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YOUNG JUSTICE Episode #21 ("Image") Credits:
	Producers
	Brandon Vietti
	Greg Weisman
	Written By
	Nicole Dubuc
	Directed By
	Jay Oliva
	Line Producer
	David Wilcox
	_________________________________________________________________________
	Young Justice Theme and Music By
	Kristopher Carter
	Michael McCuistion
	Lolita Ritmanis
	âHello, Megan!â
	Music by Michael McCuistion
	Lyrics by Nicole Dubuc & Greg Weisman
	_________________________________________________________________________
	Casting & Voice Direction
	Jamie Thomason
	_________________________________________________________________________
	Starring The Voices Of
	Jesse McCartney as Robin
	Danica McKellar as Miss Martian, Marie Logan/Megan Wheeler
	Nolan North as Superboy
	Jason Spisak as Kid Flash, Monkey
	Bruce Greenwood as Batman, Rumaan Harjavti
	Logan Grove as Garfield Logan
	Vanessa Marshall as Dinah Lance, Noor Harjavti
	Kevin Michael Richardson as Martian Manhunter, Paul Sloane/Lead Singer
	Marina Sirtis as Queen Bee, Sandra Stanyon/Mrs. Wheeler
	Alan Tudyk as Psimon, Oliver Queen
Based On DC Comics Characters
	Batman Created By
	Bob Kane
	Martian Manhunter Created By
	Joseph Samachson and Joseph Certa
	Miss Martian Created By
	Geoff Johns and Tony Daniel
	Beast Boy Created by
	Arnold Drake
	Psimon Created By
	Marv Wolfman and George Perez
	________________________________________________________________________
	Production Manager
	John Diaz
	Assistant Production Manager
	Mark Wilson
	Animation Coordinator
	JJ Conway
	________________________________________________________________________
	Lead Character Design
	Phil Bourassa
	Character Design
	Dusty Abell
	Jerome Moore
	Coran Stone
	BG Key Design
	Enzo Baldi
	Fedja Jovanovic
	Hakjoon Kang
	Art Lee	
	Prop Design
	Alex Kubalsky
	Eugene Mattos
	_______________________________________________________________
	Storyboard
	Jay Baker
	Tim Divar	Owen Sullivan
	Lauren Montgomery
	Owen Sullivan
	Storyboard Clean-up
	Christina Louise Sotta	
	Animation Timing Director
	James Tim Walker	
	Timing
	Richard Collado
	Jeff Hall
	Gordon Kent
	R. Michel Lyman
	Animation Checking
	Jan Browning
	Chuck Gefre
	Janette Hylett
	______________________________________________________________________
	Color Stylist
	James Peters
	Ink & Paint
	Kim Bowen
	Background Paint
	Mike Inman
	David McBride
	Craig Robertson
	Effects Animation
	Matthew Girardi
	_________________________________________________________________________
	Main Title Animation
	MOI Animation, Inc.
	Wutitis
	_________________________________________________________________________
	Editor
	Jhoanne Reyes
	_________________________________________________________________________
	Card 13
	Supervising Dialogue/ADR Editor
	Mark A. Keatts
	Sound Reading
	Fred Salinas
	Wilson Martinez	
	Dialogue/ADR Editors
	Patrick Foley
	Mike Garcia
	Post Production Manager
	Scott Shinick
	Dialogue Recording Studio
	Studiopolis, Inc.
	Recording Machine Operator
	Jeff O. Collins
	Sarah Baluch	
	Post Production Sound Services
	Audio Circus, Inc.
	Online Editor
	Steven White
	_________________________________________________________________________
	Animation Services
	Lotto Animation, Inc.
	Supervising Animation Director
	Heechul Kang
	Background Directors
	Yunhee Kim
	EunHee No
	Eunjung Choi
	Animation Directors
	Junsik Cho
	Sangjoon Lee
	Hyeoksoo Lee
	Myeonghwan Park
	Production Staff
	Hyoungmin Doh
	Miok Kwon
	Eonho Lee
	Jinhwa Heo (Jun-E)
	__________________________________________________________________
	Layout Artists
	Junyeop An
	Hyeonwoo Seo
	Insik Um
	Final Checker
	Hosoon Shin
	Color Stylist
	Mihyun Ji
	Model Checkers
	Junghee Kim
	Mikyoung Kim
	Composition
	Sangbong Oh
	Hoyeon Joo
	Yuri Choi
	Daehee Rim
	Sunghun Lee
	Key Animation
	Daegu Heh
	EunHwa Jung
	Howoon Jung
	Dongwook Kim
	Kwonil Kim
	Younhmi Lee
	Kyounghwa Seo
	3D CGI
	Seokki Um
	Misook Choi
	________________________________________________________________________
	Production Administrator
	Nicole Martin
	Production Accounting
	Luisa Guzman
	Debbie Lindquist
	Maral Simonian
	Athena Wingate
	Production Support
	Vivian Hernandez
	Audrey Kim
	Tamara Miles
	Kira Tirimacco
	Renee Toporzysek
	Janet Yi	
	Executive In Charge Of Music
	Niki Sherrod
	Business And Legal Affairs
	John Michael Beach
	Lori Blackstone
	Sharmalee Lall
	Bonnie Negrete
	Joulene St. Catherine
	Casting Administrator
	Liz Carroll
	_________________________________________________________________________
	Production Supervision
	Bobbie Page
	Production Management
	Ed Adams
	_________________________________________________________________________
	Executive in Charge of Production
	Jay Bastian
	_________________________________________________________________________
	Executives In Charge Of Production For Cartoon Network
	Tramm Wigzell
	Brian E. S. Jones
	_________________________________________________________________________
	Executive Producer
	Sam Register
	_________________________________________________________________________
	This motion picture is protected under the laws of the United States of America and other countries.  Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
	© 2011 Warner Bros. Entertainment Inc.
	ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
	Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
	_________________________________________________________________________
	There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
	A handful (in no particular order) include...
	Curtis Koller - Talent Coordinator
	Eric Lewis, CAS - Dialogue Sound Mixer
	Chris Eaton - Assistant Engineer
	Otis Van Osten - Sound Supervisor
	Ron Salaises - Sound Effects editor
	Carlos Sanches - Re-Recording Mixer
	Stacy Michaels - Foley Mixer
	Alex Ulrich - Foley Walker
	John Wells - Research
	Aris Katsaris - Atlantean Translator
	I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
Hello,
I've given the ASK GREG moderators permission to DELETE any question that refers to or spoils episodes of Young Justice that have NOT YET AIRED in the United States.
Personally, I think it's bad enough folks are spoiling things FOR THEMSELVES, when they will soon be able to see the episodes in English and at a decent quality within a matter of a few short weeks. (And the blame-Cartoon-Network excuse holds ZERO water for me, as these people are still CHOOSING to view episodes ahead of schedule. No one is holding a gun to their heads.) But the fact that they are spoiling things for folks who are trying NOT to get spoiled is just outrageously obnoxious.
I'd like the ASK GREG queue to be a safe place. I NEED people to be able to read the queue to see if someone ahead of them has already asked the question they're intending to ask. In fact, I've pretty much DEMANDED that people check the queue before asking a question, so forcing them to check something that will spoil their enjoyment of the series is flat out unfair.
Thus the deletions.
And this is all beside the fact that asking a question HERE at ASK GREG to get an explanation of something in an episode that wasn't understood because it was not in English is, well, IDIOTIC. At the length of the current queue, it'll be months before I get to these questions, and the episodes will air here in the U.S. in a matter of weeks. So by the time I get to these questions, the answers will no longer be required - so all that is really being accomplished is that folks have found yet another way to bog down the queue. In fact, this practice is SO idiotic, I'm having trouble believing the questions are being asked with any sincerity. It seems more like a demonstration of power. Trolling, pure and simple.
Either way - whether this is due to naivete or trolling - please just STOP. Please.
Hey gang,
Tomorrow morning (Saturday, March 17th) Cartoon Network airs YOUNG JUSTICE episode 21, "Image". It also repeats on Sunday morning. (Check local listings for time.) You should really check it out. Big doings, trust me!
Also, Brandon Vietti and I will be at WonderCon in Anaheim tomorrow. We have a signing at the DC Booth at 4pm and a DC NATION panel at 5pm. Major SPOILERS happening at the panel. And I KNOW how much you crazy kids love spoilers. So stop by!
YOUNG JUSTICE Episode #20 ("Coldhearted") Credits:
	Producers
	Brandon Vietti
	Greg Weisman
	Written By
	Jon Weisman
	Directed By
	Victor Cook
	Line Producer
	David Wilcox
	_________________________________________________________________________
	Young Justice Theme and Music By
	Kristopher Carter
	Michael McCuistion
	Lolita Ritmanis
	_________________________________________________________________________
	Casting & Voice Direction
	Jamie Thomason
	_________________________________________________________________________
	Starring The Voices Of
	Lacey Chabert as Zatanna
	Stephanie Lemelin as Artemis
	Jesse McCartney as Robin
	Danica McKellar as Miss Martian
	Khary Payton as Aqualad, Brick
	Jason Spisak as Kid Flash
	Steven J. Blum as Count Vertigo, Rudy West, Henchy
	Nicole Dubuc as Iris West-Allen
	Miguel Ferrer as Vandal Savage
	Bruce Greenwood as Batman, Pieter Cross
	Adrian Pasdar as Hugo Strange
	Cree Summer as Mary West, Mattie Harcourt
	Ariel Winter as Perdita
Based On DC Comics Characters
	Batman Created By
	Bob Kane
	Miss Martian Created By
	Geoff Johns and Tony Daniel
	Zatanna Created By
	Gardner Fox
	Doctor Fate Created By
	Gardner Fox
	________________________________________________________________________
	Production Manager
	John Diaz
	Assistant Production Manager
	Casey Sandin
	Animation Coordinator
	JJ Conway
	________________________________________________________________________
	Lead Character Design
	Phil Bourassa
	Character Design
	Dusty Abell
	Jerome Moore
	Coran Stone
	BG Key Design
	Fedja Jovanovic
	Hakjoon Kang	          			
	Prop Design
	Hakjoon Kang
	Alex Kubalsky
	_______________________________________________________________
	Storyboard
	Ki-Doo Kim
	Storyboard Clean-up
	Jae H. Kim
	Owen Sullivan	
	Animation Timing Director
	James Tim Walker	
	Timing
	Richard Collado
	Jeff Hall
	Michel Lyman		
	Animation Checking
	Justin Schultz
	______________________________________________________________________
	Color Stylist
	James Peters
	Ink & Paint
	Kim Bowen
	Background Paint
	Mike Inman
	David McBride
	Craig Robertson
	Effects Animation
	Matthew Girardi
	_________________________________________________________________________
	Main Title Animation
	MOI Animation, Inc.
	Wut It Is
	_________________________________________________________________________
	Editor
	Jhoanne Reyes
	_________________________________________________________________________
	Supervising Dialogue/ADR Editor
	Mark A. Keatts
	Sound Reading
	Fred Salinas
	Wilson Martinez	
	Dialogue/ADR Editors
	Patrick Foley
	Mike Garcia
	Post Production Manager
	Scott Shinick
	Dialogue Recording Studio
	Studiopolis, Inc.
	Recording Machine Operator
	Jeff O. Collins
	Sarah Baluch
	Post Production Sound Services
	Audio Circus, Inc.	
	Online Editor
	Steven White
	_________________________________________________________________________
	Animation Services
	MOI Animation, Inc.
	Animation Director
	Jin-Hae Lee
	Background Director
	Jung-Ho Park
	Production Managers
	Young-Soo Yoo (Director)
	Min-Sung Park
	Pan-Seob Kim
	Su-Mi Beck
	Production Coordinator
	Hyosun Ryu
	________________________________________________________________________
	Layout Artists
	Tae-II Kim
	In-Shik Uhm
	Color Stylist
	Min-Yi Kim
	Composition
	Byoung-Ryul Kim (Director)
	Hyo-Yoon Beck
	Kyoung-Hee Kang
	Sung-Ho Jo
	Model Checkers
	Ju-Yeon Lee	
	Key Animation
	Young-II Park
	Hyung-Seok Jang
	Sun-Ki Kang
	Cheong-II Hahn
	Jong-Hwa Lee
	Seun-Deuk Sohn
	Gun-Shik Lee
	Jae-Hyung Kim	
	3D CGI
	Gyu-Han Yoo (Director)
	Gyu-Sung Oh
	Final Checker
	Gyun-Ho Hahn
	_______________________________________________________________
	Production Administrator
	Nicole Martin
	Production Accounting
	Luisa Guzman
	Debbie Lindquist
	Maral Simonian
	Athena Wingate
	Production Support
	Vivian Hernandez
	Audrey Kim
	Tamara Miles
	Kira Tirimacco
	Renee Toporzysek
	Janet Yi
	Executive In Charge Of Music
	Niki Sherrod
	Business And Legal Affairs
	John Michael Beach
	Lori Blackstone
	Sharmalee Lall
	Bonnie Negrete
	Joulene St. Catherine
	Casting Administrator
	Liz Carroll
	_________________________________________________________________________
	Production Supervision
	Bobbie Page
	Production Management
	Ed Adams
	_________________________________________________________________________
	Executive in Charge of Production
	Jay Bastian
	_________________________________________________________________________
	Executives In Charge Of Production For Cartoon Network
	Tramm Wigzell
	Brian E. S. Jones
	_________________________________________________________________________
	Executive Producer
	Sam Register
	_________________________________________________________________________
	This motion picture is protected under the laws of the United States of America and other countries.  Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
	© 2011 Warner Bros. Entertainment Inc.
	ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
	Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
	_________________________________________________________________________
	There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
	A handful (in no particular order) include...
	Dan Soulsby - Talent Coordinator
	Eric Lewis, CAS - Dialogue Sound Mixer
	Chris Eaton - Assistant Engineer
	Otis Van Osten - Sound Supervisor
	Ron Salaises - Sound Effects editor
	Carlos Sanches - Re-Recording Mixer
	Stacy Michaels - Foley Mixer
	Alex Ulrich - Foley Walker
	John Wells - Research
	Aris Katsaris - Atlantean Translator
	I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
Episode 20 of YOUNG JUSTICE, i.e. "Coldhearted" airs tomorrow (Saturday, March 10th) on Cartoon Network and repeats on Sunday. Check local cable guides for times.
Please do check it out. It puts the spotlight on Kid Flash, and I think it turned out great.
So... aren't we off to a good start?!
Can a man simultaneously be sarcastic and not?
Anyway, I was mostly thrilled with the premiere of DC NATION, but obviously frustrated that CN attached the WRONG episode's credits. So without further ado:
YOUNG JUSTICE Episode #19 ("Misplaced") Credits:
	Producers
	Brandon Vietti
	Greg Weisman
	Written By
	Greg Weisman
	Directed By
	Michael Chang
	Line Producer
	David Wilcox
	_________________________________________________________________________
	Young Justice Theme and Music By
	Kristopher Carter
	Michael McCuistion
	Lolita Ritmanis
	_________________________________________________________________________
	Casting & Voice Direction
	Jamie Thomason
	_________________________________________________________________________
	Starring The Voices Of
	Lacey Chabert as Zatanna
	Stephanie Lemelin as Artemis
	Jesse McCartney as Robin
	Danica McKellar as Miss Martian
	Nolan North as Superboy, Zatara
	Khary Payton as Aqualad
	Jason Spisak as Kid Flash
	Thom Adcox as Klarion
	Dee Bradley Baker as Teekl, Felix Faust
	Corey Burton as Wizard, James Gordon, Brain
	Nick Chinlund as Sportsmaster
	Bruce Greenwood as Batman, Wotan
	Chad Lowe as Captain Marvel
	Masasa Moyo as Cat Grant, Amber Joyce
	Robert Ochoa as Billy Batson
	Kevin Michael Richardson as Blackbriar Thorn, Nabu
Based On DC Comics Characters
	Batman Created By
	Bob Kane
	Miss Martian Created By
	Geoff Johns and Tony Daniel
	Zatanna Created By
	Gardner Fox
	Felix Faust Created By
	Gardner Fox
	Wotan Created By
	Gardner Fox
	Blackbriar Thorn Created By
	Len Wein
	Cat Grant Created By
	Marv Wolfman and Jerry Ordway
	The Brain and Monsieur Mallah Created By
	Arnold Drake
	________________________________________________________________________
	Production Manager
	John Diaz
	Assistant Production Manager
	Mark Wilson
	Animation Coordinator
	JJ Conway
	________________________________________________________________________
	Lead Character Design
	Phil Bourassa
	Character Design
	Dusty Abell
	Jerome Moore
	Coran Stone 	 
	BG Key Design
	Enzo Baldi
	Fedja Jovanovic
	Hakjoon Kang	   
	Prop Design
	Eugene Mattos
	_______________________________________________________________
	Storyboard
	Charles E. Drost, III
	Paul Harmon
	Jeff Johnson		
	Storyboard Clean-up
	Owen Sullivan	
	Animation Timing Director
	James Tim Walker
	Timing
	Richard Collado
	Jeff Hall
	Michel Lyman		
	Animation Checking
	Chuck Gefre
	Justin Schultz
	______________________________________________________________________
	Color Stylist
	James Peters
	Ink & Paint
	Kim Bowen
	Background Paint
	Mike Inman
	David McBride
	Craig Robertson
	Effects Animation
	Matthew Girardi
	_________________________________________________________________________
	Main Title Animation
	MOI Animation, Inc.
	Wut It Is
	_________________________________________________________________________
	Editor
	Jhoanne Reyes
	_________________________________________________________________________
	Supervising Dialogue/ADR Editor
	Mark A. Keatts
	Sound Reading
	Fred Salinas
	Wilson Martinez	
	Dialogue/ADR Editors
	Patrick Foley
	Mike Garcia
	Post Production Manager
	Scott Shinick
	Dialogue Recording Studio
	Studiopolis, Inc.
	Recording Machine Operator
	Jeff O. Collins
	Sarah Baluch
	Post Production Sound Services
	Audio Circus, Inc.
	Online Editor
	Steven White
	_________________________________________________________________________
	Animation Services
	MOI Animation, Inc.
	Animation Director
	Doo-Hyung Lee
	Background Director
	Jung-Ho Park
	Production Managers
	Young-Soo Yoo (Director)
	Min-Sung Park
	Pan-Seob Kim
	Su-Mi Beck
	Production Coordinator
	Hyo-Sun Ryu
	Seong-Mi Park
	________________________________________________________________________
	Layout Artists
	Hahk-Jin Kim
	In-Soo Kim
	Color Stylist
	Min-Yi Kim
	Composition
	Byoung-Ryul Kim (Director)
	Hyo-Yoon Beck
	Kyoung-Hee Kang
	Soo-Jin Yu
	Sung-Ho Jo
	Jeong-Mi Lee
	Model Checkers
	Yang-Sook Kim
	Key Animation
	Byong-Eui Gwack
	Kyong-Ho Lee
	Bum-Seok Lee
	Kyong-Ah Jang
	Eun-Hee Ba
	Chang-Ho Park
	3D CGI
	Gyu-Han Yoo (Director)
	Gyu-Sung Oh
	Final Checker
	Nam-Gyu Lee
	________________________________________________________________________
	Production Administrator
	Nicole Martin
	Production Accounting
	Luisa Guzman
	Debbie Lindquist
	Maral Simonian
	Athena Wingate
	Production Support
	Vivian Hernandez
	Audrey Kim
	Tamara Miles
	Kira Tirimacco
	Renee Toporzysek
	Janet Yi
	Executive In Charge Of Music
	Niki Sherrod
	Business And Legal Affairs
	John Michael Beach
	Lori Blackstone
	Sharmalee Lall
	Bonnie Negrete
	Joulene St. Catherine	
	Casting Administrator
	Liz Carroll
	_________________________________________________________________________
	Production Supervision
	Bobbie Page
	Production Management
	Ed Adams
	_________________________________________________________________________
	Executive in Charge of Production
	Jay Bastian
	_________________________________________________________________________
	Executives In Charge Of Production For Cartoon Network
	Tramm Wigzell
	Brian E. S. Jones
	_________________________________________________________________________
	Executive Producer
	Sam Register
	_________________________________________________________________________
	This motion picture is protected under the laws of the United States of America and other countries.  Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
	© 2011 Warner Bros. Entertainment Inc.
	ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
	Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
	_________________________________________________________________________
	There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
	A handful (in no particular order) include...
	Dan Soulsby - Talent Coordinator
	Eric Lewis, CAS - Dialogue Sound Mixer
	Chris Eaton - Assistant Engineer
	Otis Van Osten - Sound Supervisor
	Ron Salaises - Sound Effects editor
	Carlos Sanches - Re-Recording Mixer
	Stacy Michaels - Foley Mixer
	Alex Ulrich - Foley Walker
	John Wells - Research
	I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE PRODUCTION UPDATE
So where are we...?
	SEASON ONE
	With the start of DC NATION, Episodes 101-119 have now aired.
	120-126 are all in the can, and at least the first four of those are scheduled to air this month (March 2012).
	SEASON TWO
	Episodes 201 and 202 are in the can.
	203 has mixed.  We'll do the online tomorrow and then that will be in the can.
	204 is in post-production.  We locked picture last Friday and spotted the music today.
	205 is in post-production.  We called retakes for it last week.
	206 should come in for post, pretty much any minute.
	207-209 have all been fully shipped overseas for animation.
	210-214 have also shipped though some of the color work on BGs and models is still being completed here.
	215 should ship this week.
	216 is in board revision and notes.
	217 is in slug.
	218-219 boards are going to slug and notes ASAP.
	220 clean boards should come in early this week.
	COMIC BOOK
	The trade collecting issues 0-6 is out, I believe.  I have a copy, but sometimes I get my comp copy a week or so early, so I'm not sure.
	Issues 7-13 are all out.
	Issue 14 should come out very soon.
	Issue 15 is being inked.
	Issue 16 is being pencilled.
	Issue 17 is being scripted.
	Issue 18-19 are being plotted.
Yes, that's right. "Misplaced", the nineteenth episode of YOUNG JUSTICE, aired today on Cartoon Network.
If you missed it - or just want a second look - it will rerun tomorrow on Cartoon Network. Check local listings for times.
So I've finally gotten through the queue. I could definitely feel myself getting cranky again by the end here, so I'm going to take a short break.
Young Justice resumes airing on Saturday, March 3, 2012, and we'll reopen ASK GREG's question/posting function on the same day.
PLEASE, PLEASE, PLEASE follow these simple guidelines BEFORE posting.
1. DO NOT REQUEST SPOILERS!! All requests for spoilers will be met with "SPOILER REQUEST. NO COMMENT." Prefacing your spoiler request question by saying, "I hope this doesn't trigger a spoiler alert" or the like doesn't help. THINK BEFORE YOU POST. If you're asking me for information about what is TO COME on a show, it's a SPOILER. And I flat out will not answer. So all you're doing is clogging the queue.
2. CHECK THE ARCHIVES to make sure your question hasn't already been answered. Any question already answered will receive an "ASKED AND ANSWERED" response. Again, this only serves to clog the queue.
3. CHECK the UNANSWERED QUESTION queue before posting your question. I may not have answered it yet, but if you can see that someone's already asked the question, then there's no point in asking it again. All you'll receive is another "ASKED AND ANSWERED" response. Really, the amount of times I was asked Zatanna's age was just preposterous. If I'm taking the time to answer your questions, the least you can do is LOOK to see if your question was already asked before posting and clogging the queue.
4. CONSIDER asking your question from knowledgeable fans BEFORE posting it. For example, the folks at http://www.s8.org/gargoyles/comment/ are very familiar with my work and can usually answer stuff much faster than I can.
5. If you are asking multiple questions in one post, please NUMBER your questions. And if you're asking more than, say... ten... then create a separate post.
6. But please, do NOT flood the queue. Show restraint.
7. Please do not submit any original ideas, notions, concepts, or drawings of original characters. No stories, no fanfic, no teleplays, nothing.
8. No original ideas masquerading as questions. Asking me what Demona did during World War II is fine. Asking me if Demona tried to assassinate Hitler during World War II is an idea masquerading as a question and is not all right. I'm sure you can all see the distinction.
9. No requests for employment. If you want to ask generally about how one might break into the business, I'll try to give my perspective, but this is not an appropriate forum for personal pleas for work.
If these guidelines are followed the results benefit us all:
a. The queue doesn't bog down. I'll get to questions faster.
b. I'll be happier, which means I'm more likely to expand on the questions I can answer, instead of being so fed up that I speed through those too, just to bring down the size of the queue.
I know I must sound like a curmudgeon here. AND THAT'S ONLY BECAUSE THAT'S EXACTLY WHAT I AM! (ASK ANYONE!) But you can help reduce my curmudgeonliness by following these guidelines.
Thank you
See you in a week(ish).
I believe a demon has possessed my alarm clock.
I believe this demon to be related to the demon that already possesses my bathroom scale.
I do not believe I can be shaken from these beliefs.
Anyone out there remember MECHA-NATION, the three-issue comic book mini-series created by Victor Cook, developed by Vic, Greg Guler & myself, written by me and drawn by Antonio Campo?
Cuz we FINALLY finished it!
The MARCH PREVIEWS will be out on FEBRUARY 29th and will contain order information for MECHA-NATION #1-3!!!
(That's right, if you missed the first issue, you'll now have the opportunity to get all three (the complete story) at once!!)
Make sure you friends and fans know about PRE-ORDERING as that will be important for us in getting the word and the book out to stores everywhere!
The book itself will be out in May.
It's a really fun story, and Antonio did a great job illustrating it! Check it out!!
I mentioned my upcoming (this summer) appearance at Denver Comic Con, but coming up fast (faster?) is WONDERCON.
Brandon Vietti and I will be appearing at WonderCon at the Anaheim Convention Center on Saturday, March 17.
The tentative schedule incudes:
	4:00-4:30 pm            SIGNING
	5:00-6:00 pm            PANEL
So stop by!!
Today we recorded (most) of Young Justice episode 220, i.e. the final episode of Season Two. We had a nice little cast party today, which is bittersweet, of course, since we don't know if we're merely taking a break with a pickup coming some day - or whether this is it.
By the time we've finally recorded everyone (probably sometime next week), this single episode will have TWENTY-FOUR voice actors in it. That's 24 actors playing 35 speaking parts. And those 35 speaking parts make up less than half of the 77 total characters that will (likely) appear in the episode.
Other stats (of interest only to the truly nerdy geek):
Across two seasons, we'll have used 91 actors to play all the speaking parts.
Season One had 179 name characters (not all of whom speak, of course) over its 26 episodes. (At least through the script stage. A few, like Catherine Cobert, may have been cut for time by the time the episodes aired, and I haven't recalculated for that.)
Season Two had 145 name characters over 20 episodes.
Together (i.e. if you merge both lists), the two seasons had a total of 241 name characters over 46 episodes.
Season Two scripts ranged between 30 pages long (episode 216) and 36 pages long (201 & 220).
Line counts ranged between 197 lines per script (203) and 255 (214).
Number of actors used per episode ranged between 6 (202) and 24 (220).
Hey everyone,
I will be signing autographs, doing panels, etc. at the Denver Comic Con for their inaugural event on Fatherâs Day weekend June 15-17th. The weekend long con benefits Childrenâs Literacy through the Comic Book Classroom, a new program teaching children to read through comic books. They have already announced a legion of guests including Jasika Nicole, Michael Uslan, Mark Ryan, Tom Kane, Steven Seagle, Barry Kitson, Jason Aaron, James O'Barr, Gail Simone, Bob Layton, Georges Jeanty, Rebekah Isaacs and more! Hope to see you there, early bird tickets are only $45 for weekend passes.
We'll talk Young Justice, Gargoyles, Spidey, you name it!
Check out: www.denvercomiccon.com for more info.
YOUNG JUSTICE PRODUCTION UPDATE
	Been awhile since I did this.  Here's where we are...
	SEASON ONE
	101-118 have aired.
	119 is in the can and will air on March 3rd, premiering with DC NATION.
	120-126 are all complete and in the can, ready to air.
	SEASON TWO
	201 is in post-production.  We're actually locking the final cut in editorial today.
	202 is in post-production.  We're waiting for retakes.
	203 is in post-production.  We're calling retakes today.
	204 is overseas, being animated, but it should ship back to us next week.
	205-207 are overseas, being animated.
	208 is overseas, being animated, while we're simultaneously finishing the color models.
	209 is overseas, being animated.  We still have color models to work on.
	210-211 are both overseas, being animated, and we still have color models to work on.  Plus we still have one voice actor to record, who was out sick.  We've temped in the lines.  (I did them, actually.)  We'll have to pick him up in post-production, using ADR.
	212 is overseas, being animated.  We still have color models to work on.
	213's storyboard is in track and checking.
	214's storyboard is in revision and track.
	215's storyboard is in notes.
	216's storyboard is in and going to slug.
	217's storyboard is in.
	218 is in storyboard.  Still have two actors to pick up for this one.
	219 is in storyboard and fully recorded.
	220 is in storyboard.  We're picking up a couple actors early today, and recording the rest of the cast (hopefully) this coming Tuesday (Feb 7).
	Yep, that's right.  ALL the scripts for Season Two are locked and final.
	COMIC BOOK
	Issues #0-12 are available for purchase.
	Issue #13 is at the printers, I think.
	Issue #14 is being inked by Chris Jones.
	Issue #15's script is done and ready for Chris to pencil.
	Issue #16's script is being finished off by me this weekend.
	Issue #17 is plotted. Kevin Hopps is working on the first draft script.
So I was invited to attend Kimvention 2012 - the new convention dedicated to the KIM POSSIBLE television series: http://kimvention2012.com/
I would have loved to attend, but unfortunately, I had already committed to Denver Comic Con the same weekend: http://www.denvercomiccon.com/
I'm really looking forward to Denver, but I do wish I were able to attend both.
Kimvention should be a lot of fun. And Kim Possible was a great series. So if you're anywhere near Anaheim this June, I'd recommend it.
And if you're anywhere near Denver, come see me at Denver Comic Con.
YJ UPDATE
	SEASON ONE
	101-118 have aired.
	119-126 are all complete and in the can.  That's right.  All work on Season One is DONE!  <whoo!>
	SEASON TWO
	201-207 have all shipped overseas for animation.
	208-213 are all in storyboard and design.  208 and 209 are fully recorded, but we still have a few straggler voice actors to pick up for 210-212.
	213 records the Tuesday after Thanksgiving.  (Script is done.)
	214 - I'm currently editing the script.
	215 - I need to edit the script, which writer Jon Weisman completed.
	216-218 - I need to edit the outlines, which writers Kevin Hopps, Brandon Vietti and Peter David have all completed.
	219 - I need to write this one.  Yes, 214-219 are all basically sitting on my desk.  I have officially become a logjam.
	220 - This one's in outline with the writer, Kevin Hopps.
	COMIC BOOK
	Issues 0-10 have all hit the stands.
	Issue 11 is being colored.
	Issue 12 is being inked.
	Issue 13 is being pencilled.
	Issue 14 - I'm doing my pass on Kevin's script.  (Did I mention I'm a logjam?)
	Issue 15 - Kevin is working on his first pass at the script.  But the basic outline is done.
YOUNG JUSTICE Episode #18 ("Secrets") Credits
	Producers
	Brandon Vietti
	Greg Weisman
	Written By
	Peter David
	Directed By
	Jay Oliva
	_________________________________________________________________________
	Line Producer
	David Wilcox
	_________________________________________________________________________
	Young Justice Theme and Music By
	Kristopher Carter
	Michael McCuistion
	Lolita Ritmanis
	_________________________________________________________________________
	Casting & Voice Direction
	Jamie Thomason
	_________________________________________________________________________
	Starring The Voices Of
	Stephanie Lemelin as Artemis
	Jesse McCartney as Robin
	Danica McKellar as Megan Morse
	Nolan North as Conner Kent, Marvin White
	Khary Payton as Aqualad
	Jason Spisak as Wally West
	Lacey Chabert as Zatanna
	Ben Diskin as Harm
	Crispin Freeman as Red Arrow
	Bruce Greenwood as Batman
	Chad Lowe as Captain Marvel
	Masasa Moyo as Secret, Wendy Harris, Karen Beecher
	Kevin Michael Richardson as Mal Duncan, Jim Daniels
	Greg Weisman as Lucas Carr
Based On DC Comics Characters
	Batman Created By
	Bob Kane
	Miss Martian Created By
	Geoff Johns and Tony Daniel
	Zatanna Created By
	Gardner Fox
	________________________________________________________________________
	Production Manager
	John Diaz
	Assistant Production Manager
	Casey Sandin
	Animation Coordinator
	JJ Conway
	________________________________________________________________________
	Lead Character Design
	Phil Bourassa
	Character Design
	Dusty Abell
	Jerome Moore
	Coran Stone
	BG Key Design
	Jay Hong
	Fedja Jovanovic
	Hakjoon Kang					
	Prop Design
	Alex Kubalsky
	Eugene Mattos
	_______________________________________________________________
	Storyboard
	Jay Baker
	Jake Castorena
	Tim Divar
	Ki-Doo Kim
	Owen Sullivan		
	Storyboard Clean-up
	Owen Sullivan
	Animation Timing Director
	James Tim Walker	
	Timing
	Richard Collado
	Jeff Hall
	R. Michel Lyman
	James Tim Walker		
	Animation Checking
	Jan Browning
	Chuck Gefre
	Janette Hulett
	______________________________________________________________________
	Color Stylist
	James Peters
	Ink & Paint
	Kim Bowen
	Background Paint
	Mike Inman
	David McBride
	Craig Robertson
	Effects Animation
	Matthew Girardi
	_________________________________________________________________________
	Main Title Animation
	MOI Animation, Inc.
	Wutitis
	_________________________________________________________________________
	Editor
	Jhoanne Reyes
	_________________________________________________________________________
	Card 13
	Supervising Dialogue/ADR Editor
	Mark A. Keatts
	Sound Reading
	Fred Salinas
	Wilson Martinez	
	Dialogue/ADR Editors
	Patrick Foley
	Mike Garcia
	Post Production Manager
	Scott Shinick
	Dialogue Recording Studio
	Studiopolis, Inc.
	Recording Machine Operator
	Jeff O. Collins
	Sarah Baluch	
	Post Production Sound Services
	Audio Circus, Inc.
	Online Editor
	Steven White
	_________________________________________________________________________
	Animation Services
	Lotto Animation, Inc.
	Supervising Animation Directors
	Heechul Kang
	Background Director
	Yunhee Kim
	EunHee No
	Eunjung Choi
	Animation Directors
	Junsik Cho
	Daegu Heh
	Hyeoksoo Lee
	Production Staff
	Hyoungmin Doh
	Miok Kwon
	Eonho Lee
	Jinhwa Heo (Jun-E)
	________________________________________________________________________
	Layout Artists
	Jungmo Kim
	Minsoo Kim
	Hyeonwoo Seo
	Final Checker
	Hosoon Shin
	Color Stylist
	Mihyun Ji
	Model Checkers
	Eunha Kim
	Junghee Kim
	Composition
	Sangbong Oh
	Hoyeon Joo
	Yuri Choi
	Daehee Rim
	Sunghun Lee
	Key Animation
	Namgil Cho
	Yeoungsik Hwang
	Seokjin Jang
	Guchang Lee
	Mingoo Lee
	Ikhyun Kim
	Younggi Kim
	SinKwon Kim
	3D CGI
	Seokki Um
	Misook Choi
	________________________________________________________________________
	Production Administrator
	Nicole Martin
	Production Accounting
	Luisa Guzman
	Debbie Lindquist
	Maral Simonian
	Athena Wingate
	Production Support
	Vivian Hernandez
	Audrey Kim
	Tamara Miles
	Kira Tirimacco
	Renee Toporzysek
	Janet Yi
	Executive In Charge Of Music
	Niki Sherrod
	Business And Legal Affairs
	John Michael Beach
	Lori Blackstone
	Sharmalee Lall
	Bonnie Negrete
	Joulene St. Catherine
	Casting Administrator
	Liz Carroll
	_________________________________________________________________________
	Production Supervision
	Bobbie Page
	Production Management
	Ed Adams
	_________________________________________________________________________
	Executive in Charge of Production
	Jay Bastian
	_________________________________________________________________________
	Executives In Charge Of Production For Cartoon Network
	Tramm Wigzell
	Brian E. S. Jones
	_________________________________________________________________________
	Executive Producer
	Sam Register
	_________________________________________________________________________
	This motion picture is protected under the laws of the United States of America and other countries.  Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
	© 2011 Warner Bros. Entertainment Inc.
	ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
	Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.  _________________________________________________________________________
	There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
	A handful (in no particular order) include...
	Dan Soulsby - Talent Coordinator
	Eric Lewis, CAS - Dialogue Sound Mixer
	Geneva Ip - Assistant Engineer
	Otis Van Osten - Sound Supervisor
	Ron Salaises - Sound Effects editor
	Carlos Sanches - Re-Recording Mixer
	Stacy Michaels - Foley Mixer
	Alex Ulrich - Foley Walker
	John Wells - Research
	I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE Episode #17 ("Disordered") Credits
	Producers
	Brandon Vietti
	Greg Weisman
	Written By
	Andrew Robinson
	Directed By
	Michael Chang
	_________________________________________________________________________
	Line Producer
	David Wilcox
	_________________________________________________________________________
	Young Justice Theme and Music By
	Kristopher Carter
	Michael McCuistion
	Lolita Ritmanis
	_________________________________________________________________________
	Casting & Voice Direction
	Jamie Thomason
	_________________________________________________________________________
	Starring The Voices Of
	Stephanie Lemelin as Artemis Crock
	Jesse McCartney as Dick Grayson
	Danica McKellar as Megan Morse
	Nolan North as Conner Kent
	Khary Payton as Kaldurâahm
	Jason Spisak as Wally West
	Dee Bradley Baker as Wolf, Serifan, Desaad
	Grey Delisle as Dreamer, Whisper AâDaire
	Bill Fagerbakke as Bear
	Bruce Greenwood as Batman
	Vanessa Marshall as Black Canary
	Kevin Michael Richardson as Martian Manhunter, Vykin, âUglyâ Manheim
Based On DC Comics Characters
	Batman Created By
	Bob Kane
	New Gods Created By
	Jack Kirby
	The Forever People Created By
	Jack Kirby
	Miss Martian Created By
	Geoff Johns and Tony Daniel
	Martian Manhunter Created By
	Joseph Samachson and Joseph Certa
	________________________________________________________________________
	Production Manager
	John Diaz
	Assistant Production Manager
	Mark Wilson
	Animation Coordinator
	Matthew Benzinger
	________________________________________________________________________
	Lead Character Design
	Phil Bourassa
	Character Design
	Dusty Abell
	Jerome Moore
	Eugene Mattos
	BG Key Design
	Enzo Baldi
	Fedja Jovanovic
	Hakjoon Kang
	Prop Design
	Tea-Soo Kim
	_______________________________________________________________
	Storyboard
	Charles E. Drost, III
	Paul Harmon
	Jeff Johnson
	Lauren Montgomery	
	Storyboard Clean-up
	Brendon Clogher
	Owen Sullivan
	Animation Timing Director
	James Tim Walker	
	Timing	Animation
	Richard Collado
	Jeff Hall
	Michel Lyman
	James Tim Walker	
	Checking
	Justin Schultz
	______________________________________________________________________
	Color Stylist
	James Peters
	Ink & Paint
	Kim Bowen
	Background Paint
	Mike Inman
	David McBride
	Craig Robertson
	Effects Animation
	Matthew Girardi
	_________________________________________________________________________
	Main Title Animation
	MOI Animation, Inc.
	Wut It Is
	_________________________________________________________________________
	Editor
	Jhoanne Reyes
	_________________________________________________________________________
	Supervising Dialogue/ADR Editor
	Mark A. Keatts
	Sound Reading
	Fred Salinas
	Wilson Martinez	
	Dialogue/ADR Editors
	Patrick Foley
	Mike Garcia
	Post Production Manager
	Scott Shinick
	Dialogue Recording Studio
	Studiopolis, Inc.
	Recording Machine Operator
	Jeff O. Collins
	Sarah Baluch
	Post Production Sound Services
	Audio Circus, Inc.
	Online Editor
	Steven White
	_________________________________________________________________________
	Animation Services
	MOI Animation, Inc.
	Animation Director
	Sang-Young Uhm
	Background Director
	Jung-Ho Park
	Production Managers
	Young-Soo Yoo (Director)
	Min-Sung Park
	Ok-Ki Lee
	Su-Mi Beck
	Production Coordinator
	Hyosun Ryu
	Seongmi Park
	________________________________________________________________________
	Layout Artists
	Tae-II Kim
	In-Soo Kim
	Hak-Jin Kim	
	Color Stylist
	Min-Yi Kim
	Composition
	Byoung-Ryul Kim (Director)
	Hyo-Yoon Beck
	Kyoung-Hee Kang
	Sung-Ho Jo 
	Model Checkers
	Ki-Duk Park	
	Key Animation
	Eun-Jung Kang
	Eun-Hee Yang
	Jong-Jin Park
	Bong-Geun Kim
	Seong-Joon Kwon
	Soo-Jin Lee
	Han-Young Lee
	Young-Chae Kim
	Yun-Ho Choo
	Seung-Bong Lim
	3D CGI
	Gyu-Han Yoo (Director)
	Gyu-Sung Oh
	Final Checker
	Nam-Kyu Lee
	_______________________________________________________________________
	Card 16
	Production Administrator
	Nicole Martin
	Production Accounting
	Luisa Guzman
	Debbie Lindquist
	Maral Simonian
	Athena Wingate
	Production Support
	Vivian Hernandez
	Audrey Kim
	Tamara Miles
	Kira Tirimacco
	Renee Toporzysek
	Janet Yi
	Executive In Charge Of Music
	Niki Sherrod
	Business And Legal Affairs
	John Michael Beach
	Lori Blackstone
	Sharmalee Lall
	Bonnie Negrete
	Joulene St. Catherine
	Casting Administrator
	Liz Carroll
	_________________________________________________________________________
	Production Supervision
	Bobbie Page
	Production Management
	Ed Adams
	_________________________________________________________________________
	Executive in Charge of Production
	Jay Bastian
	_________________________________________________________________________
	Executives In Charge Of Production For Cartoon Network
	Tramm Wigzell
	Brian E. S. Jones
	_________________________________________________________________________
	Executive Producer
	Sam Register
	_________________________________________________________________________
	This motion picture is protected under the laws of the United States of America and other countries.  Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
	© 2011 Warner Bros. Entertainment Inc.
	ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
	Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
	_________________________________________________________________________
	There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
	A handful (in no particular order) include...
