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what places can i go to and buy the seasons?
Amazon.com is probably your best bet at this point. Otherwise, you're just counting on dumb luck for any particular store to carry them.
We know that Ishimura has at least one gargoyle beast, considering the state of Beasts in London, I was curious, how many gargoyle beasts does Ishimura have?
I haven't done the math. Not a ton, but more than a few.
When Taro kidnapped the Ishimuran Clan (and Goliath, Angela, and Bronx) what did he do about the Gargoyle eggs? Obviously there were eggs in the Ishimurian Rookery, did he leave them in Ishimura, or did he take them "Gargoyle World" with the clan?
Good question... uh...
The answer's ... uh...
Yeah.
Review of BG#2:
Solid, solid issue. Overall, I can see why you said this LS is a slow boil; it's not all the way there yet, but it's definitely heating up, and in a good way. Somehow a lot more seems to HAPPEN this issue that is relevant and on-target to the series (then again, it might just be that I like Yama more than Dingo and Matrix), and it really leaves me wanting more.
In terms of the art, I'm really digging the decision to do BAD GUYS in black and white. I'm sure it was mostly a financial decision, but I think the atmosphere it brings is more appropriate to the subject matter than the atmosphere a colored comic would evoke. And Charlebois definitely seems to have found her groove here; she seems slightly more comfortable this issue, and it gives us some truly spectacular art from start to finish. The shading is also phenomenal, especially in the scene where Hunter and co. capture Yama.
Things I really liked:
-Fang's face in the first panel of page 3. It's easy to forget that he used to be a normal guy and is not, in fact, accustomed to putting his life in danger at regular intervals and fighting crazy huge robots. He looks scared, which I think gives a little insight into the character. Then him running away gives even more, but, you know. It's the little things.
-The whole Yama/Sora scene. That tugs at the heartstrings. And it's so telling when Sora says "Ask me to go with you" and Yama says "Bushido demands that I do not." He WANTS to ask her so badly; he doesn't say so, but the evasiveness of his answer gives him away. And yet he loves her too much to do that to her. And she loves him enough to know that she has to let him go it alone, or that'll be something else that'll eat at his heart. Poor them. (Also, major props to Charlebois' art in that panel--Yama's face is just tortured.) How long had they been mates when Yama was banished?
-I also love the characterization of Kai here. Stern, not really angry, just disappointed. Perfectly right.
-It'll be interesting to see how Matrix develops; he seems uberpowerful, so it'll be fun to see him in situations that test him, or where he can't just power through.
-What did Yama do between his banishment and his recruitment? Boy loves his toys, that's for sure.
-Hunter's too funny. "Want something done right..." I'm thinking she doesn't so much think highly of Dingo's skills. I do wonder how much of her "Gargoyle knowledge" is educated guesswork, although she sure seems to have a lot of knowledge of bushido. Also, I love that even when Yama has his sword on her throat she's got a gun aimed between his eyes. Now THAT is a kickass, take-no-prisoners, strong woman.
-I love Yama's snark re: the accent. But I also read him as very hopeless, not caring all that much what happens to him. And it just gets worse. He looks so crestfallen when he realizes he's being coerced; I feel for the dude. His big chance at redemption, to get back with his clan...and joining this group won't really redeem him. And yet he still has to do it. And he's too unforgiving of himself to consider forced work in exchange for protecting his clanmates penance. Dude's got STANDARDS.
-Hunter's a smart leader. I think she feels more of a kinship to Yama than Dingo, which accounts for part of it, but she handles them very differently and it's very appropriate for each character. (She handled Dingo and Matrix differently and well, too, come to think of it.) I'm starting to wonder about the dynamic of her and her siblings, who was ACTUALLY the leader and got stuff done.
Really, really looking forward to #3....
Jason was the leader. Robyn got stuff done.
I finally got a hold of Bad Guys. It's great to see Yama, although I'm sad that we don't see more of the Ishimura clan. I was very much hoping we would.
Sora wants to go into exile with him, that is sweet of her. She'd rather be with him than with her clan? But he feels too ashamed to be around her.
