Dumb question. Will you be discussing the possibility of Gargoyles continuing in this format before the final decision is made about the renewal of the license?

Ok, that's all for now. Sorry to take up so much of your time, I've just got a lot of things running through my head at once, and wanted to get them all out.

Thanks again for everything!

Greg responds...

1. At WonderCon, Dan said he planned to renew it. But he hadn't heard back from Disney yet. So it's looking more hopeful, but it's not definite.

2. I have no idea what he's planning for the other licenses.

3. I have no direct knowledge of this graphic novel thing. Dan hasn't mentioned it to me. But I'd be fine doing it that way, I guess.

Response recorded on March 13, 2008

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Demonskrye writes...

I'm really glad we're able to give you our feedback on "Spectacular Spider-Man". My husband and I watched it this morning. We're big Spidey fans - the kind with all the Essential volumes on a easily accessible bookshelf - so I'm sure you'll be pleased to hear that we both loved it. The "Cheeks" designs look great in animation and I'd even say this series looks better than any previous animated incarnation of Spider-Man. My husband got a kick out of seeing the Enforcers and we both really liked the takes on Liz Allen, Gwen Stacy, and Eddie Brock. Great buildup to the upcoming Lizard episode and nice subtle tease of the Sandman too. I was also impressed that we're two episodes in and there's no direct reference to Spidey's origin. I think by now it's fair to assume most viewers know what happened. I'm sure I won't be the first person to comment on the cameo by Hudson and a couple of Broadways (or was the other one Hollywood?)), but it was really fun.

So since I feel like I should ask a question, do I recall correctly that you mentioned reading "Untold Tales of Spider-Man" in a previous interview about the show? It's one of our favorite Spider-Man comics and we'd both be thrilled to see some aspects of it make their way into the show.

I know the show has been a lot of hard work for you and likely everyone else involved, but it looks like you're having a lot of fun too. Keep up the great work; it's paying off big time.

Greg responds...

I missed what the actual question was there. But I'm glad you liked it. We did reference the origin, both in the main titles and in the first episode. But we won't be TELLING the origin for a bit.

Response recorded on March 13, 2008

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KingCobra_582 writes...

**SPOILERS**

Weeks of waiting, and it's finally here. Video-taped "The Spectacular Spider-man" this morning on Kids WB! (the only reason I would ever watch that channel) and thought I'd leave my two cents.

It has a lot of nice touches to it. Loved the brief, but still informative info on the characters. Peter's infamous spider-bite, etc. I figured the entire first episode would've been devoted to it, instead of a little scene. Nice to be proven wrong, for once.

Of course, I loved the little nods to 'Gargoyles'.

Recognized Robert Englund right off (having been watching Fred Kruger movies since I was 7 or 8, not to mention his other horror films over the years, how could I not?) and thought he was just spot-on as Vulture. Vulture is now on my growing list of favorite Spider-man characters, thanks to Robert's performance and your writing. I don't know much about the character in the comics, but in the series, I think you did Vulture justice. Hope I get to see him again!

Electro. Another great villain, and another character that I could get used to. Gotta feel sorry for the guy, thrown into a situation that he didn't ask for nor could do anything about. I am curious, though. Why, when Dr. Connors said he needed more time for a cure, did Electro rage "I don't have time!"? Was he dying? Did he have something that's now impossible to do? Or was he just being impatient? Curious...

Captivating show, Greg. Definitely can't wait for next week's episode.

Never used to be a Spiderman fan, but then the movies came out, which (Not as much on part 3, though I still liked it) made me like it a little. Now we have this show, and now I just want to start reading the comics. I think I'm on the path to full fledged-spidey geek.

Thanks for that. :)

Greg responds...

Re: Electro. "Impatient" doesn't quite cover it.

Response recorded on March 11, 2008


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