	Dan Soulsby - Talent Coordinator
	Eric Lewis, CAS - Dialogue Sound Mixer
	Chris Eaton - Assistant Engineer
	Otis Van Osten - Sound Supervisor
	Ron Salaises - Sound Effects editor
	Carlos Sanches - Re-Recording Mixer
	Stacy Michaels - Foley Mixer
	Alex Ulrich - Foley Walker
	John Wells - Research
	I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE Episode #16 ("Failsafe") Credits
	Producers
	Brandon Vietti
	Greg Weisman
	Written By
	Nicole Dubuc
	Directed By
	Jay Oliva
	Line Producer
	David Wilcox
	_________________________________________________________________________
	Young Justice Theme and Music By
	Kristopher Carter
	Michael McCuistion
	Lolita Ritmanis
	_________________________________________________________________________
	Casting & Voice Direction
	Jamie Thomason
	_________________________________________________________________________
	Starring The Voices Of
	Stephanie Lemelin as Artemis
	Jesse McCartney as Robin
	Danica McKellar as Miss Martian
	Nolan North as Superboy, Zatara
	Khary Payton as Aqualad
	Jason Spisak as Kid Flash
	Jeff Bennett as Red Tornado, Wade Eiling, Jason Bard
	Nicole Dubuc as Iris West-Allen
	Bruce Greenwood as Batman
	Masasa Moyo as Cat Grant
	Kevin Michael Richardson as Martian Manhunter, David Reid, Green Lantern
Based On DC Comics Characters
	Batman Created By
	Bob Kane
	Superman Created By
	Jerry Siegel & Joe Shuster
	Wonder Woman Created By
	William Moulton Marston
	Martian Manhunter Created By
	Joseph Samachson and Joseph Certa
	Aquaman Created By
	Paul Norris
	Miss Martian Created By
	Geoff Johns and Tony Daniel
	Zatanna Created By
	Gardner Fox
	Cat Grant Created By
	Marv Wolfman and Jerry Ordway
	________________________________________________________________________
	Production Manager
	John Diaz
	Assistant Production Manager
	Casey Sandin
	Animation Coordinator
	Matthew Benzinger
	________________________________________________________________________
	Lead Character Design
	Phil Bourassa
	Character Design
	Dusty Abell
	Jerome Moore
	Coran Stone
	BG Key Design
	Jay Hong
	Fedja Jovanovic
	Hakjoon Kang
	Prop Design
	Andy Chiang
	Eugene Mattos
	_______________________________________________________________
	Storyboard
	Charles E. Drost, III
	Paul Harmon
	Jeff Johnson
	Robert Souza	
	Storyboard Clean-up
	Branden Clogher
	Christina Louise Sotta
	Owen Sullivan
	Animation Timing Director
	James Tim Walker
	Timing
	Richard Collado
	Jeff Hall
	R. Michel Lyman		
	Animation Checking
	Justin Schultz
	______________________________________________________________________
	Color Stylist
	James Peters
	Ink & Paint
	Kim Bowen
	Background Paint
	Mike Inman
	David McBride
	Craig Robertson
	Effects Animation
	Matthew Girardi
	_________________________________________________________________________
	Main Title Animation
	MOI Animation, Inc.
	Wutitis
	_________________________________________________________________________
	Editor
	Jhoanne Reyes
	_________________________________________________________________________
	Supervising Dialogue/ADR Editor
	Mark A. Keatts
	Sound Reading
	Fred Salinas
	Wilson Martinez	
	Dialogue/ADR Editors
	Patrick Foley
	Mike Garcia
	Post Production Manager
	Scott Shinick
	Dialogue Recording Studio
	Studiopolis, Inc.
	Recording Machine Operator
	Jeff O. Collins
	Sarah Baluch
	Post Production Sound Services
	Audio Circus, Inc.
	Online Editor
	Steve White
	_________________________________________________________________________
	Animation Services
	Lotto Animation, Inc.
	Supervising Animation Directors
	Heechul Kang
	Background Director
	Yunhee Kim
	EunHee No
	Eunjung Choi
	Animation Directors
	Sangjoon Lee
	Myeonghwan Park
	Junsik Cho
	Production Staff
	Hyoungmin Doh
	Miok Kwon
	Eonho Lee
	Jinhwa Heo (Jun-E)
	________________________________________________________________________
	Layout Artists
	Jungmo Kim
	Minsoo Kim
	Hyeonwoo Seo
	Final Checker
	Hosoon Shin
	Color Stylist
	Mihyun Ji
	Model Checkers
	Junghee Kim
	Myeongae Sim
	Composition
	Sangbong Oh
	Hoyeon Joo
	Yuri Choi
	Daehee Rim
	Sunghun Lee
	Key Animation
	Seokjin Jang
	Eunhwa Jung
	Howon Jung
	Dongwook Kim
	Kwonil Kim
	Kyeongrak Kim
	Yeoungmi Lee
	Gyeonghwa Seo
	3D CGI
	Seokki Um
	Misook Choi
	________________________________________________________________________
	Production Administrator
	Nicole Martin
	Production Accounting
	Luisa Guzman
	Debbie Lindquist
	Maral Simonian
	Athena Wingate
	Production Support
	Vivian Hernandez
	Audrey Kim
	Tamara Miles
	Kira Tirimacco
	Renee Toporzysek
	Janet Yi
	Executive In Charge Of Music
	Niki Sherrod
	Business And Legal Affairs
	John Michael Beach
	Lori Blackstone
	Sharmalee Lall
	Bonnie Negrete
	Joulene St. Catherine
	Casting Administrator
	Liz Carroll
	_________________________________________________________________________
	Production Supervision
	Bobbie Page
	Production Management
	Ed Adams
	_________________________________________________________________________
	Executive in Charge of Production
	Jay Bastian
	_________________________________________________________________________
	Executives In Charge Of Production For Cartoon Network
	Tramm Wigzell
	Brian E. S. Jones
	_________________________________________________________________________
	Executive Producer
	Sam Register
	_________________________________________________________________________
	This motion picture is protected under the laws of the United States of America and other countries.  Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
	© 2011 Warner Bros. Entertainment Inc.
	ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
	Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
	_________________________________________________________________________
	There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
	A handful (in no particular order) include...
	Dan Soulsby - Talent Coordinator
	Eric Lewis, CAS - Dialogue Sound Mixer
	Geneva Ip - Assistant Engineer
	Otis Van Osten - Sound Supervisor
	Ron Salaises - Sound Effects editor
	Carlos Sanches - Re-Recording Mixer
	Stacy Michaels - Foley Mixer
	Alex Ulrich - Foley Walker
	I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
Time for an update, don't you think:
	SEASON ONE
	101-115 have aired.
	116-125 are all in the can, ready to air.
	126 is in post-production.
	SEASON TWO
	201-206 are being animated in Korea.
	207-209 are recorded and are in storyboard and design.
	210-211 are partially recorded and are in storyboard and design.
	212 has a first draft script waiting for notes.
	213 has an outline approved waiting for me to script.
	214 has an outline that I should finish editing tonight.
	215 has an outline waiting for me to read and edit.
	216-220 are all in outline based on approved beatsheets.
	COMIC BOOK
	0-9 have all been on sale.
	10 is shipped.
	11 is being penciled.
	12 is being penciled.
	13 is scripted.
	14 is in script.
	15 has been plotted.
YOUNG JUSTICE Episode #15 ("Humanity") Credits
	Producers
	Brandon Vietti
	Greg Weisman
	Written By
	Greg Weisman
	Directed By
	Matthew Youngberg
	_________________________________________________________________________
	Line Producer
	David Wilcox
	_________________________________________________________________________
	Young Justice Theme and Music By
	Kristopher Carter
	Michael McCuistion
	Lolita Ritmanis
	_________________________________________________________________________
	Casting & Voice Direction
	Jamie Thomason
	_________________________________________________________________________
	Starring The Voices Of
	Stephanie Lemelin as Artemis
	Jesse McCartney as Robin
	Danica McKellar as Miss Martian
	Nolan North as Superboy, Zatara
	Khary Payton as Aqualad
	Jason Spisak as Kid Flash
	Dee Bradley Baker as Wolf
	Jeff Bennett as T.O. Morrow, Red Tornado, Red Volcano
	Lacey Chabert as Zatanna
	Rob Lowe as Captain Marvel
	Peter MacNicol as Professor Ivo
	Vanessa Marshall as Black Canary, Red Inferno
Based On DC Comics Characters
	Batman Created By
	Bob Kane
	Miss Martian Created By
	Geoff Johns and Tony Daniel
	Zatanna Created By
	Gardner Fox
	________________________________________________________________________
	Production Manager
	John Diaz
	Assistant Production Manager
	Mark Wilson
	Animation Coordinator
	Matthew Benzinger
	________________________________________________________________________
	Lead Character Design
	Phil Bourassa
	Character Design
	Dusty Abell
	Jerome Moore
	Coran Stone	          
	BG Key Design
	Cynthia Q. Ignacio          
	Prop Design
	Tea-Soo Kim
	Eugene Mattos
	Coran Stone
	_______________________________________________________________
	Storyboard
	Ki-Doo Kim
	Shi-Ok Park
	Storyboard Clean-up
	Brendon Clogher
	Owen Sullivan
	Animation Timing Director
	James Tim Walker
	Timing
	Richard Collado
	Jeff Hall
	Michel Lyman
	Fred Miller
	Bob Shellhorn	
	Animation Checking
	Justin Schultz
	______________________________________________________________________
	Color Stylist
	Catherine Kim
	James Peters
	Ink & Paint
	Kim Bowen
	Background Paint
	Mike Inman
	David McBride
	Craig Robertson
	Effects Animation
	Matthew Girardi
	_________________________________________________________________________
	Main Title Animation
	MOI Animation, Inc.
	Wut It Is
	_________________________________________________________________________
	Editor
	Jhoanne Reyes
	_________________________________________________________________________
	Supervising Dialogue/ADR Editor
	Mark A. Keatts
	Sound Reading
	Fred Salinas
	Wilson Martinez	
	Dialogue/ADR Editors
	Patrick Foley
	Mike Garcia
	Post Production Manager
	Scott Shinick
	Dialogue Recording Studio
	Studiopolis, Inc.
	Recording Machine Operator
	Jeff O. Collins
	Sarah Baluch	
	Post Production Sound Services
	Audio Circus, Inc.
	Online Editor
	Steve White
	_________________________________________________________________________
	Animation Services
	MOI Animation, Inc.
	Animation Director
	Jin-Hae Lee
	Background Director
	Jung-Ho Park
	Production Managers
	Young-Soo Yoo (Director)
	Min-Sung Park
	Pan-Seob Kim
	Su-Mi Beck	
	Production Coordinator
	Hyosun Ryu
	Seongmi Park
	________________________________________________________________________
	Layout Artists
	Tae-II Kim
	In-Shik Uhm
	Color Stylist
	Min-Yi Kim
	Composition
	Byoung-Ryul Kim (Director)
	Hyo-Yoon Beck
	Kyoung-Hee Kang
	Sung-Ho Jo
	Model Checkers
	Ju-Yeon Lee
	Key Animation
	Young-II Park
	Hyung-Seok Jang
	Sun-Ki Kang
	Cheong-II Hahn
	Jong-Hwa Lee
	Seun-Deuk Sohn
	Gun-Shik Lee
	Jae-Hyung Kim
	3D CGI
	Gyu-Han Yoo (Director)
	Gyu-Sung Oh
	Final Checker
	Gyun-Ho Hahn
	________________________________________________________________________
	Production Administrator
	Nicole Martin
	Production Accounting
	Luisa Guzman
	Debbie Lindquist
	Maral Simonian
	Athena Wingate
	Production Support
	Vivian Hernandez
	Audrey Kim
	Tamara Miles
	Kira Tirimacco
	Renee Toporzysek
	Janet Yi
	Executive In Charge Of Music
	Niki Sherrod
	Business And Legal Affairs
	John Michael Beach
	Lori Blackstone
	Sharmalee Lall
	Bonnie Negrete
	Joulene St. Catherine
	Casting Administrator
	Liz Carroll
	_________________________________________________________________________
	Production Supervision
	Bobbie Page
	Production Management
	Ed Adams
	_________________________________________________________________________
	Executive in Charge of Production
	Jay Bastian
	_________________________________________________________________________
	Executives In Charge Of Production For Cartoon Network
	Tramm Wigzell
	Brian E. S. Jones
	_________________________________________________________________________
	Executive Producer
	Sam Register
	_________________________________________________________________________
	This motion picture is protected under the laws of the United States of America and other countries.  Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
	© 2011 Warner Bros. Entertainment Inc.
	ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
	Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
	_________________________________________________________________________
	There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
	A handful (in no particular order) include...
	Dan Soulsby - Talent Coordinator
	Eric Lewis, CAS - Dialogue Sound Mixer
	Geneva Ip - Assistant Engineer
	Otis Van Osten - Sound Supervisor
	Ron Salaises - Sound Effects editor
	Carlos Sanches - Re-Recording Mixer
	Stacy Michaels - Foley Mixer
	Alex Ulrich - Foley Walker
	I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE Episode #14 ("Revelation") Credits
	Producers
	Brandon Vietti
	Greg Weisman
	Written By
	Kevin Hopps
	Directed By
	Michael Chang
	_________________________________________________________________________
	Line Producer
	David Wilcox
	_________________________________________________________________________
	Young Justice Theme and Music By
	Kristopher Carter
	Michael McCuistion
	Lolita Ritmanis
	_________________________________________________________________________
	Casting & Voice Direction
	Jamie Thomason
	_________________________________________________________________________
	Starring The Voices Of
	Stephanie Lemelin as Artemis
	Jesse McCartney as Robin
	Danica McKellar as Miss Martian
	Nolan North as Superboy, Zatara
	Khary Payton as Aqualad
	Jason Spisak as Kid Flash
	Dee Bradley Baker as Wolf, Ultra-Humanite
	Steve Blum as Count Vertigo
	Miguel Ferrer as Vandal Savage
	Bruce Greenwood as Batman, Wotan
	Alyssa Milano as Poison Ivy
	Masasa Moyo as Cat Grant
	Kevin Michael Richardson as Nabu
	Brent Spiner as Joker
Based On DC Comics Characters
	Batman Created By
	Bob Kane
	Miss Martian Created By
	Geoff Johns and Tony Daniel
	Doctor Fate Created By
	Gardner Fox
	Cat Grant Created By
	Marv Wolfman and Jerry Ordway
	________________________________________________________________________
	Production Manager
	John Diaz
	Assistant Production Manager
	Casey Sandin
	Animation Coordinator
	Matthew Benzinger
	________________________________________________________________________
	Lead Character Design
	Phil Bourassa
	Character Design
	Dusty Abell
	Jerome Moore
	Coran Stone
	BG Key Design
	Jay Hong
	Fedja Jovanovic
	Hakjoon Kang
	Prop Design
	Andy Chiang
	Eugene Mattos
	_______________________________________________________________
	Storyboard
	Charles E. Drost, III
	Paul Harmon	Owen Sullivan
	Jeff Johnson	
	Storyboard Clean-up
	Brendon Clogher	
	Animation Timing Director
	James Tim Walker
	Timing
	Richard Collado
	Jeff Hall
	Gordon Kent
	R. Michel Lyman		
	Animation Checking
	Justin Schultz
	______________________________________________________________________
	Color Stylist
	James Peters
	Ink & Paint
	Kim Bowen
	Background Paint
	Mike Inman
	David McBride
	Craig Robertson
	Effects Animation
	Matthew Girardi
	_________________________________________________________________________
	Main Title Animation
	MOI Animation, Inc.
	Wutitis
	_________________________________________________________________________
	Editor
	Jhoanne Reyes
	_________________________________________________________________________
	Supervising Dialogue/ADR Editor
	Mark A. Keatts
	Sound Reading
	Fred Salinas
	Wilson Martinez	
	Dialogue/ADR Editors
	Patrick Foley
	Mike Garcia
	Post Production Manager
	Scott Shinick
	Dialogue Recording Studio
	Studiopolis, Inc.
	Recording Machine Operator
	Jeff O. Collins
	Sarah Baluch
	Post Production Sound Services
	Audio Circus, Inc.
	Online Editor
	Steve White
	_________________________________________________________________________
	Animation Services
	Lotto Animation, Inc.
	Supervising Animation Directors
	Heechul Kang
	Background Director
	Yunhee Kim
	EunHee No
	Eunjung Choi
	Animation Directors
	Daegu Heh
	Yeongsoo Kim
	Hyeoksoo Lee
	Jeha Yu
	Production Staff
	Hyoungmin Doh
	Miok Kwon
	Eonho Lee
	Jinhwa Heo (Jun-E)
	________________________________________________________________________
	Layout Artists
	Junyeop An
	Jungmo Kim
	Hyeonwoo Seo
	Final Checker
	Hosoon Shin
	Color Stylist
	Mihyun Ji
	Model Checkers
	Junghee Kim
	JaeHee Oh
	Composition
	Sangbong Oh
	Hoyeon Joo
	Yuri Choi
	Daehee Rim
	Sunghun Lee
	Key Animation
	Yeoungsik Hwang
	Seokjin Jang
	Kwonil Kim
	SinKwon Kim
	Guchang Lee
	Moonjae Lee
	3D CGI
	Seokki Um
	Misook Choi
	________________________________________________________________________
	Production Administrator
	Nicole Martin
	Production Accounting
	Luisa Guzman
	Debbie Lindquist
	Maral Simonian
	Athena Wingate
	Production Support
	Vivian Hernandez
	Audrey Kim
	Tamara Miles
	Kira Tirimacco
	Renee Toporzysek
	Janet Yi
	Executive In Charge Of Music
	Niki Sherrod
	Business And Legal Affairs
	John Michael Beach
	Lori Blackstone
	Sharmalee Lall
	Bonnie Negrete
	Joulene St. Catherine
	Casting Administrator
	Liz Carroll
	_________________________________________________________________________
	Production Supervision
	Bobbie Page
	Production Management
	Ed Adams
	_________________________________________________________________________
	Executive in Charge of Production
	Jay Bastian
	_________________________________________________________________________
	Executives In Charge Of Production For Cartoon Network
	Tramm Wigzell
	Brian E. S. Jones
	_________________________________________________________________________
	Executive Producer
	Sam Register
	_________________________________________________________________________
	This motion picture is protected under the laws of the United States of America and other countries.  Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
	© 2011 Warner Bros. Entertainment Inc.
	ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
	Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
	_________________________________________________________________________
	There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
	A handful (in no particular order) include...
	Dan Soulsby - Talent Coordinator
	Eric Lewis, CAS - Dialogue Sound Mixer
	Geneva Ip - Assistant Engineer
	Otis Van Osten - Sound Supervisor
	Ron Salaises - Sound Effects editor
	Carlos Sanches - Re-Recording Mixer
	Stacy Michaels - Foley Mixer
	Alex Ulrich - Foley Walker
	I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE Episode #13 ("Alpha Male") Credits
Writer And Director Sub-Main Titles At Front Of Show:
	Producers
	Brandon Vietti
	Greg Weisman
	Written By
	Thomas Pugsley
	Directed By
	Jay Oliva
	Line Producer
	David Wilcox
	_________________________________________________________________________
	Young Justice Theme and Music By
	Kristopher Carter
	Michael McCuistion
	Lolita Ritmanis
	_________________________________________________________________________
	Casting & Voice Direction
	Jamie Thomason
	_________________________________________________________________________
	Starring The Voices Of
	Stephanie Lemelin as Artemis
	Jesse McCartney as Robin
	Danica McKellar as Miss Martian
	Nolan North as Superboy
	Khary Payton as Aqualad
	Jason Spisak as Kid Flash
	Dee Bradley Baker as Monsieur Mallah, Wolf, Mr. Tawny
	Corey Burton as Brain, Hamilton Hill, Dudley H. Dudley
	Bruce Greenwood as Batman
	Rob Lowe as Captain Marvel
Based On DC Comics Characters
	Batman Created By
	Bob Kane
	Miss Martian Created By
	Geoff Johns and Tony Daniel
	The Brain and Monsieur Mallah Created By
	Arnold Drake
	________________________________________________________________________
	Production Manager
	John Diaz
	Assistant Production Manager
	Mark Wilson
	Animation Coordinator
	Matthew Benzinger
	________________________________________________________________________
	Lead Character Design
	Phil Bourassa
	Character Design
	Dusty Abell
	Jerome Moore
	BG Key Design
	Enzo Baldi
	Cynthia Q. Ignacio
	Hakjoon Kang
	Prop Design
	Eugene Mattos
	_______________________________________________________________
	Storyboard
	Jay Baker
	Tim Divar
	Phil Langone	
	Storyboard Clean-up
	Brendon Clogher
	Owen Sullivan
	Animation Timing Director
	James Tim Walker
	Timing
	Richard Collado
	Jeff Hall
	R. Michel Lyman		
	Animation Checking
	Justin Schultz
	______________________________________________________________________
	Color Stylist
	James Peters
	Ink & Paint
	Kim Bowen
	Background Paint
	Mike Inman
	David McBride
	Craig Robertson
	Effects Animation
	Matthew Girardi
	_________________________________________________________________________
	Main Title Animation
	MOI Animation, Inc.
	Wutitis
	_________________________________________________________________________
	Editor
	Jhoanne Reyes
	_________________________________________________________________________
	Supervising Dialogue/ADR Editor
	Mark A. Keatts
	Sound Reading
	Fred Salinas
	Wilson Martinez	
	Dialogue/ADR Editors
	Patrick Foley
	Mike Garcia
	Post Production Manager
	Scott Shinick
	Dialogue Recording Studio
	Studiopolis, Inc.
	Recording Machine Operator
	Jeff O. Collins
	Sarah Baluch	
	Post Production Sound Services
	Audio Circus, Inc.
	Online Editor
	Christopher D. Lozinski
	_________________________________________________________________________
	Animation Services
	Lotto Animation, Inc.
	Supervising Animation Director
	Heechul Kang
	Background Directors
	Yunhee Kim
	EunHee No
	Eunjung Choi
	Animation Directors
	Sangjoon Lee
	Myeonghwan Park
	Production Staff
	Hyoungmin Doh
	Miok Kwon
	Eonho Lee
	Jinhwa Heo (Jun-E)
	________________________________________________________________________
	Layout Artists
	Junyeop An
	Jungmo Kim
	Hyeonwoo Seo
	Final Checker
	Hosoon Shin
	Color Stylist
	Mihyun Ji
	Model Checkers
	Junghee Kim
	Myeonghee Park
	Composition
	Sangbong Oh
	Hoyeon Joo
	Yuri Choi
	Daehee Rim
	Sunghun Lee
	Key Animation
	Yeongsik Hwang
	Seokjin Jang
	Eunhwa Jung
	Howon Jung
	Giyeop  Kim
	Kwonil Kim
	SinKwon Kim
	Gyeonghwa Seo
	3D CGI
	Seokki Um
	Misook Choi
	________________________________________________________________________
	Production Administrator
	Nicole Martin
	Production Accounting
	Luisa Guzman
	Debbie Lindquist
	Maral Simonian
	Athena Wingate
	Production Support
	Vivian Hernandez
	Audrey Kim
	Tamara Miles
	Kira Tirimacco
	Renee Toporzysek
	Janet Yi
	Executive In Charge Of Music
	Niki Sherrod
	Business And Legal Affairs
	John Michael Beach
	Lori Blackstone
	Sharmalee Lall
	Bonnie Negrete
	Joulene St. Catherine
	Casting Administrator
	Liz Carroll
	_________________________________________________________________________
	Production Supervision
	Bobbie Page
	Production Management
	Ed Adams
	_________________________________________________________________________
	Executive in Charge of Production
	Jay Bastian
	_________________________________________________________________________
	Executives In Charge Of Production For Cartoon Network
	Tramm Wigzell
	Brian E. S. Jones
	_________________________________________________________________________
	Executive Producer
	Sam Register
	_________________________________________________________________________
	This motion picture is protected under the laws of the United States of America and other countries.  Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
	© 2011 Warner Bros. Entertainment Inc.
	ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
	Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
	_________________________________________________________________________
	There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
	A handful (in no particular order) include...
	Dan Soulsby - Talent Coordinator
	Eric Lewis, CAS - Dialogue Sound Mixer
	Geneva Ip - Assistant Engineer
	Otis Van Osten - Sound Supervisor
	Ron Salaises - Sound Effects editor
	Carlos Sanches - Re-Recording Mixer
	Stacy Michaels - Foley Mixer
	Alex Ulrich - Foley Walker
	I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
SEASON ONE
	101-112 have all aired.
	113 will air this Friday, October 7th.
	114-123 are all in the can, ready to air.
	124-125 are in post-production.
	126 is almost done being animated in Korea.
	SEASON TWO
	201-203 have shipped to Korea.
	204-209 are in storyboard.
	210 is in script.
	211-220 are in outline.
	COMIC BOOK
	Issues #0-8 are out.
	Issue #9 has shipped for printing.
	Issue #10 is being inked.
	Issue #11 is being penciled.
	Issue #12 is being scripted.
	Issues #13-15 have all been plotted.
YOUNG JUSTICE Episode #12 ("Homefront") Credits
	Producers
	Brandon Vietti
	Greg Weisman
	Written By
	Jon Weisman
	Directed By
	Michael Chang
	Line Producer
	David Wilcox
	_________________________________________________________________________
	Young Justice Theme and Music By
	Kristopher Carter
	Michael McCuistion
	Lolita Ritmanis
	_________________________________________________________________________
	Casting & Voice Direction
	Jamie Thomason
	_________________________________________________________________________
	Card 4
	Starring The Voices Of
	Stephanie Lemelin as Artemis
	Jesse McCartney as Robin
	Danica McKellar as Mâgann Mâorzz
	Nolan North as Superboy, Superman
	Khary Payton as Aqualad
	Jason Spisak as Kid Flash
	Jeff Bennett as Red Tornado, Red Torpedo
	Kelly Hu as Jade Nguyen, Paula Crock
	Alyson Stoner as Bette Kane, Barbara Gordon
Based On DC Comics Characters
	Batman Created By
	Bob Kane
	Superman Created By
	Jerry Siegel & Joe Shuster
	Miss Martian Created By
	Geoff Johns and Tony Daniel
	Martian Manhunter Created By
	Joe Samachson
	________________________________________________________________________
	Production Manager
	John Diaz
	Assistant Production Manager
	Casey Sandin
	Animation Coordinator
	Matthew Benzinger
	________________________________________________________________________
	Lead Character Design
	Phil Bourassa
	Character Design
	Dusty Abell
	Jerome Moore
	BG Key Design
	Hakjoon Kang
	Gary Montalbano
	Jonard Soriano
	Prop Design
	Alexander Kubalsky
	Eugene Mattos
	Coran Stone
	_______________________________________________________________
	Storyboard
	Charles E. Drost, III
	Paul Harmon
	Jeff Johnson
	Storyboard Clean-up
	Owen Sullivan
	Animation Timing Director
	James Tim Walker
	Timing
	Richard Collado
	Jeff Hall
	Fred Miller
	Animation Checking
	Jan Browning
	Janette Hulett
	Justin Schultz
	______________________________________________________________________
	Color Stylist
	James Peters
	Ink & Paint
	Kim Bowen
	Background Paint
	Mike Inman
	David McBride
	Craig Robertson
	Effects Animation
	Matthew Girardi
	_________________________________________________________________________
	Main Title Animation
	MOI Animation, Inc.
	Wut It Is
	_________________________________________________________________________
	Editor
	Jhoanne Reyes
	_________________________________________________________________________
	Supervising Dialogue/ADR Editor
	Mark A. Keatts
	Sound Reading
	Fred Salinas
	Wilson Martinez	
	Dialogue/ADR Editors
	Patrick Foley
	Mike Garcia
	Post Production Manager
	Scott Shinick
	Dialogue Recording Studio
	Studiopolis, Inc.
	Recording Machine Operator
	Jeff O. Collins
	Sarah Baluch
	Post Production Sound Services
	Audio Circus, Inc.
	Online Editor
	Christopher D. Lozinski
	_________________________________________________________________________
	Animation Services
	MOI Animation, Inc.
	Animation Director
	Doo-Hyung Lee
	Background Director
	Jung-Ho Park
	Production Managers
	Young-Soo Yoo (Director)
	Min-Sung Park
	Pan-Seob Kim
	Su-Mi Beck
	Production Coordinator
	Hyo-Sun Ryu
	Seong-Mi Park
	________________________________________________________________________
	Layout Artists
	Hahk-Jin Kim
	In-Soo Kim
	Color Stylist
	Min-Yi Kim
	Composition
	Byoung-Ryul Kim (Director)
	Hyo-Yoon Beck
	Kyoung-Hee Kang
	Soo-Jin Yu
	Sung-Ho Jo
	Jeong-Mi Lee
	Model Checkers
	Yang-Sook Kim
	Key Animation
	Byong-Eui Gwack
	Kyong-Ho Lee
	Bum-Seok Lee
	Kyong-Ah Jang
	Eun-Hee Ba
	Chang-Ho Park
	3D CGI
	Gyu-Han Yoo (Director)
	Gyu-Sung Oh
	Final Checker
	Nam-Gyu Lee
	________________________________________________________________________
	Production Administrator
	Nicole Martin
	Production Accounting
	Luisa Guzman
	Debbie Lindquist
	Maral Simonian
	Athena Wingate
	Production Support
	Vivian Hernandez
	Audrey Kim
	Tamara Miles
	Kira Tirimacco
	Renee Toporzysek
	Janet Yi
	Executive In Charge Of Music
	Niki Sherrod
	Business And Legal Affairs
	John Beach
	Lori Blackstone
	Sharmalee Lall
	Bonnie Negrete
	Joulene St. Catherine
	Casting Administrator
	Liz Carroll
	_________________________________________________________________________
	Production Supervision
	Bobbie Page
	Production Management
	Ed Adams
	_________________________________________________________________________
	Executive in Charge of Production
	Jay Bastian
	_________________________________________________________________________
	Executives In Charge Of Production For Cartoon Network
	Tramm Wigzell
	Brian E. S. Jones
	_________________________________________________________________________
	Executive Producer
	Sam Register
	_________________________________________________________________________
	This motion picture is protected under the laws of the United States of America and other countries.  Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
	© 2011 Warner Bros. Entertainment Inc.
	ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
	Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
	_________________________________________________________________________
	There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
	A handful (in no particular order) include...
	Dan Soulsby - Talent Coordinator
	Eric Lewis, CAS - Dialogue Sound Mixer
	Chris Eaton - Assistant Engineer
	Otis Van Osten - Sound Supervisor
	Ron Salaises - Sound Effects editor
	Carlos Sanches - Re-Recording Mixer
	Stacy Michaels - Foley Mixer
	Alex Ulrich - Foley Walker
	I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE Episode #11 ("Terrors") Credits
	Producers
	Brandon Vietti
	Greg Weisman
	Written By
	Greg Weisman
	Directed By
	Jay Oliva
	Line Producer
	David Wilcox
	_________________________________________________________________________
	Young Justice Theme and Music By
	Kristopher Carter
	Michael McCuistion
	Lolita Ritmanis
	_________________________________________________________________________
	Casting & Voice Direction
	Jamie Thomason
	_________________________________________________________________________
	Starring The Voices Of
	Danica McKellar as âTuppenceâ
	Nolan North as âTommyâ, Professor Ojo
	Khary Payton as Aqualad, Brick
	Dave Franco as Riddler
	Bruce Greenwood as Batman
	Yuri Lowenthal as Icicle Jr., Tommy Terror
	Masasa Moyo as Cat Grant
	Adrian Pasdar as Hugo Strange
	Sheryl Lee Ralph as Amanda Waller
	James Remar as Icicle Sr.
	Sarah Shahi as Killer Frost
	Keith Szarabajka as Mister Freeze
Based On DC Comics Characters
	Batman Created By
	Bob Kane
	Miss Martian Created By
	Geoff Johns and Tony Daniel
	Cat Grant Created By
	Marv Wolfman and Jerry Ordway
	Amanda Waller Created By
	John Ostrander and John Byrne
	________________________________________________________________________
	Production Manager
	John Diaz
	Assistant Production Manager
	Mark Wilson
	Animation Coordinator
	Matthew Benzinger
	________________________________________________________________________
	Lead Character Design
	Phil Bourassa
	Character Design
	Dusty Abell
	Jerome Moore
	BG Key Design
	Enzo Baldi
	Manalac âTecâ Cornelio
	Jay Hong
	Cynthia Q. Ignacio
	Alex Stevens
	Prop Design
	Andy Chiang
	Eugene Mattos
	_______________________________________________________________
	Storyboard
	Jay Baker
	Tim Divar
	Phil Langone	
	Storyboard Clean-up
	Owen Sullivan
	Animation Timing Director
	James Tim Walker
	Timing
	Richard Collado
	Jeff Hall
	R. Michel Lyman
	Fred Miller	
	Animation Checking
	Sandra Hathcock
	Janette Hulett
	Justin Schultz
	______________________________________________________________________
	Color Stylist
	James Peters
	Catherine Kim
	Ink & Paint
	Kim Bowen
	Background Paint
	Mike Inman
	David McBride
	Craig Robertson
	Effects Animation
	Matthew Girardi
	_________________________________________________________________________
	Main Title Animation
	MOI Animation, Inc.
	Wutitis
	_________________________________________________________________________
	Editor
	Jhoanne Reyes
	_________________________________________________________________________
	Supervising Dialogue/ADR Editor
	Mark A. Keatts
	Sound Reading
	Fred Salinas
	Wilson Martinez	
	Dialogue/ADR Editors
	Patrick J. Foley
	Mike Garcia
	Post Production Manager
	Scott Shinick
	Dialogue Recording Studio
	Studiopolis, Inc.
	Recording Machine Operator
	Jeff O. Collins
	Sarah Baluch
	Post Production Sound Services
	Audio Circus, Inc
	Online Editor
	Christopher D. Lozinski
	_________________________________________________________________________
	Animation Services
	Lotto Animation, Inc.
	Supervising Animation Director
	Heechul Kang
	Background Director
	Yunhee Kim
	EunHee No
	Eunjung Choi
	Animation Directors
	Sangjoon Lee
	Myeonghwan Park
	Production Staff
	Hyoungmin Doh
	Miok Kwon
	Eonho Lee
	Jinhwa Heo (Jun-E)
	________________________________________________________________________
	Layout Artists
	Gapchan Jung
	Jungmo Kim
	Yeonggyun Yu
	Final Checker
	Hosoon Shin
	Color Stylist
	Mihyun Ji
	Model Checkers
	Junghee Kim
	Jisoo Kang
	Composition
	Sangbong Oh
	Hoyeon Joo
	Yuri Choi
	Daehee Rim
	Sunghun Lee
	Key Animation
	Yeongsik Hwang
	Seokjin Jang
	Eunhwa Jung
	Howon Jung
	Giyeop  Kim
	Kwonil Kim
	SinKwon Kim
	Sebo Lee
	Gyeonghwa Seo
	3D CGI
	Seokki Um
	Misook Choi
	________________________________________________________________________
	Production Administrator
	Nicole Martin
	Production Accounting
	Luisa Guzman
	Debbie Lindquist
	Maral Simonian
	Athena Wingate
	Production Support
	Vivian Hernandez
	Audrey Kim
	Tamara Miles
	Kira Tirimacco
	Renee Toporzysek
	Janet Yi
	Executive In Charge Of Music
	Niki Sherrod
	Business And Legal Affairs
	John Michael Beach
	Lori Blackstone
	Sharmalee Lall
	Bonnie Negrete
	Joulene St. Catherine
	Casting Administrator
	Liz Carroll
	__________________________________________________________________
	Production Supervision
	Bobbie Page
	Production Management
	Ed Adams
	_________________________________________________________________________
	Executive in Charge of Production
	Jay Bastian
	_____________________________________________________________________
	Executives In Charge Of Production For Cartoon Network
	Tramm Wigzell
	Brian E. S. Jones
	____________________________________________________________________
	Executive Producer
	Sam Register
	______________________________________________________________________
	This motion picture is protected under the laws of the United States of America and other countries.  Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
	© 2011 Warner Bros. Entertainment Inc.
	ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
	_________________________________________________________________________
	There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
	A handful (in no particular order) include...
	Dan Soulsby - Talent Coordinator
	Eric Lewis, CAS - Dialogue Sound Mixer
	Aldo Martinez - Assistant Engineer
	Otis Van Osten - Sound Supervisor
	Ron Salaises - Sound Effects editor
	Carlos Sanches - Re-Recording Mixer
	Stacy Michaels - Foley Mixer
	Alex Ulrich - Foley Walker
	I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
Our basset hound Murray went into full kidney failure last week and had to be put to sleep. He was a sweet dog and will be missed.
YOUNG JUSTICE Episode #10 ("Targets") Credits
We're back, babies!!!
	Producers
	Brandon Vietti
	Greg Weisman
	Written By
	Andrew Robinson
	Directed By
	Christopher Berkeley
	_________________________________________________________________________
	Line Producer
	David Wilcox
	_________________________________________________________________________
	Young Justice Theme and Music By
	Written And Performed By
	Kristopher Carter
	Michael McCuistion
	Lolita Ritmanis
	_________________________________________________________________________
	Casting & Voice Direction
	Jamie Thomason
	_________________________________________________________________________
	Card 4
	Starring The Voices Of
	Crispin Freeman as Red Arrow
	Danica McKellar as Megan Morse
	Nolan North as Conner Kent, Marvin White
	Khary Payton as Aqualad
	Nick Chinlund as Sportsmaster
	Oded Fehr as Raâs al Ghul
	Kelly Hu as Cheshire
	Masasa Moyo as Cat Grant, Wendy Harris, Karen Beecher
	Yuji Okumoto as Tseng, Singh Manh Li, Xiaping
	Kevin Michael Richardson as John Jones, Mal Duncan
	Mark Rolston as Lex Luthor
	Greg Weisman as Lucas Carr
Based On DC Comics Characters
	Batman Created By
	Bob Kane
	Miss Martian Created By
	Geoff Johns and Tony Daniel
	Cheshire Created By
	Marv Wolfman and George Perez
	________________________________________________________________________
	Production Manager
	John Diaz
	Assistant Production Manager
	Casey Sandin
	Animation Coordinator
	Matthew Benzinger
	________________________________________________________________________
	Lead Character Design
	Phil Bourassa
	Character Design
	Dusty Abell
	Jerome Moore
	BG Key Design
	Hakjoon Kang
	Gary Montalbano
	Prop Design
	Eugene Mattos
	_______________________________________________________________
	Storyboard
	Ki-Doo Kim
	Shi-Ok Park	
	Storyboard Clean-up
	Owen Sullivan
	Animation Timing Director
	James Tim Walker
	Timing
	Richard Collado
	Jeff Hall
	Gordon Kent
	R. Michel Lyman
	Bob Shellhorn
	Animation Checking
	Jan Browning
	Janette Hulett
	Justin Schultz
	______________________________________________________________________
	Color Stylist
	James Peters
	Ink & Paint
	Kim Bowen
	Background Paint
	Mike Inman
	David McBride
	Craig Robertson
	Effects Animation
	Matthew Girardi
	_________________________________________________________________________
	Main Title Animation
	MOI Animation, Inc.
	Wut It Is
	_________________________________________________________________________
	Editor
	Jhoanne Reyes
	_________________________________________________________________________
	Supervising Dialogue/ADR Editor
	Mark A. Keatts
	Sound Reading
	Fred Salinas
	Wilson Martinez	
	Dialogue/ADR Editors
	Patrick J. Foley
	Mike Garcia
	Post Production Manager
	Scott Shinick
	Dialogue Recording Studio
	Studiopolis, Inc.
	Recording Machine Operator
	Jeff O. Collins
	Sarah Baluch
	Post Production Sound Services
	Audio Circus, Inc.
	Online Editor
	Christopher D. Lozinski
	_________________________________________________________________________
	Animation Services
	MOI Animation, Inc.
	Animation Director
	Jin-Hae Lee
	Background Director
	Jung-Ho Park
	Production Managers
	Young-Soo Yoo (Director)
	Min-Sung Park
	Pan-Seob Kim
	Su-Mi Beck
	Production Coordinator
	Hyosun Ryu
	________________________________________________________________________
	Layout Artists
	Tae-II Kim
	Ju-Yeon Lee
	In-Shik Uhm
	Color Stylist
	Min-Yi Kim
	Composition
	Byoung-Ryul Kim (Director)
	Hyo-Yoon Beck
	Kyoung-Hee Kang
	Sung-Ho Jo
	Model Checkers
	Yang-Sook Kim
	Key Animation
	Young-II Park
	Hyung-Seok Jang
	Sun-Ki Kang
	Cheong-II Hahn
	Jong-Hwa Lee
	Seun-Deuk Sohn
	Gun-Shik Lee
	Jae-Hyung Kim
	3D CGI
	Gyu-Han Yoo (Director)
	Gyu-Sung Oh
	Final Checker
	Dong-Moon Choo
	________________________________________________________________________
	Production Administrator
	Nicole Martin
	Production Accounting
	Luisa Guzman
	Debbie Lindquist
	Maral Simonian
	Athena Wingate
	Production Support
	Vivian Hernandez
	Audrey Kim
	Tamara Miles
	Kira Tirimacco
	Renee Toporzysek
	Janet Yi
	Executive In Charge Of Music
	Niki Sherrod
	Business And Legal Affairs
	John Beach
	Lori Blackstone
	Sharmalee Lall
	Bonnie Negrete
	Joulene St. Catherine
	Casting Administrator
	Liz Carroll
	_________________________________________________________________________
	Card 17
	Production Supervision
	Bobbie Page
	Production Management
	Ed Adams
	_________________________________________________________________________
	Executive in Charge of Production
	Jay Bastian
	_________________________________________________________________________
	Executives In Charge Of Production For Cartoon Network
	Tramm Wigzell
	Brian E. S. Jones
	_________________________________________________________________________
	Executive Producer
	Sam Register
	_________________________________________________________________________
	Card 21
This motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
	© 2011 Warner Bros. Entertainment Inc.
	ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
	_________________________________________________________________________
	There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
	A handful (in no particular order) include...
	Dan Soulsby - Talent Coordinator
	Eric Lewis, CAS - Dialogue Sound Mixer
	Chris Eaton - Assistant Engineer
	Otis Van Osten - Sound Supervisor
	Ron Salaises - Sound Effects editor
	Carlos Sanches - Re-Recording Mixer
	Stacy Michaels - Foley Mixer
	Alex Ulrich - Foley Walker
	I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
As we fast approach our RE-PREMIERE, thought I'd give another update...
	SEASON ONE
	Episodes 101-109 have aired.
	Episode 110, which we previewed officially at Comic-Con will finally air on Cartoon Network this Friday, September 16, 2011 at 6:30pm (or check local listings).
	Episodes 111-121 are all in the can, ready to air.
	Episode 122 is in post.  We'll be mixing the sound next week.
	Episode 123 is also in post.  We'll be editing/locking the footage this Friday while some of you are watching 110.
	Episode 124 is finishing up animation in Korea.
	Episode 125 just came back from Korea - EARLY!!  (That almost never happens.)  We will be calling retakes on the footage shortly.
	Episode 126 is finishing up animation in Korea.
	SEASON TWO
	Episodes 201-202 have both shipped to Korea for animation.
	Episode 203 ships this week.
	Episode 204 is in storyboard revisions.  Brandon and I still need to give notes on the last act.
	Episode 205 is waiting on storyboard notes too.
	Episodes 206-207 are in storyboard.
	Episode 208's script went final today.  We'll record it next week.
	Episode 209's script is currently being edited by me.
	Episode 210 is in script.
	Episode 211's outline is waiting to be edited by me.
	Episodes 212-214 are in outline.
	Episodes 215-217 we'll be handed out today (9/14) to the writers to go to outline.
	Episodes 218-220 we'll be handed out next week to the writers.  Beatsheets are completed though.
	COMIC BOOK
	Issues 0-7 plus the Free Comic Book Day issue have all been released.
	Issue 8 is finished and should "hit the stands" this month.
	Issue 9 is being inked.
	Issue 10 is being pencilled.  But the cover is done.
	Issue 11's script was turned in by me yesterday.  The cover is done.
	Issue 12's cover has been pencilled and inked.  I know the basic story, but I'm going to begin breaking down the story page-by-page tonight.
	Issues 13-14's story is also pretty clear in our heads.  Kevin and I will discuss it today so Kevin can proceed to break the issues down page-by-page.
ASK GREG & YJ UPDATE
Gorebash, Todd and I will be opening up Ask Greg for questions and comments again on September 16th, 2011 - i.e. the day that the next new episode of Young Justice airs.
I would, as usual, ask a few favors...
1. Please check the, ASK GREG FAQ, the ASK GREG ARCHIVES AND the questions in the queue ahead of you BEFORE posting. It only slows down the queue for everyone if I get the same question asked over and over again.
2. To save more time, both for you AND for me, consider asking your question FIRST of the knowledgeable fans at the STATION 8 COMMENT ROOM: http://www.s8.org/gargoyles/comment/index.php
3. Resist the urge to ask for spoilers. I'm not going to spoil my own show. So asking only slows down the queue.
4. Please be polite. You don't have to like my work, but you should be able to critique it without being rude. And please REFRAIN FROM ASSUMING that your argument is going to be SO convincing that I will admit that my own work sucks. WE LIKE OUR SHOW. You don't have to, but you're not going to convince me that I don't.