Apparently Matrix can hovor/fly without any visible means of propulsion. I find it amusing that when it turns one arm into a gun, the gun has a handle on it, completely unnecessarily. I guess that Matrix has only seen guns that have handles, and thinks that is how they should look.
We see Vinnie in Japan, and he is trying to get to Ishimura. I wonder what Taro has hired him to do. Maybe hoping he'll join his ninja squad, or something.
Also, how does Yama suddenly gain altitude like that, since he can only glide and not fly? I'm honestly confused by this.
Yama looks pretty cool when he stands up on the skyscraper. He's really loaded himself down with weapons -- two katanas, a larger sword (a tachi?), a dagger, nunchakus, ninja stars, and another sword/dagger (a wakizashi?). Clearly he's expecting to be attacked and feels vulnerable outside the clan!
I'm impressed that the artist can show Yama's eyes glowing even in black and white. Not just the lack of irises but the light shining from them.
And his line about Robyn's accent is great! Also the look on his face as he says that, and his calling her Gaijin. All priceless.
Matrix declares that they serve Law and Order, as if that would explain everything.
Robyn tells him that she's a (former) hunter, which I didn't expect. And while she appears to have discarded her old attitudes at least partly, we do not see what her new attitude is toward gargoyles. She is still willing to threaten the Ishimura clan. Or is that what the Director ordered her to say?
Yama's reaction to that is strange. Desperation, but he doesn't look all that angry, in his face. And he agrees... but why? Just because he feels he is so desperate he has no choice? We do not see the moment when he makes this decision.
I find the square thought bubbles confusing. It is difficult to tell what is thought and what is out loud.
Surprisingly, this issue already moves away from Yama to Fang. Who has a name (and look there's the Yuppies).
Sevarius is clearly impersonating a real person who's known to the Labyrinth-dwellers... some guy named Fred. Is he impersonating Fang? But then Claw doesn't react as if he were. I'd think Claw would know what Fang used to look like.
I'm really liking the art. Yama's face is a little odd, but then he's got a difficult face to draw. The rest looks great.
It was really great to see Yama. I look forward to seeing more of him. The issue felt short but I enjoyed it. Thanks for the continuing story.
In honor of Bad Guys #2, where in Japan is Ishimura located? Which island is it on? Vinnie seems to think it is within a train ride of Tokyo, but then he could just be clueless.
I honestly would have to do a bit more research before I could pin down Ishimura's fictional location.
Dear Greg,
This is something that has been in the back of my mind for a while, and I don't want to solicit any ideas, I am just seriously curious, do you ever plan on showing the gargoyles reactions to 9/11? I am assuming based on the precedent set already that it did happen in the Gargoyles Universe.
It hasn't happened yet, as it's still only 1996/1997 in the Gargoyles Universe. For the answer to your question, browse the archives. I've addressed it in detail many times.
Since, I haven't done any particular episode comments or reviews for The Spectacular Spider-Man I'll be commenting on each story arc for the time being. That said:
Episode 1- Survival of the Fittest
- Considering the plan of using comic book only characters, I'm a bit embarassed that I didn't identify Randy earlier when seeing the episode prior to Market Forces.
- As much as I feel sorry for Peter's rejection from Sally, I couldn't help but laugh when Gwen and Harry commented on it. Either the scene was well written and executed or deep down I'm a jerk. I'll go with well executed scene :).
- Same with the comment above, I had a small laugh when Eddie tell Peter that being a high school student with lack of experience keeps him from getting paid.
- Relating to the comment on the podcast, as a fellow sap (I have a box of Shojo Manga for crying outloud), I too enjoyed Peter's dialogue about having Aunt May at the end.
Episode 2- Interactions
- Unlike the identifying of Randy, I was able to pick up on the cellphone dial tone immediately (which would be impossible to miss).
- In Flash's defense, he did get a higher grade than Liz, so maybe Mr. Warren was a little too judgemental of him (interms of how he would function as a tutor). I'm half serious and half joking about this of course.
- Not being able to have coffee for the rest of my life, I certainly hope I wouldn't go mad.