	YJ UPDATE
	FIRST SEASON
	101-109 have all aired.
	110 was previewed at Comic-Con and will premiere on Cartoon Network on September 16th.
	111-119 are also in the can, i.e. totally completed and ready for airing.
	120-123 are all in post-production.  Today we previewed the music for 120, and spotted the music for 121.
	124-126 are still being animated.
	SECOND SEASON
	201 is shipping to Korea at the end of the week.
	202 is in timing.
	203 is in storyboard clean-ups.
	204 is waiting for board notes.
	205-206 are in storyboard.
	207 records tomorrow.
	208-210 are all in script.
	211-220 have been approved into production.  Brandon Vietti, Kevin Hopps and myself spent the last week (including Saturday) breaking the last six episodes (one per day).  We are pitching the arc of the season to DC, CN and WB this Wednesday.  Assuming that goes well, we'll have our first writer's meeting to assign 211-214 on Thursday.  I have beatsheets completed on 211-216.  Have to write up the beatsheets for 217-220, but I've got all the beats on index cards, so it's just a matter of finding the time to transcribe them into a document.
That's it for now. See you all on the 16th of September!
gdw
Phil Bourassa, character designer extraordinare for YOUNG JUSTICE, has one an EMMY AWARD for his work on the series!
Phil's designs are, of course, stunning, and he's truly irreplaceable! All of us here at YJ are thrilled for him.
And, let's be honest, for ourselves as well. Hey, now we're all working on an Emmy-winning show! ;)
Anyone in the mood for another YJ Update?
	101-109 - Aired
	110 - Previewed at Comic-Con
	111-118 - In the can.
	119-121 - In post-production.
	122-125 - In animation.
	126 - In layout overseas.  Final color models going out today.
	201-204 - In storyboard.
	205 - Recording this tomorrow.
	206 - I'm editing the script now.
	207 - Waiting for notes on the outline.
	208 - Have to write the outline.
	209 - Have to read the writer's draft on the outline.
	210 - In outline.
	As before, we don't have an official pick-up on the back ten episodes of Season Two, but we've been given the go ahead to break the stories:
	211-212 - Beat Outlines completed.
	213 - We're in the middle of breaking this one on index cards.
Back from San Diego Comic-Con and was thrilled to see the outpouring of good wishes and thanks on the internet for us. But...
Someone seems to have spread the idea that our panel went poorly and that the fans who attended were rude to us.
NOTHING could be further from the truth. The panel - to my mind - went EXTREMELY well. The response to episode 10 seemed great, despite the fact that I think many in the room had seen it already, and we had a fun (if brief) Q&A after. Plus Miss Martian (and some other dude) brought us cookies. We then had a fun signing and press interviews. All full of praise.
I'll admit that ASK GREG has occasionally been inundated with a bit of rudeness, but that's at least in part thanks to the relative anonymity of the internet. In person, at the conventions, the fans are just terrific!
So thank you,
STAY YOUNG!
STAY JUST!
San Diego Comic-Con 2011
Well, I'm here!
I've so much work backed up from Oregon, ConVergence and being sick that I may spend an unfortunate amount of time holed up in my hotel room, nose to grindstone (grindstone = laptop), but if YOU are here, there are a few places you can find me:
Thursday, Friday and Saturday from 11:30am - 12:30pm, I'll be signing Gargoyles TPBs at the SLG Booth (#1815 - across from the DC Comics booth). Stop by and say hello!
Sunday at 10 am, Brandon Vietti, character designer Phil Bourassa, Danica McKellar (the voice of Miss Martian) and myself will be appearing at a panel for YOUNG JUSTICE in Room 7AB. We'll be screening an episode, followed by a Q&A.
After that, from 11:15am until noon, the four of us will be signing some VERY cool and unique (and even spoilerish) YJ giveaways at the Warner Bros. Booth (#4545). So again, stop by and say hey!
Hello everyone,
Haven't posted here in a while, and since I did a bit of message board lurking this morning, it seems to have led people to believe all sorts of odd things, so...
Where have I been?
	Well, in early June, my family and I went to the Oregon Shakespeare Festival in Ashland, Oregon.
	We saw seven plays in four days.  Six of them (Henry IV, Part Two, The Language Archive, To Kill a Mockingbird, Julius Caesar, Love's Labours Lost and Measure for Measure) were just stellar productions.  Everyone was great, but I'd like to particularly single out Susannah Flood in both Language Archive and Mockingbird, Dee Maaske in Mockingbird and Michael Winters as Falstaff in 2HenryIV.
Coming back from that, I was understandably swamped and didn't have time to post.
Next, I went to Minneapolis for the always great ConVergence convention. I did about thirteen panels. Some of which, like Gargoyles and Spider-Man and Young Justice, I felt qualified to be on. And some, like Dexter and Galaxy Quest, my only qualification was being a fan of whatever we were talking about. This was my third ConVergence, and it continues to be the best run convention I've ever attended. And now that the Gathering of the Gargoyles is no more, it has become my FAVORITE convention to attend.
Returning from ConVergence, I then got quite ill. In fact, I'm still home sick today. (Home sick as opposed to homesick, clear?)
So THOSE are the reasons I haven't posted. Nothing nefarious.
Next topic: YOUNG JUSTICE UPDATE.
We have aired episodes 101-109 (i.e. Season One, episodes 1-9).
(Yes, episode 110 accidentally was posted on Cartoon Network's website, but I'm going to pretend that never happened.)
Episodes 110-115 are in the can, i.e. they are completed and ready to air.
Episode 116 awaits only the final on-line, i.e. the final review of the episode. This has been delayed ONLY because I've been out sick this week.
Episode 117 will have it's sound mix on Friday. (I hope to be back at work by then.)
Episode 118 has been edited and work progresses on scoring and sound effects.
Episode 119 is ready to begin post-production.
Episodes 120-123 are being animated in Korea.
Episodes 124-126 are in layout in Korea, while we finish the final color models here in the States.
Episodes 201-202 (i.e. Season Two, Episodes one and two) - Are fully recorded and are in storyboard. (201 was written by me. 202 by Nicole Dubuc.)
Episode 203, written by Kevin Hopps, is almost fully recorded. We have one actor left to pick up, who has been out of town. It is also in storyboard.
Episode 204, written by me, will record this week. It is also in storyboard.
Episode 205 - Brandon Vietti, has turned in his draft of the script. I have to read and edit it.
Episode 206 - The outline, written by Peter David and edited by me, went out Monday for notes, which are due tomorrow.
Episode 207 - Kevin Hopps turned in his outline, which I need to read and edit.
Episode 208 - I'm writing this one. I'll start the outline, after I've edited the outline to 207.
Episode 209 - Jon Weisman turned in his outline, which I need to read and edit.
Episode 210 - Kevin Hopps is working on his outline.
We do NOT yet have a pick-up beyond episode 210, but our bosses have told us to start blocking out episodes 211-220 in anticipation of one.
Episode 211 - We've broken this story. I still need to find time to write up the Beat Outline, though I have it all on index cards.
Episode 212 - We've got the basics of this one down, but we (i.e. myself, Brandon and Kevin) still need to finish breaking the story.
Episodes 213-220 - We've got a very clear sense of the arc and what things need to happen, but we haven't started on these yet.
NEXT TOPIC: DEBUNKING YJ RUMORS
	False Rumor #1: YJ IS A GREG WEISMAN PRODUCTION
	Everywhere on the Internet, all I see is that YJ is Greg Weisman's show.  That's just blatantly false.  This is a VIETTI/WEISMAN production.  Just as Spectacular Spider-Man was a COOK/WEISMAN production and Gargoyles was a PAUR/WEISMAN production.  I am not, nor have I ever been, a one-man show on ANY project I've EVER worked on.  EVER.  And in particular, on YJ, it's extremely unfair to Brandon to leave him out of consideration.  Brandon is heavily involved in every aspect of production, INCLUDING SERIES DEVELOPMENT AND STORY. He's been right there with myself and Kevin Hopps breaking every single episode.  It's been a team effort from day one.  Many of the series' best ideas came/come from Brandon.  And this is aside from the fact, that of course, Brandon can write - but I cannot draw, which arguably makes him MORE important to the production than I.  I am exceedingly proud of this series and my own work on it - though certain very vocal fans seem to think I shouldn't be - but that doesn't change the fact that Brandon and I are a team.
	False Rumor #2: YJ WAS RUSHED INTO PRODUCTION
	Another blatant misconception.  Look, Brandon and I are both perfectionists.  Neither of us would deny that we'd LOVE to have more time on each and every episode.  But that's not the same as being rushed.  Let's make a comparison: on Spectacular Spider-Man, I basically had one week to develop both the series and the entire first season.  Then Vic Cook came aboard, and we raced to get into production in less than two months.  Brandon and I had seven months to develop the series, break the first season (which granted had twice as many episodes as the first season of Spidey) and head into production.  The show isn't and never has been rushed.  That's not to say the schedule isn't tight.  But we haven't aired a single episode that wasn't ready to air.  And we won't.
	False Rumor #3: YJ ISN'T AIRING NOW BECAUSE WE'RE REWORKING EPISODES BASED ON INTERNET CRITICISM
	This is my favorite.  I love it the most because the first person I saw who posted this rumor also said that I'd deny it.  So here I am denying it, which of course serves to PROVE that he or she was correct, see?  Let's be clear: for better or worse, this series is COMPLETELY unaffected by internet criticism BECAUSE of schedule.  Everything of any significance was set and DONE before even the pilot movie aired last November, so we couldn't address fan concerns even if we wanted to.  And, honestly, we don't want to.  We don't in part because there is way less consensus than some people seem to think.  For example, for every post I see expressing hatred for "Hello, Megan!", I see a post that likes it.  And personally, I like it.  Brandon likes it.  So why would we change it, even if we could?  In fact, even Season Two is moving forward more or less disregarding "fan" criticism.  Brandon and I always had very clear ideas for what we wanted to do in Season Two (and even Season Three, should we get one) and those ideas haven't changed.  As with every series I've co-helmed, all we can ever do is write and produce to OUR OWN passions - and then just cross our fingers and hope enough people share our passions to make it a success.  Anything else is doomed to failure, because if we're not passionate about it, it'll show in the work, and then no one will like it.  And just to make it clear: WE LIKE OUR SHOW!!  Doesn't mean you have to - but don't try to tell me I don't.
So why aren't we airing new episodes now? That's a fair question that I don't have an answer for. After all, we have six unaired episodes in the can, with four more on the verge of completion. It's a Cartoon Network decision. Some fans have argued that they shouldn't have started airing ANY episodes until ALL episodes were in the can. But that too is a decision above my pay grade.
My best guess - and that's all it is - is that CN will air new episodes - starting with 110 ("Targets") - in September. The good news is that the later they wait, the more weeks they can go uninterrupted by reruns. I do know that Season Two (i.e. "Young Justice: Invasion") will begin airing as part of DC NATION in March of 2012. And by then ALL of Season One will have aired. So do the math.
People have asked me if I'm bummed about losing momentum by this delay. But the thing is we've ALREADY lost all momentum. So as long as they PROMOTE us whenever they finally do start airing us again, then pragmatically I'm good. Yes, I'll admit to a certain level of frustration in that I want our stuff to get out there, but if CN has a plan to make the most of the episodes, then more power to them.
Anyway, I think that's it for now. I'll get back to answering questions on ASK GREG as soon as I can find the time. (But keep in mind that San Diego Comic-Con is fast approaching. Note: Young Justice has a panel scheduled for Sunday, July 24th at 10am, with a signing to follow. I'll also be signing Gargoyles comics (and whatever else anyone might want) at the SLG Booth from 11:30am to 12:30pm on Thursday, Friday and Saturday (July 21, 22, 23).
Seems like a good day for an update on production...
Episodes 101-109 have aired.
Episodes 110-111 are in the can, ready to air in June.
Episode 112 is in post-production. We do the Sound Mix tomorrow.
Episode 113 is in post-production. We should be locking the edit later today.
Episodes 114-119 are in Korea being animated.
Episodes 120-124 are in Korea in layout, while final models are being completed here.
Episode 125's storyboard is in checking and track. It's slightly too long. Brandon and I will be cutting slivers out of it before it ships.
Episode 126's storyboard is in revision.
Episode 201 is in script.
Episode 202's outline is waiting for notes that should come in today.
Episode 203's outline is being edited by me this week.
Episodes 204-210 are in outline.
By the way, in case it isn't obvious: NO, WE HAVE NOT DONE OVER TWO HUNDRED EPISODES. The first digit refers to the season. The second two digits refer to the episode number for that season. So, for example: episode 111 is the eleventh episode of the first season and episode 203 is the third episode of the second season.
We're back, baby!
That's right. The official GargWiki has been down for quite some time with server issues. But Gorebash, our host here at Station 8 has provided a new home for us. So check out: http://gargwiki.net/Main_Page
Most of what you might want to ask me (and thus needlessly crowd the queue here at ASK GREG) about Gargoyles is already easily available in this very smart-looking and user-friendly wiki.
I myself participate in keeping it honest and utilize it as a resource all the time.
Again, that's:
Worth the look.
Finally, a word about Ask Greg.
I've asked Gorebash to shut down the question asking function until either (a) I catch up with the huge backlog of questions currently in the queue or (b) we have a new episode airing (whichever comes FIRST).
In the meantime, I'm going to try as usual to wade through the backlog. I'll admit, the questions lately have made me a bit cranky, and I want to avoid that, so I'm breaking down three categories of questions that get on my nerves and will from now on ONLY receive stock answers, both to keep me sane and to speed up the process.
1. Questions that have been asked before are really bogging down the queue. It would be MUCH appreciated if folks would follow the guidelines before posting and try (1) checking the Ask Greg Archives to see if their question has already been answered, (2) check the unanswered questions already in the queue to see if the question has been asked already and will get answered before I get to theirs and (3) try asking the question in the Station 8 Comment Room (http://www.s8.org/gargoyles/comment/). The fans there are VERY knowledgeable and may be able to get you an answer LONG before I reach your question. Any question that falls into this category will simply be answered with the following: "ASKED AND ANSWERED."
2. Questions that ask me to SPOIL my own show are exasperating. As I've said over and over, I'm just NOT going to do that. Why would I? Even obvious stuff can't be addressed, because if I acknowledge anything, the stuff I don't comment on is spoiled by default. So please, please, please refrain. Any question that falls into this category will simply be answered: "SPOILER REQUEST. NO COMMENT."
3. Finally, I have NO problem with people commenting on the series. And I get that not everyone is going to like everything (or even anything) that they see. But for some posters, commenting doesn't seem to satisfy. Instead, they phrase their comments in the form of a question, and in essence CHALLENGE me to acknowledge how right they are about their criticisms of the program. But here's the thing... you do NOT have to agree with me, but aside from a few objective mistakes that I'm ALWAYS willing to acknowledge (e.g.. the incorrect timestamps), you have to understand that if Brandon and I put something in the series, the odds are WE LIKE IT. YOU are NOT going to convince ME that, for example, "Hello, Megan!" or Robin's laugh or Superman's response to Superboy or Wally's flirting is bad for the show. Feel free to tell me you don't care for these (or other) things, but stop phrasing these COMMENTS as questions or challenges. It grates. Any question that falls into this category will simply be answered: "WE LIKE OUR SHOW."
Now, I realize that all of the above sounds fairly negative, but that's not the intent. In fact, the intent is to get any and all negativity out of the way HERE, so that the rest of Ask Greg becomes more manageable and pleasant for myself and all of you. I hope that makes sense.
Good news and bad news today...
Here's the good news.
Coming out of Cartoon Network's upfronts last week (and Geoff John's comments on it since) there's been some confusion about what's happening on the Young Justice front.
What amuses me a bit is how CONFIDENT some posters on various message boards are about their interpretation of the reports. CONFIDENT and generally wrong.
So here's what's going on:
Young Justice has aired nine episodes of our 26-episode first season. The rest will begin airing after some weeks of reruns. The schedule is Cartoon Network's, and I'm not yet 100% clear on when we're back up and running. Though to be fair to CN, we don't have ANY other episodes in the can as of this moment. We're posting episodes 10 and 11 now.
(I saw some folks protesting why we didn't wait until ALL episodes were in the can before we began airing. All I can do is shrug. It's not up to me, but I do wonder how the fans who were furious that they had to wait until January 2011 for Season One would feel about THAT strategy.)
So the good news: We HAVE INDEED been picked up for a second season. As of now, all CN & WB have ordered is a ten episode mini-series, "YOUNG JUSTICE: INVASION". We're HOPING for more than just ten eps, and I honestly think the odds are fairly good that the order will expand, but as of NOW, all we have is this ten episode order.
We immediately began work on this new season last week, and are breaking approximately (but not quite) one episode per day. The creative team is fundamentally the same as for Season One.
And though, of course, we will be introducing many new characters episodically in Season Two (just as we do episodically in Season One), I don't want to give the impression that this is some spin-off featuring, I dunno, the League or something, in the same Earth-16 setting. Invasion IS the second season of Young Justice and absolutely features our "Team". Episode 26 of Season One is time-stamped "December 31". Episode 1 of Season Two will be time-stamped "January 1", in essence picking up right where we left off.
We anticipate YJ:Invasion premiering in 2012... late first quarter, if I had to guess. Reports suggesting late 2011 are... beyond wishful thinking.
Hmmm... anything else? I feel like I'm forgetting something. But I can't think of any other misconceptions that need correcting right now.
Oh, well...
Still - Season Two. Not too shabby, huh?
I should have posted this long ago...
I received a complimentary copy of Back Issue #46. Inside is an interview of me conducted by John Wells (who incidentally has -- through Peter David -- provided considerable DC Comics related research for us on Young Justice). It's all about the Black Canary mini-series that I wrote a good chunk of for DC Comics back in the 80s before it was cancelled and never published to make way for Mike Grell's Longbow Hunters.
But that's not the only article of interest in the magazine. In fact, one of the reasons I'm so late in referencing this here, is because I took the time to read the magazine cover to cover. Lots of great stuff. I heartily recommend it.
Young Justice Happy Meal Toys!
So I got my complete set of YJ Happy Meal toys today, and I have three things to say:
1. Yes, I'm bummed that McDonalds chose to go with Littlest Pet Shop for girls, instead of creating a couple of kick-ass toys for Miss Martian and Artemis.
2. Nevertheless, the eight toys they did make are very cool!
3. But the choices made me stop and think: Black Manta is Aqualad's biological father. Batman is Robin's foster-father. Superman is Superboy's genetic father. So... is McDonalds trying to imply that Captain Cold is Kid Flash's father?!! OMG!!!
YOUNG JUSTICE Episode #9 ("Bereft") Credits
	YOUNG JUSTICE
	"Bereft"
	Producers
	Brandon Vietti
	Greg Weisman
	_________________________________________________________________________
	Written By
	Nicole Dubuc
	_________________________________________________________________________
	Directed By
	Michael Chang
	_________________________________________________________________________
	Line Producer
	David Wilcox
	_________________________________________________________________________
	Young Justice Theme and Music Written And Performed By
	Kristopher Carter
	Michael McCuistion
	Lolita Ritmanis
	_________________________________________________________________________
	Casting & Voice Direction
	Jamie Thomason
	_________________________________________________________________________
	Starring The Voices Of
	Stephanie Lemelin - Artemis
	Jesse McCartney - Robin
	Danica McKellar - Miss Martian
	Nolan North - Superboy
	Khary Payton - Aqualad
	Jason Spisak - Kid Flash		
	Bruce Greenwood - Batman
	Marina Sirtis - L4
	Alan Tudyk - Psimon
	_________________________________________________________________________
	Based On DC Comics Characters
	Batman Created By Bob Kane
	Miss Martian Created By Geoff Johns and Tony Daniel
	Psimon Created By Marv Wolfman and George Perez
	_________________________________________________________________________
	Production Manager
	John Diaz		
	Assistant Production Manager
	Casey Sandin		
	Animation Coordinator
	Matthew Benzinger
	_________________________________________________________________________
	Lead Character Design
	Phil Bourassa		
	Character Design
	Dusty Abell
	Jerome Moore		
	Prop Design
	Hakjoon Kang
	Eugene Mattos		
	BG Key Design
	Hakjoon Kang
	Gary Mantalbano		
	Storyboard
	Charles E. Drost, III
	Jeff Johnson
	Paul Harmon
	Olga Ulanova
	Storyboard Clean-up
	Owen Sullivan
	Animation Timing Director
	James Tim Walker
	Timing
	Jeff Hall
	Richard Collado
	Gordon Kent
	R. Michel Lyman
	Bob Shellhorn
	Animation Checking
	Jan Browning
	Annamarie Costa
	Chuck Gefre
	Justin Schultz
	Color Stylist
	James Peters
	Ink & Paint
	Kim Bowen
	Background Paint
	Mike Inman
	David McBride
	Craig Robertson
	Chun Liu
	Wei Zhao
	Effects Animation
	Matthew Girardi
	Main Title Animation
	MOI Animation, Inc.
	Wut It Is
	_________________________________________________________________________
	Editor
	Jhoanne Reyes
	Supervising Dialogue/ADR Editor
	Mark A. Keatts 
	Sound Reading
	Fred Salinas
	Wilson Martinez 
	Dialogue/ADR Editors
	Patrick Foley
	Mike Garcia
	Post Production Manager
	Scott Shinick
	Dialogue Recording
	Studio	Studiopolis, Inc. 
	Recording Machine Operator
	Jeff O. Collins
	Sarah Baluch 
	Post Production Sound Services
	Audio Circus, Inc.
	Online Editor
	Christopher D. Lozinski
	_________________________________________________________________________
	Animation Services
	Lotto Animation, Inc.
	Supervising Animation Director
	Heechul Kang
	Background Director
	Yunhee Kim
	EunHee No
	Eunjung Choi
	Production Staff
	Hyoungmin Doh
	Miok Kwon
	Eonho Lee
	Jinhwa Heo (Jun-E)
	Animation Directors
	Sangjoon Lee
	Myeonghwan Park
	________________________________________________________________________
	Layout Artists
	Soohyeon Gwak
	Gapchan Jung
	Jungmo Kim
	Final Checker
	Hosoon Shin
	Color Stylist
	Mihyun Ji
	Model Checkers
	Junghee Kim
	Jisoo Kang
	Composition
	Sangbong Oh
	Hoyeon Joo
	Yuri Choi
	Daehee Rim
	Sunghun Lee
	Key Animation
	Seokjin Jang
	Eunhwa Jung
	Howon Jung
	Kwonil Kim
	SinKwon Kim
	Sebo Lee
	Gyeonghwa Seo
	Joonho Song
	Final Checker
	Seokki Um
	Misook Choi
	_________________________________________________________________________
	Production Administrator
	Nicole Martin
	Production Accounting
	Athena Wingate
	Luisa Guzman
	Production Support
	Audrey Kim
	Kira Tirimacco
	Renee Toporzysek
	Casting Administrator
	Liz Carroll
	Executive In Charge Of Music
	Niki Sherrod
	Business And Legal Affairs
	Lori Blackstone
	Bonnie Negrete
	Joulene St. Catherine
	_________________________________________________________________________
	Production Supervision
	Bobbie Page
	Production Management
	Ed Adams
	Executive in Charge of Production
	Jay Bastian
	Executives In Charge Of Production For Cartoon Network
	Tramm Wigzell
	Brian E. S. Jones
	Executive Producer
	Sam Register
	_________________________________________________________________________
	"This motion picture is protected under the laws of the United States of America and other countries.  Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
	© 2011 Warner Bros. Entertainment Inc.
	ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
	Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
	_________________________________________________________________________
	There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
	A handful (in no particular order) include...
	Dan Soulsby - Talent Coordinator
	Eric Lewis, CAS - Dialogue Sound Mixer
	Chris Eaton - Assistant Engineer
	Otis Van Osten - Sound Supervisor
	Ron Salaises - Sound Effects editor
	Carlos Sanches - Re-Recording Mixer
	Stacy Michaels - Foley Mixer
	Alex Ulrich - Foley Walker
	Aris Katsaris - Atlantean Translator
	Sindy Tadros - Arabic Translator
	Nicole Dubuc & Greg Weisman - Martian Translator
	I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
So I received my copy of the Electric Tiki Goliath sculpt. I LOVE it! It looks fantastic in my office at Warner Bros.
I highly recommend the purchase!
YOUNG JUSTICE Episode #8 ("Downtime") Credits
	YOUNG JUSTICE
	"Downtime"
	Producers
	Brandon Vietti
	Greg Weisman
	_________________________________________________________________________
	Written By
	Kevin Hopps
	_________________________________________________________________________
	Directed By
	Jay Oliva
	_________________________________________________________________________
	Line Producer
	David Wilcox
	_________________________________________________________________________
	Young Justice Theme Written And Performed By
	Kristopher Carter
	Michael McCuistion
	Lolita Ritmanis
	_________________________________________________________________________
	Music By
	Kristopher Carter
	Michael McCuistion
	Lolita Ritmanis
	_______________________________________________________________________
	Casting & Voice Direction
	Jamie Thomason
	_________________________________________________________________________
	Starring The Voices Of
	Stephanie Lemelin as Artemis Crock
	Jesse McCartney as Dick Grayson
	Danica McKellar as Mâgann Mâorzz
	Nolan North as Superboy, Superman
	Khary Payton as Kaldurâahm, Black Manta
	Jason Spisak as Wally West
	_________________________________________________________________________
	Starring The Voices Of
	Jeff Glenn Bennett as Vulko, Alfred Pennyworth
	George Eads as Barry Allen
	Bruce Greenwood as Bruce Wayne
	Kelly Hu as Paula Crock
	Phil LaMarr as King Orin
	Yuri Lowenthal as Garth
	Roger Craig Smith as Prince Orm
	Kath Soucie as Queen Mera, Joan Garrick
	Cree Summer as Tula, Mary West
	James Arnold Taylor as Topo
	NOTE: Though uncredited, Kath Soucie also was the voice of Lori Lemaris; Yuri Lowenthal performed Lagoon Boy, and Roger Craig Smith was L-5.
	_________________________________________________________________________
	Based On DC Comics Characters
	Batman Created By
	Bob Kane
	Superman Created By
	Jerry Siegel & Joe Shuster
	Miss Martian Created By
	Geoff Johns and Tony Daniel
	Aquaman Created By
	Paul Norris
	________________________________________________________________________
	Production Manager
	John Diaz
	Assistant Production Manager
	Mark Wilson
	Animation Coordinator
	Matthew Benzinger
	________________________________________________________________________
	Lead Character Design
	Phil Bourassa
	Character Design
	Dusty Abell
	Jerome Moore
	BG Key Design
	Enzo Baldi
	Hahk-Jin Kim
	In-Soo Kim 
	Prop Design
	Andy Chiang
	Alexander Kubalsky
	Eugene Mattos
	_______________________________________________________________
	Storyboard
	Jay Baker
	Tim Divar
	Phil Langone
	Lauren Montgomery	
	Storyboard Clean-up
	Brendon Clogher
	Owen Sullivan
	Olga Ulanova	
	Animation Timing Director
	James Tim Walker	
	Timing
	Richard Collado
	Jeff Hall
	Gordon Kent
	R. Michel Lyman
	Animation Checking
	Jan Browning
	Annamarie Costa
	Chuck Gefre
	Chuck Martin
	Justin Schultz
	______________________________________________________________________
	Color Stylist
	James Peters
	Ink & Paint
	Kim Bowen
	Background Paint
	Mike Inman
	David McBride
	Craig Robertson
	Effects Animation
	Matthew Girardi
	_________________________________________________________________________
	Main Title Animation
	MOI Animation, Inc.
	Wut It Is
	_________________________________________________________________________
	Editor
	Jhoanne Reyes
	_________________________________________________________________________
	Supervising Dialogue/ADR Editor
	Mark A. Keatts
	Sound Reading
	Fred Salinas
	Wilson Martinez	
	Dialogue/ADR Editors
	Patrick Foley
	Mike Garcia
	Post Production Manager
	Scott Shinick
	Dialogue Recording Studio
	Studiopolis, Inc.
	Recording Machine Operator
	Jeff O. Collins
	Sarah Baluch
	Post Production Sound Services
	Audio Circus, Inc.
	Online Editor
	Christopher D. Lozinski
	_________________________________________________________________________
	Animation Services
	MOI Animation, Inc.
	Animation Director
	Doo-Hyung Lee
	Background Director
	Jung-Ho Park	
	Production Managers
	Young-Soo Yoo (Director)
	Min-Sung Park
	Pan-Seob Kim
	Su-Mi Beck			
	Production Coordinator
	Hyosun Ryu
	________________________________________________________________________
	Layout Artists
	Hahk-Jin Kim
	In-Soo Kim
	Color Stylist
	Min-Yi Kim
	Composition
	Byoung-Ryul Kim (Director)
	Hyo-Yoon Beck
	Kyoung-Hee Kang
	Sung-Ho Jo
	Soo-Jin Yu
	Jeong-Mi Lee
	Model Checkers
	Yang-Sook Kim
	Key Animation
	Byong-Eui Gwack
	Kyong-Ho Lee
	Bum-Seok Lee
	Kyong-Ah Jang
	Eun-Hee Ba
	Chang-Ho Park
	3D CGI
	Gyu-Han Yoo (Director)
	Gyu-Sung Oh
	Final Checker
	Nam-Gyu Lee
	________________________________________________________________________
	Production Administrator
	Nicole Martin
	Production Accounting
	Athena Wingate
	Luisa Guzman
	Production Support
	Audrey Kim
	Kira Tirimacco
	Renee Toporzysek
	Casting Administrator
	Liz Carroll	
	Business And Legal Affairs
	Lori Blackstone
	Bonnie Negrete
	Joulene St. Catherine
	Executive In Charge Of Music
	Niki Sherrod
	_________________________________________________________________________
	Production Supervision
	Bobbie Page
	Production Management
	Ed Adams
	_________________________________________________________________________
	Executive in Charge of Production
	Jay Bastian
	_________________________________________________________________________
	Executives In Charge Of Production For Cartoon Network
	Tramm Wigzell
	Brian E. S. Jones
	_________________________________________________________________________
	Executive Producer
	Sam Register
	_________________________________________________________________________
	This motion picture is protected under the laws of the United States of America and other countries.  Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
	© 2011 Warner Bros. Entertainment Inc.
	ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
	Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
	_________________________________________________________________________
	There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
	A handful (in no particular order) include...
	Dan Soulsby - Talent Coordinator
	Eric Lewis, CAS - Dialogue Sound Mixer
	Chris Eaton - Assistant Engineer
	Otis Van Osten - Sound Supervisor
	Ron Salaises - Sound Effects editor
	Carlos Sanches - Re-Recording Mixer
	Stacy Michaels - Foley Mixer
	Alex Ulrich - Foley Walker
	Aris Katsaris - Atlantean Translator
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
Young Justice Stats - Part II
I typed ALL this up yesterday, posted it -- and it vanished into the ether.
Anyway...
We've completed the scripting and recording of all 26 episodes of Season One of Young Justice.
Episodes 1-7 have aired.
Episodes 8-9 are in post-production.
Episodes 10-13 are being animated in Korea.
Episodes 14-15 are having their models colored.
Episodes 16-18 are getting final models on characters, props and BGs finished.
Episode 19 is in checking.
Episode 20 is in timing.
Episode 21 is in storyboard revision.
Episodes 22-24 are awaiting storyboard notes and revisions from their directors and/or the producers.
Episodes 25-26 are in storyboard.
In Season One, we have 179 named characters from the DC Universe. That's an average of 6.9 characters introduced per episode, though of course some introduce more and some less.
We used 66 actors total. That's 2.7 characters per actor, though that's a particularly meaningless number, as some characters don't speak or only grunt. Also many actors only performed a single role, while others performed considerably more than 2.7. The record holder (with 11 roles under his belt) is Kevin Michael Richardson with 11, beating out Jeff Glenn Bennett by one.
The average number of actors used per episode is 12. The episodes that required the fewest actors were 3, 9, 12 and 24 that needed 9 actors each. The episode that required the most actors was 25, which needed 19 actors.
Our shortest scripts -- at 31 pages each -- were from episodes 1 and 12. Our longest scripts -- at 35 pages each -- were from episodes 6, 7, 9, 16, 21, 22 and 25. The average page count across the 26 episodes was 34 pages.
The average line count was 231 lines of dialogue per script. The largest line count was 276 for episode 25; the smallest was 213 for episode 8.
Our longest dialogue track was 14:33 for episode 7. Our shortest was 10:07 for episode 12. The average length of our dialogue tracks is 12:14.
Of course, by the time you see them, all episodes will be the exact same length, give or take 30 seconds, including our 20 second main title -- which is a length dictated by the network. (I guess the days of minute-long theme songs are over.)
That's it for now...
YOUNG JUSTICE Episode #7 ("Denial") Credits
	YOUNG JUSTICE
	"Denial"
	Producers
	Brandon Vietti
	Greg Weisman
	_________________________________________________________________________
	Written By
	Thomas Pugsley
	_________________________________________________________________________
	Directed By
	Michael Chang
	_________________________________________________________________________
	Line Producer
	David Wilcox
	_________________________________________________________________________
	Young Justice Theme Written And Performed By
	Kristopher Carter
	Michael McCuistion
	Lolita Ritmanis
	_________________________________________________________________________
	Music By
	Kristopher Carter
	Michael McCuistion
	Lolita Ritmanis
	_______________________________________________________________________
	Casting & Voice Direction
	Jamie Thomason
	_________________________________________________________________________
	Starring The Voices Of
	Stephanie Lemelin as Artemis
	Danica McKellar as Mâgann Mâorzz
	Nolan North as Superboy
	Khary Payton as Kaldurâahm
	Jason Spisak as Wally West
	_________________________________________________________________________
	Starring The Voices Of
	Thom Adcox as Klarion
	Edward Asner as Kent Nelson
	Jeff Glenn Bennett as Red Tornado, Abra Kadabra
	Kevin Michael Richardson as Nabu
	Cree Summer as Madame Xanadu
	_________________________________________________________________________
	Based On DC Comics Characters
	Batman Created By
	Bob Kane
	Miss Martian Created By
	Geoff Johns and Tony Daniel
	Doctor Fate Created By
	Gardner Fox
	Madame Xanadu Created By
	David Michelinie and Val Mayerik
	________________________________________________________________________
	Production Manager
	John Diaz
	Assistant Production Manager
	Mark Wilson
	Animation Coordinator
	Matthew Benzinger
	________________________________________________________________________
	Lead Character Design
	Phil Bourassa
	Character Design
	Dusty Abell
	Jerome Moore
	BG Key Design
	Manalac âTecâ Cornelio
	Enzo Baldi
	Prop Design
	Alexander Kubalsky
	_______________________________________________________________
	Storyboard
	Charles E. Drost, III
	Paul Harmon
	Jeff Johnson	
	Storyboard Clean-up
	Olga Ulanova
	Owen Sullivan	
	Animation Timing Director
	James Tim Walker	
	Timing
	Jeff Hall
	Gordon Kent
	R. Michel Lyman
	Burton Medall                                                                          	
	Animation Checking
	Jan Browning
	Chuck Gefre
	Justin Shultz
	______________________________________________________________________
	Color Stylist
	James Peters
	Ink & Paint
	Kim Bowen
	Background Paint
	Mike Inman
	David McBride
	Craig Robertson
	Effects Animation
	Matthew Girardi
	_________________________________________________________________________
	Main Title Animation
	MOI Animation, Inc.
	Wutitis
	_________________________________________________________________________
	Editor
	Jhoanne Reyes
	_________________________________________________________________________
	Supervising Dialogue/ADR Editor
	Mark A. Keatts
	Sound Reading
	Fred Salinas
	Wilson Martinez	
	Dialogue/ADR Editors
	Patrick Foley
	Mike Garcia
	Post Production Manager
	Scott Shinick
	Dialogue Recording Studio
	Studiopolis, Inc.
	Recording Machine Operator
	Jeff O. Collins
	Sarah Baluch
	Post Production Sound Services
	Audio Circus, Inc.
	Online Editor
	Christopher D. Lozinski
	_________________________________________________________________________
	Animation Services
	Lotto Animation, Inc.
	Supervising Animation Director
	Heechul Kang
	Background Director
	Yunhee Kim
	EunHee No
	Eunjung Choi
	Animation Directors
	Daegu Heh
	Hyeoksoo Lee
	Myeonghwan Park
	Production Staff
	Hyoungmin Doh
	Miok Kwon
	Eonho Lee
	Jinhwa Heo (Jun-E)
	________________________________________________________________________
	Layout Artists
	Soohyeon Gwak
	Gapchan Jung
	Jungmo Kim
	Final Checker
	Hosoon Shin
	Color Stylist
	Mihyun Ji
	Model Checkers
	Jaehee Oh
	Jisoo Kang
	Composition
	Sangbong Oh
	Hoyeon Joo
	Yuri Choi
	Daehee Rim
	Sunghun Lee
	Key Animation
	Yeongsik Hwang
	Seokjin Jang
	Seongho Jeon
	Howon Jung
	Sebo Lee
	Joonho Song
	3D CGI
	Seokki Um
	Misook Choi
	________________________________________________________________________
	Production Administrator
	Nicole Martin
	Production Accounting
	Athena Wingate
	Luisa Guzman
	Production Support
	Audrey Kim
	Kira Tirimacco
	Renee Toporzysek	
	Casting Administrator
	Liz Carroll
	Executive In Charge Of Music
	Niki Sherrod
	Business And Legal Affairs
	Lori Blackstone
	Bonnie Negrete
	Joulene St. Catherine
	_________________________________________________________________________
	Production Supervision
	Bobbie Page
	Production Management
	Ed Adams
	_________________________________________________________________________
	Executive in Charge of Production
	Jay Bastian
	_________________________________________________________________________
	Executives In Charge Of Production For Cartoon Network
	Tramm Wigzell
	Brian E. S. Jones
	_________________________________________________________________________
	Executive Producer
	Sam Register
	_________________________________________________________________________
	This motion picture is protected under the laws of the United States of America and other countries.  Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
	© 2011 Warner Bros. Entertainment Inc.
	ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
	_________________________________________________________________________
	There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
	A handful (in no particular order) include...
	Dan Soulsby - Talent Coordinator
	Eric Lewis, CAS - Dialogue Sound Mixer
	Chris Eaton - Assistant Engineer
	Otis Van Osten - Sound Supervisor
	Ron Salaises - Sound Effects editor
	Carlos Sanches - Re-Recording Mixer
	Stacy Michaels - Foley Mixer
	Alex Ulrich - Foley Walker
	I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE Episode #6 ("Infiltrator") Credits
	YOUNG JUSTICE
	"Infiltrator"
	Producers
	Brandon Vietti
	Greg Weisman
	_________________________________________________________________________
	Written By
	Jon Weisman
	_________________________________________________________________________
	Directed By
	Jay Oliva
	_________________________________________________________________________
	Line Producer
	David Wilcox
	_________________________________________________________________________
	Young Justice Theme Written And Performed By
	Kristopher Carter
	Michael McCuistion
	Lolita Ritmanis
	_________________________________________________________________________
	Music By
	Kristopher Carter
	Michael McCuistion
	Lolita Ritmanis
	_______________________________________________________________________
	Casting & Voice Direction
	Jamie Thomason
	_________________________________________________________________________
	Starring The Voices Of
	Stephanie Lemelin as Artemis
	Jesse McCartney as Robin
	Danica McKellar as Miss Martian
	Nolan North as Superboy, Professor Ojo
	Khary Payton as Aqualad
	Jason Spisak as Kid Flash
	_________________________________________________________________________
	Starring The Voices Of
	Oded Fehr as L-2
	Crispin Freeman as Red Arrow
	Kelly Hu as Cheshire
	Tara Strong as Serling Roquette
	Alan Tudyk as Green Arrow
	Keone Young as Sensei
	_________________________________________________________________________
	Based On DC Comics Characters
	Batman Created By
	Bob Kane
	Miss Martian Created By
	Geoff Johns and Tony Daniel
	Cheshire Created By
	Marv Wolfman and George Perez
	________________________________________________________________________
	Production Manager
	John Diaz
	Assistant Production Manager
	Casey Sandin
	Animation Coordinator
	Matthew Benzinger
	_______________________________________________________________________
	Lead Character Design
	Phil Bourassa
	Character Design
	Dusty Abell
	Jerome Moore
	BG Key Design
	Enzo Baldi
	Jay Hong
	Hakjoon Kang
	Alexander Kubalsky
	Jonard Soriano
	Alex Stevens
	Ken Yi
	Prop Design
	Alexander Kubalsky
	_______________________________________________________________
	Storyboard
	Jay Baker
	Tim Divar
	Phil Langone	
	Storyboard Clean-up
	Owen Sullivan
	Olga Ulanova
	Animation Timing Director
	James Tim Walker
	Timing
	Richard Collado
	Jeff Hall
	Gordon Kent
	R. Michel Lyman
	Burton Medall
	Animation Checking
	Annamarie Costa
	Chuck Gefre
	Janette Hulett
	Justin Schultz
	______________________________________________________________________
	Color Stylist
	James Peters
	Ink & Paint
	Kim Bowen
	Background Paint
	Mike Inman
	Chun Liu
	David McBride
	Craig Robertson
	Wei Zhao
	Effects Animation
	Matthew Girardi
	_________________________________________________________________________
	Main Title Animation
	MOI Animation, Inc.
	Wut It Is
	_________________________________________________________________________
	Editor
	Jhoanne Reyes
	_________________________________________________________________________
	Supervising Dialogue/ADR Editor
	Mark A. Keatts
	Sound Reading
	Fred Salinas
	Wilson Martinez	
	Dialogue/ADR EditorsΩ
	Patrick Foley
	Mike Garcia
	Post Production Manager
	Scott Shinick
	Dialogue Recording Studio
	Studiopolis, Inc.
	Recording Machine Operator
	Jeff O. Collins
	Sarah Baluch
	Post Production Sound Services
	Audio Circus, Inc.
	Online Editor
	Christopher D. Lozinski
	_________________________________________________________________________
	Animation Services
	MOI Animation, Inc.
	Animation Director
	Jin-Hae Lee
	Jae-Bum Lee	
	Background Director
	Jung-Ho Park
	Production Managers
	Young-Soo Yoo (Director)
	Min-Sung Park
	Pan-Seob Kim
	Su-Mi Beck			
	Production Coordinator
	Hyosun Ryu
	________________________________________________________________________
	Layout Artists
	Ki-June Kim
	In-Soo Kim
	Color Stylist
	Min-Yi Kim
	Composition
	Byoung-Ryul Kim (Director)
	Hyo-Yoon Beck
	Kyoung-Hee Kang
	Sung-Ho Jo
	Model Checkers
	Yang-Sook Kim	
	Key Animation
	Young-ll Park
	Hyung-Seok Jang
	Sun-Ki Kang
	Cheong-ll Hahn
	Jong-Hwa Lee
	Seun-Deuk Sohn
	Gun-Shik Lee
	Jae-Hyung Kim	
	3D CGI
	Gyu-Han Yoo (Director)
	Gyu-Sung Oh
	Final Checker
	Gyun-Ho Hahn
	________________________________________________________________________
	Production Administrator
	Nicole Martin
	Production Accounting
	Athena Wingate
	Luisa Guzman
	Production Support
	Audrey Kim
	Kira Tirimacco
	Renee Toporzysek
	Casting Administrator
	Liz Carroll
	Business And Legal Affairs
	Lori Blackstone
	Bonnie Negrete
	Joulene St. Catherine
	Executive In Charge Of Music
	Niki Sherrod
	_________________________________________________________________________
	Production Supervision
	Bobbie Page
	Production Management
	Ed Adams
	_________________________________________________________________________
	Executive in Charge of Production
	Jay Bastian
	_________________________________________________________________________
	Executives In Charge Of Production For Cartoon Network
	Tramm Wigzell
	Brian E. S. Jones
	_________________________________________________________________________
	Executive Producer
	Sam Register
	_________________________________________________________________________
	This motion picture is protected under the laws of the United States of America and other countries.  Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
	© 2011 Warner Bros. Entertainment Inc.
	ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
	Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
	_________________________________________________________________________
	There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
	A handful (in no particular order) include...
	Jennifer A. Anderson - Talent Coordinator
	Eric Lewis, CAS - Dialogue Sound Mixer
	Chris Eaton - Assistant Engineer
	Otis Van Osten - Sound Supervisor
	Ron Salaises - Sound Effects editor
	Carlos Sanches - Re-Recording Mixer
	Stacy Michaels - Foley Mixer
	Alex Ulrich - Foley Walker
	I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE Episode #5 ("Schooled") Credits
	YOUNG JUSTICE
	"Schooled"
	Producers
	Brandon Vietti
	Greg Weisman
	_________________________________________________________________________
	Written By
	Nicole Dubuc
	_________________________________________________________________________
	Directed By
	Michael Chang
	_________________________________________________________________________
	Line Producer
	David Wilcox
	_________________________________________________________________________
	Young Justice Theme Written And Performed By
	Kristopher Carter
	Michael McCuistion
	Lolita Ritmanis
	_________________________________________________________________________
	Music By
	Kristopher Carter
	Michael McCuistion
	Lolita Ritmanis
	_______________________________________________________________________
	Casting & Voice Direction
	Jamie Thomason
	_________________________________________________________________________
	Starring The Voices Of
	Jesse McCartney as Robin
	Danica McKellar as Miss Martian
	Nolan North as Superboy, Superman
	Khary Payton as Aqualad
	Jason Spisak as Kid Flash
	_________________________________________________________________________
	Starring The Voices Of
	Bruce Greenwood as Batman
	Stephanie Lemelin as Computer
	Vanessa Marshall as Black Canary
	Peter MacNicol as Professor Ivo, Amazo, MONQI
	Kevin Michael Richardson as Martian Manhunter
	______________________________________________
	Based On DC Comics Characters
	Batman Created By
	Bob Kane
	Superman Created By
	Jerry Siegel & Joe Shuster
	Miss Martian Created By
	Geoff Johns and Tony Daniel
	Amazo Created By
	Gardner Fox
	________________________________________________________________________
	Production Manager
	John Diaz
	Assistant Production Manager
	Mark Wilson
	Animation Coordinator
	John Roback
	________________________________________________________________________
	Lead Character Design
	Phil Bourassa
	Character Design
	Dusty Abell
	Jerome Moore
	Prop Design
	Andy Chiang
	Taesoo Kim
	Alexander Kubalsky
	BG Key Design
	Jay Hong
	Art Lee
	Jonard Soriano
	_______________________________________________________________
	Storyboard
	Charles E. Drost, III
	Paul Harmon
	Jeff Johnson
	Storyboard Clean-up
	Brendon Clogher
	Owen Sullivan
	Olga Ulanova
	Animation Timing Director
	James Tim Walker
	Timing
	Richard Collado
	Gordon Kent
	R. Michel Lyman
	Burton Medall	
	Animation Checking
	Annamarie Costa
	Chuck Gefre
	Justin Schultz
	______________________________________________________________________
	Color Stylist
	James Peters
	Ink & Paint
	Kim Bowen
	Background Paint
	Mike Inman
	David McBride
	Craig Robertson
	Effects Animation
	Matthew Girardi
	_________________________________________________________________________
	Main Title Animation
	MOI Animation, Inc.
	_________________________________________________________________________
	Editor
	Jhoanne Reyes
	_________________________________________________________________________
	Supervising Dialogue/ADR Editor
	Mark A. Keatts
	Sound Reading
	Fred Salinas
	Wilson Martinez	
	Dialogue/ADR Editors
	Patrick Foley
	Mike Garcia
	Post Production Manager
	Scott Shinick
	Dialogue Recording Studio
	Studiopolis, Inc.
	Recording Machine Operator
	Jeff O. Collins
	Sarah Baluch
	Post Production Sound Services
	Audio Circus, Inc.	
	Online Editor
	Christopher D. Lozinski
	_________________________________________________________________________
	Animation Services
	MOI Animation, Inc.
	Animation Directors
	Du-hyung Lee
	Background Director
	Jung-ho Park
	Production Manager
	Young-Soo You (Chief)
	OK-Ki Lee
	Min-Sung Park
	Pan-seob Kim
	Su-mi Beck						
	Production Coordinator
	Gina Park
	So-yeon Kim
	Hyosun Ryu
	________________________________________________________________________
	Layout Artists
	Ki-Du Kim
	In Jung
	Color Stylists
	Min-Lee Kim
	Model Checkers
	Yang-suk Kim
	Composition
	Byoung-Ryul Kim (Chief)
	Hyo-Yoon Back
	Kyoung-Hee Kang
	Key Animation
	Hyung-Seok Jang
	Cheong-il Han
	Byung-Eui Kwak
	Eun-hee Back
	Sun-Ki Kang
	Jae-Hyeong Kim
	3D CGI
	Gu-Han Yoo
	Final Checker
	Gyun-Ho Han
	________________________________________________________________________
	Production Administrator
	Nicole Martin
	Production Accounting
	Athena Wingate
	Luisa Guzman
	Production Support
	Audrey Kim
	Kira Tirimacco
	Renee Toporzysek
	Casting Administrator
	Liz Carroll
	Business And Legal Affairs
	Lori Blackstone
	Bonnie Negrete
	Joulene St. Catherine
	Executive In Charge Of Music
	Niki Sherrod
	_________________________________________________________________________
	Production Supervision
	Bobbie Page
	Production Management
	Ed Adams
	_________________________________________________________________________
	Executive in Charge of Production
	Jay Bastian
	_________________________________________________________________________
	Executives In Charge Of Production For Cartoon Network
	Tramm Wigzell
	Brian E. S. Jones
	_________________________________________________________________________
	Executive Producer
	Sam Register
	_________________________________________________________________________
	This motion picture is protected under the laws of the United States of America and other countries.  Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
	© 2011 Warner Bros. Entertainment Inc.
	ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
	Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
	_________________________________________________________________________
	There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
	A handful (in no particular order) include...
	Jennifer A. Anderson - Talent Coordinator
	Eric Lewis, CAS - Dialogue Sound Mixer
	Chris Eaton - Assistant Engineer
	Otis Van Osten - Sound Supervisor
	Ron Salaises - Sound Effects editor
	Carlos Sanches - Re-Recording Mixer
	Stacy Michaels - Foley Mixer
	Alex Ulrich - Foley Walker
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE Episode #4 ("Drop-Zone") Credits
	YOUNG JUSTICE
	"Drop-Zone"
	Producers
	Brandon Vietti
	Greg Weisman
	_________________________________________________________________________
	Written By
	Andrew R. Robinson
	_________________________________________________________________________
	Directed By
	Christopher Berkeley
	_________________________________________________________________________
	Line Producer
	David Wilcox
	_________________________________________________________________________
	Young Justice Theme Written And Performed By
	Kristopher Carter
	Michael McCuistion
	Lolita Ritmanis
	_________________________________________________________________________
	Music By
	Kristopher Carter
	Michael McCuistion
	Lolita Ritmanis
	_______________________________________________________________________
	Casting & Voice Direction
	Jamie Thomason
	_________________________________________________________________________
	Starring The Voices Of
	Jesse McCartney as Robin
	Danica McKellar as Miss Martian
	Nolan North as Superboy
	Khary Payton as Aqualad
	Jason Spisak as Kid Flash
	_________________________________________________________________________
	Starring The Voices Of
	Nick Chinlund as Sportsmaster
	Miguel Ferrer as L-1
	Bruce Greenwood as Batman
	Danny Trejo as Bane
	Arnold Vosloo as Kobra
	_________________________________________________________________________
	Based On DC Comics Characters
	Batman Created By
	Bob Kane
	Miss Martian Created By
	Geoff Johns and Tony Daniel
	Bane Created By
	Chuck Dixon, Doug Moench, and Graham Nolan
	________________________________________________________________________
	Production Manager
	John Diaz
	Assistant Production Manager
	Mark Wilson
	Animation Coordinator
	John Roback
	________________________________________________________________________
	Lead Character Design
	Phil Bourassa
	Character Design
	Dusty Abell
	Jerome Moore
	BG Key Design
	Enzo Baldi
	Hakjoon Kang
	Prop Design
	Alexander Kubalsky
	_______________________________________________________________
	Storyboard
	Alan Caldwell
	Juno Le
	James Yang
	Storyboard Clean-up
	Chrissy Delk
	Olga Ulanova
	Animation Timing Director
	James Tim Walker
	Timing
	Richard Collado
	Jeff Hall
	Gordon Kent
	R. Michel Lyman
	Burton Medall
	Animation Checking
	Jan Browning
	Annamarie Costa
	Chuck Gefre
	Chuck Martin
	______________________________________________________________________
	Color Stylist
	James Peters
	Ink & Paint
	Kim Bowen
	Background Paint
	Mike Inman
	David McBride
	Craig Robertson
	Effects Animation
	Matthew Girardi
	_________________________________________________________________________
	Main Title Animation
	MOI Animation, Inc.
	Wutitis
	_________________________________________________________________________
	Editor
	Jhoanne Reyes
	_________________________________________________________________________
	Supervising Dialogue/ADR Editor
	Mark A. Keatts
	Sound Reading
	Fred Salinas
	Wilson Martinez	
	Dialogue/ADR Editors
	Patrick Foley
	Mike Garcia
	Post Production Manager
	Scott Shinick
	Dialogue Recording Studio
	Studiopolis, Inc.
	Recording Machine Operator
	Jeff O. Collins
	Sarah Baluch
	Post Production Sound Services
	Audio Circus, Inc.
	Online Editor
	Christopher D. Lozinski
	_________________________________________________________________________
	Animation Services
	Lotto Animation, Inc.
	Supervising Animation Directors
	Heechul Kang
	Background Director
	Yunhee Kim
	EunHee No
	Eunjung Choi
	Animation Directors
	Daegu Heh
	Hyeoksoo Lee
	Myeonghwan Park
	Production Staff
	Hyoungmin Doh
	Miok Kwon
	Eonho Lee
	Jinhwa Heo (Jun-E)
	________________________________________________________________________
	Layout Artists
	Soohyeon Gwak
	Gapchan Jung
	Jungmo Kim
	Final Checker
	Hosoon Shin
	Color Stylist
	Mihyun Ji
	Model Checker
	Jaehee Oh
	Composition
	Sangbong Oh
	Hoyeon Joo
	Yuri Choi
	Daehee Rim
	Sunghun Lee
	Key Animation
	Yeongsik Hwang
	Seokjin Jang
	Seongho Jeon
	Howon Jung
	Sebo Lee
	Joonho Song
	3D CGI
	Seokki Um
	Misook Choi
	________________________________________________________________________
	Production Administrator
	Nicole Martin
	Production Accounting
	Athena Wingate
	Luisa Guzman
	Production Support
	Audrey Kim
	Kira Tirimacco
	Renee Toporzysek
	Casting Administrator
	Liz Carroll
	Business And Legal Affairs
	Lori Blackstone
	Bonnie Negrete
	Joulene St. Catherine
	Executive In Charge Of Music
	Niki Sherrod
	_________________________________________________________________________
	Production Supervision
	Bobbie Page
	Production Management
	Ed Adams
	_________________________________________________________________________
	Executive in Charge of Production
	Jay Bastian
	_________________________________________________________________________
	Executives In Charge Of Production For Cartoon Network
	Tramm Wigzell
	Brian E. S. Jones
	_________________________________________________________________________
	Executive Producer
	Sam Register
	_________________________________________________________________________
	This motion picture is protected under the laws of the United States of America and other countries.  Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
	© 2011 Warner Bros. Entertainment Inc.
	ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
	_________________________________________________________________________
	There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
	A handful (in no particular order) include...
	Jennifer A. Anderson - Talent Coordinator
	Eric Lewis, CAS - Dialogue Sound Mixer
	James Lafferty - Assistant Engineer
	Otis Van Osten - Sound Supervisor
	Ron Salaises - Sound Effects editor
	Carlos Sanches - Re-Recording Mixer
	Stacy Michaels - Foley Mixer
	Alex Ulrich - Foley Walker
	I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE Episode #3 ("Welcome to Happy Harbor") Credits
Seems I've fallen behind posting credits...
	YOUNG JUSTICE
	"Welcome to Happy Harbor"
	Producers
	Brandon Vietti
	Greg Weisman
	_________________________________________________________________________
	Written By
	Kevin Hopps
	_________________________________________________________________________
	Directed By
	Jay Oliva
	_________________________________________________________________________
	Line Producer
	David Wilcox
	_________________________________________________________________________
	Young Justice Theme Written And Performed By
	Kristopher Carter
	Michael McCuistion
	Lolita Ritmanis
	_________________________________________________________________________
	Music By
	Kristopher Carter
	Michael McCuistion
	Lolita Ritmanis
	_______________________________________________________________________
	Casting & Voice Direction
	Jamie Thomason
	_________________________________________________________________________
	Starring The Voices Of
	Jesse McCartney as Robin
	Danica McKellar  as Mâgann Mâorzz
	Nolan North as Superboy
	Khary Payton as Kaldurâahm, Brick
	Jason Spisak as Wally West
	_________________________________________________________________________
	Starring The Voices Of
	Jeff Bennett as Red Tornado, T.O. Morrow
	John De Lancie as Mr. Twister/Brom Stikk
	Crispin Freeman as Speedy
	Stephanie Lemelin as Computer
	_________________________________________________________________________
	Based On DC Comics Characters
	Batman Created By
	Bob Kane
	_________________________________________________________________________
	Production Manager
	John Diaz
	Assistant Production Manager
	Casey Sandin
	Animation Coordinator
	John Roback
	________________________________________________________________________
	Lead Character Design
	Phil Bourassa
	Character Design
	Dusty Abel
	Jerome Moore
	BG Key Design
	Enzo Baldi
	Jay Hong
	Hakjoon Kang
	Alexander Kubalsky
	Gong Peng
	Jonard Soriano
	Prop Design
	Alexander Kubalsky
	________________________________________________________________________
	Storyboard
	Jay Baker
	Tim Divar
	Phil Langone	
	Storyboard Clean-up
	Owen Sullivan
	Olga Ulanova	
	Animation Timing Director
	James Tim Walker
	Timing
	Richard A. Collado
	Jeff Hall
	Gordon Kent
	R. Michel Lyman
	Burton Medall
	Animation Checking
	Jan Browning
	Annamarie Costa
	Justin Schultz
	________________________________________________________________________
	Color Stylist
	James Peters
	Ink & Paint
	Kim Bowen
	Background Paint
	Mike Inman
	David McBride
	Craig Robertson
	Effects Animation
	Matthew Girardi
	______________________________________________________________________
	Main Title Animation
	MOI Animation, Inc.
	_________________________________________________________________________
	Editor
	Jhoanne Reyes
	Supervising Dialogue/ADR Editor
	Mark A. Keatts
	Sound Reading
	Fred Salinas
	Wilson Martinez	
	Dialogue/ADR Editors
	Patrick Foley
	Mike Garcia
	Post Production Manager
	Scott Shinick
	Dialogue Recording Studio
	Studiopolis, Inc.
	Recording Machine Operator
	Jeff O. Collins
	Sarah Baluch
	Post Production Sound Services
	Audio Circus, Inc.
	Online Editor
	Christopher D. Lozinski
	_________________________________________________________________________
	Animation Services
	Lotto Animation
	Supervising Animation Directors
	Heechul Kang
	Background Director
	Yunhee Kim
	EunHee No
	Eunjung Choi
	Animation Directors
	Daegu Heh
	Hyeoksoo Lee
	Myeonghwan Park
	Myeonghwan Park
	Production Staff
	Hyoungmin Doh
	Miok Kwon
	Eonho Lee
	Jinhwa Heo (Jun-E)
	_________________________________________________________________________
	Layout Artists
	Junsik Cho
	Soohyeon Gwak
	Minsoo Kim
	Color Stylists
	Mihyun Ji
	Composition
	Sangbong Oh
	Hoyeon Joo
	Yuri Choi
	Daehee Rim
	Sunghun Lee
	Model Checkers
	Jaehee Oh
	Key Animation
	Seokjin Jang
	Seongho Jeon
	Joonho Song
	3D CGI
	Seokki Um
	Misook Choi
	Final Checker
	Hosoon Shin
	________________________________________________________________________
	Production Administrator
	Nicole Martin
	Production Accounting
	Athena Wingate
	Luisa Guzman
	Production Support
	Audrey Kim
	Kira Tirimacco
	Renee Toporzysek
	Casting Administrator
	Liz Carroll
	Executive In Charge Of Music
	Niki Sherrod
	Business And Legal Affairs
	Lori Blackstone
	Bonnie Negrete
	Joulene St. Catherine
	_________________________________________________________________________
	Production Supervision
	Bobbie Page
	Production Management
	Ed Adams
	_________________________________________________________________________
	Executive in Charge of Production
	Jay Bastian
	_________________________________________________________________________
	Executives In Charge Of Production For Cartoon Network
	Tramm Wigzell
	Brian E. S. Jones
	_________________________________________________________________________
	Executive Producer
	Sam Register
	_________________________________________________________________________
	This motion picture is protected under the laws of the United States of America and other countries.  Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
	© 2011 Warner Bros. Entertainment Inc.
	ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
	Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
	_________________________________________________________________________
	There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
	A handful (in no particular order) include...
	Jennifer A. Anderson - Talent Coordinator
	Eric Lewis, CAS - Dialogue Sound Mixer
	Aldo Martinez - Assistant Engineer  (NOTE: Aldo also was assistant engineer on episode #2)
	Otis Van Osten - Sound Supervisor
	Ron Salaises - Sound Effects editor
	Carlos Sanches - Re-Recording Mixer
	Stacy Michaels - Foley Mixer
	Alex Ulrich - Foley Walker
	I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
YOUNG JUSTICE TIMESTAMP HORROR
Yes, that's right. I said "horror". (For me, anyway.)
Okay, as some of you probably have ALREADY noticed, two of the timestamps on Episode #4 of YOUNG JUSTICE ("Drop-Zone) is incorrect.
Here's the CORRECT timeline:
The beginning of the Teaser correctly reads:
	SANTA PRISCA
	JUNE 19, 00:43 ECT
The beginning of Act One SHOULD read:
	CARIBBEAN SEA
	JULY 22, 20:08 ECT
And the tag at the end of the episode SHOULD read:
	MOUNT JUSTICE
	JULY 23, 10:01 EDT
We are fully aware that to some of our more serious-minded fans, these are huge errors. All I can say is that there's no possible way it's as traumatizing to you guys as it is to us.
I'm seriously not at all sure how this happened. We did review the timestamps, and they were correct, but obviously at some point during the process of post-production they were changed and nobody noticed it. We are ATTEMPTING to see if we can get them fixed for future airings, but it is clear there's no possible way to get it fixed in time for Sunday's airing. And I'm not sure if it's financially feasible to fix at all. But we will try. And in any case, we are instituting measures to make sure this never happens again on any future episodes. (Please, God.)
I am ... ugh... just going nuts over this.
You have the sincere apologies of everyone on the Young Justice production crew.
YOUNG JUSTICE Episode #2 ("Fireworks") Credits
Well, this was a new twist. So called "gang credits" appeared on the last episode, mashing together credits from multiple episodes. That annoys me just as much as the non-legible variety.
So once again, I'm posting the credits here...
	YOUNG JUSTICE
	"Fireworks"
	(a.k.a. "Independence Day, Part Two")
	Producers
	Brandon Vietti
	Greg Weisman
	_________________________________________________________________________
	Written By
	Greg Weisman
	_________________________________________________________________________
	Directed By
	Sam Liu
	_________________________________________________________________________
	Line Producer
	David Wilcox
	_________________________________________________________________________
	Young Justice Theme
	Written And Performed By
	Kristopher Carter
	Michael McCuistion
	Lolita Ritmanis
	_________________________________________________________________________
	Music By
	Kristopher Carter
	Michael McCuistion
	Lolita Ritmanis
	_______________________________________________________________________
	Casting & Voice Direction
	Jamie Thomason
	_________________________________________________________________________
	Starring The Voices Of
	Jesse McCartney as Robin
	Danica McKellar as Miss Martian
	Nolan North as Superboy, Superman
	Khary Payton as Aqualad
	Jason Spisak as Kid Flash
	_________________________________________________________________________
	Starring The Voices Of
	Rene Auberjonois as Mark Desmond
	George Eads as Flash
	Miguel Ferrer as L-1
	Crispin Freeman as Guardian
	Bruce Greenwood as Batman
	Phil Lamarr as Aquaman, Dubbilex
	Mark Rolston as L-3
	_________________________________________________________________________
	Based On DC Comics Characters
	Batman Created By
	Bob Kane
	Superman Created By
	Jerry Siegel & Joe Shuster
	Wonder Woman Created By
	William Moulton Marston
	Martian Manhunter Created By
	Joseph Samachson
	_________________________________________________________________________
	Production Manager
	John Diaz
	Assistant Production Manager
	Casey Sandin
	Animation Coordinator
	John Roback
	________________________________________________________________________
	Lead Character Design
	Phil Bourassa
	Character Design
	Dusty Abell
	Jerome Moore
	Prop Design
	Jay Hong
	Alexander Kubalsky
	BG Key Design
	Enzo Baldi
	Hakjoon Kang
	Gong Peng
	Jonard Soriano
	________________________________________________________________________
	Storyboard
	Charles E. Drost, III
	Jeff Johnson
	Jae Kim
	Storyboard Clean-up
	Brendon Clogher
	Chrissy Delk
	Christina I. Manrique
	Owen Sullivan
	Olga Ulanova
	Animation Timing Director
	James Tim Walker
	Animation Checking
	Jan Browning
	Annamarie Costa
	Chuck Gefre
	Chuck Martin
	Justin Schultz
	Timing
	Jeff Hall
	Gordon Kent
	R. Michel Lyman
	________________________________________________________________________
	Color Stylist
	James Peters
	Ink & Paint
	Kim Bowen
	Background Paint
	Mike Inman
	David McBride
	Craig Robertson
	Effects Animation
	Matthew Girardi
	______________________________________________________________________
	Main Title Animation
	MOI Animation, Inc.
	_________________________________________________________________________
	Editor
	Jhoanne Reyes
	Supervising Dialogue/ADR Editor
	Mark A. Keatts
	Sound Reading
	Fred Salinas
	Wilson Martinez	
	Dialogue/ADR Editors
	Patrick Foley
	Mike Garcia
	Post Production Manager
	Scott Shinick
	Dialogue Recording Studio
	Studiopolis, Inc.
	Recording Machine Operator
	Jeff O. Collins
	Sarah Baluch
	Post Production Sound Services
	Audio Circus, Inc.
	Online Editor
	Christopher D. Lozinski
	_________________________________________________________________________
	Animation Services
	MOI Animation, Inc.
	Animation Director
	Yang-Ho Ji
	Background Director
	Joo-Sun Cha
	Production Manager
	Young-Soo You (Chief)
	OK-Ki Lee
	Min-Sung Park
	Pan-seob Kim
	Production Coordinator
	Gina Park
	Hyun-Jung Kim
	Hyosun Ryu
	_________________________________________________________________________
	Layout Artists
	Ihu-Soo Kim
	Color Stylists
	Min-Lee Kim
	Model Checkers
	Ki-Deok Park
	Composition
	Byoung-Ryul Kim (Chief)
	Hyo-Yoon Back
	Kyoung-Hee Kang
	Key Animation
	Geon-Sik Lee
	Seong-Deuk Son
	Yoon-Jae Ko
	Jae-Bum Lee
	Kyung-Ho Choi
	Jeong-Hee Yang
	3D CGI
	Gu-Han Yoo
	Final Checker
	Dong-Moon Chu
	________________________________________________________________________
	Production Administrator
	Nicole Martin
	Production Accounting
	Athena Wingate
	Luisa Guzman
	Production Support
	Audrey Kim
	Kira Tirimacco
	Renee Toporzysek
	Casting Administrator
	Liz Carroll
	Executive In Charge Of Music
	Niki Sherrod
	Business And Legal Affairs
	Lori Blackstone
	Bonnie Negrete
	Joulene St. Catherine
	_________________________________________________________________________
	Production Supervision
	Bobbie Page
	Production Management
	Ed Adams
	_________________________________________________________________________
	Executive in Charge of Production
	Jay Bastian
	_________________________________________________________________________
	Executives In Charge Of Production For Cartoon Network
	Tramm Wigzell
	Brian E. S. Jones
	_________________________________________________________________________
	Executive Producer
	Sam Register
	_________________________________________________________________________
	This motion picture is protected under the laws of the United States of America and other countries.  Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
	© 2011 Warner Bros. Entertainment Inc.
	ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
	Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
	_________________________________________________________________________
	There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
	A handful (in no particular order) include...
	Jennifer A. Anderson - Talent Coordinator
	Eric Lewis, CAS - Dialogue Sound Mixer
	James Lafferty - Assistant Engineer
	Otis Van Osten - Sound Supervisor
	Ron Salaises - Sound Effects editor
	Carlos Sanches - Re-Recording Mixer
	Stacy Michaels - Foley Mixer
	Alex Ulrich - Foley Walker
	Jackie Trinidad - Development Coordinator
	Peter Girardi - Design Guru
	I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
It's Just after 8pm PST on Monday, January 10th.
I just caught the east coast feed of tonight's Conan O'Brien show, which featured a big shout out to Young Justice. If you are a fan of Young Justice (or Conan) try to catch or record the west coast feed or the late night rerun of the episode. You'll be glad you did.
Flaming C Forever!!!!
Hey gang,
Happy (belated) New Year!
Still very busy on Young Justice. Got a new production report today, so I thought I'd give you all a little snapshot of where we are in production as of today (i.e. Monday, January 10, 2011). By tomorrow, this could all be different, but here's where we are now - or at any rate, here's where I am now with each episode.
	101 - Aired.
	102 - Aired as part of the movie pilot.  Airs as an episode next Friday.
	103 - Completed.
	104 - Completed.
	105 - Completed.
	106 - We "On-Line" it today, after which it will be complete.
	107 - We are working on the music, sound and visual After-FX this week.
	108 - Being animated.
	109 - Being animated.
	110 - Being animated.
	111 - Animation begun overseas, while we finish color models here.
	112 - Animation begun overseas, while we finish color models here.
	113 - Layouts being done overseas, while we finalize line-art models here.
	114 - Layouts being done overseas, while we finalize line-art models here.
	115 - Layouts being done overseas, while we finalize line-art models here.
	116 - Layouts being done overseas, while we finalize line-art models here.
	117 - Storyboard in revision.
	118 - Storyboard in revision.  (I'm giving notes on the last act of the board now.)
	119 - Storyboard in revision.
	120 - Storyboard in revision.
	121 - Storyboard in revision.
	122 - Storyboard in revision.  (I'll be supervising a dialogue edit of the recording session this week.)
	123 - In Storyboard.
	124 - We're recording this episode tomorrow.
	125 - Notes on the first draft script are due tomorrow.
	126 - I'm in the process of writing the first draft script.
That's it. For now.
YOUNG JUSTICE Episode #1 ("Independence Day") Credits
Once again, to at least partially compensate for the way ALL networks shrink credits down to nothing, I'm posting the credits here after each airing...
	YOUNG JUSTICE
	"Independence Day"
	(Part One)
	_________________________________________________________________________
	Producers
	Brandon Vietti
	Greg Weisman
	_________________________________________________________________________
	Written By
	Greg Weisman
	_________________________________________________________________________
	Directed By
	Jay Oliva
	_________________________________________________________________________
	Line Producer
	David Wilcox
	_________________________________________________________________________
	Young Justice Theme Written And Performed By
	Kristopher Carter
	Michael McCuistion
	Lolita Ritmanis
	_________________________________________________________________________
	Music By
	Kristopher Carter
	Michael McCuistion
	Lolita Ritmanis
	_______________________________________________________________________
	Casting & Voice Direction
	Jamie Thomason
	_________________________________________________________________________
	Starring The Voices Of
	Jesse McCartney	as	Robin
	Nolan North	as	Superboy, Superman, Zatara
	Khary Payton	as	Aqualad
	Jason Spisak	as	Kid Flash
	_________________________________________________________________________
	Starring The Voices Of
	Rene Auberjonois as Mark Desmond
	George Eads as Flash
	Crispin Freeman as Speedy, Guardian
	Bruce Greenwood as Batman
	Phil LaMarr as Aquaman, Dubbilex
	Stephanie Lemelin as Computer
	Yuri Lowenthal as Icicle Jr.
	Kevin Michael Richardson as Martian Manhunter
	Keith Szarabajka as Mr. Freeze
	Alan Tudyk as Green Arrow
	_________________________________________________________________________
	Based On DC Comics Characters
	Batman Created By
	Bob Kane
	Superman Created By
	Jerry Siegel & Joe Shuster
	Wonder Woman Created By
	William Moulton Marston
	Martian Manhunter Created By
	Joseph Samachson
	________________________________________________________________________
	Production Manager
	John Diaz
	Assistant Production Manager
	Mark Wilson
	Animation Coordinator
	John Roback
	________________________________________________________________________
	Lead Character Design
	Phil Bourassa
	Character Design
	Dusty Abell
	Jerome Moore
	Prop Design
	Andy Chiang
	Jay Hong
	Alexander Kubalsky
	BG Key Design
	Enzo Baldi
	Jay Hong
	Hakjoon Kang
	Art Lee
	Gong Peng
	Jonard Soriano
	_______________________________________________________________
	Storyboard
	Jay Baker
	Tim Divar
	Phil Langone
	Storyboard Clean-up
	Brendon Clogher
	Owen Sullivan
	Olga Ulanova
	Animation Timing Director
	James Tim Walker
	Animation Checking
	Jan Browning
	Annamarie Costa
	Chuck Gefre
	Chuck Martin
	Justin Schultz
	Timing
	Richard Collado
	Jeff Hall
	Gordon Kent
	R. Michel Lyman
	______________________________________________________________________
	Color Stylist
	James Peters
	Ink & Paint
	Kim Bowen
	Background Paint
	Mike Inman
	David McBride
	Craig Robertson
	Effects Animation
	Matthew Girardi
	_________________________________________________________________________
	Main Title Animation
	MOI Animation, Inc.
	_________________________________________________________________________
	Editor
	Jhoanne Reyes
	_________________________________________________________________________
	Supervising Dialogue/ADR Editor
	Mark A. Keatts
	Sound Reading
	Fred Salinas
	Wilson Martinez	
	Dialogue/ADR Editors
	Patrick Foley
	Mike Garcia
	Post Production Manager
	Scott Shinick
	Dialogue Recording Studio
	Studiopolis, Inc.
	Recording Machine Operator
	Jeff O. Collins
	Sarah Baluch
	Post Production Sound Services
	Audio Circus, Inc.
	Online Editor
	Christopher D. Lozinski
	_________________________________________________________________________
	Animation Services
	MOI Animation, Inc.
	Animation Directors
	Hyung-Ky Kim
	Background Director
	Jung-ho Park
	Production Manager
	Young-Soo You (Chief)
	OK-Ki Lee
	Min-Sung Park
	Pan-seob Kim
	Production Coordinator
	Gina Park
	Hyun-Jung Kim
	Hyosun Ryu
	_________________________________________________________________________
	Layout Artists
	Jin-Seok Choi
	Color Stylists
	Min-Lee Kim
	Model Checkers
	Yang-suk Kim
	Composition
	Byoung-Ryul Kim (Chief)
	Hyo-Yoon Back
	Kyoung-Hee Kang
	Key Animation
	Jeong-gil Lee
	Jong-Jin Choi
	Soo-Hyun Kang
	Cheong-il Han
	Hyung-Seok Jang
	Young-il Park
	Jae-Hyeong Kim
	Hyun-ho Jeong
	3D CGI
	Gu-Han Yoo
	Final Checker
	Nam-gyu Lee
	________________________________________________________________________
	Production Administrator
	Nicole Martin
	Production Accounting
	Athena Wingate
	Luisa Guzman
	Production Support
	Audrey Kim
	Kira Tirimacco
	Renee Toporzysek
	Casting Administrator
	Liz Carroll
	Executive In Charge Of Music
	Niki Sherrod
	Business And Legal Affairs
	Lori Blackstone
	Bonnie Negrete
	Joulene St. Catherine
	_________________________________________________________________________
	Production Supervision
	Bobbie Page
	Production Management
	Ed Adams
	_________________________________________________________________________
	Executive in Charge of Production
	Jay Bastian
	_________________________________________________________________________
	Executives In Charge Of Production For Cartoon Network
	Tramm Wigzell
	Brian E. S. Jones
	_________________________________________________________________________
	Executive Producer
	Sam Register
	_________________________________________________________________________
	This motion picture is protected under the laws of the United States of America and other countries.  Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
	© 2011 Warner Bros. Entertainment Inc.
	ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
	Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
	_________________________________________________________________________
	There are of course a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
	Jennifer A. Anderson - Talent Coordinator
	Eric Lewis, CAS - Dialogue Sound Mixer
	James Lafferty - Assistant Engineer
	Otis Van Osten - Sound Supervisor
	Ron Salaises - Sound Effects editor
	Carlos Sanches - Re-Recording Mixer
	Stacy Michaels - Foley Mixer
	Alex Ulrich - Foley Walker
	Jackie Trinidad - Development Coordinator
	Peter Girardi - Design Guru
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
One of my peeviest of pet peeves is the way ALL networks (and I'm afraid Cartoon Network is no exception) shrink credits down to nothing. Bad enough they're only on screen for a split-second each, but when they're so tiny that you can't even read them when you freeze-frame on them, I think that's beyond obnoxious. So I'm going to post the credits here after each airing...
	YOUNG JUSTICE
	"Independence Day"
	(Pilot "Movie")
	_________________________________________________________________________
	Directed By
	Jay Oliva (Part 1)
	Sam Liu (Part 2)
	_________________________________________________________________________
	Written By
	Greg Weisman
	_________________________________________________________________________
	Producers
	Brandon Vietti
	Greg Weisman
	_________________________________________________________________________
	Line Producer
	David Wilcox
	_________________________________________________________________________
	Music By
	Kristopher Carter
	Michael McCuistion
	Lolita Ritmanis
	_________________________________________________________________________
	Casting & Voice Direction
	Jamie Thomason
	_________________________________________________________________________
	Starring The Voices Of
	Jesse McCartney as Robin
	Danica McKellar as Miss Martian
	Nolan North as Superboy, Superman, Zatara
	Khary Peyton as Aqualad
	Jason Spisak as Kid Flash
	Rene Auberjonois as Mark Desmond
	George Eads as Flash
	Miguel Ferrer as L-1
	Crispin Freeman as Speedy, Guardian
	Bruce Greenwood as Batman
	Phil LaMarr as Aquaman, Dubbilex
	Stephanie Lemelin as Computer
	Yuri Lowenthal as Icicle Jr.
	Kevin Michael Richardson as Martian Manhunter
	Mark Rolston as L-3
	Keith Szarabajka as Mister Freeze
	Alan Tudyk as Green Arrow
	____________________________________________________________
	Based On DC Comics Characters
	Batman Created By
	Bob Kane
	Superman Created By
	Jerry Siegel & Joe Shuster
	Wonder Woman Created By
	William Moulton Marston
	Martian Manhunter Created By
	Joseph Samachson
	_______________________________________________________________________
	Production Manager
	John Bueno Diaz
	Assistant Production Managers
	Casey Sandin
	Mark McClain Wilson
	Animation Coordinator
	John Roback
	________________________________________________________________________
	Lead Character Design
	Phil Bourassa
	Character Design
	Dusty Abell
	Jerome Moore											
	Prop Design
	Andy Chiang
	Jay Hong
	Alexander Kubalsky
	BG Key Design
	Enzo Baldi
	Jay Hong
	Hakjoon Kang
	Art Lee
	Gong Peng
	Jonard Soriano
	_________________________________________________________________
	Storyboard
	Jay Baker
	Tim Divar
	Charles E. Drost, III
	Jeff Johnson
	Jae Kim
	Phil Langone
	Storyboard Clean-up
	Brendon Clogher
	Chrissy Delk
	Christina I. Manrique
	Owen Sullivan
	Olga Ulanova
	Animation Timing Director
	James Tim Walker
	Animation Checking
	Jan Browning
	Annamarie Costa
	Chuck Gefre
	Chuck Martin
	Justin Schultz
	Timing
	Richard Collado
	Jeff Hall
	Gordon Kent
	R. Michel Lyman
	______________________________________________________________________
	Color Stylist
	James Peters
	Ink & Paint
	Kim Bowen
	Background Paint
	Mike Inman
	David McBride
	Craig Robertson
	Effects Animation
	Matthew Girardi
	______________________________________________________________________
	Editor
	Jhoanne Reyes
	_________________________________________________________________________
	Supervising Dialogue/ADR Editor
	Mark A. Keatts
	Sound Reading
	Fred Salinas
	Wilson Martinez	
	Dialogue/ADR Editors
	Patrick Foley
	Mike Garcia
	Post Production Manager
	Scott Shinick
	Dialogue Recording Studio
	Studiopolis, Inc.							
	Recording Machine Operator
	Jeff O. Collins
	Sarah Baluch
	Post Production Sound Services
	Audio Circus, Inc.
	Online Editor
	Christopher D. Lozinski
	_______________________________________________________________________
	Animation Services
	MOI Animation, Inc.
	Animation Directors
	Hyung-Ky Kim
	Yang-Ho Ji
	Background Director
	Jung-ho Park
	Joo-Sun Cha
	Production Manager
	Young-Soo You (Chief)
	OK-Ki Lee
	Min-Sung Park
	Pan-seob Kim
	Production Coordinator
	Gina Park
	Hyun-Jung Kim
	Hyosun Ryu
	_________________________________________________________________________
	Layout Artists
	Jin-Seok Choi
	Ihu-Soo Kim
	Color Stylists
	Min-Lee Kim
	Composition
	Byoung-Ryul Kim (Chief)
	Hyo-Yoon Back
	Kyoung-Hee Kang
	Model Checkers
	Yang-suk Kim
	Ki-Deok Park
	Final Checker
	Nam-gyu Lee
	Dong-Moon Chu
	3D CGI
	Gu-Han Yoo
	Key Animation
	Jeong-gil Lee
	Jong-Jin Choi
	Soo-Hyun Kang
	Cheong-il Han
	Hyung-Seok Jang
	Young-il Park
	Jae-Hyeong Kim
	Hyun-ho Jeong
	Geon-Sik Lee
	Seong-Deuk Son
	Yoon-Jae Ko
	Jae-Bum Lee
	Kyung-Ho Choi
	Jeong-Hee Yang
	________________________________________________________________________
	Production Administrator
	Nicole Martin
	Production Accounting
	Athena Wingate
	Luisa Guzman
	Production Support
	Audrey Kim
	Kira Tirimacco
	Renee Toporzysek
	Casting Administrator
	Liz Carroll
	Executive In Charge Of Music
	Niki Sherrod
	Business And Legal Affairs
	Lori Blackstone
	Bonnie Negrete
	Joulene St. Catherine
	________________________________________________________
	Production Supervision
	Bobbie Page
	Production Management
	Ed Adams
	_________________________________________________________________________
	Executive in Charge of Production
	Jay Bastian
	______________________________________________________
	Executives In Charge Of Production For Cartoon Network
	Tramm Wigzell
	Brian E. S. Jones
	_____________________________________________________________
	Executive Producer
	Sam Register
	______________________________________________________________________
	This motion picture is protected under the laws of the United States of America and other countries.  Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
	© 2010 Warner Bros. Animation Inc.
	ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
	Warner Bros Entertainment Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
	_________________________________________________________________________
There are of course a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
A handful (in no particular order) include...
	Jennifer A. Anderson - Talent Coordinator
	Eric Lewis, CAS - Dialogue Sound Mixer
	James Lafferty - Assistant Engineer
	Otis Van Osten - Sound Supervisor
	Ron Salaises - Sound Effects editor
	Carlos Sanches - Re-Recording Mixer
	Stacy Michaels - Foley Mixer
	Alex Ulrich - Foley Walker
	Jackie Trinidad - Development Coordinator
	Peter Girardi - Design Guru
I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
Hey gang,
The one-hour premiere of YOUNG JUSTICE is about to air at 7pm EST, less than twenty minutes from now. Those who receive Cartoon Network's East Coast feed can see it at the same time in their time zone. For example, I'm currently in Las Vegas with my in-laws, and we'll be watching it at 4pm PST.
It will also air on Cartoon Network's West Coast feed at 7pm PST.
Please WATCH!!!!! We think you'll like it!
All Young Justice television episodes and comic book issues will have captions stating place, month, day and time. So you can figure out EXACTLY where the comics fit - continuity-wise - relative to the television series and vice versa.
FYI - Young Justice Staff Writer Kevin Hopps and I have written issue #0 of the Young Justice comic book, which will be in continuity with the television series, telling stories set either between episodes of the tv show and/or telling the same stories from different points of view. You don't have to watch the show to enjoy the comic or read the comic to enjoy the show, but I guarantee you'll get even more out of both if you take the time to experience both.
After issue #0, issues #1-6 will be writtien by Art Baltazar and Franco Aureliani to help us out while Kevin and I are swamped with the scripting, pre-production and post-production of the series. But Kevin, Brandon Vietti and I are advising Art & Franco and artist Mike Norton on Issues #1-6 to keep everything in continuity.
After that, Kevin Hopps and I will be taking over the writing chores on the Young Justice comic full time, starting with issue #7.
And by the way, Mike's art so far on the interior pages of issue #0 is just gorgeous!!
I've finally been authorized to post what many of you have known for some time: the one-hour Young Justice pilot premiere is scheduled for Friday, November 26th at 7pm on Cartoon Network!
Brandon, myself and the entire Young Justice crew (and even our bosses) are ridiculously proud of how this almost-movie has turned out! If you like super-heroes... if you like shows about teens coming of age... if you like action... if you like drama... if you like a little humor spiced in... and mostly if you like ANYTHING I've ever done in the past, then I really believe you'll like Young Justice.
So check it out!
Please.
Brandon Vietti, my producing partner on YOUNG JUSTICE, has started blogging occasionally about the series. Check out his first (recent) entry on the series' costuming theory at:
This just confirmed. Brandon Vietti and I will be at New York Comic Con for a signing, presentation of new footage and a Q&A about Young Justice. Stop by. We have some exciting stuff to show you!
SATURDAY, OCTOBER 9
2:00â"3:00 p.m. Young Justice Signing at the DC Comics booth #2243
3:45â"4:45 p.m. Young Justice Video Presentation and Q&A â" Join the league! Fans were given their first glimpse of Robin, Aqualad, Kid Flash, Superboy, Miss Martian and Artemis this past July at Comic-Con International: San Diego. But this panel will offer far more than just a glimpse, as producers Brandon Vietti (Batman: Under the Red Hood) and Greg Weisman (Gargoyles) answer questions from fans and show footage from this highly anticipated series. A one-hour special event of Young Justice will premiere in November 2010 on Cartoon Network, and the series begins in 2011. Young Justice is produced by Warner Bros. Animation and is based upon characters from DC Comics. Room 1A14
Hey gang,
I'm finally all caught up on the ASK GREG queue. Gonna take a short break, but we'll open the queue again on September 27th, 2010 in preparation for the release of Superman/Batman: Apocalypse which also contains the DC Showcase Green Arrow short that I wrote.
As always, I urge you guys NOT to flood ASK GREG with questions. Check the archives. Check the FAQs. Ask questions of the loyal fans in the Station 8 comment room.