- I do have a question which my brother brought up. Was Curt's serum going to turn him into the Lizard as it was or was it partially due to exposure to Electro's voltage?
Episode 3- Natural Selection
- Have to say that this episode was a nice flipside to the 1994 cartoon episode "Night Of The Lizard". Basically both had Eddie and Peter involved in the story, but this time Peter looks like the bad guy. Also a good example of Pete winning and losing at the same time.
- My favorite scene is definitely Spidey trying to sneak up on the Lizard only for the cellphone to go off.
Electro gave the serum an unintenional boost.
Spectacular Spider-Man
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Reactions
Another strong outing from what might be the greatest superhero toon of all time
After seeing the timid nebbish Dr. Octavius over the course of the series, I was wondering how you were going to handle his transformation into a crazed supervillain. Peter MacNicol deserves some kind of award for so perfectly capturing all the power and arrogance of Doctor Octopus. I especially liked Otto's little "daydream" while being chewed out by Norman.
The whole High School Soap Opera aspect of the show continues to be surprisingly engaging. Harry's continuing downward spiral makes for pretty heavy TV and puts the lie to anyone who still dismisses this show as kiddy fare.
I have to admit though I was expecting to see more of the Green Goblin, since the episode blurb implied he'd play a larger role. Considering all the other stuff going on in this episode that's probably just greedy of me.
Only 22 minutes per episode... can't fit everything...
Hey Greg, I'm loving Spectacular Spider-Man!
The Spectacular team has done a great job at forming a diverse supporting cast in regards to race and sex, but what is the plan where female villains are concerned?
Spider-Man has had very few female villains and most of them were forgettable. The two major female antagonists were Black Cat and Silver Sable, but they quickly became more allies than bad guys.
In May 2008's issues of Amazing Spider-Man two new female villains are introduced - Screwball, a young thrill seeker who commits crimes and uploads videos of them on the Internet, and Paper Doll, a villain who is... well, like paper!
Is there a chance of either of them being featured in later seasons of Spectacular Spider-Man, a few years down the line, or is the plan to stick with older tried and tested villains?
Thanks for your time!
I'm partial to female villains myself.
There are no current plans for Screwball or Paper Doll, but if we last long enough, who knows?
Black Cat has of course appeared, and she'll be back in Season Two. Silver Sable will make her debut in Season Two, as will Calypso. Others are in my head for later seasons, but I think I'll hold off on going into any more detail at this time.
So, quick question.
Did Peter kick Sally's dog or something? I understand the whole clique thing, but this full blown hatred.
Seen Mean Girls?
Hello Greg,
First of all, thank you for such an intelligent, brilliantly-written series.
Secondly, I have a question regarding Broadway and Angela's kiss in The Journey. I'm sorry if this has been answered before, but I don't recall finding anything related to it in the archives.
Anyway.
You've stated (I believe in the DVD commentary) that gargoyles don't kiss to show affection, but rather wrap their wings around each other and stroke each other's hair. So why do Broadway and Angela kiss? I've had a number of theories, myself:
1. being younger, Broadway and Angela (especially Angela) have been heavily influenced by the tendencies of humans, ie. ways of displaying affection. I mean, Angela must have seen Tom macking on Katherine a few times back on Avalon, right? Not to mention the fact that the eggs were raised in an unconventional (human) way.
2. To show the pair actally kissing would have truly established them as a solid couple in the minds of viewers. It's also a lot more heart-wrenching to see them kiss with Brooklyn watching them.
3. It WAS The Goliath Chronicles, and the writers weren't aware of all the nuances in the world of the gargoyles.
Well, I've probably gone and answered my question, in there. But thanks for taking the time to read through this, anyway!
You and Gargoyles truly are the bees' knees.
We're stuck with 1 & 2, since I was the writer of "The Journey".
My comments on the latest "Spectacular Spider-Man" episode.
I'd been looking forward to this one, since I'd noticed how meek and timid Dr. Octavius (now Dr. Octopus) had been up until now. Since I'd recognized him as a future "Spider-Man" villain (I'm not a big Spider-Man expert, but I still know about Dr. Octopus), I was eagerly awaiting the revelation of how he'd change into a super-villain (and the mental change more than the physical change).