AND, please, THINK BEFORE YOU POST. I am NOT, for example, going to SPOIL "Young Justice" before it airs. I'm not going to SPOIL "Gargoyles" either since I still have hopes of bringing that back. I'm not even going to "SPOIL" Spectacular Spider-Man, because I don't see any real point in revealing future plans and ideas independent of their execution.
Happy to talk process. Happy to talk about what's ALREADY aired or been published. Happy to talk about Mecha-Nation and many other things. But. NOT. GONNA. SPOIL.
Thanks,
gdw
Statistics interest me. So I thought I'd share some with you guys. (Okay, yeah, I'm procrastinating. But it is my lunch hour, so sue me.)
We have completed (so far) 17 out or our 26 first season Young Justice Scripts. That is NOT the same as completing the episodes. We haven't completed a single episode yet. We don't start post-production until later this month. But we do have 17 scripts in the can.
As of episode 17, we have 147 name characters from the DC Universe. That's an average of introducing 8.6 DC characters per episode. Of course, the reality is that some episodes have introduced many more than that, others fewer. But that's the average.
Our average page count for each script is 33. Our average dialogue count is 235 lines.
We've completed recording on the first 13 episodes. (We've partially recorded episodes 114-116, but are missing a few actors still. We'll record 117 this coming Tuesday after Labor Day.) So the following statistics are only through episode 13:
	Total number of actors we've used so far: 47.
	Average number of actors we've used per episode: 11.
	Of course many actors are in multiple episodes and many are performing more than one character.
Hmm... what else?
All 26 scripts have been assigned to writers. (All 26 premises were written and approved months ago.) As I mentioned above, 1-17 are in the can. Episode 18 is in script. Episodes 19-22 are in outline. Episodes 23-24 are in beat outline. 25-26 are approved premises, waiting in the wings.
We have seven writers, including myself, staff writer Kevin Hopps and our freelancers: Andrew Robinson, Nicole Dubuc, Jon Weisman, Tom Pugsley and Peter David. My fellow producer Brandon Vietti is also heavily involved in the writing process.
Okay, back to work...
I'm told that at Dragon*Con in Atlanta this weekend, Jonathan Frakes and Marina Sirtis will be hosting a Gargoyles panel. I'm quite jealous that I won't be there!
According to
the panel is on Sunday, September 5, 2010 at 11:30am.
If you can attend, you should. Then let me know how it went!
So I've been lurking a bit today on various Young Justice message boards (almost always a mistake), and I feel the need to respond on one point (ALWAYS a mistake).
Some people are asking (with various levels of outrage), why we are calling this series "Young Justice"?
They cite the fact that our Robin isn't Tim Drake, that our Kid Flash isn't Impulse/Bart Allen. That we're not using Wonder Girl or Arrowette or Secret and that even our Superboy is dressed more like the later Titans Superboy.
And, honestly, I can see their point. In some ways, I do almost (almost) wish we weren't using the Young Justice title.
But it would be nice if these people turned a more practical and realistic eye toward the question of title.
Some ask, why not call it Teen Titans, when you have Dick, Wally, Aqualad, etc.?
But the answer to that is beyond obvious. There was a RECENT hit series named Teen Titans. The name is TAKEN! Taken, by the way, by a great series that used the cast not of Teen Titans but of Marv Wolfman & George Perez's NEW TEEN TITANS with the tone of neither. In fact, the tone is/was much closer to Peter David & Todd Nauck's YOUNG JUSTICE. (Ironic, huh?)
And if, somehow, we DID call our series TEEN TITANS (again), how would that help? Another group of fans (with some overlap) would cry foul because we were putting Superboy, Miss Martian, Artemis and a new Aqualad in with Dick and Wally. Where's Donna? And etc.
The thing is... we're not doing a straight adaptation of either Teen Titans OR Young Justice. We are, in fact, pulling from both properties and later Titans and decades worth of Justice League stuff to create something new with a new continuity on a new Earth-16.
So what SHOULD we entitle it? There just ISN'T one comic book title that's a PERFECT fit for what we're doing. So if you get past the impossible notion of finding a historically accurate title, you're left with coming up with a MEANINGFUL title. In which case, Young Justice fits perfectly - at least on THAT level. (Trust me, you'll see.) It's a flat-out BETTER and more appropriate and more meaningful title for our series than New Titans or Teen Titans or plain old Titans or Justice League Task Force or Justice League Europe or Extreme Justice or Justice League Babies or pretty much anything else you can come up with. I know. I tried. Nothing else captures the essence of our series as well. Baggage or no baggage.
That still leaves the perfectly legit argument: Why do this? Why NOT just adapt the David/Nauck Young Justice? Fair question, absolutely.
And the answer here is... we didn't want to. The creative people (myself, Brandon Vietti, Sam Register, etc.) behind the series premiering this November on Cartoon Network didn't want to. That's not meant as any disrespect for a great comic book. But again, we felt that the tone of the David/Nauck Young Justice book had been done recently and well on television as Teen Titans. Different group of teens, but the same feeling. We wanted to do something NEW. Maybe you'll like it. Maybe you won't. But writers as diverse as Peter David (yep, that Peter David) and Geoff Johns and, uh, Greg Weisman all like what we're doing, so maybe it's worth at least giving us a chance. Or not. That's the call of every individual.
But if you are going to give us a try, you might also try leaving a bit of baggage behind. We have six leads and many, many, many supporting characters (135 existing characters from the DC Universe just through episode 16 alone). As when I worked on Spectacular Spider-Man, we have tried VERY hard to be as true to the core truths of each individual character as possible. Some of the interpretations may be new. Some of the details. The timeline is start from scratch. (Parallel universe, remember?) But the core should hold true, or I haven't done my job.
And gang, stop pretending you know what's coming or what ISN'T coming. What characters will eventually be included and which won't. We haven't even premiered yet. It's fine to guess. But making a guess and then praising or condemning us based on that guess is a bit rough.
Now, I know that this message will invariably read like I've got a big chip on my shoulder. And/or that I'm whining about fans pre-judging the work. That's not the TONE I want for this message. But it's hard in text to get tone across. The tone I'm looking for is more like... weariness. (Not wariness, but weariness.) Honestly, all I'm trying to get across here is that perhaps the conversation would be more productive if folks weren't stuck on preconceptions.
Oh, and one more thing for the record: I know a number of people -- even a few individuals legitimately attached to the series -- have been quoted saying the original title of the series was "Young Justice League". It wasn't. Ever. For better or worse, we were "Young Justice" from Day One of our development. And why not "Young Justice League?" Well, frankly, cuz it sounds awful, don't you think?
Non-sequitor, but since I'm in correcting-internet-incorrectness-mode: Miss Martian is the NIECE of Martian Manhunter. NOT his daughter. Someone misquoted us there.
Meant to post this days ago at ASK GREG, but I forgot. I'm being interviewed for a live podcast at http://www.blogtalkradio.com/123-film TODAY at 4pm PDT, i.e. in less than half an hour. Sorry for the lack of warning...
Hey gang,
Well, I've finally caught up with the backlog here at ASK GREG. I'm going to take a short Ask Greg vacation, and then we'll be reopening the site soon... i.e. on the Monday (July 26th) AFTER San Diego Comic-Con 2010.
As always, I ask that before you post a question you do your best to make sure it's not a question that's been answered in the archives already AND that it's not a question that someone posted just before you. You can also try asking your question first in the Station 8 Comment Room, as the fans know a LOT of answers already.
We're just trying to avoid flooding the site with so many questions, that I'm immediately backlogged again.
Meanwhile, I will be at Comic-Con next week. Subject to change, here's my current schedule:
	THURSDAY, JULY 22, 2010
	10 - 11:30am - Mecha-Nation signing at the Kizoic Booth.  (We'll be premiering the first issue.)
	FRIDAY, JULY 23, 2010
	10:30-11:30 am - Brave and the Bold/Young Justice Panel.  (We'll be premiering our first Young Justice footage in a mini-panel jam-packed with revelations!)
2 - 4 pm -Mecha-Nation signing at the Kizoic Booth.
	SATURDAY, JULY 24, 2010
	11:30am - 1pm - Gargoyles signing at the SLG Booth.
3 - 4 pm - DC Showcase panel. (We'll be previewing some footage from the Green Arrow DVD short that I wrote.)
5:30 - 6:30pm - DC Showcase signing. (Location TBD).
	SUNDAY, JULY 25, 2010
	10-11am - Mecha-Nation signing at the Kizoic Booth.
11am - 12:30pm - Gargoyles signing at the SLG Booth.
Please stop by and say hello!
Hey gang,
I just got back from taking my kids to the Oregon Shakespeare Festival in Ashland, Oregon. Saw five uniformly great productions:
Hamlet
Henry IV, Part One
Twelfth Night
Merchant of Venice
Jane Austen's Pride and Prejudice
Can't recommend any or all of them strongly enough...
Wow. This has been a big couple of weeks ANNOUNCEMENT-wise.
As some of you doubtless already know, YOUNG JUSTICE was announced today by Cartoon Network.
Here's the official press release info (with slightly better proofreading from me):
"Young Justice: In Young Justice, being a teenager means proving yourself over and overâ"to peers, parents, teachers, mentors and, ultimately, to yourself. But what if youâre not just a normal teenager? What if youâre a teenage super hero? Are you ready to join the ranks of the great heroes and prove youâre worthy of the Justice League? Thatâs exactly what the members of Young Justiceâ"Robin, Aqualad, Kid Flash, Superboy, Miss Martian and Artemisâ"will find out: whether they have what it takes to be a proven hero? This all-new series is produced by Warner Bros. Animation and based upon characters from DC Comics. Sam Register (Teen Titans, Ben 10, Batman: The Brave and the Bold) is the executive producer. Brandon Vietti (Batman: Under the Red Hood, Superman Doomsday, The Batman) and Greg Weisman (Gargoyles, The Spectacular Spider-Man, W.I.T.C.H.) are the producers."
We're hard at work on the 26-episode first season. Got a great writing staff in place, and the designs look phenomenal. I really think the series will kick some major ass!
And that's about all I'm allowed to say right now...
Just over a week ago, Dick Giordano passed away. I've been meaning to write this ever since but haven't felt equal to the task. But it's time...
Dick was one of the all time great comic book inkers, but he was also the single individual most responsible for bringing me into the comic book business, which directly lead to me working in animation.
It's a story I've told many times, so feel free to skip down if you've heard it.
I was a nineteen-year-old college sophomore when Marvel Comics announced a New Talent Search. I was excited, but reasoned (correctly) that Marvel would be inundated with submissions. I also reasoned (rather cleverly) that if Marvel began a New Talent Search, DC Comics would too. So instead of preparing submissions based on Marvel characters, I immediately set to work, prepping stuff based on DC characters. Sure enough, DC announced it's search, and I immediately sent in my stuff. YEARS LATER, I saw the logbook that was used to log in each submission as it arrived. Mine was literally the second submission received.
It was duly logged in -- and then lost. (Likewise, years later, I found it in the DC offices in the back of a file cabinet.) DC still had my address in the log book. But not the submission itself. Because 70% of all submissions were artist submissions and only 30% were writer submissions, the person in charge of the talent search at the time took a chance and sent me a packet for new ARTISTS. I was OUTRAGED!!! Outraged, of course, in the way only a 19-year-old know-nothing can get outraged. So I sent a LETTER to DC Comics expressing my outrage. I said (lying) that I was a professional, and if they lost my submission, a simple admission of this fact would have resulted in me sending copies. There was no need to GUESS (incorrectly) that I was an artist and hope for the best. I stated that this was no way to run a business.
Somehow this letter found it's way to Dick Giordano's desk. Dick was at the time the EXECUTIVE EDITOR and head creative muckymuck at DC. Most guys in that position would have found a nice round file for my letter, but Dick was amused by it... and maybe a little impressed with (not the content) but the writing of it itself.
So sometime later, the phone in my dormroom rings. My roommate answers and says it's for me. "Who is it?" "Some guy named Dick Giordano." Now, I knew EXACTLY who Dick Giordano was and figured there was no way I was getting a call from him. So I got on the phone assuming it was one of my geek friends playing a prank. Nope. It was Dick. He wanted to meet me and asked if I had any plans to be in New York City. I (lied again and) told him that coincidentally, I was planning to be there over spring break. He invited me up to the DC Comics offices, and we set a date and time.
So I scraped the money together to buy a plane ticket, crashed at my cousin's apartment, put on a SUIT (what did I know, it was a job interview, right?) and headed out during a torrential Manhattan rainstorm to FIND A CAB to take me to DC. (Somewhere out there New Yorkers are laughing at the thought of me trying to find a cab in the rain.)
Ultimately, I found one, but not before I was (despite an umbrella) soaked to the bone in my stupid suit. I arrive at DC looking more like a drowned rat than a professional writer (which, of course, I was not), and met with Dick. And we hit it off. He was great. From Day One, he believed in me and tried to get me freelance work. He eventually gave me a job as an Editorial Assistant (read Xerox boy) and quickly promoted me twice over twenty-one months to Assistant Editor and then Associate Editor.
I was impatient, of course. I couldn't stick it out, and moved back to Los Angeles to go to grad school and eventually start a career in animation. I remember how disappointed Dick was. How he tried to get me to reconsider, but how he also supported my decision, when I made it clear it was final.
After that, every time Dick and his right-hand woman and good friend Pat Bastienne came to Los Angeles, they would take time out to meet with me. They met my fiancee Beth long before she became my wife. They were both always cheering me on. Eventually, Dick retired from DC and moved to Florida, and we lost touch. Which is on me. And I regret it.
When I heard/saw that he had passed at age 77 from complications from Leukemia (over the same weekend when my Grandmother turned 100), it was a real blow.
Dick was a terrific and extremely talented guy, and I owe him just... TONS.
Thank you, Dick. You will be missed.
	Greg Weisman
	April 2010
So...
I've heard nothing directly from Marvel, Disney or Sony, but I think the recent announcement that an "Ultimate Spider-Man" animated series is in the works at Marvel Animation, makes it fairly clear that The Spectacular Spider-Man is over.
I can't say that I'm surprised, but that doesn't mean I'm not disappointed. But guys... all of you so quick to rush to my defense (sometimes in the most heated of terms)... it's appreciated, of course, but not necessary. This is the business I've chosen to work in. It comes with the job.
Sure, I think Spectacular kicked some ass! But there's no reason to assume that Ultimate Spider-Man won't kick ass too! I'd recommend giving it a chance. I remember when we were first announced, a bunch of MTV Spider-Man fans were screaming about why they were creating a new series and not continuing that one. Heck, there were even a bunch of 90s Spider-Man the Animated Series fans who felt they should still be continuing THAT show. Some of those folks wound up giving us a chance. Some didn't, I'm sure. Some of those who loved those and other old Spidey series found they liked or loved Spectacular. Others didn't, I'm sure. But we found our audience, and now we've got nostalgia working on our side. But I wouldn't want Ultimate Spidey to be judged on anything other than itself. Because that's all I wanted for Spectacular.
It's just the way of things. I try to take the long view and be philosophical about it. Don't always succeed, but I try. I had more stories I was dying to tell, but anyone who's familiar with this website due to a certain series beginning with a "G" knows that this isn't the first series I've felt that way about. I rarely run out of tales to tell. I had more Spidey stories to tell. More Gargoyles stories to tell. More W.I.T.C.H. stories to tell. More Captain Atom stories to tell. More Starship Troopers stories to tell. Even more Max Steel stories to tell. And if and when I get a new series -- no matter how long it lasts -- I'll probably STILL have more stories of that puppy to tell too.
So I try to be grateful for what I did get. I got to tell 26 fun stories. And those led directly to me writing for The Amazing Spider-Man, which puts me in some pretty august company and fulfilled a life-long dream, even if it was only half of one issue. So it's all good.
For those who loved and will miss, alongside me and pretty much all of its cast and crew, The Spectacular Spider-Man, I appreciate all your support and kind words. Let's celebrate what we achieved and not stress over what we didn't get to do.
Thanks, everyone.
	Greg Weisman
	April, 2010
Hey guys,
I've been on vacation (SPRING BREAK!) and busy with a bunch of stuff, so haven't been able to stop by recently, but I didn't want this major event to go by without notice. Last week, my Grandmother turned 100.
Of course, my brother beat me to it, writing more eloquently than I'd be able to, so I'm going to link to his website, which has neat pictures too!
As my cousin pointed out at the LARGE family dinner we had this past weekend, when Sue Weisman was born, the Ottomans had an empire, as did the British and the Russian Czars, and Sue-Baby has outlast them all. The changes she's seen... living through World War I, the Depression, Prohibition, World War II, the invention of radio, television, computers, etc. It's a completely different world. And she's still sharp and funny and a joy to be around.
So happy birthday, Grandma Sue! Here's to 100 more!
I won't pretend I knew Robert Culp well, but long prior to his work on Gargoyles, I was a fan. I loved him in The Greatest American Hero and LOVED him in I Spy. His unique delivery and humor made both series a joy. And what great partnerships: Culp & Cosby in Spy and Culp & Katt in Hero. He was clearly a generous actor. And a dedicated one. His performances as Halcyon Renard in a handful of episodes of Gargoyles made Renard a completely fascinating character for me. And his exchanges with Peter Scolari as Preston Vogel in the booth were really fun to watch.
Culp will be missed.
Hey gang,
It caught me off guard, but it seems my issue of The Amazing Spider-Man (i.e. #622) is out. So I've asked Gorebash to open Ask Greg to allow comments and questions about it. Normally, we wouldn't reopen this soon, given that I still am about 200 questions behind -- so don't assume it'll stay open long -- but I figured I should give you all the opportunity.
Just got this message from the folks at Ape Entertainment:
Just a heads up to let you know that MECHA-NATION #1 is now available to order from the February edition of the Diamond PREVIEWS catalog!
Tell a friend!
ASK GREG's question-asking function will temporarily go off line at the end of November to allow me to catch up on the over 400 question backlog.
As promised, here are the photos of myself, Ruben Procopio and the Goliath Sculpt. Note the model sheets everywhere.
http://www.flickr.com/photos/29246775@N04/sets/72157622647604288/
May the drooling commence...
Rubén = Ruben with an accent over the "e".
Electric Tiki, Rubén Procopio, Goliath and Me...
I literally just got back to my office after a trip to Rubén Procopio's studio in Burbank. Some of you, I'm sure, met Rubén at this summer's Gathering. Rubén is sculpting Goliath for Electric Tiki, and Tracy Mark Lee of Electric Tiki was at Rubén's studio too.
Rubén's Goliath sculpt -- in its final approval phase before baking, sanding, etc -- just kicks ass!!! Tracy and I had some extremely minor notes, but really, even if it went out exactly as is, I'd be thrilled!
I'm a big fan of the Randy Bowen Goliath that I've currently got sitting on my desk -- which is very much Randy's interpretation of the character. By contrast, what Rubén has done is bring the television show's Goliath to life in 3D. It's totally on-model, and in fact Rubén's workspace is surrounded by actual model sheets of the character from the series. Tracy tells me the sculpt will be available next summer, so if you're a fan of Goliath, Gargoyles or just great sculpts in general, start saving now! I've already reserved my copy!
I have some pictures of Rubén and I with the in-progress sculpt, which I'll figure out how to post or link to or something soon. Stay tuned.
THE SPECTACULAR SPIDER-MAN is back!
Disney XD is bringing "new" second season episodes back starting Wednesday, October 7th. Check local listings for times! Tell your friends, spread the word, watch the episodes (especially if you're a Nielson Family)! It's good stuff, I swear!!
Hey gang,
Josh Keaton, the voice of Peter Parker/Spider-Man, and I did a podcast with spidermancrawlspace:
Check it out!
So I've been lurking a bit, and I see folks are questioning the accessibility of the Gargoyles comics.
And I know I shouldn't do this, but I'm going to defend my own work here instead of just letting it stand on its own.
I totally reject the notion that the comics aren't accessible to new readers, unfamiliar with the GARGOYLES property. Now, granted Clan-Building, Volume II is pretty inaccessible IF you haven't read Clan-Building, Volume I. But in fairness to me, the Clan-Building arc is published in two volumes for commercial reasons, not creative ones. It's not two six-issue arcs; it's one twelve issue arc. So if you read Clan-Building in it's entirety OR if you read Bad Guys in it's entirety, I think both these arcs are extremely ACCESSIBLE.
And, yes, I've seen the reviews that claim that they're not. But I notice that those reviews are written by people who ARE passingly familiar with the cartoon and are making the ASSUMPTION that the books would be inaccessible to new readers. But I don't buy it. I've been doing this for a LONG time. And I know how to fill in my reader and/or viewer, introduce new concepts, etc.
Every issue in sequence introduces all the necessary information to a new reader that said reader would need. Does a reader benefit if they know all the backstory? Of course. But they don't have to know that backstory to enjoy the comic.
Let me take a specific example -- one that a reviewer specifically brought up. At the very end of issue #2 of Bad Guys, Sevarius appears. The reviewer (who knew exactly who Sevarius was) thought that I was blowing off new readers, because I gave NO backstory or introduction to Sevarius in that issue. But I'd argue that no introduction was necessary at that point. We've seen a mysterious figure descend into the Labyrinth, taser a guard, shed a disguise and confront Fang, claiming to know his real name and stating that he is Fang's "maker". That's ALL you need to know at that point as a new reader. It's perfectly okay if you DON'T know who this guy is. It's intriguing enough on that level. And in the very next issue (or chapter if you're reading the trade) Hunter gives all the backstory on Sevarius that you need to appreciate his role in issues/chapters #3 and #4. Yes, a hardcore fan is going to get extra juice when Sevarius pulls off his disguise because they'll recognize him. But even if Sevarius had been a brand new character, I wouldn't have handled his introduction any differently.
Look at Tasmanian Tiger. He is a new character. I hope he's at least a little bit intriguing. But is a new reader lost because they DON'T know that this is his first appearance? Readers, whether they are hardcore Garg fans or complete newbies, know as much about TT as they need to know -- and no more.
Yes, there are resources on the web -- BUT I don't count on those AT ALL, with one exception. And that exception is if people wonder why I'm ignoring Goliath Chronicles. And a new reader isn't even going to KNOW about Goliath Chronicles, so it's NOT an exception to him or her.
Otherwise, I use the tools I have within the book to explain what an audience needs to know. Someone familiar with the property may THINK the reader needs to know more, but I flat-out think they're wrong. My proof is anecdotal but it exists. I know people who've read the books and enjoyed them even though they never saw the show. Has it interested them in finding out more about the original series? Yes. And that's good and fine. But there's a difference between a new reader being intrigued and WANTING to learn more and a new reader being confused and NEEDING to know more to get what's going on.
You don't need to KNOW Brooklyn's entire history to know he's hurting because he can't get a date, to know he's pining for Angela and to know he's trying to get away from Angela and Broadway before chapter 10 of Clan-Building comes along -- and he's thrust into the past. Everything you NEED to know about him is present in issues 1-9. One benefits from knowing more, but that doesn't make it necessary to know more.
Of course, the greatest blockade to accessibility is the non-linear structure of chapters 7-9. But that's not property-based or familiarity-based, that's me using a non-traditional structure, which I might have done on an issue of, say, Captain Atom or Spider-Man or whatever. Hopefully, if a reader has read the first six chapters, they're intrigued enough to want to follow along despite the difficult structure.
Remember, issues 1 & 2 are designed to introduce you to the world of Gargoyles and any relevant information about said world. I got slammed by one reviewer for opening the comic book series with that adaptation of "The Journey", but I thought it was essential for new readers. One could argue fairly that each succeeding issue isn't as accessible as those first two, but complications and characters were added gradually through those first six issues. Anyone reading the book in order would not have been lost for a minute. If we hadn't been plagued by delays and late deliveries (which I had no control over and did not anticipate) it wouldn't have been the same kind of problem.
Any comic book or animated series that employs serialization and continuity is subject to these difficulties. And the middle chapter of any story (including a twelve-part story like Clan-Building or a six-part story like Redemption) can be tough to follow without having read the first few chapters. But just as I feel you can enjoy, say, "Leader of the Pack" without ever having seen any episodes from Season One of Gargoyles, I think Clan-Building can be enjoyed without having seen ANY of the Gargoyles TV series. Is the same true for "Avalon, Part Two" or "Avalon, Part Three"? No. But I think it IS true for "Avalon, Part One" and/or the three-part "Avalon" series when considered as a single unit.
My point is, I'm very familiar with the dilemma, and I know how to compensate. Or in any case, I'm VERY aware of the need to compensate. One can argue that I failed, I suppose. It does become subjective at some point. But nothing I did was done without very conscious thought on my part vis-a-vis the needs of a new reader. So any reviewer who claims that I didn't care or didn't try to make the book accessible is just -- well, wrong. And I think they are making assumptions based on THEIR knowledge of the richness of the property. They get all these resonances and call-backs, etc., and ASSUME a new reader would be lost without them. But you know what they say about the word "ASSUME". The resonances and call-backs are gravy. (And if you don't know they exist you won't know you're missing anything.) The meat, in my opinion, is all right there on the page.
Last week, Disney contacted me asking if I'd like one of the new Randy Bowen sculpted Goliaths. I, of course, responded with a VERY enthusiastic "YES!!"
They sent it to me, and I'm staring at it now in my office. It's pretty darn amazing: Goliath looks fantastic, and his wingspread is stunning. Heck, even the base is very cool! I recommend it to any fan of the show who has the disposable income. Remember also, that the best way to get Disney interested in producing more Gargoyles-related stuff is to vote with your wallets!! And whether or not you buy one, please help us SPREAD THE WORD about it.
It's Randy's interpretation of the character, and I've always been big on letting the artists take liberties that suit their personal style, but I find it interesting that some of the things he added, like Goliath's armband and earring are things that Greg Guler put on Goliath's original development design (before Frank Paur had our Japanese designers simplify all the characters). Don't believe me: compare and contrast Goliath from the original pitch, viewable on the Season One Gargoyles DVD.
Anyway, I want to thank Randy and the folks at Disney Collectibles (Scott Robertson, Steve Carrasco and Emily Shoji) for sending me a copy. I'm thrilled to have it!
G2009 Radio Play - Act Three
	672.	NARRATOR
	Act Three.
	673.	DEMONA
	Norman Osborn was a fool.  So obsessed with the power of science, he kept the Crown of Thorns in this vault as if it was just another souvenir â" albeit an expensive one â" to hang upon his wall.  But with the Crown and the Spear of Destiny together, I now have the power to force all of humanity to its knees.
	674.	GOLIATH
	These are Christian icons, Demona.  Not every human being is a Christian.
	675.	DEMONA
	Not every human being speaks Latin, but that didnât stop me from using a Latin spell to turn a city-full of humans to stone.  The magic I wield is potent beyond measure.  Mine is the Kingdom and the Power and the Glory.  No human may resist.  No human will be spared.  None will be spared who oppose me.  Just look at this foolâ¦
	676.	GOLIATH
	Her name is Obsidiana.
	677.	DEMONA
	Of course it is.  For she wears the mystic Obsidian pendant fashioned by human sorcerers.  Even that is enough to put her in my thrall.  She has relinquished her gargoyle birthright.
	678.	GOLIATH
	I have relinquished nothing.
	679.	NARRATOR
	Demona waves the Spear of Destiny, and Electro rises and blasts Goliath back into the wall.
	680.	GOLIATH
	<impact>
	681.	DEMONA
	Yes, Iâm surprised youâre unaffected⦠since you reek of humanity.  The stink of your human whore is in your hair, on your lips, everywhere.  And nothing in this world will give me more pleasure, Goliath, than watching your detective on her knees to me, as she draws her service revolver and thanks me with tears of joy in her eyes⦠before gratefully blowing out her own brains.
	682.	GOLIATH
	(coldly furious)
	That will never be.
	683.	DEMONA
	No?  My power expands with every second.  I doubt sheâs far away.
	684.	GOLIATH
	You will not harm Elisa.
	685.	NARRATOR
	Goliath advances on Demona.  Electro blasts away, but Goliath will not be stoppedâ¦
	686.	DEMONA
	No one ever said you werenât persistent, Goliath.  But what do you hope to gain?
	687.	GOLIATH
	(through gritted teeth)
	I will turn these forces back upon you.
	688.	DEMONA
	Impossible.  I am the last true gargoyle left on this world.  The Crownâs magicks cannot touch me.
	689.	GOLIATH
	So you believe.  But I am not the only one who reeks of humanity.  Am I⦠Dominique?!
	690.	NARRATOR
	Goliath grasps the crown.  The thorns bite into his hands, drawing blood.  They struggle for control of the immense powerâ¦
	691.	GOLIATH, DEMONA
	<roaring to the heavens>
	692.	SPIDER-MAN
	<moan>
	693.	NARRATOR
	Goliathâs intervention â" and his complete immunity to the Crownâs effects â" creates the smallest of fluctuation in Demonaâs control.  In a haze, Spider-Man lifts his armâ¦
	694.	SPIDER-MAN
	Thwip.
	695.	NARRATOR
	He shoots off a web, yanking the bloody crown from Demonaâs head.
	696.	DEMONA
	Noooooo!!!!
	697.	NARRATOR
	There is a massive explosion of mystic energy and light!  Demona, Goliath and Electro collapse.
	698.	GOLIATH
	<moan>
	699.	SPIDER-MAN
	Goliathâ¦
	700.	GOLIATH
	The Spear⦠the Crownâ¦
	701.	SPIDER-MAN
	Gone.  I think they⦠blew up.  Calypsoâs gone too.  But Iâm betting thatâs just a talent of hers.  And Iâd guess sheâs taken Kraven and the pussycat with her.
	702.	DEMONA
	<unconscious moan>
	703.	SPIDER-MAN
	But the Big Badâs still hereâ¦
	704.	GOLIATH
	(sadly)
	Leaving behind, as always, nothing but a handful of thornsâ¦
Goliath, Spider-Man and Demona sit. Jonah, Elisa, Matt and George STAND.
	705.	NARRATOR
	While Goliath helps Obsidiana, Spidey webs up Demona, Electro and Ock.  In the outer vault, Zafiro and the Trio recover, finding only an unconscious and de-venomed Eddie Brock.  Outside, the bad guys have all been beaten.  Goblin and Vulture, their tech badly damaged, barely manage to fly away.  Carnage and Jupiter are once again Cletus and John.
	706.	JONAH
	Iâm here, Johnny.  Your old Popâs hereâ¦
	707.	ELISA
	Mattâ¦
	708.	MATT
	Call an ambulance, Elisa.  Old Man Dracon said something about seeing a light.  Then he collapsed.  A stroke or something.  Iâve been giving him C.P.R.
	709.	ELISA
	Matt⦠ Matt!  You can stop.  Stop.  Heâs gone.
	710.	GEORGE
	Youâre gargoyles are flying off, Detective.
	711.	MATT
	(breathing hard)
	Really?  Not sure I see âem myself.  But is that Spidey web-slinging away?
	712.	GEORGE
	You think?  I must have missed him?
Margot STANDS.
	713.	MARGOT
	Are you all blind?!  Theyâre right over there!
	714.	GEORGE, MATT, ELISA (UNISON)
	Oh, give it a rest, Margotâ¦
Elisa, Matt, George, Margot and Jonah sit. Peter, May, Harry and Gwen STAND.
	715.	NARRATOR
	Back at the busâ¦
	716.	PETER
	Iâm back.  And not a single decent picture to show for my efforts.
	717.	MAY
	Well, you tried your best, Peter.  Iâm sure Mr. Jameson will appreciate that.
	718.	PETER
	Oh, yeah.  Heâs a sweetheart that way.
	719.	NARRATOR
	Emily Osborn watches as her son finally emerges from the bathroom.
	720.	GWEN
	Harry?
	721.	HARRY
	Hey, Gwen.  I feel much better.
Harry, Gwen, Peter and May sit. Jonah and Robbie STAND.
	722.	NARRATOR
	Later that night, at The Bugleâ¦
	723.	JONAH
	Whaddayou mean I canât publish it?!  How else can I make them all pay for what they did to Johnny!
	724.	ROBBIE
	You canât publish because the authorities refuse to comment.  We have no pictures or statements to corroborate a story that includes gargoyles, a dead Green Goblin and everything except the kitchen sink.  No one will believe it.  I was there, and I donât believe it!  Print this, Jonah, and The Bugle becomes the next Daily Tattler.
	725.	JONAH
	Ms. Brant, call the bomb squad.  BECAUSE IâM ABOUT TO EXPLODE!!
Jonah and Robbie sit. Gwen, Peter, Kong, Curt, Harry, EMILY OSBORN and Mary Jane STAND.
	726.	NARRATOR
	Later still, aboard OsCorpâs private jet en route to Miamiâ¦
	727.	GWEN
	I still canât believe we ran into you in the airport parking lot, Doctor Connors.
	728.	PETER
	Yeah, and weâre so sorry you got mugged.
	729.	KONG
	Dude, they took your shoes?!  Thatâs hilarious!  <laughs>
	730.	CURT
	Yes, well, I just really appreciate the ride back to Floridaâ¦
	731.	HARRY
	Anytime, Doctor C.  Anytime.
	732.	EMILY
	Harry, could I have a moment⦠in your fatherâs office?
	733.	HARRY
	Uh, sure, Mom.
Curt, Kong and Gwen sit.
	734.	MARY JANE
	Pete, help.
	735.	PETER
	Whatâs wrong?
	736.	MARY JANE
	Tiny.  Cute enough, but itâs like talking to a tree stump.
	737.	PETER
	Tried to warn you.
	738.	MARY JANE
	Just say weâll spend the week as a threesome, okay, Tiger.
	739.	PETER
	Sure!
	740.	MARY JANE
	Not that kind of threesome.
Mary Jane and Peter sit.
	741.	NARRATOR
	Meanwhile, Harry follows his mother Emily into the jetâs private office.
	742.	EMILY
	I know you were playing at being the Goblin, Harry.
	743.	HARRY
	What?!  Mom, thatâs crazy!  I was in the bathroomâ¦
	744.	EMILY
	Donât lie to me, baby.  You hired the worst chauffer in the city to delay our progress.  You had a secret hatch installed in the bus bathroom, so you could slip in and out undetected.  And you left a pre-recorded âvomit tapeâ with voice recognition software.  All very impressive for a sixteen-year-old.  But you need to understand⦠the Green Goblin is not what your father wanted for you.
	745.	HARRY
	I have no idea what Dad wanted for meâ¦
	746.	EMILY
	Then let him tell youâ¦
	747.	NARRATOR
	She slips a DVD into the computer and Norman Osborn appears on screenâ¦
NORMAN OSBORN STANDS.
	748.	NORMAN
	Harry, my son.  If you are watching this, then I am dead.  And I have instructionsâ¦
Norman, Emily and Harry sit. Big Man, Blackie and SHARI STAND.
	749.	NARRATOR
	Meanwhile at the Big Manâs office, he and Blackie Gaxton are visited by Shari, a young woman wearing a pendant depicting an eye atop a pyramidâ¦
	750.	BIG MAN
	Thirty-six.
	751.	BLACKIE
	Thirty-five.
	752.	SHARI
	Nine.  Any problems?
	753.	BIG MAN
	Not particularly.  Ms. Destine was ready to believe I could find Dracon and the others useful.
	754.	BLACKIE
	And that faux Goblin was happy to believe Iâd been fooled into thinking he was the real thing.
	755.	NARRATOR
	Blackie removes his false face, revealing that he is actually the Chameleon in disguise.
	756.	CHAMELEON
	Just as he was happy to believe I was the real Blackie Gaxton.  But Iâm still not sure why the Society wanted all thisâ¦?
	757.	SHARI
	Isnât it enough to know the Illuminati appreciates your efforts?
CHAMELEON and Big Man sit. THAILOG, BRENTWOOD, Homunculus #1, Homunculus #2 And Homunculus #3 STAND.
	758.	NARRATOR
	Shari leaves Lincolnâs office and pulls out her cellphoneâ¦
	759.	SHARI
	Dial Nightstone Unlimited.
	760.	THAILOG
	Alexander Thailog.
	761.	SHARI
	The Spear?  The Crown?
	762.	THAILOG
	Waiting for you to send to Duval.
	763.	BRENTWOOD
	Brentwood capture little robot.  Use it to control other little robots.  When bright light shine, robots take spear and crown.
	764.	SHARI
	Lovely.
	765.	THAILOG
	What should we do with the Homunculi?
	766.	SHARI
	Set them free.  Maybe theyâll get their own series some day.
	767.	HOMUNCULUS #1
	Free, free, set them freeâ¦
	768.	HOMUNCULUS #2
	On basic cable and DVDâ¦
	769.	HOMUNCULUS #3
	Jazz hands!
Homunculus #3, Homunculus #2, Homunculus #1, Shari, Thailog and Brentwood sit. Elisa and Goliath STAND.
	770.	NARRATOR
	At the castle, Elisaâs cell rings.
	771.	ELISA
	Maza⦠ Yeah, Captain Stacy said you might call.  Sure, heâs right here.
	772.	NARRATOR
	She hands the phone to Goliath, who doesnât quite know how to hold it.  She takes it back and puts the call on speaker.
	773.	GOLIATH
	Hello�
Spider-Man STANDS.
	774.	SPIDER-MAN
	Hey, Goliath.  Itâs your Friendly Neighborhood Spider-Man.
	775.	GOLIATH
	You protect your⦠neighborhood.
	776.	SPIDER-MAN
	Just like you do the super-hero thing without the tights.
	777.	GOLIATH
	Spider-Man, I think this is the beginning of a beautiful friendship.
	778.	SPIDER-MAN
	Hey, I was just gonna say that.  You saw that movie too?
	779.	GOLIATH
	Movie?
	780.	ELISA
	God, I love you⦠<kiss>
Elisa, Goliath and Spider-Man sit. Kafka STANDS.
	781.	NARRATOR
	And finally â" yes, finally â" we end where we began.  In the offices of Dr. Ashley Kafka at Ravencroft.  Sheâs on the phone to her Board of Directors.
	782.	KAFKA
	After all that tsuris, little has changed.  Otto and Eddie are still disassociative.  Max still needs a cure, and John still wants power.  Cletus?  He just keeps repeating, âI got a taste now,â over and over.  Yes, we lost Dominic, Iâm afraid.  But we do have a new patientâ¦
Dominique STANDS.
	783.	KAFKA (CONT)
	â¦Dominique Destine.
	784.	DOMINIQUE
	Just wait until the sun goes downâ¦
Dominique and Kafka sit.
	785.	NARRATOR
	The End.
THE END
NEXT: I finally get back to answering questions...
G2009 Radio Play - Act Two
BIG MAN STANDS.
	247.	NARRATOR
	Act Two. The Big Man of Crime enters his offices, but finds heâs not aloneâ¦
	248.	BIG MAN
	You spend so much time here, Iâll need to buy you your own chair.  So youâll stay out of mine.
Green Goblin STANDS.
	249.	GREEN GOBLIN
	Surprised to see me?
	250.	BIG MAN
	Not particularly.
	251.	GREEN GOBLIN
	Then you wonât be surprised to learn Iâm still running thingsâ¦
	252.	BIG MAN
	If you can run them from a hospital bedâ¦
	253.	NARRATOR
	Catching Gobby off guard, Lincoln punches him right through the windowâ¦
	254.	GREEN GOBLIN
	<impact grunt>
	255.	NARRATOR
	The goblin-glider swoops in and catches the Goblin, who pulls out a Pumpkin Bomb.
PUMPKIN BOMB STANDS.
	256.	GREEN GOBLIN
	Ever the gracious host.  And ever the gracious guest, the Goblin must show his appreciation.  Here.  I brought a gift.
	257.	NARRATOR
	Gobby throws his âgiftâ, but Goliath swoops in, catches it and throws it back.
Goliath and Spider-Man STAND.
	258.	PUMPKIN BOMB
	<shriek>
	259.	GREEN GOBLIN
	<impact>
	260.	NARRATOR
	Not far awayâ¦
	261.	SPIDER-MAN
	No, no, no, no, no⦠ I was hoping Iâd never hear that trademark Pumpkin Bomb shriek againâ¦
	262.	NARRATOR
	Spidey swings in to find Goliath and a recovering Gobby togetherâ¦
	263.	SPIDER-MAN
	So thatâs what these gargoyles are⦠more of the Goblinâs Halloween creationsâ¦
	264.	NARRATOR
	Spidey swings into action against Goliath.
	265.	GOLIATH, SPIDER-MAN
	<ad-lib battle sounds>
	266.	GOLIATH
	The Bugle was right about you: you are a threat and a menace!
	267.	SPIDER-MAN
	Wait, you can talk?  And read?!  And what you read is the Jolly Oneâs editorials?!
	268.	GREEN GOBLIN
	I know I should assassinate Mr. Lincoln.  But Iâm so enjoying the show.  Really, someone should make more Gargoyles.  I know: Iâll call Walt Disney.
Green Goblin, Spider-Man, Goliath, Pumpkin Bomb and Big Man sit. ANGELA, BROOKLYN, BROADWAY and LEXINGTON STAND.
	269.	NARRATOR
	Meanwhile, atop the Eyrie Building, Brooklyn, Lexington and Broadway watch Angela playing with Brooklynâs son Nashvilleâ¦
	270.	ANGELA
	Thatâs great, Nashville.  This time try the axeâ¦
	271.	BROADWAY
	Wow, Angela looks so adorable playing with Gnash.  I mean, Gnash is cute tooâ¦
	272.	BROOKLYN
	Thanks.  I know he hatched in another decade, but Katana and I discussed it, and we want the whole clan to be Gnash and Egwardoâs Rookery parentsâ¦
	273.	BROADWAY
	Weâd be honoredâ¦
	274.	LEXINGTON
	I still canât quite take it all in.  I go to Britain for a few weeks, and everything changesâ¦
	275.	BROADWAY
	At least you were gone for weeks.  Try adjusting in forty seconds.
	276.	BROOKLYN
	Hey, I had forty years to get ready for this, and itâs still strangeâ¦
	277.	LEXINGTON
	But, dude.  Youâre so⦠old.
	278.	BROOKLYN
	Thanks.
	279.	LEXINGTON
	Older than Goliath.
	280.	BROOKLYN
	Yeah.
	281.	LEXINGTON
	Almost Hudsonâs age.
	282.	BROOKLYN
	I get it.  Iâm old.
	283.	LEXINGTON
	Itâs not that.  Everything about you is different.
	284.	BROOKLYN
	Oh, come onâ¦
	285.	BROADWAY
	No, heâs right.  The way you talk.  The way you move.  All those weapons you carry now.  Itâs like youâve outgrown us.
	286.	BROOKLYN
	Thatâs not fair.  I canât tell you how much I missed you both.
	287.	LEXINGTON
	We get that.  And weâre not mad.  Butâ¦
	288.	BROOKLYN
	Look, this isnât all on me.  As I recall, things were already changing.  Broadway spent all his time with Angela.
	289.	BROADWAY
	Not all my time.
	290.	LEXINGTON
	Uh⦠pretty much.
	291.	BROADWAY
	Yeah, well, youâre practically on the internet non-stop.
	292.	LEXINGTON
	Itâs addictive!  Do you know they have porn on that thing?  Thereâs this one website, Blue Mug Prodâ"
	293.	BROOKLYN
	I donât wanna know.  The point is weâve all gone through some changes.  Thatâs just life.
	294.	BROADWAY
	I guess our Three Musketeer days are overâ¦
	295.	LEXINGTON
	Yeahâ¦
Zafiro and Obsidiana STAND.
	296.	ZAFIRO
	Gargoyles of Manhattan!
	297.	OBSIDIANA
	We need youâre help!
	298.	NARRATOR
	At just that moment, the sun rises, turning Brooklyn, Lexington, Broadway, Angela and Gnash to stone.  Obsidiana and Zafiro are unaffected, thanks to their mystic Mayan pendants.
	299.	ZAFIRO
	Mierda.
	300.	OBSIDIANA
	Nuestro cronometraje apesta hoy.
Obsidiana, Zafiro, Lexington, Broadway, Brooklyn and Angela sit. Spider-Man, Green Goblin and Pumpkin Bomb STAND.
	301.	NARRATOR
	Across town, Goliath also turns to stone.
	302.	SPIDER-MAN
	What the heck?!
	303.	GREEN GOBLIN
	Well, that was⦠unexpected.
	304.	SPIDER-MAN
	All right, thatâs enough.  I know youâre not the real Gobby.
	305.	GREEN GOBLIN
	Yes, yes, âItâs not the voice; itâs the words. Not the tech, but the moves.â  Iâve heard it all beforeâ¦
	306.	SPIDER-MAN
	Then I know exactly who you really are: Chameleon!
	307.	GREEN GOBLIN
	That would ease your conscience, wouldnât it?  To think Iâm Chameleon â" and not the ghost of the man you killed!
	308.	SPIDER-MAN
	I donât believe in ghosts.
	309.	GREEN GOBLIN
	Then maybe youâd prefer I was the Spawn of Goblin.
	310.	SPIDER-MAN
	Oh, youâd just love to shift the blame to Harry.  Sorry, Gobby â" I mean, Chammy â" but weâve been there, done that.  Besides, no matter who you are, there hasnât been time for the Globulin Green to kick in and truly Goblify you.  So Iâm gonna take you down now while youâre still just a cheap imitation.
	311.	GREEN GOBLIN
	You could do that⦠or you could save stoneface over there.
	312.	NARRATOR
	Gobby throws a pumpkin bomb at Goliath.  Instinctively, Spidey webs it awayâ¦
	313.	PUMPKIN BOMB
	<shriek>
Pumpkin Bomb and Green Goblin sit.
	314.	NARRATOR
	By which time, the Goblin is gone, leaving a confused Spidey perched on Goliathâs headâ¦
	315.	SPIDER-MAN
	So in hindsight, Iâm thinking maybe you werenât part of the Gob-Squad, right?
	(beat)
	Fine.  Stonewall me.
May STANDS.
	316.	NARRATOR
	That morning in Forest Hills, Spidey sneaks in through his bedroom window, hoping to catch a few Zs.
	317.	MAY
	Peter, are you awake.
	318.	PETER
	Uh, sure Aunt May.  Just getting dressed.
	319.	MAY
	Well, hurry up.  Iâm⦠âconferencingâ with all the other parents.
Robbie, ROSIE THOMPSON and George STAND.
	320.	ROBBIE
	Are you sure you donât mind, Mrs. Parker?  Cuz I gotta say, what youâre proposing would be my worst nightmare.
	321.	MAY
	<laughs>  Oh, I donât believe that for a minute, Mr. Robertson.  Itâs a joy to be around Peter and his friends.  And I wonât be alone.  Anna Watson and Mrs. Osborn will be with me.
	322.	ROSIE
	Emily?  Sheâs so⦠odd.  I donât think sheâs ever said one word to meâ¦
	323.	MAY
	Well, I donât know her very well, Rosie, but Harry is Peterâs best friend â" no offense to your Eugene â" so she must be doing something right.
	324.	ROSIE
	May, you never change.  Always seeing the best in people.
	325.	MAY
	Iâll take that as a compliment, dear girl.
	326.	GEORGE
	In any case, Iâm glad to get Gwen out of Manhattan for a few days.  The streets are looking pretty grim right about now.
	327.	MAY
	Oh, Iâm sure your officers will have things under control in no time.
	328.	PETER
	Aunt May, whatâs going on?
	329.	MAY
	Oh, didnât I tell you, Peter.  Iâm chaperoning your trip to Miami Beach!
	330.	PETER
	Wow.  Great.
Peter, May, George, Rosie and Robbie sit. Big Man and Dominique STAND.
	331.	NARRATOR
	Meanwhile, back at L. Thompson Lincolnâs officeâ¦
	332.	BIG MAN
	And how can I be of help, Ms. Destine.
	333.	DOMINIQUE
	I think I can help you, Mr. Lincoln.
	334.	BIG MAN
	What makes you think I need any help?
	335.	DOMINIQUE
	Oh, little things.  The shattered window, that unusual statue on the ledge outsideâ¦
	336.	BIG MAN
	Point taken.  How about you cut to the chase?
	337.	DOMINIQUE
	Fine.  Tony Dracon.  Tomas Brod.  Silvio Manfredi.  All in jail.  Hammerhead.  Sable Manfredi.  On the run.  This gives you a unique opportunity to reclaim what was lost.
	338.	BIG MAN
	Iâm sure L. Thompson Lincoln has no idea what youâre talking about.  But go onâ¦
	339.	DOMINIQUE
	You have three problems.  Green Goblin, Doctor Octopus and the government watching your every move.
	340.	BIG MAN
	And you have the solutionâ¦
	341.	DOMINIQUE
	I have the manpower.  Three⦠âsuper-villainsâ to take down the competition and Dominic Dracon to use as a figurehead.
	342.	BIG MAN
	The old man?  I heard he was shy a few brain cells.
	343.	DOMINIQUE
	Itâs easy enough to spread the word he was faking insanity to avoid prosecution.  And easy enough to assign him a keeper.  Meanwhile, heâs a Dracon.  And that name still carries weight, I believe.
	344.	BIG MAN
	It does.  But what would you want in exchange?
	345.	DOMINIQUE
	Nothing extraordinary.  Just the services of the Tinkerer.
	346.	BIG MAN
	I believe that can be arranged.
	347.	DOMINIQUE
	Lovely.  But letâs not allow the moss to gather.  Youâll want to move fast.  Before the Octopus retrieves his armsâ¦
Dominique and Big Man sit. SILVER SPOON MANAGER, Vulture, DOCTOR OCTOPUS and Electro STAND.
	348.	NARRATOR
	The weather has turned cold.  At the Silver Spoon, three men in trench coats and hats wait for their coffee.
	349.	SILVER SPOON MANAGER
	Sixty-nine!
	350.	VULTURE
	Yes.  Here.
	351.	NARRATOR
	Vulture sits down with Electro and Doctor Octopus.
	352.	DOCTOR OCTOPUS
	Thank you, Adrian.  Now.  My arms?
	353.	VULTURE
	In an OsCorp vault.
	354.	ELECTRO
	At Rykers?!
	355.	VULTURE
	<shhhhh>  Not THE Vault.  A vault.  Still very high security, and the police are bound to expect our arrival, butâ¦
	356.	DOCTOR OCTOPUS
	Indeed.  <sigh>  OsCorp.  Even in death, Norman Osborn torments me.  But it cannot be helped.  I must have my arms.  We go in under cover of darkness tonight.
Doctor Octopus, Vulture and Electro sit. Silver Spoon Manager remains standing. Peter and Mary Jane STAND.
	357.	NARRATOR
	The three men exit through one door.  Two teenagers enter through another.
	358.	SILVER SPOON MANAGER
	Seventy!
	359.	MARY JANE
	Try to understand, Tiger.  I just canât do that to Gwen.  Sheâs really become my best friend at Midtown.
	360.	PETER
	But itâs not like weâd be making out or anything, right?  Uh, right?
	361.	MARY JANE
	Right.
	362.	PETER
	Right, right.  Weâd be going as friends.  Hanging out when the couples were ⦠you know, coupling.
	363.	MARY JANE
	And that would be great.  But look at it from her point of view.  She took all the risks, and you still wound up with Liz.  Thereâs no way, sheâd see me as anything but a threat.  Wait, that sounded really conceited.
	364.	PETER
	Have you looked in a mirror?  Not conceited.  Just fact.
	365.	MARY JANE
	Ooh, nice one.  Such a player.
	366.	PETER
	Yeah, right.  The worldâs loneliest player.
	367.	MARY JANE
	Stop it.  I know you donât want to hurt Gwen either.  Not after all the two of you have been through.
	368.	PETER
	Yeah⦠ I wonder if Ms. Brant likes Miami.  Kidding, kidding⦠ Wow, pretty good.  That was practically the Look.
	369.	SILVER SPOON MANAGER
	Seventy-One!
SEYMOUR OâREILLY stands.
	370.	PETER
	So youâre just not going?
	371.	MARY JANE
	Oh, Iâm going.  Itâs 48 degrees outside and 82 in Miami.  I asked Tiny to be my plus one.
	372.	PETER
	Tiny?!  Tiny McKeever?!  The guyâs got the brain of an amoeba.  He makes King Kong look like a genius.  Hell, he makes Flash look like Stephen Hawking!
	373.	MARY JANE
	(shrugs)
	Heâs cute.
	374.	PETER
	<argggh>  I just wish I could skip the whole thing.  But Aunt Mayâs going, and after her heart attack, I really think she could use some fun in the sun--
	375.	SEYMOUR
	Sorry to interrupt.  Couldnât help overhearing.
	376.	PETER
	Oh, hey, Seymour.
	377.	SEYMOUR
	Just wanted to let you know Harry invited me too.  And Iâm totally going stag.  I mean who wants a ball and chain when Miami Beach is full of hotties, right?
	378.	PETER
	Uhâ¦
	379.	SEYMOUR
	Just donât expect to hang out, okay.  Youâd fully cramp my style.
	380.	PETER
	Of course I wouldâ¦
	381.	SILVER SPOON MANAGER
	Seventy-two!!
Silver Spoon Manager, Peter, Seymour and Mary Jane sit. Dominique and TINKERER STAND.
	382.	NARRATOR
	Meanwhile, the Tinkerer arrives at the Destine Mansionâ¦
	383.	DOMINIQUE
	You have the devices?
	384.	TINKERER
	Five was all I could put together on short notice.  Unless you want to bring Mysterio in�
	385.	DOMINIQUE
	Our stage is crowded enough.  And five should do quite nicely.
Dominique and Tinkerer sit. May, Mary Jane, GREG BISHANSKY, Sally, Gwen, Harry, Kong, Rand, Flash, Liz, Jason, Peter and Seymour STAND.
	386.	NARRATOR
	Later that afternoon, Harryâs rented a party bus, and the gang is en route to the airport, stuck in heavy traffic on the expressway.  A very prepared May Parker has a clipboardâ¦
	387.	MAY
	All right, we have three adults and sixteen children â" sorry, sixteen teenagers.  Thatâs nineteen sojourners bound for Florida.  So why did my headcount come to twenty?
	388.	MARY JANE
	I think you counted the bus driver, Mrs. Parker.
	389.	MAY
	Oh, that I did.
	390.	BISHANSKY
	Hey, twist my arm!  Iâll go to Miami with you guys!!
	391.	SALLY
	Was anyone talking to you?
	392.	BISHANSKY
	Uh⦠no.
	393.	SALLY
	Then eyes front.
	394.	BISHANSKY
	Eyes front.
	395.	GWEN
	Harry, are you all right?
	396.	HARRY
	I dunno.  All this stopping and starting.  My stomachâs a little queasyâ¦
	397.	KONG
	Dude.  Does this bus rock or what?!
	398.	RAND
	âScool.
	399.	FLASH
	Damn right itâs cool.  Wouldnât mind taking this baby all the way to Florida.
	400.	SALLY
	Excuse me?!  Itâs a bus.
	401.	LIZ
	Sallyâs right.  Weâre not ditching the private jet for a bus.  Right, Jason?
	402.	JASON
	Uhâ¦
	403.	SALLY
	Right.
	404.	PETER
	It really is a very nice bus though.
	405.	BISHANSKY
	Hey, Iâm not offended.  I still canât believe the Osborns hired me again.  The last time, I got in two-- <impact grunt>
	406.	SEYMOUR
	Dude, you totally rear-ended that guy at the tollbooth!
	407.	BISHANSKY
	Not againâ¦
	408.	SALLY
	Wonderful.  Now, weâll be stuck here forever!
	409.	MAY
	Everybody stay calm.
	410.	HARRY
	Ah, man, gotta use the johnâ¦
	411.	KONG
	<laughs> I think Osbornâs gonna hurl!
	412.	SALLY
	Oh.  My.  God!  If my hair starts smelling like vomit, Iâll sue you for bus-driver malpractice!!
	413.	BISHANSKY
	Sorry, sorryâ¦
Bishansky, Sally, Kong, Harry, May, Seymour, Peter, Jason, Liz, Flash, Rand, Gwen and Mary Jane sit. Brooklyn, Lexington, Broadway, Zafiro and Obsidiana STAND.
	414.	NARRATOR
	The sun sets.  At the castle, the gargoyles awakenâ¦
	415.	BROOKLYN, BROADWAY, LEXINGTON
	<awakening roars>
	416.	BROOKLYN
	You must be Zafiro.
	417.	ZAFIRO
	How did you know?
	418.	BROOKLYN
	Strong family resemblance.
	419.	ZAFIRO
	¿Perdón?
	420.	BROOKLYN
	Long story.  Time travel.  The future.  A whole other spin-off.  Two actuallyâ¦
	421.	OBSIDIANA
	We donât have time for your âspin-offsâ.  ¿Donde esta Goliath?
	422.	BROADWAY
	He didnât sleep here.
	423.	LEXINGTON
	But Iâm sure heâll be back soon.
Elisa STANDS.
	424.	ELISA
	Heâd better.  We have trouble.  Demona trouble.
	425.	OBSIDIANA
	Elisa!
	426.	ELISA
	Hi, Obsidiana.  Iâm betting you have trouble tooâ¦
Elisa, Obsidiana, Lexington, Broadway, Brooklyn and Zafiro sit. Kraven, Calypso, Curt and Gulyadkin STAND.
	427.	NARRATOR
	And while the clan awaits Goliathâs returnâ¦
	428.	KRAVEN
	It is time, Calypso.
	429.	CALYPSO
	Yes.  The forces gather.  We can make this one our own.
	430.	CURT
	I demand you let me go!
	431.	KRAVEN
	Hold your tongue, American dog.  Or Gulyadkin will hold it for you.
	432.	GULYADKIN
	<low lion growl>
	433.	CALYPSO
	Calm yourself⦠ This change will not be difficult.  The primitive bound within is barely skin-deepâ¦
	434.	CURT
	I-- I donât know what youâre talking about.
	435.	CALYPSO
	I think you do.  You see my companion.  The details may have been created in a laboratoryâ¦
	436.	KRAVEN
	But the soul of the Hunter â" the beast inside â" was always my own.
	437.	CURT
	What are doing with that doll?
	438.	CALYPSO
	Turning it inside out.
	439.	CURT
	Listen to me, please.  Even if you can release the âbeast insideâ, you donât want to!  It canât be controlled.
	440.	KRAVEN
	<laughs>  Nyet.  Not by you perhaps.  But my Calypso is not so easily trifled with.
	441.	CALYPSO
	It is timeâ¦
	442.	CURT
	Noooo!!!!  <transformation scream>
	443.	NARRATOR
	Curt Connors is transformed by Calypsoâs magic into the Lizard.
	444.	LIZARD
	<roar>
	445.	KRAVEN
	Now⦠to the Hunt!
Kraven, LIZARD, Calypso and Gulyadkin sit. Obsidiana, Zafiro, Angela, Elisa, Goliath, Broadway and Brooklyn STAND.
	446.	NARRATOR
	Back at the Castle, Goliath has returned, and the entire clan has gathered.  Elisaâs revealed what she knows about Demona.  Now, itâs Obsidianaâs turnâ¦
	447.	OBSIDIANA
	It came from somewhere further south.  Two human smugglers carrying an object of great power through the Greenâ¦
	448.	ZAFIRO
	My mate is sensitive to these things.  We tracked them, but they boarded a jet airplane and were soon out of our reach.
	449.	OBSIDIANA
	Pero still I could sense great forces gathering.  I asked Jade and Turquesa to teach us the way to Avalonâ¦
	450.	ZAFIRO
	Gabriel says hello, by the way.
	451.	ANGELA
	Oh, I miss him.  How is he?
	452.	ELISA
	Angela, honey, letâs stay on point.  I take it Avalon sent you here.
	453.	OBSIDIANA
	Yes.  We nearly achieved the totem, but a ridiculous human dressed in red and blueâ"
	454.	ELISA, GOLIATH (UNISON)
	Spider-Manâ¦
	455.	OBSIDIANA
	He did spin webs like a spider.  Though from his hands, not hisâ"
	456.	ZAFIRO
	Focus, mi amor.
	457.	OBSIDIANA
	Lo siento.  This Man-Spider, he interfered.  The smugglers escaped again.  Now, power builds on power, rising to a crescendo.
	458.	BROADWAY
	And thatâs bad, right?
	459.	NARRATOR
	Elisaâs cellphone rings.
Matt STANDS.
	460.	ELISA
	Maza.
	461.	MATT
	Itâs Matt.  Somethingâs going down at the OsCorp vault off the Expressway.  Most of the Taskforce is already here.  Stacy and his men too.  But Iâm thinking we might need⦠âback-upâ.  Lots and lots of back-up.
	462.	ELISA
	Weâre on our way.  Brooklyn, can Bronx and Fu-Dog baby-sit Egwardo?
	463.	BROOKLYN
	Of course.
	464.	ELISA
	Good.  Because otherwise itâs all hands on deck.
Elisa, Brooklyn, Broadway, Obsidiana, Zafiro, Goliath and Angela sit. George, Morgan and OâNeil STAND.
	465.	MATT
	Okay, Captain.  The rest of the Taskforce is on its way.
	466.	GEORGE
	My men are deployed.
	467.	OâNEIL
	And just in time!  Cuz we got Gobby and his Pumpkin-Heads at 12 oâclock!
Green Goblin and Pumpkin Bomb STAND.
	468.	GREEN GOBLIN
	Playtime!
	469.	PUMPKIN BOMB
	<shriek>
	470.	MORGAN
	And a gargoyle at 3 oâclock!
	471.	GEORGE
	Thatâs not a gargoyle.  Thatâs the Vulture!
Vulture STANDS.
	472.	VULTURE
	You were right, Otto.  The police were waiting.  And the Goblin is here too.  You donât think it could actually be Osborn, still alive, do you?
Doctor Octopus and Electro STAND.
	473.	DOCTOR OCTOPUS
	Do not get distracted by old grudges, Adrian.  It hardly matters who wears the Green.  His intent is still to prevent me from regaining my arms.  You must keep the Goblin and the authorities occupied.
	474.	VULTURE
	Of course.
	475.	DOCTOR OCTOPUS
	Now, Electro.  Open the vault.
	476.	ELECTRO
	Roger that, Doc!
	477.	NARRATOR
	Electro, already inside, short-circuits the vaultâs electro-magnetic lock.
Tinkerer and Demona STAND.
	478.	TINKERER
	Electroâs breached the vault.
	479.	DEMONA
	So predictable.  Send in your operatives.
	480.	NARRATOR
	Tinkerer opens a burlap sack, releasing his five âoperativesâ.
HOMUNCULUS #1, HOMUNCULUS #2, HOMUNCULUS #3, HOMUNCULUS #4 and HOMUNCULUS #5 STAND.
	481.	HOMUNCULUS #1
	Homunculi to the rescue!
	482.	HOMUNCULUS #2
	Dirty work to be done!
	483.	HOMUNCULUS #3
	Peach Cobbler!
	484.	HOMUNCULUS #4
	Uh oh, somebodyâs language systemâs off-line again.
	485.	HOMUNCULUS #5
	You know it, girlfriend!
Calypso, Kraven and Lizard STAND.
	486.	NARRATOR
	And down in the sewerâ¦
	487.	CALYPSO
	It is right above us, my love.  The Power and the Glory.  The very keys to the Kingdom.
	488.	KRAVEN
	And Kraven will lay them all at your feet.
	489.	LIZARD
	<lizard roar>
	490.	NARRATOR
	Up top, a stretch limo skids to a stop outside the vault.  Dominic Dracon and Fancy Dan emerge.
Dracon and FANCY DAN STAND.
	491.	DRACON
	All right, boys.  Get me those jewels!
	492.	FANCY DAN
	I think what the boss means is⦠Destroy the competition!
Carnage, Colonel Jupiter and Venom STAND.
	493.	CARNAGE
	<evil chuckle>  Carnage time?
	494.	FANCY DAN
	Yeah.  Go.  Kill.  Whatever.
	495.	COLONEL JUPITER
	Colonel Jupiter will stop the Green Goblin and Vulture in their tracks!
	496.	FANCY DAN
	Knock yourself out.  But what are you waiting for?
	497.	VENOM
	Someone worthy of our hate.  But we have faith⦠ Heâll comeâ¦
	498.	GREEN GOBLIN
	My, my, the fieldâs getting crowded.  Letâs thin the herd.  Pumpkin-Heads, release the hounds!  <ahem>  That was a metaphor.  Throw your pumpkin bombs already!
	499.	PUMPKIN BOMB
	<multiple shrieks>
Pumpkin Bomb, Green Goblin, Venom, Fancy Dan, Colonel Jupiter, Carnage, Dracon, Lizard, Kraven, Calypso, Homunculus #5, Homunculus #4, Homunculus #3, Homunculus #2, Homunculus #1, Demona, Tinkerer, Electro, Doctor Octopus, Vulture, George, Morgan, OâNeil and Matt SIT. May, Peter, Bishansky, Flash, Kong, Sally, Mary Jane, Gwen and Harry STAND.
	500.	MAY
	Goodness, what was that?
	501.	PETER
	Something The Bugle will want pictures of.  Open the door.
	502.	BISHANSKY
	Uhâ¦
	503.	MAY
	Peter Parker, I am not letting you off this bus in the middle of the expressway.
	504.	PETER
	Aunt May weâre at a complete standstill.  And you donât have to worry.  Iâll use my telephoto lens.  I wonât be anywhere near the action.
	505.	MAY
	I suppose it is your job⦠ Open the door.
	506.	BISHANSKY
	Yes, maâam.
	507.	PETER
	Thanks, Aunt May.  You rock!
	508.	FLASH
	If Puny Parkerâs going, Iâm going too!
	509.	MAY
	Eugene Thompson, you sit your backside down in that seat right this minute.
	510.	FLASH
	Yes, maâam.
	511.	KONG
	<laughs>
	512.	SALLY
	Whatâs he going to take pictures with?  I saw his camera get blown up two months ago.
	513.	MARY JANE
	Peteâs a professional photographer, Sally.  Iâm sure he has more than one camera.
	514.	GWEN
	Harry⦠ Are you all right in there?
	515.	HARRY
	<vomit noise>  Ugh, donât come in.  It really isnât pretty.
Harry, Gwen, Mary Jane, Sally, Kong, Flash, May, Peter and Bishansky sit. Broadway, Goliath, Brooklyn, Angela, Elisa, Zafiro and Obsidiana STAND.
	516.	NARRATOR
	The clan alights on a rise overlooking the battlefield.
	517.	BROADWAY
	Whoa, what a messâ¦
	518.	GOLIATH
	We will split our forces.  Brooklyn, Lexington, Broadway, Obsidiana, Zafiro with me.
	519.	BROOKLYN
	Shouldnât I lead the other contingent?
	520.	GOLIATH
	I need your experience and your weapons at my side.
	521.	ANGELA
	Donât worry, Brooklyn, weâve got it covered.
	522.	NARRATOR
	Angela, Hudson, Katana, Gnash, Coldstone and Coldfire glide toward the battle.
	523.	BROOKLYN, BROADWAY (UNISON)
	Be careful!
Angela sits.
	524.	ELISA
	You know Iâm going with you.
	525.	GOLIATH
	Not this time, Elisa.  You must join your fellow officersâ¦
	526.	ELISA
	Butâ"
	527.	GOLIATH
	When all is settled, we shall need your help to cover our retreat from this conflagration⦠ You know this is true.
	528.	ELISA
	(defeated)
	Yes.
Elisa sits. Spider-Man STANDS.
	529.	NARRATOR
	Elisa makes her way down the hill.  Goliath and the others glide to the Vaultâs roof.  Spider-Man lands there at the same time.
	530.	SPIDER-MAN, ZAFIRO (UNISON)
	You again!
	531.	GOLIATH
	Hold, Spider-Man.  I have a friend who knows your Captain Stacy.
	532.	SPIDER-MAN
	Really?
	533.	GOLIATH
	This policeman believes in you.  So I choose to believe in you as well.
	534.	SPIDER-MAN
	Says the eight-foot tall medieval monster.  But I get it.  Weâre on the same side.  So letâs go kick some Pumpkin-Butt!
	535.	ZAFIRO
	¡Idiota!  That battle is a mere distraction.
	536.	OBSIDIANA
	The true danger lies withinâ¦
	537.	SPIDER-MAN
	All right, all right, you had me at âIdiotaâ.
	538.	NARRATOR
	The gargoyles rip open the rooftop.  The seven heroes descend, but someone watchesâ¦
Spider-Man, Obsidiana, Zafiro, Goliath, Broadway and Brooklyn sit. Venom and Fancy Dan STAND.
	539.	VENOM
	And there goes our Broâ¦
	540.	FANCY DAN
	You going in?  That wasnât the plan!
	541.	VENOM
	And how do intend to stop us?
	542.	FANCY DAN
	Fine, go.  But if you see my Ricochet suit, bring it out!
Fancy Dan and Venom sit. Foswell, Jonah and Robbie STAND.
	543.	FOSWELL
	See, J.J.  The tip from Draconâs old chauffer was right on the money.
	544.	JONAH
	Whaddaya want, a fershlugginer medal?!  Letâs get in there!
	545.	ROBBIE
	Slow down, Jonah.  I promised Joan I wouldnât let you lose your head, figuratively or literally.
	546.	JONAH
	Forget my head!  Who cares about my head?!  My boy needs me!
Ned and Colonel Jupiter STAND.
	547.	NED
	Looks to me like your boyâs doing pretty well, Chief!
	548.	COLONEL JUPITER
	Take that, miscreants!
	549.	ROBBIE
	Ned, how did youâ"
	550.	NED
	Tip from one of the pumpkin-heads. Foswellâs not the only one with sources.
	551.	JONAH
	You two can naked mud-wrestle over whoâs the biggest brown-noser later.  For now, Robbie, if you donât let go of me in zero-point-zero seconds, Iâll dropkick you to next Season!  And thereâs no guarantee thereâll be a next Season!
	552.	NARRATOR
	Jonah breaks away from Robbie, but his path is blockedâ¦
Elisa STANDS.
	553.	ELISA
	Get back!  You want to wind up street pizza!
	554.	JONAH
	But thatâs my son up there.
	555.	ELISA
	Yeah, well, at least heâs fighting on the right side.
	556.	COLONEL JUPITER
	Nothing stands against the might of Colonel Jupiter!
	557.	ELISA
	Does he always talk like that?
	558.	ROBBIE
	Bombasticism runs in the family.
Robbie, Elisa, Colonel Jupiter, Jonah, Ned and Foswell sit. Vulture, Carnage, Green Goblin, Angela, Fancy Dan, Matt and Dracon STAND.
	559.	NARRATOR
	Jupiter takes down Pumpkin-Heads right and left.  Hudson squares off against Vulture.
	560.	VULTURE
	Why do I get the old guy?
	561.	NARRATOR
	Youâre old.  Heâs old.  Itâs parallelism.  Get over it.
	(beat)
	Coldstone and Coldfire isolate Carnage.
	562.	CARNAGE
	No fair!  These two donât spatter at all!
	563.	NARRATOR
	Angela and Katana take on the Goblin.
	564.	GREEN GOBLIN
	Oh, goody.  Gobby likes getting down and dirty with the hotties.
	565.	ANGELA
	Oh, you did not just say that.
	566.	NARRATOR
	And little Gnash goes after Fancy Dan.
	567.	FANCY DAN
	Admit it, you gave me the kid because Iâm short?
	568.	NARRATOR
	Even Detective Bluestone gets into the act.
	569.	MATT
	Freeze, Dracon!
	570.	DRACON
	Youâre confused.  Iâm G.F. Benton, a certified public accountant.  I think Iâll be going nowâ¦
	571.	MATT
	Yeah.  Back to Ravencroft, you old nutter!
	572.	NARRATOR
	But inside, things are a bit more seriousâ¦
Matt, Dracon, Fancy Dan, Angela, Green Goblin, Carnage and Vulture sit. Electro and Doctor Octopus STAND.
	573.	ELECTRO
	Got your arms, Doc!
	574.	DOCTOR OCTOPUS
	And my Megalo-Pack?
	575.	ELECTRO
	Youâre Mega-what now?
	576.	DOCTOR OCTOPUS
	My power-source, Maxwell.
	577.	ELECTRO
	Right, right.  No.  Thatâs not here.
	578.	DOCTOR OCTOPUS
	What?!
Homunculus #1, Homunculus #2 and Homunculus #3 STAND.
	579.	HOMUNCULUS #1
	Gotta get the true treasure!
	580.	HOMUNCULUS #2
	Bring it back to the big Smurfette!
	581.	HOMUNCULUS #3
	Blunk hates getting wet!
	582.	NARRATOR
	Three Homunculi fly deeper into the vault to retrieve Demonaâs prize.
Homunculus #3, Homunculus #2 and Homunculus #1 sit. Zafiro, Spider-Man, Lexington, Homunculus #5, Goliath, Brooklyn, Broadway and Obsidiana STAND.
	583.	ZAFIRO
	What are those things?!
	584.	SPIDER-MAN, LEXINGTON (UNISON)
	Robots!
	585.	LEXINGTON
	And I got one!
	586.	HOMUNCULUS #5
	Leggo, you big bully!
	587.	LEXINGTON
	<ugh> What an annoying voiceâ¦
	588.	HOMUNCULUS #5
	(aside to audience)
	Look whoâs talking.
	589.	LEXINGTON
	â¦But I might be able to use it to take control of the others.
	590.	SPIDER-MAN
	I think I can help.
Venom STANDS.
	591.	VENOM
	Youâll be a little too busy for that, Bro.
	592.	GOLIATH
	Friend of yours?
	593.	SPIDER-MAN
	Once upon a time.  Not so much now.
	594.	VENOM
	Die, Spider-Man!
	595.	VENOM, SPIDER-MAN
	<add-lib battle sounds>
	596.	SPIDER-MAN
	A little help?
	597.	NARRATOR
	Brooklyn blasts Venom, who collapses.
	598.	VENOM
	<vibrating scream>
Venom sits.
	599.	BROOKLYN
	Sonic Cannon.  Circa 2198.  Guess my weapons do come in handy.
	600.	LEXINGTON
	Just cover me until I can get this workingâ¦
Demona and Tinkerer STAND.
	601.	DEMONA
	Whatâs wrong, Tinkerer?  Why havenât they returned?
	602.	TINKERER
	Someoneâs trying to counter their programming.  He wonât succeed.
	603.	DEMONA
	He had better not.
	604.	LEXINGTON
	My hackâs being hacked!
	605.	TINKERER
	Heâs overriding my override!
Homunculus #4 STANDS.
	606.	HOMUNCULUS #4
	Go right.  Go left.  Go right.  Go left.  Blow up!
	607.	NARRATOR
	Homunculus #4 blows up.  But so does Homunculus #5 in Lexingtonâs hands!
	608.	LEXINGTON
	<pain cry>
	609.	BROADWAY
	Lexington!
Homunculus #4 and Homunculus #5 sit.
	610.	DOCTOR OCTOPUS
	This is madness!  Grab my arms and get me out of here!
	611.	ELECTRO
	Workinâ on it!
	612.	NARRATOR
	Electro blasts away, until he and Doc Ock are blindsided byâ¦
Kraven, Gulyadkin, Lizard and Calypso STAND.
	613.	ELECTRO, DOCTOR OCTOPUS
	<impacts>
	614.	BROADWAY
	Look, itâs Claw.
	615.	KRAVEN
	<roar>
	616.	BROOKLYN
	Thatâs not Claw.
	617.	BROADWAY
	Well, itâs sure not Maggie.
	618.	GULYADKIN
	<lion roar>
	619.	LEXINGTON
	(recovering)
	Is that an actual lion?
	620.	LIZARD
	<lizard roar>
	621.	SPIDER-MAN
	Lizard, too?  Seriously, this is way over the top.
	Homunculus #1 and Homunculus #2 STAND.
	622.	HOMUNCULUS #1
	Got the gizmo!
	623.	HOMUNCULUS #2
	Homunculi never fail!
	624.	NARRATOR
	Two homunculi fly past, carrying a sealed container down a dark corridor.
	625.	CALYPSO, OBSIDIANA (UNISON)
	The totem!
	(pointing at each other)
	Donât let her near it!
	626.	KRAVEN
	Go, Calypso!  Leave them to us!
	627.	ZAFIRO
	¡Vaya, mi amor!
	628.	BROOKLYN
	We got your back, Goliath!  Go!
	629.	SPIDER-MAN
	Think Iâll tag along tooâ¦
Spider-Man, Obsidiana, Calypso, Homunculus #2, Homunculus #1, Goliath, Tinkerer and Demona sit.
	630.	NARRATOR
	Calypso, Obsidiana, Goliath and Spider-Man race down the corridor.
	631.	KRAVEN
	Lizard, take the reptile!
	632.	ZAFIRO
	¡No soy ningún reptil! ¡Soy un Gárgolo!
	633.	ZAFIRO, LIZARD
	<ad-lib battle sounds>
	634.	KRAVEN
	Gulyadkin attack!
	635.	GULYADKIN
	<pounce roar>
	636.	NARRATOR
	Gulyadkin and Kraven attack Lex and Broadway!
	637.	LEXINGTON
	Hey, get him off me!
	638.	BROADWAY
	Kinda busy at the moment!
	639.	GULYADKIN, LEXINGTON, KRAVEN, BROADWAY
	<ad-lib struggles>
	640.	NARRATOR
	Brooklyn steps in and pulls both cats off his rookery brothers.  They turn on him.
	641.	BROOKLYN
	Uh oh.
	642.	BROADWAY, LEXINGTON (UNISON)
	All for one!
	643.	NARRATOR
	The two gargoyles return the favor, knocking Kraven and Gulyadkin aside.  Then Brooklyn blasts them both.
	644.	BROOKLYN
	And one for all!
	645.	KRAVEN, GULYADKIN
	<blast impacts>
	646.	LEXINGTON
	Some things never change.
	647.	NARRATOR
	Zafiro throws Lizardâs unconscious body on top of Kravenâ¦
	648.	KRAVEN, LIZARD
	<oofs>
	649.	ZAFIRO
	We should follow Obsidianaâ¦
	650.	ZAFIRO, BROOKLYN, LEXINGTON, BROADWAY
	<electrocution scream>
	651.	NARRATOR
	The four gargoyles are dropped by Electroâs blast.
	652.	ELECTRO
	Still want out?
	653.	DOCTOR OCTOPUS
	Indeed not.  My curiosity is piqued.  Letâs see where this leadsâ¦
Doctor Octopus, Electro, Broadway, Lexington, Brooklyn, Zafiro, Gulyadkin, Kraven and Lizard sit. Demona, Homunculus #1 and Homunculus #2 STAND.
	654.	NARRATOR
	Electro and Octopus head down the corridor⦠ In a dimly lit room, Demona holds the Spear of Destiny and watches as the two homunculi open the container.  Inside⦠is a crown of thorns.
	655.	DEMONA
	The Crown of Thorns!
	656.	NARRATOR
	Demona removes her tiara.
	657.	DEMONA
	Place it on my headâ¦
	658.	HOMUNCULUS #1
	Placing, placingâ¦
	659.	HOMUNCULUS #2
	Homunculi aim to please!
	660.	NARRATOR
	The Homunculi gently lower the crown onto Demonaâs head before disappearing back into the darkness.  The thorns bite into her brow, drawing blood.  Calypso, Obsidiana, Goliath and Spidey come rushing in.
Homunculus #2 and Homunculus #1 sit. Spider-Man, Goliath, Calypso and Obsidiana STAND.
	661.	DEMONA
	My Kingdom come.  My Will be doneâ¦
	662.	SPIDER-MAN
	Friend of yours?
	663.	GOLIATH
	Once upon a time.  Not so much now.
	664.	DEMONA
	On Earth as it is in Heavenâ¦
	665.	CALYPSO
	Too lateâ¦
	666.	OBSIDIANA
	Too lateâ¦
	667.	DEMONA
	For MINE is the Kingdom and the Power and the Glory for ever and everâ¦
	668.	CALYPSO, OBSIDIANA, SPIDER-MAN (UNISON)
	Amenâ¦
	669.	NARRATOR
	Light radiates outward from the Spear.  Goliath watches in confusion as Calypso, Obsidiana and Spider-Man drop to their knees before Demona.  Octopus and Electro enter and likewise fall to their knees.  The light reaches the outer vault.  Though still unconscious, Venom, Lizard, Zafiro and Kraven lurch to their feet, then drop to their knees.  And still the light advancesâ¦
Obsidiana and Calypso sit.
	670.	GOLIATH
	What sorcery is this?!
	671.	DEMONA
	The most powerful human sorcery ever created, Goliath.  This is humanityâs Armageddon.  Their entire raceâs final act.
END ACT TWO
NEXT: ACT THREE...
G2009 Radio Play - Act One
	4.	NARRATOR
	The Spectacular Spider-Man Meets Gargoyles. RELIGIOUS STUDIES 101: A HANDFUL OF THORNS.  Act One.  Late that night atop the Eyrie Buildingâ¦
Dominique and Kafka sit. GOLIATH and ELISA MAZA STAND and KISS.
	5.	GOLIATH, ELISA
	<kiss>
	6.	GOLIATH
	There are some human customs I will never get used to Elisa. <kisses her again>  This is not one of them.
	7.	ELISA
	Youâre in a good mood.
	8.	GOLIATH
	I am.  Hudson and Lexington are back from Europe, bringing Coldstone and Coldfire with them.
	9.	ELISA
	<chuckle>  Not to mention Brooklyn returning from forty years of TimeDancing with a mate, a son, a beast and an egg.
	10.	GOLIATH
	The clan has doubled in size.  What challenge can the Fates throw at us now that we cannotâ"
	11.	NARRATOR
	The sun rises.  Goliath turns to stone.
	12.	ELISA
	<groan>  You just had to say that out loud, didnât you?
Elisa and Goliath sit. MAY PARKER and PETER PARKER STAND.
	13.	NARRATOR
	Meanwhile, in Forest Hillsâ¦
	14.	MAY
	Peter, what are you doing up?
	15.	PETER
	Studying for todayâs English final.  Itâs on Midsummer Nightâs Dream.  And I missed seeing the Cliff Notes version.
	16.	MAY
	Which may explain why you and Miss Allan are no longer a couple.
	17.	PETER
	Aunt May, you know we didnât break up because I missed her play.
	18.	MAY
	Youâre right; I shouldnât be glib.  I suppose thereâs no chance that you and Gwenâ¦
	19.	PETER
	I donât know.  Not now anyway.  Not when Harryâs hurting so much from the death of his father.
	20.	MAY
	It hardly seems possible that Norman Osborn is gone.  The Bugle says he was the Green Goblin, but Iâm not sure I can believe that.
	21.	PETER
	Sometimes, Aunt May⦠itâs, okay, to believe everything you readâ¦
May and Peter sit. GREEN GOBLIN and BLACKIE GAXTON STAND.
	22.	NARRATOR
	At a dive bar downtown, the Green Goblin BURSTS in on his gliderâ¦
	23.	GREEN GOBLIN
	<tsk, tsk, tsk> Blackie.  This place is scummy even by your pond-scum standards.  Quite a comedown from your last gigâ¦
	24.	BLACKIE
	Tell that to the whacko who set a flaming super-villain loose in The Big Sky.  Oh, wait.  That was you.
	25.	GREEN GOBLIN
	Yes.  Yes, it was.  <maniacal laugh>
	26.	BLACKIE
	Werenât you supposed to be dead?
	27.	GREEN GOBLIN
	I was also supposed to be Osborn, but you didnât buy that, did you?  Just one of the many little tricks I keep up my sleeve.  Nothingâs changed, Blackie.  The Goblinâs still in charge.
	28.	BLACKIE
	You hear me arguing?
	29.	GREEN GOBLIN
	No.  Now, gather my Pumpkin-Headsâ¦
Blackie and Goblin sit. Kafka and Dominique STAND.
	30.	NARRATOR
	At Ravencroft, Dominique Destine and Dr. Kafka supervises six inmates who work to excavate a sub-basement.
	31.	KAFKA
	I still donât understand what you expect to find down here.
	32.	DOMINIQUE
	Vertros Ravencroft, the founder of this Institute, was a quirky soul.  An intimate friend of Freud and Conan Doyle, he was a true believer in both psychotherapy and spiritualism.
	33.	KAFKA
	You speak as if you knew him.
	34.	DOMINIQUE
	Now how would that be possible?
	35.	KAFKA
	It couldnât, of course⦠ But the dig?
	36.	DOMINIQUE
	Yes.  Ravencroft was also a collector.  I have reason to believe he buried certain items of his collection here.  Now, Doctor, didnât you say you had meetings scheduledâ¦
	37.	KAFKA
	Youâll be all right down here alone?
	38.	DOMINIQUE
	Your orderlies are in the hallway.  And Iâm quite self-sufficient.  So run along.
Kafka sits. OTTO OCTAVIUS STANDS.
	39.	DOMINIQUE
	Excellent work, Doctor Octavius.  Very precise.
	40.	OTTO
	Thank you.  I appreciate having something to occupy my handsâ¦
	41.	DOMINIQUE
	Your hands?  Not⦠your arms?
	42.	OTTO
	Arms?  I⦠I hope youâre not referring to my unfortunate⦠b-b-breakdown.
	43.	DOMINIQUE
	What would be the point?  Believe me, Doctor, no one better understands the advantage of creating a false front.
ELECTRO STANDS.
	44.	ELECTRO
	Iâve blasted away another section of cement.
	45.	DOMINIQUE
	Thank you, Maxwell.
	46.	ELECTRO
	Donât.  Call.  Me.  That.
	47.	DOMINIQUE
	Donât.  Tell.  Me.  What to do⦠Electro.
	48.	ELECTRO
	Uh⦠okay.
	(asides to Otto)
	Sheâs a little scary.
	49.	OTTO
	Indeed.
Otto and Electro sit. DOMINIC DRACON, JOHN JAMESON, EDDIE BROCK and CLETUS KASSADY STAND.
	50.	DRACON
	I blame Mace.  When that crook cheated me, I lost face.  But when I get the jewels back, theyâll respect me again.  Did Mace bury the jewels here?
	51.	DOMINIQUE
	Maybe he did, Dominic.  Keep working.
	52.	JOHN
	Whatâs the point?  How is tearing up a basement supposed to bring me Colonel Jupiterâs power?!
	53.	EDDIE
	Shut up and dig.
	54.	JOHN
	You like doing this?!
	55.	EDDIE
	I hate it.  But I need that hate.  I need to keep the hate alive.
	56.	DOMINIQUE
	Such an interesting crew.  And what do you want out of life, Cletusâ¦
	57.	CLETUS
	Nothing too fancy.  <chuckles>  Just a little carnage.
Cletus, Dominique, Eddie, John and Dracon sit. GWEN STACY and Peter STAND.
	58.	NARRATOR
	That afternoon, at Midtown Highâ¦
	59.	GWEN
	Hey, Pete.  Howâd you do?
	60.	PETER
	Ugh, horrible, probably.  I mean you know English is like my worst subject.  Itâs all so subjective andâ"
	61.	GWEN
	Peter.
	62.	PETER
	Okay, okay⦠not the look!  I probably aced it.  Happy?
	63.	GWEN
	That you did well.  Always.
	64.	PETER
	Thanks.  Look, Gwen, I--
HARRY OSBORN STANDS.
	65.	HARRY
	Well, what have we here?  My best friend and girlfriend conferring in a corner.  Planning a surprise party for me?
	66.	PETER
	Uh, itâs not your birthday, Harr.
	67.	HARRY
	I thought maybe it was a thank you bash.  For giving you both theseâ¦
	68.	GWEN
	(reading)
	âYou are cordially invited to spend Spring Break traveling by private jet to Miami, where youâll stay, all-expenses-paid, at the Osborn Winter Compound on the Beachâ¦"
	69.	PETER
	Youâre inviting the three of us to spend a week together in Florida?