What I got didn't disappoint me. Octavius has finally had enough of Norman Osborn pushing him around (I liked the moment where he's fantasizing about getting back at Norman even before the accident), and the worm finally turns. And how!
Norman is as cool as ever at the end, when Hammerhead's bringing up Green Goblin's actions and the problems they're causing for his boss. (I assume that it's Norman rather than his son who's the Goblin - though Harry's doing a good job of leading the audience astray. I'm looking forward to how that plays out in future episodes, especially since Gwen's getting suspicious.)
Wouldn't you know that Peter would win a stuffed octopus at Coney Island?
And I've got a suspicion that John Jameson's space flight will lead to further trouble for our friendly neighborhood web-slinger, especially since I vaguely remember it featuring in other "Spider-Man" adaptations, with big consequences.
Yep.
I'm new to all this just reading through Ask Greg, While I was wandering around something caught my attend whih was in VII. Family Xanatos & Owen/Puck question 8. Does Owen have a love life? If so, do we know his romantic interest? And Your respond, Yes he does, but we do not know who she is, but however she is human. Now here is my question, is it only owen who loves her, or does puck also care for this woman?
Thank you for your time
I'm not answering this at this time.
"Reactions"
Well, my reaction is that was certainly an awesome episode.
Let's see, where to begin. I've been waiting to see Otto's transformation and it was well done. Gone is the meek, subservient Otto "Yes, Mr. Osborn. Whatever you say, Mr. Osborn" Octavius, and now we have the the ruthless and psychotic Dr. Octopus. I need to extend my compliments to Peter MacNicol for the contrast in both versions of the good doctor.
The Spider-Man/Dr. Octopus battles were great. From their first encounter at OsCorp, where Ock in his paranoia believed that Spidey discovered he created supervillains to the attack on Tri Corp and their battle at Coney Island (Enjoy Coney Island while it's there, it's being torn down). And damn, not too long ago, Otto could probably never bring himself to put a girl like Liz in harm's way. How he's changed. I look forward to him leading the Sinister Six.
"My fans expect a certain amount of quipage in every battle." You tell him, Spidey! That was one of the many reasons the movies were a disappointment.
But, Peter Parker's civilian life is always just as interesting as his superhero life. Poor sap, thought he and Mary Jane had something going. Not yet, Pete. Your time will come, be patient... but be warned, Joe Quesada... er, I mean, Mephisto will conspire to take it away from you. In the mean time, enjoy your time with Liz. And with Liz and Flash now broken up, he might have a shot there.
Let's see. Peter wins an octopus for Liz. Ock is defeated on the octopus ride. And this is the eighth episode. Cute. Very cute.
Harry Osborn is now a junkie. Just like in the original comics, only instead of acid, he's been raiding his dad's medicine cabinet for Globulin Green #994. It's a good way to do Stan Lee's drug story without using a real drug that would make S&P balk. It explains why he's good at football all of a sudden. It's a steroid story without steroids. Cool.
But not to go unmentioned, the Green Goblin plot line is advanced. Norman Osborn is such an asshole, first berating Otto, then feigning concern when he's the one who tried to kill him. While the Harry red herring is being done well, I just can't believe that he's the Goblin. If he were, he'd have attacked the Fall Formal and gone after Kenny in the previous episode. He has no reason to go after the Big Man, and the only place we heard Norman call the Big Man "Lincoln" was in the subterranean lab. Norman knows Otto is a liability. This all fits in with Norman's modus operandi. Not to mention having two close friends of Peter go arch villain on us this season would be redundant. We still have Eddie Brock becoming Venom in a few more episodes.
Still a terrific episode, and I look forward to the mystery being resolved next week.
You're awfully confident.
i noticed you wrote a couple episodes of The Batman i wass wondering if you did a batman show how would you play the characters particularly joker
I've written more than a couple "The Batman"s. Plus I've written the character in comics. If you want to see how I'd handle the Joker, check out "The Rubber Face of Comedy", "The Clay Face of Tragedy", "Strange Minds" and others...