	70.	HARRY
	Not just the three of usâ¦
KENNY KONG, FLASH THOMPSON and MARY JANE WATSON stand.
	71.	KONG
	Osborn, dude!  You rock!
	72.	FLASH
	Seven days in the sun and surf.
	73.	KONG
	All you can eat!
	74.	FLASH
	Girls in bikinis!
	75.	FLASH, KONG (UNISON)
	Score!  <laughter>
	76.	MARY JANE
	Hi, Sha Shan.  Hi, Glory.
	77.	FLASH
	Sha Shan⦠uh⦠ So⦠how much of that did you hear?
	78.	KONG
	Look, Glory, you know I meant you, right?  I mean who else would I want to see in a bikini.  Uh, youâre not gonna break up with me again, are you?
Kong and Flash sit. SALLY AVRIL, RAND ROBERTSON, LIZ ALLAN and JASON IONELLO STAND.
	79.	SALLY
	Oh.  My.  God.  Harry, I just found the invitation in my locker.  And all I have to say is that you can be my super-dweeb sugar-daddy anytime you want!
	80.	HARRY
	You okay with that Rand?
	81.	RAND
	âScool.  You can be my super-dweeb sugar-daddy too.
	82.	PETER
	Exactly how many people did you invite to this thing?
	83.	HARRY
	A handful.  Kenny and Glory.  Flash and Sha Shan.  Rand and Sally.  Hobie and Mindy.  M.J.  Gwen.  Oh, and you and Liz, of course.
	84.	GWEN
	Harry⦠Liz and Peter broke up.
	85.	HARRY
	You did?!  Wow.  I had no idea.  Guess Iâve just been so focused on my own problems.  My Dad dying and everything.  Thatâs why I need this trip.  Gotta clear my head, you know?  But maybe you two could reconcileâ¦
	86.	SALLY
	I donât think so!
	87.	LIZ
	Itâs too late for that Harry.  Iâm with Jason now.  We totally fell in love doing the play together.
	88.	JASON
	We did?
	89.	SALLY / LIZ (UNISON)
	Yes, you did. / Yes, we did.
	90.	LIZ
	You donât mind if I bring Jason instead of Petey, do you.
	91.	HARRY
	The more the merrier.
	92.	LIZ
	Thanks, Harry.  Youâre a doll.  Kisses!
Liz, Sally, Jason and Rand sit.
	93.	HARRY
	Pete, youâre still invited too.  Course, itâs more of a coupleâs thing.  But M.J.âs guy is in prisonâ¦
	94.	MARY JANE
	Thank you, Harry.  Hadnât been reminded of that in the last five minutes.
	95.	HARRY
	Sorry, sorry.  Itâs just that I canât help remembering the Fall Formal.  You two made such a great pair!  Donât you think so, Gwen?
	96.	GWEN
	Great.
	97.	PETER
	I⦠suppose we could go⦠as friends.  Just as friends.
	98.	MARY JANE
	Weâll talk later, Tiger.
Mary Jane, Peter, Gwen and Harry sit. Kafka and CURT CONNORS STAND.
	99.	NARRATOR
	Late that afternoon in Dr. Kafkaâs officeâ¦
	100.	KAFKA
	Doctor Connors, itâs good to see you.  Iâd heard you moved to Florida.
	101.	CURT
	I did.  But I never stopped working on a cure for Max Dillon.  I think Iâve made some real progress.
	102.	KAFKA
	Thatâs wonderful news.  Max is downstairs⦠doing âwork-therapyâ.  Iâll take you to himâ¦
Kafka and Curt sit. Otto, Dominique, Electro, Dracon, John, Eddie and Cletus STAND.
	103.	ELECTRO
	Ms. Destine.  I think I found something.
	104.	DRACON
	Is it my jewels?
	105.	OTTO
	It⦠it appears to be a spearhead.  It looks quite old.
	106.	DOMINIQUE
	Give it to me.
	107.	ELECTRO
	Sure, sure.
	108.	DOMINIQUE
	Yes.  This is it.  I think weâre done, boys.
	109.	OTTO
	Indeed.  And just as the dig brought us right up against Ravencroftâs outer wall.
	110.	ELECTRO
	You mean this wall?!
	111.	NARRATOR
	Electro blasts a huge hole in the wall.  When the smoke clears, the Vulture is waiting.  He grabs Octavius.
VULTURE STANDS.
	112.	VULTURE
	Youâre coming with me, Otto.
	113.	OTTO
	No, no, stop.  I donât want this life anymore⦠ Iâm trying to get better!!  Let me go!!
	114.	ELECTRO
	Shut it, Doc!  Itâs for your own good!
	115.	OTTO
	Nooooooo!!!!
Otto, Electro and Vulture sit.
	116.	NARRATOR
	Vulture and Electro leave with Octavius.  Dominique watches them go.
	117.	DOMINIQUE
	Well, that was diverting.  And such excellent timing as well: itâs sunset.  <transformation scream>
	118.	NARRATOR
	With the setting of the sun, Dominique Destine transforms into a gargoyle⦠just as Kafka and Connors enterâ¦
Kafka and Curt STAND.
	119.	KAFKA / CURT
	Oh my god⦠/ What in the world?!
	120.	NARRATOR
	Demona effortlessly slams them both against a wall and turns to the remaining inmatesâ¦
	121.	CURT, KAFKA
	<impacts, moans>
	122.	DEMONA
	Listen carefully, humans.  For I have listened to you.  I can make all your petty little dreams come true.  Dominic demands respect.
	123.	DRACON
	Yes.
	124.	DEMONA
	John craves power.
	125.	JOHN
	Yes!
	126.	DEMONA
	Eddie needs hate.
	127.	EDDIE
	YES!
	128.	DEMONA
	And all Cletus desires is a little carnage.
	129.	CLETUS
	Or a lot.  Iâm not picky.
	130.	DEMONA
	Then stick with me, boys.  Respect, power, hatred, carnage.  These are things I knowâ¦
DEMONA, Cletus, Eddie, John and Dracon sit. ALAN OâNEIL and GEORGE STACY STAND.
	131.	NARRATOR
	Later, the police arrive to investigateâ¦
	132.	OâNEIL
	And you never met this broad before in your lifeâ¦
	133.	KAFKA
	She had excellent references, Officer OâNeil.  Itâs not like I grant just anyone access to my patientsâ¦
	134.	OâNEIL
	And you wonder why people think they belong at Rykers.
	135.	GEORGE
	Thereâs nothing else you can tell me, Doctor?
	136.	CURT
	Iâm sorry, Captain Stacy, but no.  It was a creature.
	137.	GEORGE
	Like that Lizard-thing from last fall?
	138.	CURT
	No!  No.  Nothing like that.  More like⦠like those things on the news that blew up the clock tower.
	139.	GEORGE
	You mean the 23rd Precinct.
	140.	CURT
	Yes.
	141.	GEORGE
	Youâre saying a gargoyle kidnapped those men.
	142.	CURT
	Yes.  No.  I donât know.  Can I leave now?
George, OâNeil and Kafka sit. DILBERT TRILBY and NED LEE stand.
	143.	NARRATOR
	But outsideâ¦
	144.	TRILBY
	Doctor Connors!  Dilbert Trilby, Action News.  What can you tell our audience about the escape?
	145.	CURT
	Nothing.  No comment.
	146.	NED
	Hey, Doc.  Remember me?  Ned Lee from The Bugle.  Can you just tell me who escaped?  Doc Ock?  Electro?  Colonel Jupiter â" I mean, Colonel Jameson?
	147.	CURT
	Iâm sure the police will issue a statement.  Now, I have to go.
Trilby sits. CALYPSO EZILI, KRAVEN THE HUNTER and GULYADKIN STAND.
	148.	NARRATOR
	Connors hurries away down the street, as a limousine with dark-tinted windows pulls up in front of Ravencroft.
	149.	CALYPSO
	We are too late, my love.  The Christian Totem is gone.
	150.	KRAVEN
	Gulyadkin and I will track it for you.
	151.	GULYADKIN
	<low lion growl>
	152.	CALYPSO
	Iâm afraid that is beyond even your impressive abilities, Sergei, my love.  But I have my own ways, as you well knowâ¦
	153.	KRAVEN
	Of course, Calypso.
	154.	CALYPSO
	Who is that?  That man trying to hail a cab?
	155.	KRAVEN
	He is a stranger to my eyes.  Yet his scent is familiar.
	156.	CALYPSO
	His aura glows with primal energies and may be of use to us.
	(to Curt)
	You need a ride.
	157.	CURT
	What?  No.  No, thank you.  Iâll get a cab.
	158.	KRAVEN
	She wasnât asking.
	159.	CURT
	<scream>
	160.	NARRATOR
	Kraven drags Connors into the limo, which quickly drives awayâ¦
Curt, Kraven, Calypso and Gulyadkin sit.
	161.	NED
	Hello, Robbie?  Iâve got something.
J. JONAH JAMESON, JOE âROBBIEâ ROBERTSON and FREDERICK FOSWELL STAND.
	162.	JONAH
	Is that Lee?  Put him on speaker.
	163.	ROBBIE
	Now, Jonah, stay calmâ¦
	164.	JONAH
	Donât you tell me to stay calm, Joe Robertson.  Itâs not your son at risk.  Lee, you there?!  Iâll give you exactly three-point-seven seconds to tell me Johnâs all right!
	165.	NED
	Wish I could, Chief.  But he disappeared with the rest.  There are six inmaâ" uh, patients missing.  Itâs not clear if they busted out or were kidnapped.
	166.	JONAH
	Well, of course John was kidnapped.  You think my son would--
	167.	ROBBIE
	Ned, give me the whole list.
	168.	JONAH
	Who cares about the listâ"
	169.	ROBBIE
	It could provide a lead to John.
	170.	NED
	Doc Ock.  Electro.  John.  Uh⦠letâs see.  Edward Brock Jr., Cletus Kasady and Dominic Dracon.
	171.	FOSWELL
	Dominic Dracon?  The old mob boss?  Thereâs a name I havenât heard in a while.
	172.	JONAH
	Foswell, you know that world!  Find out where Dracon might have gone!
	173.	FOSWELL
	You got it, J.J.
	174.	JONAH
	Lee, you stick to the damn super-villain angle!  Ock, Electro.  Whatâs their next move?!
	175.	NED
	Right, boss!
	176.	JONAH
	Robbie, I want every available man on this.  No, damnit, I want every man, woman and child on this, available or not.  Call Parker.  Put Benny the copyboy on it.  But Ms. Brant on it.  I want John Jameson safely back in his motherâs arms in six-point⦠six-pointâ¦
	177.	ROBBIE
	Itâs okay, Jonah.  Weâre on it.
	178.	JONAH
	Good.  Good.  Iâll⦠Iâll hit the streets myself.  Iâm still the best damn reporter in New York City!  Just have to make a call first.  Well, what are you all waiting for, get out!  Out!
Robbie, Ned and Foswell sit.
	179.	JONAH (CONT)
	Hello, is this WVRN?  Travis Marshall, please.  Travis?  Itâs Jonah.  I got a lead for you on the Ravencroft thing.
	(pauses, listening)
	Whaddayou care why Iâm helping the competition?!  I know I hate television!  You donât have to tell me that!  Iâm not trying to sandbag you, damnit, I⦠Iâm just trying to find my son⦠any way I can.
Jonah sits. SPIDER-MAN STANDS.
	180.	NARRATOR
	That night finds Spider-Man swinging through the cityâ¦
	181.	PETER (VO)
	If I didnât know better, Iâd think Harry was trying to torture me and Gwen.  Then again, M.J. is quite the consolation prize.  Ah, man, what am I saying?  Iâm in love with Gwen.  Gwen.  Gwendolyn Stacy.  Just have to get through the next few weeks and then Harryâll be in a better place, and she and I--
	182.	NARRATOR
	Peteâs ringtone plays Itsy-Bitsy Spider.
	183.	SPIDER-MAN
	Hello?
Robbie STANDS.
	184.	ROBBIE
	Pete.  Joe Robertson.  Thereâs been an incident at Ravencroft.
Robbie sits.
	185.	SPIDER-MAN
	Uh huh⦠uh huh⦠ Wait, whoâs missing?  Uh oh.  Him too?  Oh, crap.  Sorry, I mean--  What?!  Seriously?!  Uh, right.  Yeah, Iâll keep my eyes open.  Camera lens at the ready.  Thanks for the heads up.  Bye.
	(to himself)
	Whoa.  At least this day canât get any worse!
SMUGGLER #1 stands.
	186.	SMUGGLER #1
	What the hell are those things?!
	187.	SPIDER-MAN
	When am I gonna learn not to say that out loud?
	188.	NARRATOR
	Spidey swings down to find two men in a van being attacked by two gargoyles, Obsidiana and Zafiroâ¦
ZAFIRO and OBSIDIANA STAND.
	189.	SPIDER-MAN
	Hi there.  Hate to interrupt, but this lady-esque-blue-creature-thing matches the description of another lady-esque-blue-creature-thing who just busted some folks out of Ravenâ"
	190.	ZAFIRO
	What is he babbling about?
	191.	OBSIDIANA
	I have no idea.  I sense no connection between him and the source of the disturbance.  But these twoâ¦
	192.	SMUGGLER #1
	Keep her away from us!!
	193.	SPIDER-MAN
	You see, now Iâm on the horns of a dilemma⦠ Uh, no offense.  Itâs just an expression; I wasnât referring to your rather striking⦠ Never mind.  See in this particular Spider-Manâs experience, when genetic misfits attack ordinary human beings, Iâm gonna have to side with the humans.
	194.	ZAFIRO
	Qué sorpresa.  A human with no knowledge of the situation leaping to defend one of his own.
	195.	NARRATOR
	Zafiro attacks Spidey.
	196.	ZAFIRO, SPIDER-MAN
	<ad lib battle efforts, impacts>
	197.	NARRATOR
	Obsidiana rips open the top of the van.
	198.	OBSIDIANA
	<rip effort>
	199.	SMUGGLER #1
	Stay back!
	200.	NARRATOR
	The two humans open fire on her, forcing her to leap away⦠ The van peels out.  Obsidiana tries to follow, but Spidey webs her wings together.
Smuggler #1 sits.
	201.	OBSIDIANA
	Por favor!  You donât understand the powers that are gathering!!
	202.	SPIDER-MAN
	And youâre the one doing the Gathering, I take it!
	203.	OBSIDIANA
	No!
	204.	ZAFIRO
	Enough!
	205.	SPIDER-MAN
	<impact grunt>
	206.	NARRATOR
	Zafiro slams Spidey into a wall.  By the time the web-slinger recovers, the gargoyles are goneâ¦
Zafiro and Obsidiana sit.
	207.	SPIDER-MAN
	<groan>  For a guy with no legs, that snake-thing can moveâ¦
Spider-Man sits. George and MARIA CHAVEZ STAND.
	208.	NARRATOR
	Not far awayâ¦
	209.	GEORGE
	Captain Chavez.
	210.	CHAVEZ
	Captain Stacy.  What brings you to whatâs left of the 23rd?
	211.	GEORGE
	Itâs the Ravencroft thing.  Iâve got corroborating witnesses telling me a gargoyle was involved.
	212.	CHAVEZ
	<sigh>  I miss the days when being a cop didnât involve a working knowledge of The Twilight Zone.
	213.	GEORGE
	Welcome to the Freak Show.
	214.	CHAVEZ
	Anyway, as it happens, the Gargoyle Taskforce is meeting right now.  First trailer on the right.  Ask for Bluestone.
Chavez sits. MATT BLUESTONE, MORGAN MORGAN, MARGOT YALE and Elisa STAND.
	215.	NARRATOR
	Minutes laterâ¦
	216.	GEORGE
	And thatâs all I knowâ¦
	217.	MATT
	Well, that is interesting, or, you know⦠really, really scary.
	218.	MORGAN
	Iâll say, Detective.  With or without a gargoyle, Iâve heard Ock and Electro are bad news.  And that Cletus Kasady: he killed five people before--
	219.	MARGOT
	Forget Kasady.  Any idiot can bring a serial killer down.  Itâs the gargoyle we should be concerned with.  Itâs what Iâve been saying all along!  Those monsters are dangerous!
	220.	MATT
	I think what A.D.A. Yale is saying, Captain, is that the Taskforce is on it.  Weâll let you know if we hear anything.  And weâll be checking in with all our sources, wonât we, Detective?
	221.	ELISA
	And fast.
Elisa, Matt, Margot, Morgan and George sit. Smuggler #1 and Demona STAND.
	222.	NARRATOR
	Meanwhile, a van with a torn up roof pulls up to a Gramercy Park Mansion⦠ The driver speaks into the intercomâ¦
	223.	SMUGGLER #1
	Longinus sent me.
	224.	DEMONA
	Leave the package.  Then take your money and go.  While you still can.
	225.	SMUGGLER #1
	Geez, who lives here?  Draculaâs daughter?
Smuggler #1 sits. Eddie, John and Cletus STAND.
	226.	NARRATOR
	Demona collects her package.
	227.	EDDIE
	The old guyâs asleep.  Whatâs that?
	228.	DEMONA
	A simple wooden shaft.  The prize of Adolph Hitlerâs personal collection.  After his⦠demise, his remaining followers smuggled it to Brazil.  I paid handsomely to have it smuggled to me.
	229.	EDDIE
	Why?  I mean sure, itâs the shaft of a spear.  Completes the set with that arrowhead you took from Ravencroft.  But why do we care?
	230.	DEMONA
	Hereâs why.
	231.	NARRATOR
	Demona joins the spear and spearhead together.  Instantly, it radiates incredible power.
	232.	DEMONA
	The Holy Lance.  The Spear of Destiny.  The weapon that pierced the side of the Christ.  Do you still want power, John?  This is power.
	233.	JOHN
	Give it to me.  Give it!
	234.	DEMONA
	No.  This power is mine.  But I will use it to give you back your ownâ¦
	235.	NARRATOR
	She points the Spear at John Jameson.  The magic surrounds him and transforms him into Colonel Jupiter!
	236.	COLONEL JUPITER
	<transformation scream>  Yes!  The power is mine!  I am Colonel Jupiter!
	237.	DEMONA
	For what thatâs worth⦠ Now for Eddie.
	238.	VENOM
	<transformation scream>
	239.	DEMONA
	Happy now?
	240.	VENOM
	Extremely.  We are Venom again.
	241.	DEMONA
	And what about you, Cletus?
	242.	CLETUS
	(pointing at Venom)
	Iâll have what heâs havingâ¦
	243.	DEMONA
	As you wish⦠Carnage.
	244.	CARNAGE
	<transformation scream>
	245.	VENOM
	All right, Demona.  Youâre the Mirror Universe Wizard of Oz.  But what now?
	246.	DEMONA
	Mine is the Power.  But I still require the Kingdom and the Glory.  This is only the first act, humans⦠or whatever you are now.  The main event is still to comeâ¦
Demona, VENOM, CARNAGE and COLONEL JUPITER sit.
END ACT ONE
TOMORROW: ACT TWO...
Okay, gang, here's the Title Page, Cast List and Teaser for the G2009 Radio Play. As I've mentioned before this is NOT canon for either GARGOYLES or THE SPECTACULAR SPIDER-MAN. It's just a goof, which I wrote in three days. As anyone who was at the Gathering knows, it was a tremendous success. ALL credit for that should go to (a) my amazing cast of professional voice actors and talented fans and (b) my ability to pander mercilessly to my audience. So READING it, as opposed to seeing it, may be quite the let down. If you dislike it, well, what do you expect from a script written in three days? And if you like it, I guess I am a genius. ;)
	THE SPECTACULAR SPIDER-MAN
	MEETS
	GARGOYLES
	Religious Studies 101:
	A Handful of Thorns
A Radio Play Crossover Event
	Written by
	Greg Weisman
	For
	The Thirteenth Annual
	Gathering of the Gargoyles
	in
	Los Angeles, California
Performed August 22, 2009.
	THE SPECTACULAR SPIDER-MAN MEETS GARGOYLES
	âReligious Studies 101: A Handful of Thornsâ
	(Radio Play)
	CAST LIST
	NARRATOR		104 lines. (Greg Weisman)
	SPIDER-MAN/PETER PARKER	76 lines.  (Josh Keaton)
	DEMONA/DOMINIQUE DESTINE	60 lines. (Marina Sirtis)
	GOLIATH		32 lines. (Keith David)
	LEXINGTON		24 lines. (Thom Adcox)
	ELISA MAZA		23 lines. (Zehra Fazal)
	BROOKLYN		22 lines. (John Clemens)
	CURT CONNORS/LIZARD		22 lines. (Dee Bradley Baker)
	BROADWAY		19 lines. (Crispin Freeman)
	ZAFIRO		19 lines. (Joshua Poole)
	MAY PARKER		19 lines. (Deborah Strang)
	GREEN GOBLIN		18 lines. (Steve Blum)
	OBSIDIANA		17 lines. (Elisa Gabrielli)
	KRAVEN THE HUNTER		17 lines. (Eric Vesbit)
	HARRY OSBORN		17 lines. (James Arnold Taylor)
	DOCTOR OCTOPUS/OTTO OCTAVIUS	17 lines. (Michael McAdam)
	J. JONAH JAMESON		16 lines. (Daran Norris)
	MARY JANE WATSON		16 lines. (Vanessa Marshall)
	ELECTRO		15 lines. (Crispin Freeman)
	VENOM/EDDIE BROCK		15 lines. (Ben Isaac Diskin)
	GEORGE STACY		14 lines. (Lucas McClain)
	BIG MAN		13 lines. (Keith David)
	CALYPSO EZILI		13 lines. (Jennifer L. Anderson)
	ASHLEY KAFKA		12 lines. (Elisa Gabrielli)
	ROBBIE ROBERTSON		10 lines. (Phil LaMarr)
	LIZ ALLAN		10 lines. (Kaitlyn Robrock)
	SALLY AVRIL		10 lines. (Jennifer L. Anderson)
	GWEN STACY		10 lines. (Sarah Williams)
	MATT BLUESTONE		9 lines. (Eric Tribou)
	GREG BISHANSKY		8 lines. (Greg Bishansky)
	KENNY KONG		8 lines. (Andrew Kishino)
	COLONEL JUPITER/JOHN JAMESON	8 lines. (Daran Norris)
	NED LEE		7 lines. (Andrew Kishino)
	VULTURE		7 lines. (Seth Jackson)
	FLASH THOMPSON		7 lines. (Ian Bassett)
	SHARI		6 lines. (Zehra Fazal)
	FANCY DAN		6 lines. (Phil LaMarr)
	GULYADKIN		6 lines. (Dee Bradley Baker)
	CARNAGE/CLETUS KASADY		6 lines. (Ian Bassett)
	HOMUNCULUS #1		5 lines. (Dee Bradley Baker)
	HOMUNCULUS #2		5 lines. (Phil LaMarr)
	SMUGGLER #1		5 lines. (Andrew Kishino)
	DOMINIC DRACON		5 lines. (Seth Jackson)
	BLACKIE GAXTON		5 lines. (Steve Blum)
	EMILY OSBORN		4 lines. (Kaitlyn Robrock)
	TINKERER		4 lines. (Thom Adcox)
	SEYMOUR OâREILLY		4 lines. (Steve Blum)
	SILVER SPOON MANAGER		4 lines. (Crispin Freeman)
	ANGELA		4 lines. (Sarah Williams)
	PUMPKIN BOMB		4 lines. (Nicki France)
	THAILOG		3 lines. (Keith David)
	HOMUNCULUS #3		3 lines. (Steve Blum)
	HOMUNCULUS #5		3 lines. (Thom Adcox)
	MARIA CHAVEZ		3 lines. (Elisa Gabrielli)
	FREDERICK FOSWELL		3 lines. (James Arnold Taylor)
	ALAN OâNEIL		3 lines. (James Arnold Taylor)
	HOMUNCULUS #4		2 lines. (James Arnold Taylor)
	ROSIE THOMPSON		2 lines. (Vanessa Marshall)
	MARGOT YALE		2 lines. (Marina Sirtis)
	MORGAN MORGAN		2 lines. (Keith David)
	JASON IONELLO		2 lines. (Ben Isaac Diskin)
	RAND ROBERTSON		2 lines. (Phil LaMarr)
	BRENTWOOD		1 line. (Fox Anderson)
	CHAMELEON		1 line. (Steve Blum)
	NORMAN OSBORN		1 line. (Eric Vesbit)
	DILBERT TRILBY		1 line. (Steve Blum)
	THE SPECTACULAR SPIDER-MAN MEETS GARGOYLES
	âReligious Studies 101: A Handful of Thornsâ
	Radio Play
	1.	NARRATOR
	Manhattan.  The Ravencroft Institute.  Office of Institute Director, Dr. Ashley Kafka.
ASHLEY KAFKA STANDS.
	2.	KAFKA
	A⦠âdigâ beneath the buildingâs foundation canât help but disturb our residents.  And this list of patients youâve requested for the excavation: Edward Brock Jr., Maxwell Dillon, John Jameson, Cletus Kasady, Otto Octavius, Dominic Dracon⦠ These are some of the most disturbed â" perhaps even dangerous inmates we have here at Ravencroft.  Thereâs even been some suggestion a few of them belong in the OsCorp Vault at Rykers.  I know you have connections on our Board of Directors, Ms. DâSTYNE, but--
DOMINIQUE DESTINE STANDS.
	3.	DOMINIQUE
	Itâs pronounced Des-STEEN.  Dominique Destine.  And youâll find weâll get along better, Doctor⦠if you give me what I want.
	4.	NARRATOR
	The Spectacular Spider-Man Meets Gargoyles. RELIGIOUS STUDIES 101: A HANDFUL OF THORNS.
TOMORROW: ACT ONE...
So I did a bit of lurking on sites like IGN, Toonzone, S8 and Superherohype and the quantity of misinformation based on my statements here and in a couple of brief, brief interviews is truly depressing. So let me at least attempt to dispel some of the erroneous assumptions that have been made.
1. Is it true that if you get a third season of THE SPECTACULAR SPIDER-MAN you'd be able to use Kingpin?
Answer: I have no idea.
2. Is it true that if you get a third season of THE SPECTACULAR SPIDER-MAN, you still would not be able to use Kingpin?
Answer: I have no idea.
3. Is it true that if you get a third season of THE SPECTACULAR SPIDER-MAN you'd be able to use Johnny Storm?
Answer: I have no idea.
4. Is it true that if you get a third season of THE SPECTACULAR SPIDER-MAN, you still would not be able to use Johnny Storm?
Answer: I have no idea. (Sense a trend?)
5. Is it true that THE SPECTACULAR SPIDER-MAN is the first "victim" of the Disney/Marvel merger?
Answer: It's WAY too soon to know, but I have no particular reason to think so. I'd think this merger could only HELP us, as Disney would now be more personally invested in the series.
6. Is it true that THE SPECTACULAR SPIDER-MAN is all but guaranteed a third season now that Disney/Marvel is merging?
Answer: It's WAY too soon to know. Our last six episodes will be airing between October and December. I'm sure the biggest factor for or against any renewal is RATINGS, RATINGS, RATINGS. Either that, or maybe RATINGS.
G2008 Radio Play (Chapter IX)
Stone STANDS.
	237.	NARRATOR
	12:18AM.  LANTERN OF THE ABBEY.  Arthur opens the transport container to look upon the Stone of Destiny.  Chapter Nine: Rock of Ages.  1:06AM GMT.  Arthur listens to the glowing Stone.
	238.	STONE
	â¦Pointless, Arthur Pendragon, to waste time protecting any particular stoneâ¦
Stone sits.
	239.	NARRATOR
	1:31AM.  VICTORIA TOWER.  Arthur, Macbeth, Hudson, Lex, Amp, Griff, Coco, Coldstone and Coldfire confer.
	240.	ARTHUR
	Perhaps⦠perhaps this is all unnecessary.  I donât think we need to guard the stone.
Macbeth, Arthur, Hudson, Lexington, Amp, Coco, Griff, Coldstone & Coldfire sit. Coldsteel & Coyote STAND.
	241.	NARRATOR
	NOVEMBER 15, 6:16AM.  LEITH.  Coyote and Coldsteel stand side-by-side inside a warehouse.
	242.	COYOTE
	No, I am not programmed for free willâ¦
	243.	COLDSTEEL
	Pity.  You have potentialâ¦
COLDSTREAM GUARD, Macbeth, Xanatos, Coldstone & Coldfire STAND.
	244.	NARRATOR
	NOVEMBER 15, 10:02AM.  A Coldstream Guard holds up a hand to stop a transport convoy from driving onto Coldstream Bridge.
	245.	COLDSTREAM GUARD
	Get the bomb unit!  Now!!
	246.	MACBETH
	Macbeth to Coldstone: convoyâs stopped, and Xanatos is here.
	247.	XANATOS
	Well, itâs a momentous occasion⦠and such a lovely dayâ¦
	248.	MACBETH
	Safe to say heâs up to something.
	249.	COLDSTONE
	Yes, safe to say.
	250.	NARRATOR
	Coldstone and Coldfire intercept Coldsteel and Coyote heading for the Bridge.
	251.	COLDFIRE
	Hold, brother!
	252.	COLDSTEEL
	Hold, sister!
	253.	NARRATOR
	Coldsteelâs tentacles grab Coldfire, forcing her arms up so that she nearly FRIES Coldstone.
	254.	COLDSTEEL
	As you see, Iâve had time to mend my ways.  Well, my appendagesâ¦
	255.	COLDSTONE
	Release her!  <pain cry>
	256.	NARRATOR
	Coldstoneâs back is raked by Coyoteâs buzzsaw-arm.
	257.	COLDSTEEL
	Now that weâre machines, donât you love these exhilarating daytime battlesâ¦?  No nasty organic gargoyles to even the oddsâ¦
	258.	NARRATOR
	Coldfire HEAD BUTTS Coldsteel violently.  His tentacles release her.
	259.	COLDFIRE
	Consider the odds evened.
	260.	COLDSTEEL
	A t-t-temporary s-s-setbackâ¦
	261.	COLDFIRE
	Then letâs make it permanent.
	262.	COYOTE
	Out of Davidâs respect for Goliath, I am programmed to inflict only as much damage as necessary to reach our objective.  But I define the parameters of ânecessaryâ.
	263.	COLDSTONE
	Define this.
	264.	NARRATOR
	Coldstoneâs fist SHATTERS the half-Xanatos/half-robot skull image on Coyoteâs screen. Coldstone shoves his forearm cannon down Coyoteâs âthroatâ and fires.  Coyote EXPLODES!  The dented Coldsteel watches the wreckage of Coyote fall toward the RIVER TWEED below.
	265.	COLDSTEEL
	P-p-pity.  He had p-p-potentialâ¦
	266.	NARRATOR
	Coldsteel POWER-DIVES down into the river. Coldstone follows but can find no sign of Coldsteel.
Coyote & Coldsteel sit.
	267.	NARRATOR
	10:12AM GMT.  COLDSTREAM BRIDGE.  Xanatos stands between Macbeth and Arthur.  A Marching Band plays.  Xanatos presses a small one-button remote.  Inside the Land Rover, the Stoneâs metal transport container is strapped to the floor of the cargo space â" which FLIPS over, so that the real container is replaced by a DUPLICATE (with a duplicate stone inside).
	268.	COLDSTREAM GUARD
	Hold it down!  The Bomb Squadâs at work!
	269.	NARRATOR
	10:38AM GMT.  The Guard signals the convoy forward.
	270.	COLDSTREAM GUARD
	Right, weâre clear.  Not a bomb.  Just an empty shoebox.
	271.	COLDSTONE
	Coldstone to Macbeth.  Weâve lost Coldsteel.
	272.	MACBETH
	Just stay on the alertâ¦
	273.	COLDSTREAM GUARD
	Letâs go!  Weâre behind schedule!
	274.	MACBETH
	The Stoneâs on the move again.
Coldstream Guard, Macbeth, Xanatos, Coldfire & Coldstone sit. Thailog & Shari STAND.
	275.	NARRATOR
	NOVEMBER 15, 5:43AM EST.  NIGHTSTONE UNLIMITED.
	276.	THAILOG
	Check.
	277.	SHARI
	The story is told â" though who can say if it be true â" that on a clear Christmas night, a band of Scottish patriots broke into Westminster Abbey to steal the Stone and in the process broke it in two!
Thailog & Shari sit. Arthur & Macbeth STAND.
	278.	NARRATOR
	NOVEMBER 15, 12:00PM GMT.  EDINBURGH CASTLE.
	279.	ARTHUR
	Well?
	280.	MACBETH
	The Stoneâs back where it belongs! Well, it belongs in Scone, but at least itâs back in Scotland.
Macbeth & Arthur sit. Stone & Xanatos STAND.
	281.	NARRATOR
	A land rover from the convoy drives past Macbeth and Arthur. 12:36PM.  LEITH.  The Land Rover pulls into a non-descript warehouse and stops in front of a smiling Xanatos.  1:06PM.  Xanatos listens to the glowing Stone.
	282.	STONE
	â¦Pointless, David Xanatos, to substitute yet another stone to fool the Illuminatiâ¦
Stone sits. Coldsteel STANDS.
	283.	NARRATOR
	2:23PM.  Coldsteel dumps pieces of Coyote shrapnel on the floor.
	284.	COLDSTEEL
	Thereâs whatâs left of your boy⦠and hereâs your rock.
	285.	NARRATOR
	Coldsteel tosses the Coyote Diamond to Xanatos.
	286.	XANATOS
	Oh, Iâm just its minder.
	287.	COLDSTEEL
	I believe that completes our bargainâ¦
	288.	XANATOS
	Indeed.  Consider your tracking device deactivated.
	289.	COLDSTEEL
	Pleasure doing business with you.
Coldsteel sits. FLEUR STANDS.
	290.	NARRATOR
	3:59PM.
	291.	XANATOS
	Thirty-six.
	292.	FLEUR
	Three.  <pause>  Any problems?
	293.	XANATOS
	Only finding a duplicate on such short notice.
	294.	NARRATOR
	4:04PM.  Behind the wheel of the Land Rover, Fleur drives through Leith.  Fog rises, until the street is barely visible.  The fog forms into Castle Carbonek. The Land Rover drives across the drawbridge into a large cobblestone courtyard.
DUVAL STANDS.
	295.	DUVAL
	Finally.  Two.
	296.	FLEUR
	Bugger off.
	297.	DUVAL
	I still outrank you, milady.  I wonât tolerateâ"
PEREDUR STANDS.
	298.	PEREDUR
	Couldnât you both try to get along?  Since you are, after all, the two people I love most in this world?
	299.	FLEUR
	I brought the Stone.
Fleur, Duval & Peredur sit. Macbeth, Griff, Amp, LUNETTE, Coldstone & Hudson STAND.
	300.	NARRATOR
	NOVEMBER 15, 8:13PM.  KNIGHTâS SPUR.
	301.	MACBETH
	I know it doesnât matter, but Iâm glad the Stoneâs back in Scotland.
	302.	GRIFF
	You lot should stay a while.  Get to know the clanâ¦
	303.	AMP
	Yeah, mates, stay!
	304.	LUNETTE
	Please!
	305.	COLDSTONE
	But Coldsteel is still out thereâ¦
	306.	HUDSON
	Aye, lad, but itâs a mighty big world, and even the banished and the badduns eventually return to the clan.
Macbeth, Griff, Amp, Lunette, Coldstone & Hudson sit. Stone, Peredur & GRAIL STAND.
	307.	NARRATOR
	NOVEMBER 16, 1:06AM.  CASTLE CARBONEK.  A frowning Peredur listens to the glowing stone.
	308.	STONE
	â¦Pointless, Peredur fab Ragnal, to have gone to such extremes merely to possess⦠a rock.
	309.	NARRATOR
	On APRIL 11, 1951, 1:07AM at ARBROATH ABBEY, on NOVEMBER 15, 1:07PM in a warehouse in LEITH, on NOVEMBER 15, 1:07AM in the LANTERN OF THE ABBEY, and on NOVEMBER 16, 1:07AM inside CASTLE CARBONEK, Macbeth, Xanatos, Arthur and Peredur listen to the glowing Stone of Destiny.
	310.	STONE
	Do you think the Spirit of Destiny can be contained in one vessel?  I am the Fatal Stone.  The Lia Fáil.  The Stone of Bethel and Jerusalem, of Egypt, Samothrace and Portugal⦠ The Stone at Tara and of Mora, at Iona and of Scone, in London and in Edinburgh⦠ I am the Blarney Stone, the Coronation Stone, the Hero Stone⦠ I am the Pillar Stone, the Stone of the Sword, the Stone of the Waters, Clach-na-Cinneamhain⦠ The Tanist Stone, the Philosopherâs Stone, the Standing Stone, the Cornerstone⦠ The Foundation Stone, the Megalith Dance, the Burden of Sisyphus⦠ I am the Rock of Gibraltar, the Pillar of Hercules, Uluru, Clach Sgàin⦠ Jacobâs Pillow, the Rosetta Stone, the Rune Stone, Sire of the Wyrd⦠ I AM THE MANTLE OF FATE⦠ I AM THE STONE OF DESTINY⦠ I AM THE ROCK OF AGES! Do not dream of possessing me, mortal.
311. NARRATOR
NOVEMBER 16, 1:07AM. CASTLE CARBONEK. Behind Peredur, Fleur listens from the doorway.
	312.	STONE
	Besides, Peredur, donât you have more important matters of concern⦠now that your Master has awakened?
	313.	PEREDUR
	What?!  King Arthur cannot be awake?!
	314.	STONE
	Awake and returned.  I have twice conversed with him.
	315.	PEREDUR
	But we did not expect him for another two hundred years! Everything we planned--
	316.	STONE
	Plans change.
	317.	PEREDUR
	I must contact the Upper Echelons immediately!
	318.	NARRATOR
	Peredur exits.  Fleur is no longer in the doorway.  The Stone is left alone with the Holy Grail.
	319.	STONE
	Hey.
	320.	GRAIL
	Hey.
Peredur, Stone & Grail sit. Thailog & Shari STAND.
	321.	NARRATOR
	NOVEMBER 16, 5:44AM EST.  NIGHTSTONE UNLIMITED.
	322.	THAILOG
	Checkmate.
	323.	SHARI
	Very good.  Should I continue?
	324.	THAILOG
	Please.
	325.	SHARI
	The story is told â" though who can say if it be true â" that the Stone was repaired and recovered.  Some say a replica was reinstalled at Westminster; others disagree.  Either way, the Stone remained undisturbed until yesterday, when it was transported to Edinburgh without incidentâ¦
	326.	THAILOG
	And thatâs all you know of the Stone of Destiny?
	327.	SHARI
	Well, one last story is told--
	328.	NARRATOR
	As the sun sets, Owen Burnett and Macbeth wait for Goliath to wakeâ¦
	329.	SHARI
	--Though who can say if it be true?
Thailog & Shari sit.
THE END
G2008 Radio Play (Chapter VIII)
	1.	NARRATOR
	Meanwhile, on Victoria Towerâ¦
Lexington, Amp, Coco & Griff STAND.
	2.	LEXINGTON
	So how big is your clan?
	3.	AMP
	One hundred ninety-six gargoyles, ranging in age from Old Pog to little Lunette and her rookery sibs.
	4.	LEXINGTON
	And are there eggs?
	5.	AMP
	Twenty-five.
	6.	LEXINGTON
	So fewâ¦
	7.	COCO
	We donât dare outgrow Knightâs Spur, so to keep our numbers manageable, mated couples are allowed only two eggs across their lifespans instead of three.
	8.	LEXINGTON
	How exactly--
	9.	COCO
	Enforced isolation during the femaleâs final heat.
	10.	LEXINGTON
	Yikes.
	11.	COCO
	Tell me about it.
	12.	LEXINGTON
	And are you two mates?
	13.	AMP
	Us?!!  God, no!!
	14.	COCO
	<laughs>
	15.	AMP
	Donât get me wrong.  Cocoâs my best mate.
	16.	COCO
	But âmatesâ?  Please.
	17.	LEXINGTON
	Okay, new topic⦠I didnât see any beastsâ¦
	18.	GRIFF
	Because we have none.
Hudson, Macbeth & Arthur STAND.
	19.	NARRATOR
	NOVEMBER 15, 12:00AM.  Victoria Tower.  Hudson joins the others.
	20.	HUDSON
	Any signs of life?
	21.	LEXINGTON
	Nah.  Quiet, bordering on dull.
Coldsteel & Coyote STAND.
	22.	COLDSTEEL
	I believe we can rectify that and still display no signs of life.
	23.	NARRATOR
	Coldsteel, Coyote, a Steel Clan Robot and an Iron Clan Robot attack.
	24.	HUDSON
	Take to the sky, lads and lassie!  Coldsteel is mine!!
	25.	COLDSTEEL
	Well, well, look whoâs biting off more than old gums can chew?
	26.	HUDSON
	Brave words for a metal ghost!
	27.	COLDSTEEL
	Bring it on, you old horned goat!
	28.	NARRATOR
	Chapter Eight: Rock & Roll.  Coyote blasts at Amp, whoâs knocked to safety by Lex.
	29.	LEXINGTON
	Amp!  Look out!
	30.	NARRATOR
	Griff and Coco battle the Iron Clan and Steel Clan robots.  Macbeth and Arthur watch from below.
	31.	GRIFF
	Why do these two look like Goliath?
	32.	LEXINGTON
	Long story.
	33.	MACBETH
	Thatâs a Xanatos âbot!
	34.	ARTHUR
	If you say so.
Arthur sits.
	35.	MACBETH
	He must be after the Stone!  Wants it for his collection, I imagine.  But I donât see him up there.  The automatons may be a mere diversion.  Best stay on the alert⦠ Pendragonâ¦?
	36.	NARRATOR
	But Pendragon is gone.  Coyote blasts at Lex & Amp.
	37.	COYOTE
	I am programmed to terminate only if necessary.  Abandon this airspace, and you will not be harmed.
	38.	LEXINGTON
	Dream on, you electric sheep!  Weâre not going anywhere âtil we know exactly what Xanatos and Fox are up to!
	39.	COYOTE
	Pityâ¦
	40.	LEXINGTON
	<pain cry>
	41.	NARRATOR
	Coyote shocks Lex unconscious, but Amp catches him.  Coco, meanwhile, sees Griff blast the arms off the Iron Clan Robot with a lightning gun.
	42.	COCO
	Delimbification!!  I like it!
	43.	GRIFF
	Right-o!  Weâll get Macbeth to issue these beauties to the entire clan!
	44.	COCO
	Like I need the gun.
	45.	NARRATOR
	Coco cloaks her wings and tucks her knees to become a big gargoylean cannonball.  The Steel Clan robot gains; she slams feet first into its chest, digs her talons in and RIPS its arms out.
	46.	COCO
	<roar>
	47.	COLDSTEEL
	Your hatchlings seem to think they invented the joys of dismemberment â" but I wonder how theyâd take to the real thing?
	48.	NARRATOR
	One of Coldsteelâs tentacles yanks the sword from Hudsonâs grasp.  The other tentacles wrap around his arm to rip it from its socket.
	49.	HUDSON
	<pain roar>
	50.	NARRATOR
	Suddenly, fire from above melts the tentacles.
COLDSTONE & Coldfire STAND.
	51.	COLDSTONE
	You never did learn to respect your elders.  Did you, brother?
	52.	AMP
	Anyone order up the kitchen sink?
	53.	COLDSTEEL
	Isnât this turning into quite the reunion?
Arthur STANDS.
	54.	NARRATOR
	12:12AM. WESTMINSTER ABBEY.  Arthur takes out two guards.
	55.	ARTHUR
	Apologies.
	56.	NARRATOR
	Standing in front of the container holding the Stone, Arthur carefully places his crown on his head.  Meanwhileâ¦
	57.	LEXINGTON
	<recovery moan>  Amp⦠ Whatâd I miss?  Never mind.  I get the gist.  Follow my lead!