I'm starting this early because I had a thought while watching the Rhino rerun.
Jameson saves Peter from the Rhino, then Spider-man saves Jameson from the Rhino, would he have if he hadn't saved him? Or has been as determined to do it?
All right, and now for the episode, which ironically, I'm starting late now...
I didn't know Spider-man could fly.
I love Peter McNichol. I can hear the X the Eliminator in his voice, and that's one of my favourite roles of his. I wonder what caused Otto's change in personality? The arms or did he just go crazy?
Who does Spider-man think his fans are? Furthermore does he know he's being watched? Does he think Norman is his fan?
Otto sure took to being a super-villain pretty quickly.
And the mystery continues. Harry's passed out, but Norman was obviously at the Oscorp... so is it the father or the son. Kinda parallels the Big Man mystery that at least the fans seem to have going.
"Where do you hide the muscles". Jeez. If he's not the green goblin he's definitely on the green goblin juice at least. Maybe they're both the green goblin. Weird... extra... dimensional...? personality stuff. That would be quite the twist.
Gwen sure forgave Peter pretty fast. That's actually another good thing about the show, be pretty unrealistic if she held a grudge against him just for lying to her once... that wasn't even really a lie, he just changed his mind.
Ah, Octapus has got the movie coat. That's cool. I like the movie coat. And another Gargoyles line, eh?
"Stop that Ms. Brant I'm a married man" that one made me crack up. I'm not exaggerating.
Flash likes Spider-man. I like that. There's that 3-dimensional Flash-ness.
And a girl gets kidnapped. At least it's not Mary Jane I suppose.
...I missed what happened with Liz and Flash... and how it was Peter's fault, I guess I'll find out. And it looks like we're getting another Green Goblin episode next weekend. Cool. I'm guessing we'll finally find out who he is. Harry or Norman. Or maybe even a third party.
This one seemed short to me, but maybe that means I enjoyed it all the more... felt like there were more questions asked than answered. Definitely superior to last weeks anyway.
Of course, Pete/Spidey would have saved Jonah. He LIKES Jonah.
If the episode didn't explain why Otto changed, then it's pointless for me to do it, I'd think.
(Sorry, that should be #8, not 38. And I meant to add that in the comic, Hudson has not returned to flesh form in between the metal-sword box-loading frame and the stone-sword cover illustration.)
I got the gist.
This has been bothering me for some time now, and I need an answer: What is up with Hudson's sword?
The FAQ states that all gargoyles are subject to a modesty spell which causes their clothing and other objects they consider "theirs", which are in contact with their bodies, to turn to stone with them at daybreak. However, Hudson's sword seems to defy this spell, being stone in one shot but metal in the next. In some scenes the sunlight clearly glints of the metal blade as the sunrises; yet in other scenes it is dull as concrete! In the episode "The Price," Xanatos states that one of the harder parts of his plan was to find a replica of Hudson's sword to use in the fake Hudson statue (let's ignore the inherent sculptural difficulties of putting a metal sword in a carved stone hand without damaging either). Yet the statue, and even the miniature version of it Xanatos is holding during this exchange, are both holing metal swords. On the cover of Gargoyles comic 38, stone Hudson is holding a stone sword; yet when stone Hudson and Lexington are being crated for the flight, the sword is clearly metal.
Help! What's going on here! Please put my poor little brain at rest.
(Also, Demona's armlet, earrings and occasionally her crown suffer from this same sometimes-stone-sometimes-metal phenomenon.)
It's pretty simple -- AND HAS DEFINITELY BEEN ANSWERED IN THE ARCHIVES -- but it all depends on what Hudson's thinking at the time of sleep. If he's feeling at one with the sword it'll turn to stone. If not, it won't.