	58.	NARRATOR
	Lex and Amp use their heat signatures to lure the Iron and Steel Clan Robots awayâ¦
	59.	COCO
	Mate, you nicked my shinyâ¦
	60.	AMP
	Sorry, Cocoâ¦
	61.	NARRATOR
	â¦and into the path of Coyoteâs laser blasts.  The Iron and Steel Clan robots explode.  This distracts Coldsteel, allowing Hudson to recover his sword by ripping Coldsteelâs last remaining tentacle from its socket.
	62.	COLDSTEEL
	<pain cry>
	63.	COLDFIRE
	Feeling a bit outnumbered, brother?
	64.	HUDSON
	Outnumbered and overmatched!
	65.	COLDSTEEL
	Yes, I wasnât expecting all the companyâ¦
	66.	NARRATOR
	Coldsteel drives Hudson back by generating an electric fieldâ¦
	67.	COLDSTEEL
	Though Iâm far from shocked by the development.  Coyote, cover our departure.  Tomorrow is another day.
	68.	NARRATOR
	Joining Coyote, Coldsteel rockets between a surprised Coldstone and Coldfire, who are forced apart by his e-field.  The gargoyles pursue, but Coyote generates a bright light that whites out the night sky.
Coldsteel & Coyote SIT.
Tomorrow, Chapter IX...
G2008 Radio Play (Chapter VII)
XANATOS, COLDSTEEL & COYOTE STAND.
	13.	NARRATOR
	NOVEMBER 2, 6:46AM EST. Scarab Corp.  Coldsteel looks on, as David Xanatos installs a diamond inside Coyote 5.0.
	14.	COLDSTEEL
	And what would that be?
	15.	XANATOS
	Itâs called the Coyote Diamondâ¦
	16.	NARRATOR
	Chapter Seven: The Rock.
	17.	XANATOS
	The stoneâs flawless surfaces and clarity increase the speed of--
	18.	COLDSTEEL
	Iâm sorry I asked.
	19.	XANATOS
	My apologies.  Iâm sure youâre much more interested in your own situation.
	20.	COLDSTEEL
	I was under the impression I had free will.
	21.	XANATOS
	And you do.  I promise summoning you was a one-time event.  On the other hand, your unit does include a built-in tracking device⦠which Iâm happy to deactivateâ¦
	22.	COLDSTEEL
	Permanently?
	23.	XANATOS
	Permanently.  All I ask in return is help on one small errand.  Are we agreed?
	24.	COLDSTEEL
	We are agreed.
	25.	COYOTE
	Excellent.
XANATOS, COLDSTEEL & COYOTE sit. TALON, SATO, MAGGIE & ELISA STAND.
	26.	NARRATOR
	3:52PM EST.  The Labyrinth.  Talon cradles Maggie the Cat, as Dr. Jay Sato examines her.  Elisa Maza looks on.
	27.	TALON
	How is she, Doc?
	28.	SATO
	Well, her pulse is fine, and her injuries seem to be healing nicelyâ¦
	29.	MAGGIE
	See, Derek, I said you were worried over nothing.
	30.	SATO
	But Iâm a surgeon.  Treating someone in Maggieâs⦠âconditionâ is really not my area.
	31.	ELISA
	Not anyoneâs, Dr. Sato.  Anyone we dare trust anyway.
	32.	SATO
	Itâs as if youâve revealed a new world to meâ¦
	33.	ELISA
	Yep, youâre a medical pioneer.
	34.	SATO
	Pioneer or not, she needs an O.B.
TALON, SATO, MAGGIE & ELISA sit. Macbeth, BROOKLYN, GOLIATH, BROADWAY, OWEN & Xanatos STAND.
	35.	NARRATOR
	4:50PM EST.  Eyrie Building.  As the sun sets, Owen Burnett and Macbeth wait for Goliath to wake.  NOVEMBER 2, 5:12PM EST.  Inside the Great Hall, Macbeth addresses Goliath, Brooklyn, Hudson, Angela, Broadway, Bronx and Lexington.
	36.	MACBETH
	Itâs called the Stone of Destiny. For centuries the kings of Scotland were crowned upon it at Sconeâ¦
	37.	BROOKLYN
	Magic talking stone.  Weâve heard of it.
	38.	MACBETH
	Yes, well, the English stole it.  Now, after eight hundred years, itâs finally being returned.  Iâm asking for your help to ensure it gets to Scotland safely.
	39.	GOLIATH
	Donât you have⦠minions⦠for this?
	40.	MACBETH
	Weâve parted ways.  Please, Goliath.  Many â" including your landlord â" would stop at nothing to get the Stone.
	41.	GOLIATH
	I have been wounded twice in one week.  I am healed â" but not whole.  But my second, Brooklyn, can lead Broadway, Lexington and Angela to join your quest.
	42.	BROADWAY
	Yeah, weâre goinâ to Scotland!!
	43.	MACBETH
	Well, England to start with--
	44.	BROOKLYN
	I donât know, Goliath, if youâre recovering, maybe this is the wrong time to send me overseas.
	45.	GOLIATH
	Ah⦠ Yes.  You are needed here.  Hudson may lead this expedition.
	46.	NARRATOR
	Owen, watching the exchange by closed circuit, talks on the phone to Xanatos, whoâs about to board a private plane.
	47.	OWEN
	Yes, Macbeth, Hudson, Broadway, Angela and Lexington⦠ Shall I attempt to stop them?
	48.	XANATOS
	That wonât be necessary.  I believe Iâve planned for this contingency.
	49.	NARRATOR
	Back in the Great Hall, Angela whispers in Broadwayâs ear.
	50.	BROADWAY
	Uh⦠yeah⦠Manhattanâs dangerous right now.  Me and Angelaâll stay too.  To help Brooklyn.
	51.	BROOKLYN
	Thatâs great.  Thanks.
Macbeth, Brooklyn, Goliath, Broadway, Owen & Xanatos sit. SHARI STANDS.
	52.	NARRATOR
	NOVEMBER 3, 5:29AM EST. Nightstone Unlimited.  Shari and Thailog are in Dominique Destineâs office.
	53.	SHARI
	The story is told â" though who can say if it be true â" of two brothers who both loved the same female.  And though all strife comes to an end one way or another, some conflicts refuse to stay dead.  Xanatos and Demona used science and sorcery to create a monster from fragments of all three gargoyles, their bodies and souls.  But in the end, the souls were segregated into Coldstone, Coldfire and Coldsteel.  Itâs really a timeless love story.
SHARI sits. Macbeth, CUSTOMS OFFICIAL, LEXINGTON & HUDSON STAND.
	54.	NARRATOR
	3:00PM GMT.  London.  A private jet lands.  Customs Officials greet Macbeth, as workers wheel two large crates from the planeâs hold.
	55.	CUSTOMS OFFICIAL
	Lennox Macduff?
	56.	MACBETH
	Yes.
	57.	CUSTOMS OFFICIAL
	Welcome to England, sir.  Anything to declare?
	58.	MACBETH
	Works of art for my home in Berkeley Square.
	59.	CUSTOMS OFFICIAL
	Have to have a look in, sir.
	60.	MACBETH
	Of course.
	61.	NARRATOR
	The crates are opened, revealing Lexington and Hudson, frozen in stone.  4:30PM GMT.  Macbeth waits on the roof of his Berkeley Square Townhouse for Hudson and Lexington to wake.  The sun sets.  5:07PM.  Itâs past sunset.  Hudson and Lex are STILL frozen in stone.  6:15PM.  Night.  No change.  7:01PM.  Macbeth grows concerned.  7:45PM.  Hudson and Lex finally wake.
	62.	LEXINGTON, HUDSON
	<awakening roars>
	63.	LEXINGTON
	Whoa, I donât feel so hot⦠and look how dark it is?  How long have we been asleep?
	64.	MACBETH
	Welcome, lad, to the wonderful world of jetlag.  Donât worry.  Youâve got ten days to adjust before they move the Stone.
Macbeth, CUSTOMS OFFICIAL, LEXINGTON & HUDSON sit. Shari, INTERCOM & VINNIE STAND.
	65.	NARRATOR
	NOVEMBER 4, 5:30AM EST.  Nightstone.  Thailog soaks in a jacuzzi.  Shari sits nearby.
	66.	SHARI
	The story is told -- though who can say if it be true-- of Jacob, son of Isaac, son of Abraham⦠who fled the wrath of his brother Esau to a place he would call Bethel, where he laid his head upon a stone and had a wondrous vision!
	67.	NARRATOR
	5:35AM EST.  J.F.K.
	68.	INTERCOM
	Flight 994, now boarding all rowsâ¦
	69.	VINNIE
	Can you believe it?  Iâm goinâ to Japan!
Shari, Intercom & Vinnie sit. Goliath & Elisa STAND.
	70.	NARRATOR
	9:48PM EST.  Goliathâs Tower.
	71.	GOLIATH
	About Halloween⦠I will not hold you to words spoken when you believed my life hung in the balance.
	72.	ELISA
	Even if I want to be held?
	73.	GOLIATH
	I know you care for me.  That is not at issue.  But what of the things I cannot give you⦠picnics⦠normalcy�
	74.	ELISA
	We can have a picnic anytime⦠and normalcyâs so over-rated.
	75.	NARRATOR
	She runs her fingers through his hair.  He takes her into his arms and kisses her.
Goliath & Elisa sit. Shari STANDS.
	76.	NARRATOR
	NOVEMBER 5, 5:31AM EST.  Nightstone.  Thailog and Shari look out over the city.
	77.	SHARI
	The story is told â" though who can say if it be true â" that Gathelus, a son of the king of Athens, won many victories for the Pharaoh of Egypt, who rewarded the prince with the hand of his beloved: Pharaohâs own daughter, Scota.  But Gathelus had also befriended Moses, the Hebrew, who warned his young friends of the plagues to befall the Kingdom of the Nile.  Gathelus and Scota determined to leave Egypt, and Moses entrusted them with Jacobâs Pillow, the Hebrewsâ sacred stoneâ¦
	78.	NARRATOR
	NOVEMBER 6, 5:32AM EST.  ST. DAMIENâS CATHEDRAL.  Thailog, Shari and Brentwood search for something.
	79.	SHARI
	The story is told â" though who can say if it be true â" that Gathelus fled Egypt with his wife and the Stone of the Hebrews.  He sought landfall on the rocky shores of Samothrace, for Scota was heavy with child and could go no farther.  Still destiny blessed them with fine twin sonsâ¦
	80.	NARRATOR
	6:00AM EST.  Thailog flies Shari across the city.  Brentwood follows.
	81.	SHARI
	Gathelus and his family would wander the globe for two years before finding a home on the Iberian Peninsula in a place they named the Port of Gathelus, or Portugal.  By this time the family had grown: the Athenian prince and Egyptian princess now had four healthy boys in their care not to mention one large Stone.
	82.	NARRATOR
	NOVEMBER 7, 5:33AM EST.  Thailog and Shari begin a game of chess.
	83.	SHARI
	The story is told â" though who can say if it be true â" that after the death of her beloved Gathelus, Scota departed Portugal with her eight sons⦠only to lose five of the boys at sea⦠while Scota herself and another son died warriorâs deaths upon landing in Ireland.  But her eldest boy, Eremon, and her youngest, Eber Finn, survived, and Eremon was crowned king upon the Stone at Tara.
Shari sits. Xanatos & FOX stand.
	84.	NARRATOR
	2:18PM GMT.  Mayfair.  Xanatos takes Alexander from Fox.
	85.	XANATOS
	Darling, if you like the shoes, buy themâ¦
	86.	FOX
	The black manolos in the window⦠do you have them in a size nine?  Lovely.  Wrap them up, please.
	87.	NARRATOR
	2:45PM GMT. Fox exits the store.
	88.	FOX
	Mission accomplished.
	89.	NARRATOR
	7:19PM GMT.  Fox admires her new shoes in the full-length mirror of her hotel room.  Xanatos admires the shoebox.
	90.	XANATOS
	Darling?  Do you still need this shoebox⦠or might I dispose of it?
Xanatos & Fox sit. Shari & THAILOG STAND.
	91.	NARRATOR
	NOVEMBER 8, 5:34AM EST.  Nightstone.  Thailog and Shari continue their chess game.
	92.	SHARI
	The story is told â" though who can say if it be true â" of Moses, who led the Hebrews out of Egypt and into the desert⦠bringing forth water from Jacobâs Pillow to quench their--
	93.	THAILOG
	You said Moses gave the Stone to Gathelus and Scota before leading the Hebrews out of Egypt!
	94.	SHARI
	The story is toldâ¦
	95.	THAILOG
	<pause>  Though who can say if it be true?  Right.  Continue.
	96.	SHARI
	The Hebrews passed the Stone down the centuries, until the prophet Jeremiah offered it in dowry to King Eochaid of Ireland when he wed Tamar Tea Tephi, Princess of Judah.  Eochaid ensconced the Stone at Tara and dubbed it Lia Fáil.
	97.	NARRATOR
	NOVEMBER 9, 5:36AM EST.
	98.	SHARI
	The story is told â" though who can say if it be true â" of Cu Chullain, the Hero of Ulster, who championed Lugaid Red-Stripe for king.  But when the Lia Fáil would not cry to confirm Lugaid, Cu Chullain was enraged, striking with Gae Bolga, the Spear of Light, and splitting the Stone of Destiny forever!
	99.	NARRATOR
	NOVEMBER 10, 5:37AM EST.  Shari captures Thailogâs white knight with her black bishop.
	100.	SHARI
	The story is told â" though who can say if it be true â" of young Prince Fergus of Ireland, who carried half Cu Chullainâs handiwork to Argyll in what men now call Scotland to found a kingdom called Dalriada.  Though a castle called Carbonek found him instead, bringing the Priest-King Pelles and the Archmage Merlin and their request to borrow the Stone of Destiny for a purpose of their own.  A purpose fulfilled in Londontown by a sword clepâd Excalibur in a stone clepâd Lia Fáil drawn forth by a boy clepâd Arthur.
	101.	NARRATOR
	NOVEMBER 11, 5:38AM EST.  Thailog tips over one of Shariâs black rooks with his white bishop.
	102.	SHARI
	The story is told â" though who can say if it be true â" of Saint Columba, he who tamed the monster of Loch Ness, before returning to the island of Iona, where Merlin and Pelles had brought the Stone once it had served their purposes.  And where Columba laid down his head upon Jacobâs Pillow and breathed his last.
	103.	NARRATOR
	NOVEMBER 12, 5:39AM EST.  Shariâs Black Queen is lined up to capture Thailogâs White King.
	104.	SHARI
	Check.
	105.	THAILOG
	<growl>
	106.	SHARI
	Would you prefer I lost on purpose?
	107.	THAILOG
	Iâd fire you if you did.  Donât you have a story to tell?
	108.	SHARI
	The story is told â" though who can say if it be true â" of Kenneth MacAlpin, scion of Fergus, who united the Kingdoms of Scotland and was crowned High King upon the Stone at Scone.  As would all the Heirs of Scota â" for the next four hundred years.
COLDFIRE STANDS.
	109.	NARRATOR
	NOVEMBER 12, 10:00PM GMT.  David Xanatos presses a button on a remote control.  NOVEMBER 13, 6:01AM GMT+8.  TIBET.  Inside the old cave, Coldstone and Coldfire stand over Master Dawa and Sangpo.  All react to a noise.
	110.	COLDFIRE
	I believe⦠I believe I can find himâ¦
Coldfire sits.
	111.	NARRATOR
	NOVEMBER 13, 5:40AM EST.  NIGHTSTONE.
	112.	SHARI
	The story is told â" though who can say if it be true â" of Edward the First of England, the Hammer of the Scots, who sicced his mighty Warwolf on his neighbors to the north and took as prize the Stone of Scone, which he installed in the Coronation Chair at Westminster Abbey, where it has crowned the kings and queens of England down to this very dayâ¦
Shari & Thailog sit. Lexington, Macbeth, Hudson, Arthur, GRIFF, AMP & COCO STAND.
	113.	NARRATOR
	NOVEMBER 13, 5:32PM GMT.  Hudson and Lex are atop Victoria Tower.  Macbeth is below, in front of Westminster Abbey.
	114.	LEXINGTON
	All clear.  No sign of trouble.
	115.	MACBETH
	Not expecting trouble tonight.  Theyâre only moving the Stone from the Coronation Chair to the Lantern.  It wonât leave the Abbey until tomorrow.
	116.	HUDSON
	Aye, and the human security is tight as a drum.  Iâm nae convinced you could break in there with a battering ram.
	117.	MACBETH
	Youâd be surprised.
	118.	NARRATOR
	11:46PM GMT.
	119.	LEXINGTON
	<yawn>  Still nothing to report.  Who exactly are we expecting?
	120.	MACBETH
	Anyone.  Everyone.  Just stay alertâ¦
	121.	NARRATOR
	Macbeth spots a shadowy figure and pursues it down into a London Underground Stationâ¦
	122.	MACBETH
	Iâm probably on a wild goose chase, lads.  But in case Iâm not, youâd better head this⦠wayâ¦
	123.	LEXINGTON
	That could be a problemâ¦
	124.	NARRATOR
	Arthur Pendragon puts Excalibur to Macbethâs throat.  Meanwhile, on Victoria Tower, Hudson and Lex are surrounded by gargoyles.
	125.	ARTHUR
	By the blade of Excalibur, what are you up to now, Macbeth?
	126.	MACBETH
	King Arthur?!  Iâm here to protect the Stone of Destiny!
	127.	ARTHUR
	Then our two quests are one and the same!
	128.	MACBETH
	Ayeâ¦
	129.	ARTHUR, MACBETH (UNISON)
	The gargoyles!!
	130.	MACBETH
	Theyâll be at each otherâs throats!!
	131.	GRIFF
	Hudson!  Lexington!  Bloody lovely to see you again!
	132.	LEXINGTON
	You too, Griff!
	133.	HUDSON
	Aye, lad.  The baddunsâll have no chance at that Stone now!
	134.	NARRATOR
	NOVEMBER 14, 5:28AM.  Macbeth radios Lex.
	135.	MACBETH
	Itâll soon be dawn.  You and Hudson go with Griff.  Arthur and I will stand vigil through the day.
Arthur & Macbeth sit.
	136.	NARRATOR
	5:33AM GMT.  Griff, Hudson, Lex and the other two gargoyles glide over London.
	137.	LEXINGTON
	Are we headed to Soho?  Goliath said you have a store thereâ¦
	138.	GRIFF
	We do.  But I thought Iâd take you home instead.  To our clan--
	139.	AMP
	To Knightâs Spur!
	140.	COCO
	You know, Griff, I donât believe weâve been properly introduced to your Yank friendsâ¦
	141.	HUDSON
	<Hmph>  Watch who youâre callinâ a Yank, lassâ¦
	142.	GRIFF
	Where are my manners?  Hudson, Lexington, this is Constance.
	143.	COCO
	My friends call me Coco.
	144.	GRIFF
	And this is Staghart.
	145.	AMP
	My friends call me Amp!
	146.	COCO
	Nobody calls you Amp, luv.
	147.	LEXINGTON
	Iâll call you Amp.
	148.	NARRATOR
	5:40AM.
	149.	GRIFF
	Welcome to Knightâs Spurâ¦
	150.	NARRATOR
	7:20AM.  Atop Knightâs Spur, Old Pog, Hudson, Griff, Lex, Amp, Coco and Lunette sleep as stone.
Hudson, Lexington, Griff, Amp & Coco sit. Arthur & Macbeth STAND.
	151.	NARRATOR
	7:48AM.  Macbeth and Arthur sip coffee outside a Nightstoneâs café.
	152.	ARTHUR
	â¦Mortally wounded in 542.  So they shipped me off to some magic hill and put me to sleep for a thousand four hundred fifty-three years.
	153.	MACBETH
	Sounds lovely.
	154.	ARTHUR
	And you?
	155.	MACBETH
	Deal with a demon in 1040.  Officially died in 1057.  Been sleepwalking for nine hundred thirty-nine years.
	156.	ARTHUR
	<pause>  Guess I got the better bargain.
	157.	MACBETH
	Ach, I try not to dwell these days.  So hereâs to the immortals.  There arenât many like usâ¦
Arthur & Macbeth sit. Shari STANDS.
	158.	NARRATOR
	NOVEMBER 14, 5:42AM EST.  NIGHTSTONE.  Shari places her black knight in front of Thailogâs white knight.
	159.	SHARI
	The story is told â" though who can say if it be true â" of Robert the Bruce of Scotland, who defeated the English at Bannockburn with the help of an Irish ally, Cormac MacCarthy.  With the victory, came a prize: a fragment of the Fatal Stone that England had taken from Scone.  This fragment, the Bruce gave to MacCarthy, whose descendents had it installed at Blarney Castle, where it is said to grant the gift of gab.  Iâve kissed it myself a time or twoâ¦
Shari sits. Hudson, Macbeth & Arthur STAND.
	160.	NARRATOR
	NOVEMBER 14, 6:32PM GMT.  Knightâs Spur.  Hudson, Macbeth and Arthur confer in a book-lined study.
	161.	HUDSON
	Lex, Griff, Constance and Staghart sent you home to rest thenâ¦
	162.	MACBETH
	Aye, Hudson.  Weâll catch a few hours sleep then head back out.  But youâ¦?
	163.	HUDSON
	I had some questions for the Pendragon.  Werenât you on a quest to find your wizard?
	164.	ARTHUR
	Indeed.  And Sir Griff and I searched for Merlin in all the obvious places.  But to no gain.  So Iâve been âdoing researchâ on Merlin⦠and on myself.
	165.	NARRATOR
	Hudson examines a copy of Le Morte DâArthur by Thomas Malory.
	166.	HUDSON
	So many books⦠are any of them true?
	167.	ARTHUR
	All things are true⦠few things are accurate.
	168.	MACBETH
	Aye.  No bloody kidding.
	169.	NARRATOR
	Hudson contemplates this.
Hudson, Macbeth & Arthur sit.
Tomorrow, Chapter VIII...
G2008 Radio Play
No, that's not a misprint. Before I post the G2009 Gargoyles/Spectacular Spider-Man crossover radio play, I'm going to post (over the next few days) the G2008 Radio Play. This was a CHRONOLOGICAL adaptation of issues 7-9 of the Gargoyles comic, i.e. the Stone of Destiny three-parter which makes up the first half of the recently released trade paperback, GARGOYLES: CLAN-BUILDING, VOLUME II. Now that the trade is out, I'm okay with posting this. But there are some caveats...
1. Reading this does NOT replace buying the trade. Because...
2. This version of the story doesn't really work, dramatically or otherwise. The story wasn't designed to be told chronologically. It gets somewhat tiresome told in chronological order and the final dramatic moment with the Stone talking to Macbeth, Xanatos, Arthur and Peredur across four time periods has none of it's power.
Nevertheless, here it is... or at any rate, here is the title page, cast list and teaser. I'll post the three chapters over the next three days...
GARGOYLES
	CLAN-BUILDING
	Chapter VII: THE ROCK
	Chapter VIII: ROCK & ROLL
	Chapter IX: ROCK OF AGES
(Radio Play Edition)
	A Chronological Adaptation
	by
	Greg Weisman
	(from his SLG comic book scripts)
	For
	The Twelfth Annual
	Gathering of the Gargoyles
	in
	Chicago, Illinois
Performed June 28, 2008.
	GARGOYLES
	âCLAN-BUILDING:
	CHAPTER VII: THE ROCK
	CHAPTER VIII: ROCK & ROLL
	CHAPTER IX: ROCK OF AGESâ
	(Radio Play Edition)
	CAST LIST
	1.	NARRATOR			86 lines.
	2.	MACBETH			34 lines.
	3.	SHARI			22 lines.
	4.	COLDSTEEL			22 lines.
	5.	LEXINGTON			21 lines.
	6.	STONE OF DESTINY		15 lines.
	7.	HUDSON			13 lines.
	8.	DAVID XANATOS		13 lines.
	9.	ARTHUR PENDRAGON		13 lines.
	10.	CONSTANCE/COCO		12 lines.
	11.	STAGHART/AMP		9 lines.
	12.	GRIFF			9 lines.
	13.	THAILOG			8 lines.
	14.	COLDSTONE			6 lines.
	15.	COLDFIRE			5 lines.
	16.	GOLIATH			5 lines.
	17.	COYOTE 5.0		5 lines.
	18.	PEREDUR			4 lines.
	19.	COLDSTREAM GUARD		4 lines.
	20.	ELISA MAZA		4 lines.
	21.	JAY SATO			4 lines.
	22.	BLANCHEFLEUR		3 lines.
	23.	CUSTOMS OFFICIAL		3 lines.
	24.	BROOKLYN			3 lines.
	25.	DUVAL			2 lines.
	26.	FOX			2 lines.
	27.	BROADWAY			2 lines.
	28.	HOLY GRAIL		1 line.
	29.	LUNETTE			1 line.
	30.	VINNIE			1 line.
	31.	AIRPORT INTERCOM		1 line.
	32.	OWEN BURNETT		1 line.
	33.	MAGGIE THE CAT		1 line.
	34.	TALON			1 line.
	35.	SCOTTISH PATRIOT		1 line.
	GARGOYLES
	âCLAN-BUILDING:
	CHAPTER VII: THE ROCK
	CHAPTER VIII: ROCK & ROLL
	CHAPTER IX: ROCK OF AGESâ
ARTHUR, MACBETH, PATRIOT & STONE STAND.
	1.	NARRATOR
	Gargoyles.  Clan-Building.  SEPTEMBER 29, 500.  London.
	2.	ARTHUR
	And as High King, I, Arthur Pendragon, swear by the Stone of Destiny to protect Britain and to serve her people all my daysâ¦
	3.	NARRATOR
	SEPTEMBER 29, 1040.  Scone.
	4.	MACBETH
	And as High King, I swear by the Stone of Destiny to protect Scotland and to serve her people all my daysâ¦
	5.	NARRATOR
	DECEMBER 25, 1950.  Westminster Abbey.
	6.	MACBETH
	All right, lads.  Now or--
	7.	PATRIOT
	SCOTLAND FOREVER!
	8.	MACBETH
	<SHHHHH!>
	9.	NARRATOR
	APRIL 11, 1951, 1:06AM GMT.  ARBROATH ABBEY.  Macbeth has just finished repairing the Stone of Destiny with epoxy.  Thereâs a visible crack, but itâs in one piece.
	10.	MACBETH
	There.  Good as new.  You can barely see the--
	11.	NARRATOR
	The stone glows blue.  The crack vanishes.
	12.	STONE
	Thank you, Macbeth mac Findlaech, but the effort was pointlessâ¦
ARTHUR, MACBETH, PATRIOT & STONE sit.
Got easily a hundred calls, texts, e-mails yesterday about the big Marvel/Disney news and a few about the Sony/Marvel/Spidey news, so here are a few random thoughts to go with what I posted yesterday...
1. SPEC SPIDEY: The main thing that's changed about the Spec Spidey situation is that Sony is now out of the loop/decision making process about whether or not there's a third season. Before Sony was waiting to see if Disney picked up the series. Then they'd decide on its economic feasibility for Sony. Now Sony isn't part of that equation, leaving the whole thing in Marvel and Disney's hands. Of course, now that Marvel and Disney are kinda one hand, so-to-speak, I don't know what that means for us. Other than the obvious, which is that I'm sure we're not exactly Disney/Marvel's highest priority at the moment. How and when this decision gets made is really up in the air, but a former negative does feel good -- now -- that our last six episodes won't start airing on Disney XD until late October. That means our last episode won't air until early December, which may be a better time for Disney/Marvel to focus on the show. (Or not.) Of course even a positive decision in December or (more likely) January means a HUGE gap between Seasons Two and Three, but I'd take that over no new episodes.
2. FLASHBACKS:I can't help but be reminded of events in the mid-nineties, when Michael Eisner (then CEO of Disney) wanted to buy Marvel, so that he'd have super-heroes to compete with Warner Bros' DC Universe heroes (including Superman and Batman). Back then, however, Marvel was, or so I was told, a corporate mess. And it wasn't just that -- as now -- various studios already had the rights to individual characters, but that the rights had been double sold all over the place, and that every character pretty much represented a lawsuit in the making if not already in the works. Eisner was advised NOT to buy Marvel, and of course he didn't. But he REALLY wanted to be competing in the boys action/super-hero market. That was when the Gargoyles Universe was raised as a possible alternative. We pointed out that the Marvel Universe began with the Fantastic Four, and that we could use Gargoyles as a springboard to more properties and to an entire Universe. We were encouraged by Michael to create spin-off properties, backdoor pilots, etc. And that was THE major impetus for us to work on things like New Olympians, Bad Guys, Pendragon and Dark Ages. (Gargoyles Future Tense -- which became Gargoyles 2198 and TimeDancer came later.) It was also a reason to be expansive with the World Tour and introduce more and more new characters, etc. Of course, by the time all this stuff was actually made, the world had changed again. Frank Wells died. Michael and Jeffry Katzenberg went to war, with Jeffry eventually leaving to found DreamWorks, and taking two of my immediate superiors, Gary Krisel and Bruce Cranston, with him. Rich Frank (another of my bosses up the chain) also left. Dean Valentine was placed in charge of Walt Disney Television Animation and he had no affinity for Gargoyles or its spin-offs. And Michael, who had initiated the whole thing, had way bigger concerns on his plate. I was more or less forced out. But for one bright, shining moment...
3. GARGOYLES: I'm sure a lot of people are wondering what this means for our favorite winged warriors, but in the short term, I'm sure the answer is "Not much." Gargoyles is pretty much under Disney's radar right now, and really doesn't exist on Marvel's radar at all, as far as I can tell. We'll be an extremely low priority. Our best bet is still SLG, which HOPEFULLY will be motivated by the sales of the Trades to want to make more content with me. Having read Dan "Mr. SLG" Vado's recent reaction to the Disney/Marvel merger, I'm hoping he isn't too discouraged by being in bed with his competition. But I have no doubt that the best way to get Dan fully on board is to make it worth his while by having those trades sell VERY well. So again, buy the trades and/or SPREAD THE WORD!!!!
Okay, in the period of just a few days, I have been rocked by two incredible pieces of news.
1. Last Thursday (8/27/09), Vic Cook and I were informed that in exchange for some concession vis-a-vis the live action Spider-Man features, Sony returned the television rights (including the animated television rights) for Spider-Man to Marvel. This took place the day before ComicCon, I'm told. But I was only informed of it this past week.
2. Today (8/31/09) comes the news that Disney has purchased Marvel outright.
NOW, before you ask -- before you post a thousand duplicate and/or overlapping questions to ASK GREG -- let me be clear: I have NO IDEA what this means for either Gargoyles or The Spectacular Spider-Man. Neither of these developments are by definition good news or bad news. Shocking news, sure. But how it will play out for either or both properties is a complete mystery to me. As soon as I have ANY information on either property, I will post it here at ASK GREG. Until then, don't ask. Seriously. Just don't. There's just no point in bogging down the queue with questions I have no answer to. Thank you for your cooperation.
GATHERING 2009 - Monday, August 24th
Midnight - The goodbyes begin for folks who are leaving first thing Monday morning or right now. Said goodbye to Marina, Zehra, Sarah, Michael McAdam and probably quite a few others...
1:30am - The party downstairs finally breaks up and I head up to my room.
4am - Went to bed. But I just couldn't sleep at all.
8am - Finally gave up and got up.
9am - Brought my luggage to my car and then went to the staff breakfast: crepe, ham, potatoes, OJ.
10am - Comic book panel with Karine Charlebois and Greg Guler. I'll just repeat the main message I gave. I have no info on the future of Gargoyles comics beyond this: SLG's Dan Vado is sincerely interested in doing more. His ability to make an offer for the license to Disney will depend on the sales of the three trade paperbacks. Beyond that, we had some really interesting discussions about the books.
11:30am - Gargoyles Biology and Culture panel with Jade Griffin and Matt Parker. I love this panel. Always full of interesting discussions, that influence how I handle things in the Gargoyles Universe.
1pm - Closing Ceremonies. Okay, I admit it. I pretty much lost it more than once. It was VERY emotional. A number of us told stories of past Gatherings and how they changed our lives. It was warm and all too fuzzy, but wonderful. I love all you guys. Thank you.
2:30pm - We finally closed the Closing Ceremonies. I helped Patrick and a bunch of other volunteers carry things down to Patrick's rented van. Then we headed up to the Constaff Suite for a dead dog party. Christopher bought pizza for everyone, which was very generous. I had a coke and a virgin jello shot. And we just hung out.
5:45pm - Time to go, to return to real life. I hugged EVERYONE. Jennifer Anderson walked me to the elevator. I was pretty wrecked. It felt a bit like it felt to end a long job. You walk away. What else can you do? You take your memories with you, but you also know you're leaving a piece behind.
But it's been a FANTASTIC THIRTEEN YEARS. Thanks to everyone who ever attended a Gathering. You really changed my life!
GATHERING 2009 - Sunday, August 23rd
1am - Got back to my room.
2am - Went to bed.
9am - I woke up. Wow, a real night's sleep. I showered and dressed quickly, attempting to make the tail end of the staff breakfast, but got waylaid along the way by arriving guests, like Bob Kline. Managed to snag one croissant, but that's it.
10am - Gargoyles Production panel with Frank Paur, Bob Kline, Brad Rader, Pamela Long, Vic Cook, Greg Guler and Doug Murphy. More fun old stories.
11:30am - Spidey Production panel with Bob, Pamela, Vic, Greg, Kevin Altieri, Jennifer Coyle, Sean "Cheeks" Galloway, Joey Mason and Phil Weinstein. We showed the unaired scenes clip from ComicCon and the animatic for the main title. And again, more fun stories.
1pm - I finally had a break, but I couldn't resist sitting in on the Composer's panel with Carl Johnson, Gargoyles Composer, and Dynamic Music Partners (Lolita Ritmanis, Kris Carter and Michael McCuistion) the Spider-Man composers. They were WELL-prepared. Way more well-prepared than I was for any of my panels. Brought a bunch of clips and talked process. It was fascinating.
2:30pm - Writers Panel. From Spidey: Andrew Robinson, Kevin Hopps, Nicole Dubuc and Matt Wayne. From Gargoyles: Bob Skir and Michael Reaves. Michael has Parkinsons, so first Bob and later Michael's daughter Mallory Reaves served as interpreters for him. It was great having everyone there.
4pm - The writers (and Karine) had a signing.
5pm - My wife dropped my son Benny off at the con. So we hung out a bit.
6pm - Benny and I went to the Banquet. We sat with Gayle, Lauren, Ryan, Grey Wolf, Read and Abbie. Real sweet spread at the buffet. But I've forgotten exactly what. I guess I'm just not that into the food this time. Is that progress?
7:30pm - Another Q&A. This time with myself, Bob Skir, Vic Cook, Greg Guler, Nicole Dubuc, Kevin Altieri, Jennifer Coyle, Ben Diskin, Crispin Freeman, Karine Charlebois and Wendy Pini. Michael Reaves kibbitzed a bit from the sidelines too.
8:30pm - By this time, Beth had picked Benny up again. I went to the bar and hung out with Vic, Guler, Kevin, Jennifer, Wendy and Karine. Just had a coke.
9:30pm - Masquerade time. The judges were myself, Wendy Pini, Keith David, Thom Adcox, Ben Diskin, Carl Johnson and Karine Charlebois. I will attempt to remember all the awards we handed out, but I forgot to save my award sheet...
	Best Junior - Ryan & Lauren as Owen & Banshee
	Best Performance - Abbie as the Lady in the Lake
	Best Original Character - Rika as Venus
	Cutest Trio - Jade, Eric and Kyari as Fox, Owen and Alex
	If I give you this, I'll have to kill you award - Zehra, Tony & Andrea as Shari & the Illuminati
	Best Canon - Aaron as Upgraded Jackal
	Excalibur Award - Justin as King Arthur
	Gorelisa Award - Charlie as Kalia Sartre
	Thom Adcox Memorial Award - Rebecca as a Star Trek Dispensable Red
	Best in Show - Esopus as ... okay, this was best in show and it was really great, but I just can't remember the name of the character!  SORRY!!!!
10:30pm - We all just hung out in the Ballroom for awhile. I chatted with GXB, Carl Johnson, Zehra & Sarah and many, many others...
MORE NEXT WEEK!!!!!
GATHERING 2009 - Saturday, August 22nd
3am - Went to bed.
8am - Woke up, with five hours sleep being the most I'd had in any one night in over a week.
9am - Staff Breakfast. Usually, I'm all about telling you what I ate at every meal, but I just don't remember. Orange Juice and a croissant, I think. But also... uh... not sure.
10am - Jennifer and I were joined by Gargoyles/Spidey Voice Director Extraordinaire Jamie Thomason for our second round of auditions.
11:30am - Casting session. We only had thirteen slots for fans to participate in the play because of the LARGE pro "turnout". You see, most years I ask the pros to participate and we get one or two saying yes. But this year SIXTEEN said yes. So from a fan standpoint, we had an embarrassment of riches. Over forty people auditioned and most of those did great, so we decided to cast the thirteen slots, plus STEAL a role from Thom Adcox and give that to another fan, PLUS cast a couple of fans as understudies in case someone didn't show. (But everyone did.) We posted the cast list...
12pm - Lunch in the staff room with Marina Sirtis, Keith David, Karine Charlebois, Greg Bishansky, Thom Adcox and Keith's son Owen. It's always great to see Keith, but it was very cool to see Marina again, whom I haven't seen in years. And, man, has Owen grown!! Broccoli soup, salad, and... see, can't remember!
1pm - Gargoyles Voice Acting Panel with Jamie, Keith, Thom, Marina and Elisa Gabrielli. Fun stories told. Marina and I have very different memories about how she was cast. (I'm right, but I'd never say that.)
2:30pm - Spidey Voice Acting Panel with (again) Jamie, Keith and Elisa. Plus Dee Bradley Baker, James Arnold Taylor, Ben Isaac Diskin (what's with all these three name guys?), Steve Blum, Daran Norris, Deborah Strang, Vanessa Marshall, Josh Keaton, Andrew Kishino, Phil LaMarr, Crispin Freeman and Eric Vesbit. More fun stories. Jamie and I disagreed about how many characters we auditioned. And once again, I'm right. It's a blessing and a curse, as Monk would say.
4pm - Radio Play Rehearsal. We barely had time to do one full read through of the ridiculously long and over-stuffed radio play. There was really no time to direct the actors at all, beyond telling them to project louder, though Jamie and I tried to give an occasional pointer.
5:30pm - Radio Play. Gotta say, thanks to my shameless pandering in the script and the amazing talent of my cast, we really had a phenomenal success with the three night mess of a bloated script I wrote. Got lots of laughs, even a few gasps. Pros were spot on, of course, including some Gargoyles folks who hadn't played their characters in years. But our fan cast was great too.
Here's the cast list:
	THE SPECTACULAR SPIDER-MAN MEETS GARGOYLES
	âReligious Studies 101: A Handful of Thornsâ
	(Radio Play)
	CAST LIST
	NARRATOR - Greg Weisman
	DEMONA/DOMINIQUE DESTINE - Marina Sirtis
	SPIDER-MAN/PETER PARKER - Josh Keaton
	GOLIATH - Keith David
	LEXINGTON - Thom Adcox
	ELISA MAZA - Zehra Fazal
	BROOKLYN - John Clemens
	CURT CONNORS/LIZARD - Dee Bradley Baker
	BROADWAY - Crispin Freeman
	ZAFIRO - Joshua Poole
	MAY PARKER - Deborah Strang
	GREEN GOBLIN - Steve Blum
	OBSIDIANA - Elisa Gabrielli
	KRAVEN THE HUNTER - Eric Vesbit
	HARRY OSBORN - James Arnold Taylor
	DOCTOR OCTOPUS/OTTO OCTAVIUS - Michael McAdam
	J. JONAH JAMESON - Daran Norris
	MARY JANE WATSON - Vanessa Marshall
	ELECTRO - Crispin Freeman
	VENOM/EDDIE BROCK - Ben Isaac Diskin
	GEORGE STACY - Lucas McClain
	BIG MAN - Keith David
	CALYPSO EZILI - Jennifer L. Anderson
	ASHLEY KAFKA - Elisa Gabrielli
	ROBBIE ROBERTSON - Phil LaMarr
	LIZ ALLAN - Kaitlyn Robrock
	SALLY AVRIL - Jennifer L. Anderson
	GWEN STACY - Sarah Williams
	MATT BLUESTONE - Eric Tribou
	GREG BISHANSKY - Greg Bishansky
	KENNY KONG - Andrew Kishino
	COLONEL JUPITER/JOHN JAMESON - Daran Norris
	NED LEE - Andrew Kishino
	VULTURE - Seth Jackson
	FLASH THOMPSON - Ian Bassett
	SHARI - Zehra Fazal
	FANCY DAN - Phil LaMarr
	GULYADKIN - Dee Bradley Baker
	CARNAGE/CLETUS KASADY - Ian Bassett
	HOMUNCULUS #1	 - Dee Bradley Baker
	HOMUNCULUS #2	 - Phil LaMarr
	HOMUNCULUS #3 - Steve Blum
	HOMUNCULUS #4	 - James Arnold Taylor
	HOMUNCULUS #5 - Thom Adcox
	SMUGGLER #1 - Andrew Kishino
	DOMINIC DRACON - Seth Jackson
	BLACKIE GAXTON - Steve Blum
	EMILY OSBORN - Kaitlyn Robrock
	TINKERER - Thom Adcox
	SEYMOUR OâREILLY - Steve Blum
	SILVER SPOON MANAGER - Crispin Freeman
	ANGELA - Sarah Williams
	PUMPKIN BOMB - Nicki France
	THAILOG - Keith David
	MARIA CHAVEZ - Elisa Gabrielli
	FREDERICK FOSWELL - James Arnold Taylor
	ALAN OâNEIL - James Arnold Taylor
	ROSIE THOMPSON - Vanessa Marshall
	MARGOT YALE - Marina Sirtis
	MORGAN MORGAN - Keith David
	JASON IONELLO - Ben Isaac Diskin
	RAND ROBERTSON - Phil LaMarr
	BRENTWOOD - Fox Anderson
	CHAMELEON - Steve Blum
	NORMAN OSBORN - Eric Vesbit
	DILBERT TRILBY - Steve Blum
Thanks to the entire cast. You guys were amazing, and totally saved my butt.
7pm - Once the play was over, all the tension and adrenaline that it had generated over the last week or so melted away, leaving me nearly comotose. I went to dinner in the hotel with my wife Beth and my son Benny. I didn't eat much. Clam Chowder, a roll, a coke and a shrimp cocktail. I was all but passing out. Fortunately, I got a second wind... and I'd need it.
9pm - Blue Mug w/Thom Adcox and the staff of Blue Mug Productions: Mara Cordova, Kalia Sartre, Jennifer L. Anderson and Boswell Bosley. I had to duck out for awhile, and I hear Edmund Tsabard showed up and pretty much insulted everyone in the room. (So what else is new?) I came back, by which time Edmund was gone. I picked up my water glass to take a drink, and someone told me that Thom's chihuahua had sipped from my glass. Someone else pointed at another glass and said that was the one the dog had lapped from. I shrugged it off and sipped from my glass. Then Jen told me Edmund had used that glass. I did a spit-take. I mean do you know where Edmund's mouth has been?!!! I hate to do anything to promote anything that reprobate is working on, but the work of the rest of the Blue Mug staff is so good that I'll ignore his contribution and recommend BlueMugProductions.com to all of you (who are 18 or over). I've seen the work, and it's really good!!! By the way, whomever took my Vox-made macrame Greg doll and put an eyepatch on it to turn it into an Edmund doll: UNCOOL!!! I don't even see the resemblance anyway!
11:30pm - After the mug, a few of us -- Jennifer, Mara, Eric and Tony -- went upstairs to the staff room. I had a virgin jello shot. Black Cherry!
More tomorrow!
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