___________________________________________________________________________
The Spectacular Spider-Man
Ep 112: "INTERVENTION"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________
Developed For Television By
VICTOR COOK & GREG WEISMAN
Created by
STAN LEE & STEVE DITKO
Opening Credits
Card #1
Supervising Producer and Story Editor
GREG WEISMAN
Card #2
Producer and Supervising Director
VICTOR COOK
Card #3
Producer
DIANE A CREA
Card #4
Written By
GREG WEISMAN
Card #5
Directed By
DAVE BULLOCK
___________________________________________________________________________
__________________________________________________________________________
Closing Credits
Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring
ED ASNER as BEN PARKER
LACEY CHABERT as GWEN STACY
ROBERT COSTANZO as SULLIVAN EDWARDS
JIM CUMMINGS as CRUSHER HOGAN
BEN DISKIN as EDDIE BROCK / VENOM
DORIAN HAREWOOD as DOC BROMWELL
_______________________________________________________________________
Card #8
Also Starring
JOSH LEBAR as FLASH THOMPSON
VANESSA MARSHALL as MARY JANE WATSON
KEVIN MICHAEL RICHARDSON as TOMBSTONE
KATH SOUCIE as MARTHA CONNORS
DEBORAH STRANG as MAY PARKER
ALANNA UBACH as LIZ ALLAN
Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL MCCUISTION
___________________________________________________________________________
Card #11
Associate Producers
ERIC VESBIT
WADE WISINSKI
___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS
Apprentice Writer
RANDY JANDT
Card # 13
Storyboard Artists
IRINEO MARAMBA JR.
RICK MORALES
KI HYUN RYU
ADAM VAN WYK
Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON
Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
DANA LANDSBERG
THOMAS PERKINS
GREG GULER
JOSE ZELAYA
Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK
Card #16
Background Supervisor
VINCENT TOYAMA
Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN
Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE
Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG
Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE
Card #18
Supervising Timing Director
GORDON KENT
Timing Directors
BRIAN HOGAN
RICK LEON
SWINTON SCOTT
JUNGJA KIM WOLF
Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19
Storyboard Production Manager BRIAN G. SMITH
Production Art Supervisor JOHN DIAZ
Production Coordinator SHERRIAN FELIX
Episodic Casting Supervisor MATTHEW C. OTOSKI
Production Assistant BEN MALONEY
Post Coordinator GEORGE COX III
Post Production Assistant JENNIFER L. ANDERSON
Production Accountant NATHAN HARAMOTO
__________________________________________________________________________
Card #20
Associate Producer for Marvel
JOSHUA FINE
Production Coordinator for Marvel
ADAM TOOTLA
__________________________________________________________________________
Card #21
Recorded at
STUDIOPOLIS, INC.
Dialogue Recording Engineer
ERIC LEWIS, C.A.S.
Dialogue Editor
TERRY REIFF
Track Reading
SOUND BYTE, INC.
__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN
Editors
RALPH A. EUSEBIO
BRUCE A. KING
Assistant Editors
MYRA OWYANG
CHUCK SMITH
Digital Effects Supervisor
ULYSSES ARGETTA
Card #22
Music Engineers MARK MATTSON
MAKO SUJISHI
Post Production Sound Services ADVANTAGE Sound Services
Sound Designer ROBERT POOLE II
Dialogue Editor ROBBI SMITH
Foley Artist CRAIG NG
Foley Mixer MARY ERSTAD
Digital Audio Transfer ROBERT PRATT
Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX
Main Title Directed by
VICTOR COOK
Main Title Storyboard by
PHIL WEINSTEIN
Main Title Color by
JOEY MASON
Main Title Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #24
Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #25
This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.
"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."
Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.
___________________________________________________________________________
END LOGOS
MARVEL ENTERTAINMENT CULVER ENTERTAINMENT
SONY PICTURES TELEVISION
In the background while I am playing on my MMORPG, I tend to have my DVDs going, which of course includes Gargoyles. Tonight I was watching Legion when I noticed the Gargoyles heading to an island north of the Statue of Liberty while chasing Coldstone. Out of curiosity, I decided to check google maps and see which island that was since I didn't think it was named in the show. TO my surprise, Ellis Island is not only in the exact location as in the show, but is incredibly accurate to what was show. I even managed to find the exact location in which Coldstone crash to on the fort there.
Likewise, in other episodes I have noticed an astonishing level of detail in Gargoyles, which I find to be very cool since it is placed in a real world location. To name a few, the Brooklyn Bridge (Reawakening), Belvedere Castle (High Noon), Central Park (various episodes), and so forth in the show. While I was a child, I never noticed just how much detail was there, but now that I am an adult, I can see just how much effort went into it.
My question to you: How much research did you put into these real world locations that appear on the show, and did you check to make sure that the art for the locations were accurate?
PS. Thanks for having a great and dedicated site where we the fans can ask you our questions! I only wished my other favorite shows had similar sites.
I lived in New York for years. So I did very little locational research myself. Mostly relied on my memory. But our artists (both in L.A. and Tokyo) did TREMENDOUS amounts of research. I never had to check to make sure it was accurate. I trusted those guys and gals. And my trust seemed well-placed, don't you think?
Dear heavens that's a lot of red tape just to ask a question. Well, I'm sure my question has been asked many times before, and please forgive me if you find it to be an annoyance (I'm sure I'll politely be escorted to the 'archives' for this one), but I just wanted to know if the creators foresee a film coming out in the near future. I was so very proud of this cartoon. It is quite nostalgic for my younger brother and me. I'd be overjoyed to support this brilliant cartoon on the big screen.
Thanks,
Jackie (Gargoyles fan since I was a youngster!)
You know, Jackie, I've got no sympathy for you here. You seem perfectly aware of the archives -- perfectly aware that you're asking a question that's been asked before. And yet...
I mean you complain about the red tape and then contribute to the reason we HAVE red tape in the first place.
So, yeah, consider yourself escorted...
(sigh)
Hey Greg,
Who would you consider your ten favorite voice actors?
Oh, please, even assuming I could rank these talented people, why would I? I gotta work in this town, bro.
Man this was so worth it.
I swear every issue that comes out just gets better and better.
Yama's characterization was fantastic, and the scene with him and Sora was absolutely beautiful. Powerful and emotional.
I've been to two gatherings and I still have yet to see the gargoyles: bad guys Leica Reel. I still hear Bruce Locke as Yama in my head and I hear Jim Cummings as both Dingo AND Matrix. (Yeah I know he's Jeff Bennett but I've not heard it)Nevertheless I expected Matrix to turn into a sphere and protect them...what I hadn't expected was his ability to FLY! I had figured he'd morph into a boat or something.
Fang/Fred Sykes was great. Oddly enough I was watching "According to Jim" the other night (which I always jokingly call "According to Fang") and Jim said that exact line: "I'm outta here, suckers". I heard it crystal clear in my head.
When Robyn first spoke to Yama I figured he was supposed of go chasing after Fang or something, but I was wrong. Instead the RS fights the robots from Seasame Street. (1,2,3,4,5,6, Seven...Seven deadly robots Mwahahaha)
Yama always reminded me of my dad. I kinda see him as my dad if had been born in the Gagoyles Universe as a Garg. My dad (who incidently had a birthday the day this came out)is obsessed with Japanese culture and especially Samurai so this was strangely fitting. Plus my dad collects Japanese weapons and Yama is armed to the teeth. (I count two katana's, a taichi, four ninja stars, two daggers, and Nunchukku)
Matrix is weird, that's all I have to say on that.
Robyn/Hunter is interesting. I get the feeling that she kind of admires gargoyles/tengu now, but she's still quite prejudiced. The stick was unnessesary, the carrot would have worked.
Dingo feels for Yama, and heck I think he genuinely likes the tengu/gargoyle. Speaking of which, I think that Dingo and Robyn are already attracted to each other. I think that that caught her off guard and so she does little things to get under his skin.
And so Sevarius comes to bust Fang out...again. What is this, the third time someone broke into the Labyrinth? Fourth...I forgot about Awakenings. Security in the Labyrinth SUCKS!
Thug: Somebody broke into the Labyrinth again.
Al: Must be Wednesday.
And the cameo's dotted about were the sprinkles on top. Vinnie, Karine's avatar Kanthara (as a human), Brendan, Margo, Shari, Claw, Benny, Greg B, Mara, and I think I'm missing someone but oh well.
Bad Guys RULES
Doesn't it though?
My Review For Bad Guys #2, "The Lost"...
Well, let me just say. It was worth the wait. And I don't just mean the wait since "Strangers" I mean the wait since I found out at Ask Greg about Yama and Sora and the Redemption Squad. For some reason, I've always thought that the Yama/Sora relationship would be fascinating to watch, and "The Lost" didn't let me down on that note. Ugh, it tugs at my heart to watch them in this issue. They both know what must be done, and yet they are both so conflicted. Without saying the word, I see love between them. I love that Sora is willing to be banished with Yama, and I love that Yama won't let her. Who knows how long they will be apart, but I love thinking that down the road they will always be on the others mind and in the others heart.
"The Lost" is really exciting. As always there is so much going on it is hard not to just point out how I loved every little detail in my review, but I'll attempt to focus on the basics. The action is outstanding. Karine really has a knack for drawing action and Greg has a knack for writing it. It is amazing to me that the comics seem to be as dynamic and fast-paced as any TV episode of the series, if not more so in some cases. Hunter's acrobatics are exciting to watch, Matrix is, as always, very fun in his various forms and fluidity, Dingo's everyman attitude is great and Yama is just so darn cool with his nobility and warrior spirit. This is really shaping up to be a very fun bunch as a main cast.
Lots of cool little bits in this one, as well. The inner monologue stuff was very interesting, I especially enjoyed Dingo's thoughts on fighting gargoyles. The tension between Hunter and Yama is neat too. A former gargoyle hunter and a gargoyle as teammates. Makes me wonder if Hunter has ever actually killed another gargoyle. Matrix is all over the place with this one. His abilities are outright astounding. He can separate himself into numerous, fully functional entities, he can form his arm into a gun, he can float/fly/hover... With all that it is hilarious when Hunter remarks to Dingo that, "I recruited you to get to Matrix." No kidding, he/she/it may seem naive and simple at times, but he is very powerful.
Finally, the New York sequence. Fun to see a cameo by Margot, Brendan, Al, Claw and Shari (not to mention Greg B and others, guess it pays to have friends in high places), but the really fun stuff here is Sevarius. His infiltration of the Labyrinth leads to all sorts of questions. Questions I'm sure won't be answered for a few months at least. But we do get one answer to an old question, Fang's human name. Fred Sykes. And what is Sevarius's interest in Mr. Sykes? I guess thats a story for another day.
So, all in all, a fantastic issue. No errors or problems of any sort that I can see and the story and art and cover are all fantastic. Great job to everyone, I look forward to "Estranged" with great antici........ pation.
How did I fall so far behind here, that I'm only reading #2 reviews now, when #3 is out...?
BAD GUYS #2.
Warning for anyone who's not Greg W., is not involved with making the comic, and/or hasn't read it yet. HERE LURK SPOILERS.
Cool comic, IMO. Feeling too lazy to write out a full length review, so I'll just comment on everything I liked about it and hope it counts.
Nice opening segment. Definite parallels to the BG leica reel. At least, for those who've seen it.
Yama. There's a reason he's one of my favorite minor characters in Gargoyles, and that is because how serious he is. He's focused, driven on honor. Obsessed with honor, in fact. Good characterization on Yama's part, and I always felt he could carry a story. Which he definitely does here. Kudos.
And DAMN, the guy really loves his weapons!
Nice little bits with Dingo as well. Is that a Nightstone mug he's drinking? And his reaction to returning to Manhattan. LMAO. Priceless.
Matrix can turn his own arm into a gun. How badass. Is there ANYTHING the guy can't do?!
And, on that note, for some reason, I think Yama looks wicked, practically ramming his blade in Robin's throat like that. What did she say to tick him off that bad? Talked smack about his clan, apparently.
Nice little cameos towards the end. Nice seeing Margot (though she does annoy me) and Brendan in there. Shari too.
And speaking of cameos. Didn't see Sevarius showing up until it actually happened. Nice. And to get Fang's real name (No, I won't reveal it here) also. Nice plot twist.
Good story. I'm definitely (of course) looking forward to #3.
End my (lazily mild) attempt at a review.
Glad you liked it...
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